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 ( Back when I started writing music, I had just one goal; to write something that would outclass Reckoner. It's an impossible goal, of course, but I tried my damndest...) At the climax of ‘Tracing the Familiar Patterns’, off your most recent album, you sing ‘the days of blissful, unaware ramblings have been left in the past/now that I hear silence, my thoughts come pouring through at last’. It seems as though you tried to break from your past in that moment. Was that the intent?"A bit, yeah. I wouldn’t say a total break, though, because there’s so much you can learn from the past in regards to successes and failures. But, I think the ‘failures’ are what I was trying to move on from, particularly in that line. I’ve always expressed that lyrics mean everything to me, more so than even the music. So, it’s always upsetting to me when there isn’t a clear message being expressed through my writings. Particularly with ‘Insomnia’, I think; I’ve always looked back on that period of writing with disdain. Well, I say disdain… I suppose ‘missed opportunities’ would be a better way of putting it. The lyrics have nothing to do with me, of course, for reasons I’ve previously expressed. They’re just short stories, with no overarching narrative. In fact, I’ve always viewed the album this way; cut out a few chapters from Harry Potter, Lord of the Rings, and some shitty Star Wars Novelization, and you have the book equivalent of ‘Insomnia’. I tried to juxtapose the songs off one another, to create a jumbled feeling of insanity and uncertainty. But, in the end, they’re just ‘unaware ramblings’. None of them really mean anything in the long run. It doesn’t paint an overall picture very well, which is why I was shocked that it won ‘Best Album’ at the IMA’s and the @Chaos show. Don’t get me wrong, I love the praise, but… I dunno, I suppose I’m a perfectionist. I’m very proud of that album, and what I accomplished with it, but I wanted the next major statement to be more concrete. I wanted it to leave previous ideas in past and create a work of art that actually meant something."Interesting statements from a man often accused of megalomania. You don’t exactly appear to be someone suffering from a lack of self-doubt."Ah, yes, but it’s possible to be both superhumanly egotistical and self-doubting. In fact, it’s even worse when you’ve got rock-star confidence; every little chink in your emotional armor becomes a fatal wound. So, any flaws in my previous output are incredibly discouraging, because I want to be perfect. Hell, I’d love to be. And some days I think I am. Then the days stretch into months; in the fallout from ‘Insomnia’, I was absolutely convinced that I was the biggest, best rock star on the fucking planet. Infinite wasn’t the best; I was the best. Remember me saying earlier that ‘Midnight Skies’ and ‘Insomnia’ were written with the intent of giving Greg and Matt more credit? Yeah… I run in fucking circles. Don’t think I’m always egotistical cunt, though. Because I’m really not… at least, I hope I’m not. Everyone does, right? I bet even Kanye wonders every now and then if Taylor actually did deserve that award. Y’know, ‘maybe I’m wrong’. And I was wrong; I’ve calmed down quite a bit since then. Mostly because I’ve realized that I’ll probably be dead in the next ten years due to Huntington’s, but also because I’ve found what I consider to be true love. Not saying that ‘love conquers all’ and whatnot, but… Victoria does have a bit of a stabilizing effect on me, even if she is the type of person who takes the lifestyle of Alex DeLarge to heart."She’s had quite an influence on you recently. Was she also a factor into the making of Dancing about Architecture?"Not even in the slightest. [laughs] Sorry, lover! By the time the old gang gets ‘round to recording our fifth album, I imagine that she’ll have a massive impact on my lyrical writing. But at the time of ‘Dancing..’, the process of writing was all about me looking inwards at my own thoughts and feelings. There were practically no influences in terms of lyric writing; the music, of course, was influenced by the really gritty, arrogant rock of bands like Oasis. Of course, that can be a little bit worrying; if there’s nobody to inspire you, then your art just runs into the ground. It’s a scary thought; no parts of the world outside serving as motivation to write. So Dancing about Architecture was very much a one-time thing. But, then again, all of Infinite’s music is."You say it’s a ‘scary thought’. What do you mean by that?"I’d become incredibly redundant if everything I did was entirely inwards. An artist’s job is to adjust to his or her surroundings, and to incorporate these changes into the music. It might not be this way for everyone, but I always feel as though there has to be someone, or something, pushing me forwards. Creation is a competition, after all, and music is no exception. So, people saying that ‘love’ and ‘beauty’ are the only inspirations for art are liars. If there is one emotion that has driven my musical career, it’s jealousy. Back when I started writing music, I had just one goal; to write something that would outclass Reckoner. It’s an impossible goal, of course, but I tried my damndest! And, in the process, I wrote a series of halfway decent records. It never reached the lofty heights I naively hoped for, but a half-full glass is better than an empty one, right?
I genuinely believe that jealousy is the underlining heartbeat to all forms of art. Look, for example, at Brian Wilson. In the Sixties, he was driven mad, literally mad, trying to come up with something better than what the Beatles were making. And, in the process, he made ‘Pet Sounds’. He wasn’t in the greatest band of all time, but he managed to make one of the greatest albums. That, to me, is a fair compromise. You have to reach for the stars; if somebody’s already there, knock the fucker back down to Earth. Of course, it’s not nearly that violent; I love Reckoner with every fiber of my being, and Jason Smith [of Mind] is my non-sexual soulmate. Victoria, quite obviously, is the sexual… one… anyways, so, the jealousy is one of uttermost love. I look at Riot in the Boulevard, for instance; they’re genius, absolutely genius, and they’re only on album number one! I really, really wish I could be in their position. But, alas, I’m at the stage in my life where people probably look at me as this bloated, drug-addicted rock-star. So, if there’s one reason I’m going into the studio with Infinite for one last time on the fifth album, it’d be to prove to myself, and my audience, that I’m still a worthwhile entity even with new talent cropping up. Amy Meyer might be exponentially hotter than myself, but I can write songs that are just as good as hers. Hopefully.."Edited by user 22 November 2011 05:43:18(UTC)
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Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis (Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk) Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist Nick Junk - Vocals, Mojo Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles (Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.) Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist Matt Roberts - Bass Greg Oldson - Drums, Backup Vocals, Secondary Lyricist Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals "When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope." - Stephen King |