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Offline Laurelles1  
#181 Posted : 13 October 2011 02:12:21(UTC)
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Jason: WAAAAAAAAAAAH :'( Seriously though dude, I hope I wasn't a factor in making you leave, I could never forgive myself.
Awards (stroking myself and thinking I'm superior):
@Chaos awards:
Best Band - Mind
Best Album - Shattered Fairytale by Mind
Technical Ecstasy - Jason Smith (x3)
Best Solo Male - Jason Smith
Birdies:
Best Producer - Jason Smith

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infinite135 on 19/10/2011(UTC)
Offline erich hess  
#182 Posted : 13 October 2011 03:14:08(UTC)
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Erich: fuck 'em. Show those bastards who wears the trousers. I'd leave atomic war bride in a second if i had the chance.

Karoiena: nice,erich.

Erich: hey,i'm not the one with the thriving solo career.

Karoliena: thriving?! I did one album! Thats hardly "thriving"....more like "throbbing".

Erich: my turn. "Nice,karoliena".
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"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.
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infinite135 on 17/11/2011(UTC)
Offline Marksy  
#183 Posted : 14 October 2011 00:51:19(UTC)
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Sam: I could almost see this happening, still, good luck to both the remaining members of Infinite and Eric himself with the future.
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infinite135 on 19/10/2011(UTC)
Offline PANIC!  
#184 Posted : 14 October 2011 06:22:36(UTC)
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Ryan Ross Hernandez: I can't say I'm so taken aback with the announcement of Quillington's departure from Infinite. It's a natural process, really. Some musicians are made to be faces in a band and not have egos; others are molded to be legends in their own right, and have massive egos. I'm glad to be able to say that I worked with the original Infinite line-up as a produce for their final album together, that's a true honor. The rest of Infinite are really talented guys and I'm sure they'll continue on without Eric and further grow the legend that is Infinite. Oh, I almost forget to add a trademark douchey comment. When it comes to male solo artists it's still, Ryan Ross Hernandez > Eric Quillington = Jason Smith.
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Laurelles1 on 14/10/2011(UTC), infinite135 on 19/10/2011(UTC)
Offline infinite135  
#185 Posted : 19 October 2011 00:53:02(UTC)
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"This is my way of saying goodbye, because I can't do it face to face"

- Radiohead; 'Videotape'

"And, in the end, the love you take is equal to the love you make"

- The Beatles; 'The End'


"You have to understand, this is makes me the worst type of person imaginable, not to mention the worst boyfriend" Eric Quillington said to a stunned crowd of reporters as he struggled to hold back tears, "Having her, having everybody I know personally, find out about this through a fucking press conference is an awful thing to do. It's cowardly of me. And I'm... I'm sorry..."

Two hours ago, the former frontman of Infinite confirmed the rumors about his health, and the true reasons behind his departure from the band. He has inherited the genetic disease known as Huntington's from his mother. Although not strictly speaking a 'fatal' disease, it does eventually rid the victim of the ability to perform even the simplest of tasks and, in the more extreme cases, of sanity. It can also lead to suicidal thoughts, something that Eric knows all-too-well after witnessing, firsthand, the death of his mother. One of the earliest symptoms this disease causes is impulsive and reckless behavior, something Eric has been exhibiting for several months now, notably during his drunken behavior at the Field Day Festival and the Big Brother show. And yet, despite disgracing his public image during those two incidents, his official announcement about the disease caused an overwhelming reaction of grief and support among those present. "It was like John Lennon announcing on December 7th that he'd be shot dead the next morning," said reporter John Waits, "Being there when this beloved musician sounded the trumpet for his own death was... heartbreaking."

In a complete contrast to his usual, exuberant self, the skeletal Eric listed off, one-by-one, the facts that had been growing as quiet rumors among the media for quite some time now. He confirmed that Amelia Florentine was hired for the simple purpose of serving as his replacement, and has also revealed that he has been hiding his condition from both his loved ones and the press for years, with bandmates Greg Oldson and Matt Roberts being the only two fully aware of his declining health. "We knew as far back as Insomnia that my time was coming up, which is why we announced the break-up." Eric explained, "But we eventually decided to stick around a bit longer, as I wanted to give Matt and Greg a chance to keep this Infinite train moving. I didn't want to put them out of a job just because of my health, y'know? So I stuck around a little bit longer. But now it's the end of the line." As Eric has typically been very quiet about his personal life, it was a shock to hear him so elaborately talk about, not just himself, but his mother. The disease rendered her uncontrollable, and left almost no semblance of who she once was. In a full and tearful breakdown, he remarked about how he never wanted to end up like her. But his full bitterness runs deeper than one might expect. "The disease makes you impulsive, and I was born out of a one-night stand," Eric spat out sarcastically, "So I owe Huntington's my life. Makes sense that it'll factor into my death."

And so, a forced retirement is immanent. But, as he said during the initial announcement of his leaving Infinite, so he once again reminded the world that there is still one last spark on the horizon. The band's fifth album will still feature his writing and playing, and is to serve as a farewell to fans of his work. In addition, the film collaboration with Glamazon is nearing completion, and has a tentative release for October 31st. By February of next year, however, Eric Quillington will be in a quiet retirement, spending his remaining time with friends and loved ones.

Edited by user 17 November 2011 06:06:42(UTC)  | Reason: Not specified

Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

UserPostedImage


"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
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C4AJoh on 19/10/2011(UTC), GirlSpice on 19/10/2011(UTC)
Offline troy211619  
#186 Posted : 19 October 2011 00:59:54(UTC)
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OOC: Eric's going to die? Oh no!

This.. It's just awful news, I'm rendered speechless. I know my words can never get rid of your disease, but I wish you the best in life. It's good you're retiring to spend time with your loved ones, if I were in your place I'd do the same thing, spend the rest of my life in peace and happiness with my family instead of stressing myself in the music business. I wish you the best dude, this would be sad though.

-Troy Mascenon
zicon wrote:
So what is Role Play all about, Imagination?


Aj wrote:
I don't dislike pop, I dislike bad music.

Liam


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infinite135 on 01/11/2011(UTC)
Offline Mckenzie-  
#187 Posted : 19 October 2011 01:14:19(UTC)
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Josh: Waow.. this is something i never expected to hear. Im, in complete shock. Someone like you doesn't deserve this. This is a sad, sad time for the music industry and i wish you the best Eric, you are a great role model. Oh, and don't feel like its a cowardly move, your one of the bravest people around telling this to the whole world.
retired x
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infinite135 on 01/11/2011(UTC)
Offline erich hess  
#188 Posted : 19 October 2011 02:22:28(UTC)
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Erich: that is horribly tragic....but pretty cool in it's way. Cancer and other mainstream diseases are such a pedestrian way to go.

Karoliena: that was terribly cruel,erich.

Erich: he seems resolved to his fate,so why should i think otherwise?
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"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.
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infinite135 on 01/11/2011(UTC)
Offline Laurelles1  
#189 Posted : 19 October 2011 02:39:29(UTC)
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Jason: So this is like the worst thing ever... I mean, I knew already, but it still sucks like hell... remember dude, I'm always here for you. You did the right thing by telling the world. You'll always be my best friend, no matter what happens.
Awards (stroking myself and thinking I'm superior):
@Chaos awards:
Best Band - Mind
Best Album - Shattered Fairytale by Mind
Technical Ecstasy - Jason Smith (x3)
Best Solo Male - Jason Smith
Birdies:
Best Producer - Jason Smith

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infinite135 on 01/11/2011(UTC)
Offline DistortedAudio  
#190 Posted : 19 October 2011 07:35:27(UTC)
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Winston: On occasion, and event happens that completely takes you by storm and leaves you thinking for a lifetime.
So was the inception of Infinite and with the retirement of one of its members, the event persists.
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I feel numb, born with a weak heart
I guess I must be having fun


EARN BY WORKING LIKE A DOG
SPEND LIKE ROYALTY
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infinite135 on 01/11/2011(UTC)
Offline PANIC!  
#191 Posted : 19 October 2011 11:22:09(UTC)
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Ryan: The news of Eric's disease does take me back somewhat. I think a lot of people saw his recent outbursts and strange behavior as a rockstar being just that, not really having the knowledge to connect the dots from a third-person point of view. Eric might be retiring, but he has left a catalog of music that will live on forever. I consider the man a friend. I have an immense amount of respect for the impact he has had in music in just a short period of time.
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infinite135 on 01/11/2011(UTC)
Offline infinite135  
#192 Posted : 01 November 2011 03:50:05(UTC)
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"Tears stream down your face when you lose something you cannot replace
Tears stream down your face, and I...
Tears stream down your face, but I promise you I will learn from my mistakes
Tears stream down your face, and I...


- Coldplay, 'Fix you'


And so, Infinite is about to lose a piece many have always considered the most important. But, amid the bickering amongst fans on whether or not the band can truly survive without Eric Quillington, life goes on. A new, standalone single is being prepared for release, with Amelia Florentine set firmly in place as the new vocalist. Fans needn't worry about this new incarnation being too different from the band they know and love, however; in true Infinite tradition, the single has been delayed from it's initial release date of October 31st (today, incidentally) to mid-November. While not much information has been leaked about the exact nature of the musical and lyrical parts of the new song, Greg Oldson has hinted that it will be much more optimistic and uplifting than Infinite's previous work. Which isn't too much of a stretch, as this is the band that wrote Insomnia. Despite the rumored new direction, Eric Quillington has promised that the band won't become totally unrecognizable, as he explains in his own nerdy, Whovian way; "The band's going through regeneration. I'm like David Tennant, y'know? And I've just saved Wilfred from the radiation chamber thing. So I'm right in the middle of those last 20 minutes, saying goodbye to companions and one-night stands. And I'm just about to hand over the keys of the TARDIS to Matt Smith. Amelia Florentine, in case you haven't already figured it out, is Matt Smith. With a vagina."

The emotionally-raw Eric Quillington who announced to the world of his failing health several days ago has now been replaced by a similar, smiling face. In spite of (or perhaps due to) his early stages of the Huntington's disease, Eric has remained surprisingly optimistic of both his and the band's futures, however separate they may be. While he initially denied plans of a solo career after his departure from Infinite following the recording and release of their fifth album, he has recently expressed interest in perusing a solo career for a short period of time. "I think it might be a bit of fun to make a career while I slowly lose my mind," he said to a reporter with a smile betraying no hint of anger or sadness over his impeding future, "It'd be like if Gary Busey had a musical career". As Project;Prometheus' album Dividing Divinity (written and recorded with his close friend Jason Smith, naturally) has yet to be released, a musical path away from Infinite, however brief, seems increasingly likely.

As rays of light are beginning to appear through the darkness, it seems appropriate that Supernova.net should begin it's own celebration of past victories. For while Infinite has received massive acclaim for such albums as Midnight Skies, their recording career is arguably eclipsed by what they accomplished as a live act. So for two weeks, starting November 13th, videos will be posted on this website focusing on the band's greatest performances, from intimate club gigs during the days before Blue Nebula to their storming, triumphant performances at Wembley Stadium and beyond. And, no, this totally isn't a clever way of manipulating all you intelligent folks into voting for Infinite as the 'Best Live Band' at the @Chaos Awards.

But, as today is October 31st, this would be an absolutely wasted opportunity to not wish everyone reading this a Happy Halloween. Whether it's getting candy from (shifty) neighbors, TP-ing the hell out of your high school gym teacher's house, or just getting shitfaced enough at the costume party to be able to look at that chick in the 'sexy' cat outfit without wanting to gouge your eye-balls out, we hope you make this day a memorable one. Go nuts.

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Edited by user 08 November 2011 06:36:10(UTC)  | Reason: Not specified

Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

UserPostedImage


"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
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Offline DistortedAudio  
#193 Posted : 01 November 2011 04:16:29(UTC)
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OOC: Amelia Florentine is Matt Smith. With a Vagina. Bravo good sir. Bravo.
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I feel numb, born with a weak heart
I guess I must be having fun


EARN BY WORKING LIKE A DOG
SPEND LIKE ROYALTY
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infinite135 on 01/11/2011(UTC)
Offline infinite135  
#194 Posted : 08 November 2011 06:44:46(UTC)
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"You walk out into the sports hall
The lights go down, and it's a whole different scene
Light in motion, light in motion makes it hard to walk away
But you could've had it all, we could've had it all
We could have it all some day
But, love, you shine like a burning star
We're falling from the sky tonight"


- U2, 'The Fly'


Infinite has been a band of multiple stages and forms; there's the angry and dirty grunge-meets-acoustics of Blue Nebula. There's the schizophrenic, frenzied, and, when looking at it through hindsight, Huntington's inspired, Insomnia. And, most recently, Infinite (will, mostly Eric Quillington) laid down personal demons on the raw Dancing about Architecture. But it's the warm, anthemic textures of Midnight Skies that the band retreated to last night. In a small, intimate venue, the new incarnation of Infinite played for the first time in front of a 500-strong crowd. Greg Oldson and Matt Roberts were, naturally, the more comfortable out of the three. But it was, somewhat unexpectedly, Amelia Florentine who stole the show. While many die-hard fanboys of Infinite might say that allowing Amelia, rather than Greg or Matt, to sing 'Supernova' is sacrilegious to the band's past, it takes only two seconds of listening to her soulful voice to realize that Eric Quillington's faith in her is completely justified. She may not possess the sheer talent of the band's former frontman, not yet at least, but she more than makes up for it with one of the most powerful and emotive voices in modern music. But her voice isn't everything; the two songs penned by her, 'Skeletal' and 'Perfectly Saccharine', were able to stand toe-to-toe with some of Infinite's older standards. Which, of course, is no small accomplishment. But, while Amelia sang the vast majority of the songs, it's becoming increasingly clear that this new version of the band will have no leader, instead focusing on a group mentality. Matt Roberts did a campy take on 'Salt', while Greg Oldson performed a surprisingly emotional version of 'Faust'. And it's not difficult to see why that song would be the highlight of the evening. As Greg Oldson sang the lines, 'And there was only ever you and I/A pair of lights at the end of the tunnel, blurring all the shadows/And you’re already gone/Another missed opportunity waiting to be declined', it was impossible to find a dry eye in the theater. With Eric departing from the band due to health complications, an emotional anchor is now tied to most (if not all) of Infinite's previous work. It is, in many ways, as if Nirvana chose to continue after Kurt Cobain's death. While Eric is nowhere near as important as that other, more famous trio's frontman, he still holds an irreplaceable part of the fan's hearts. Which is why when Greg Oldson announces that the final song, a cover of Eric's personal all-time favorite, will be played as a tribute to their once-time frontman, the cheer that emits from the small crowd is almost deafening.

Whether or not Infinite will be forever eclipsed by their former frontman remains to be seen. But fans needn't worry about that just yet; Eric Quillington is still on-board for the band's fifth album, which is rumored to be entitled Light In Motion, named after a line from the aforementioned U2 song. But, if it's Eric Quillington's farewell to the world of Infinite, at least it's a prolonged one; Greg Oldson has recently confirmed that the piece of work, still in the very early stages of development, might be a double album. Those still holding on to the memory of Quillington can take comfort in the fact that he is still with the band, if only for a precious few months. Although Infinite hasn't yet made their 'regeneration', they are on the verge of it. But, as the band's performance showed last night, the fans have nothing to worry about.

Setlist;

Prelude to a Dream
Supernova
Salt
Skeletal (New Song)
Perfectly Saccharine (New Song)
Faust
Before the Dawn
The Fly (U2 Cover)

Edited by user 08 November 2011 06:45:20(UTC)  | Reason: Not specified

Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

UserPostedImage


"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
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Laurelles1 on 08/11/2011(UTC)
Offline GirlSpice  
#195 Posted : 08 November 2011 07:12:14(UTC)
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Glamazon: My application to join Infinite was turned down... luckily, one woman who did manage to get the job is wildly talented and from what I hear, is absolutely amazing. Why the fuck wasn't I at that gig last night?
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ACTIVE:
Vanity x Nadia Berry
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infinite135 on 09/11/2011(UTC)
Offline infinite135  
#196 Posted : 15 November 2011 03:44:00(UTC)
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‘My madness is very inconvenient, but it’s also a bit personal; you can’t blame it all on Huntington’s, after all..’

Every generation has them. The Sixties had John Lennon, Paul McCartney, and Keith Richards. The Seventies had David Bowie, Pink Floyd (because, really, who knows their individual names?), and Robert Plant. The Eighties had Bono, Bono, and Bono (according to U2’s frontman). The Nineties had Kurt Cobain, Thom Yorke, and Liam Gallagher. The modern era has Ryan Ross Hernandez, Jason Smith, and Eric Quillington. While they may not be the most innovative or talented, they nonetheless came to represent the time from whence they emerged. In the course of four albums and ten singles, from Blue Nebula to Dancing about Architecture, the Cobain-esque Eric Johnson slowly morphed into the crackpot legend known as Quixotic Quillington. It’s a fantasy almost every adolescent delves into; a virtual unknown reaches a position of such acclaim and prestige that even drug controversies and poorly-worded public rants do little to dampen the love constantly thrown his way. But, is it entirely deserved? Will future generations look back on his legacy with awe, or focus on the erratic lifestyle that supposedly destroyed a genius that ‘could’ve been’?

In a five-hour long interview with Rolling Stone, Eric Quillington attempts to answer this question, among others, within the confines of an emptied apartment in the center of London. It's an apartment emptied of furniture and physical possessions, but will also soon be separated from it's most famous occupant. In his final hours before the move to girlfriend Glamazon's mansion, Quillington sheds insight on all aspects of his life; the tentatively titled Light in Motion, his career defining relationships with Jason Smith and Troy Mascenon, the inspirations behind recent album Dancing about Architecture, why Glamazon and he are the 'single greatest couple since Adam and Eve', and whether or not he truly believes his own replacement, Amelia Florentine, can lead Infinite to new heights.

Edited by user 15 November 2011 07:20:27(UTC)  | Reason: Not specified

Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

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"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
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Offline infinite135  
#197 Posted : 15 November 2011 07:20:12(UTC)
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(People want important statements to have fifty-piece orchestras, falsetto wailings, and lyrics about the end of the universe)


Out of all the albums the Beatles ever produced during their legendary career, none has more character than the White Album. That isn’t to say that the double LP is the best thing the band has ever recorded. Far from it, in fact; Revolver and Abbey Road are almost universally regarded by fans and critics to be far superior. But, the White Album is perhaps the most unique piece of work ever made by the Fab Four. It’s a flawed masterpiece, to be sure, one that fails as often as it succeeds. It’s, some might say, misguided ambition creates an incredibly scattershot experience. But it’s also a delicate house of cards; taking away one piece (even, or perhaps especially, the so-called ‘inessential’ Revolution 9) causes the whole thing to crumble. It’s ‘warts-and-all’ way of presentation is what makes the record so enduring, and sets it apart from most other works of the time. And so, as this is an album with definable personality, it makes sense that some people take certain characteristics from the White Album. None more so than the skinny, 28-year-old man that was once in charge of a phenomenon, and has now willingly stepped down from the position most would give their right arm for.

He's a man that has embraced the 'warts-and-all' view as a lifestyle. Throughout his increasingly legendary career, Eric Quillington has been unflinchingly honest about his thoughts and feelings, sparking a fair share of controversies as a result. Look no further than the interviews taken during his drug-fueled burn-out on Big Brother. But he's also ambitious, forever reaching for the stars; the years between Blue Nebula and Dancing about Architecture have shown a man consistently reinvent both sound and image, always trying to create something better than before. For a man filled to the brim with ambition, it makes sense that he would have a love for all things bold and loud. Indeed, Eric Quillington’s love of sheer volume when listening to music has become legendary among journalists. Or, perhaps a better term would be infamous; interviewing a man who prefers to listen to the White Album as loudly as his surround speaker permits is, naturally, a difficult task. But the sound echoes across vacant walls, signifying a great change that is about to sweep across the singer’s life. “I’ll never be able to do this again,” Eric says with a small smile, “I highly doubt my new room-mate wants to go deaf. As a musician, I imagine that hearing is very important to her.”

___


Your most recent album, Dancing about Architecture, is a stylistic break from the past, in terms of lyrical meanings. While previous albums had focused on short stories and observations on the outside world, Infinite’s fourth album had very personal lyrics. What caused such a dramatic metamorphosis?

“During Infinite’s early days, I was obsessed with the notion that people perceived me as being the only viable aspect of the band. The public consensus was that I was Infinite, while Matt and Greg were the hardly worthwhile session musicians. And I fought against that, I fought against it so hard. But I’m not entirely free of the blame, after all. During the recording sessions of ‘Blue Nebula’, I was an absolute control freak. Everything had to be written by me, everything. The lyrics, the tablature, the timing, you name it. I was a prima donna before I even had a penny to my name. So, yes, in those early days, I was Infinite. But then Greg started writing and singing some of his own material. And it hit me that this is what a band should be; a group of peers on equal footing, bouncing ideas off one another. You see, I used to think that being in a band was the only thing that separated you from the pop-stars. As a teenager, you hate the pop-stars; they’re so vapid, so transparent. But, then again, so was I! I only formed Infinite because I thought that being a solo artist made you a pop-star. And, being a pop-star took away all your credibility. And I wanted to be a godamned rock-star, I wanted to be Matt Bellamy. So I formed an actual band in an attempt to realize that dream. It’s… difficult to describe, so I’m sorry if you’re not really understanding what I’m trying to say. Basically, there’s no difference between pop-stars and rock-stars. They’re both equally famous. Not that fame is everything, of course! Credibility is entirely in the mind; nowadays, Madonna is held in the same light as David Bowie. Some might consider that sacrilegious, but it’s not. And it took me so long to realize that, just like it took me too long to realize the major difference between rock bands and solo acts. A solo artist is just that; one voice, one monotonous opinion. Bands are so much more beautiful; multiple opinions, all meshing into a greater whole. By the time I realized this, and by the time Greg and Matt were truly coming into their own, it was too late. My selfish, arrogant attitude had stolen the spotlight from the other two. And that’s exactly what it was; Eric Quillington and the other two.

So I did the only thing that seemed logical; my lyrics became more abstract and less personal, I let my bandmates write most of the music, and Greg began to sing more songs. So I basically bounced from one extreme to another. Nowadays, I know that it’s possible to be Eric Quillington as well as a member of Infinite. My opinions matter just as much as Matt’s, which is why I need my personality to shine through. Because striving to make sure Matt and Greg aren’t ignored doesn’t necessarily mean I have to ignore my own thoughts and feelings. So, I think it had to do with maturing in the right manner, and not just freaking out about becoming this center of attention, like I had in the past. I can sing a line such as, ‘My personality is like a march, monotonous in its consistency’, and not worry about stealing the attention from Greg and Matt. They speak through bass and drums; I speak through words."


The lyrics weren’t the only different aspect on this album, though; the sound was much more gritty and raw, with none of the experimentation from previous works.

“Does it have to be? People mistake experimentation and breaking genres as the only worthwhile aspects of music. And, yes, change is incredibly important to art in general, but it shouldn’t be the focal point, because then it’s just a gimmick. Music, true music, needs to serve the point you’re trying to convey. It needs to be the exclamation point at the end of a well-worded sentence. ‘Midnight Skies’ was an album about dreams, so it makes sense that the music was a bit abstract and ‘out-there’. ‘Insomnia’ represented my fear of developing schizophrenia, so the music was similarly frenzied and unpredictable. Why would ‘Dancing about Architecture’ be the musical equivalent ‘Insomnia Part II: Rise of the Night-Terrors’ when the lyrics are nothing of the sort? The lyrics are about a man facing up to his inadequacies, and whether or not he can still be a ‘special’ and productive member of society with his glaring faults. He’s facing raw emotions, so the music is similarly raw. It’s not supposed to be perfect, y’know?

People usually interpret musical reinventions as very bold, ambitious things. Like ‘Kid A’; that’s a big, proper reinvention. ‘Dancing about Architecture’ is nothing like that album, sonically, but it’s a reinvention nonetheless. It’s not as in-your-face as some of the dramatic about-faces done by the likes of Radiohead and Pink Floyd, but we never wanted it to be. Nowadays, people want big, important statements to have fifty-piece orchestras, falsetto wailings, and lyrics about the end of the universe. So, I suppose, in a subtle sort of way, ‘Dancing about Architecture’ is a retaliation against that.”

Edited by user 06 December 2011 07:25:18(UTC)  | Reason: Not specified

Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

UserPostedImage


"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
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Offline Matticus  
#198 Posted : 15 November 2011 08:40:42(UTC)
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Ooc: that was epic. Love it!
Sammy Griffin

Matt Young

Fathers of Fury

Buzz & Hype

Other Acts Include: Parish (Michael Parish), Lucifer (James Francis), Cheating the System (Ethan Plyth, Tom Jolly, Ryan Wyler)
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Offline infinite135  
#199 Posted : 17 November 2011 05:59:23(UTC)
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(Back when I started writing music, I had just one goal; to write something that would
outclass Reckoner. It's an impossible goal, of course, but I tried my damndest...
)



At the climax of ‘Tracing the Familiar Patterns’, off your most recent album, you sing ‘the days of blissful, unaware ramblings have been left in the past/now that I hear silence, my thoughts come pouring through at last’. It seems as though you tried to break from your past in that moment. Was that the intent?

"A bit, yeah. I wouldn’t say a total break, though, because there’s so much you can learn from the past in regards to successes and failures. But, I think the ‘failures’ are what I was trying to move on from, particularly in that line. I’ve always expressed that lyrics mean everything to me, more so than even the music. So, it’s always upsetting to me when there isn’t a clear message being expressed through my writings. Particularly with ‘Insomnia’, I think; I’ve always looked back on that period of writing with disdain. Well, I say disdain… I suppose ‘missed opportunities’ would be a better way of putting it. The lyrics have nothing to do with me, of course, for reasons I’ve previously expressed. They’re just short stories, with no overarching narrative. In fact, I’ve always viewed the album this way; cut out a few chapters from Harry Potter, Lord of the Rings, and some shitty Star Wars Novelization, and you have the book equivalent of ‘Insomnia’. I tried to juxtapose the songs off one another, to create a jumbled feeling of insanity and uncertainty. But, in the end, they’re just ‘unaware ramblings’. None of them really mean anything in the long run. It doesn’t paint an overall picture very well, which is why I was shocked that it won ‘Best Album’ at the IMA’s and the @Chaos show. Don’t get me wrong, I love the praise, but… I dunno, I suppose I’m a perfectionist. I’m very proud of that album, and what I accomplished with it, but I wanted the next major statement to be more concrete. I wanted it to leave previous ideas in past and create a work of art that actually meant something."

Interesting statements from a man often accused of megalomania. You don’t exactly appear to be someone suffering from a lack of self-doubt.

"Ah, yes, but it’s possible to be both superhumanly egotistical and self-doubting. In fact, it’s even worse when you’ve got rock-star confidence; every little chink in your emotional armor becomes a fatal wound. So, any flaws in my previous output are incredibly discouraging, because I want to be perfect. Hell, I’d love to be. And some days I think I am. Then the days stretch into months; in the fallout from ‘Insomnia’, I was absolutely convinced that I was the biggest, best rock star on the fucking planet. Infinite wasn’t the best; I was the best. Remember me saying earlier that ‘Midnight Skies’ and ‘Insomnia’ were written with the intent of giving Greg and Matt more credit? Yeah… I run in fucking circles. Don’t think I’m always egotistical cunt, though. Because I’m really not… at least, I hope I’m not. Everyone does, right? I bet even Kanye wonders every now and then if Taylor actually did deserve that award. Y’know, ‘maybe I’m wrong’. And I was wrong; I’ve calmed down quite a bit since then. Mostly because I’ve realized that I’ll probably be dead in the next ten years due to Huntington’s, but also because I’ve found what I consider to be true love. Not saying that ‘love conquers all’ and whatnot, but… Victoria does have a bit of a stabilizing effect on me, even if she is the type of person who takes the lifestyle of Alex DeLarge to heart."

She’s had quite an influence on you recently. Was she also a factor into the making of Dancing about Architecture?

"Not even in the slightest. [laughs] Sorry, lover! By the time the old gang gets ‘round to recording our fifth album, I imagine that she’ll have a massive impact on my lyrical writing. But at the time of ‘Dancing..’, the process of writing was all about me looking inwards at my own thoughts and feelings. There were practically no influences in terms of lyric writing; the music, of course, was influenced by the really gritty, arrogant rock of bands like Oasis. Of course, that can be a little bit worrying; if there’s nobody to inspire you, then your art just runs into the ground. It’s a scary thought; no parts of the world outside serving as motivation to write. So Dancing about Architecture was very much a one-time thing. But, then again, all of Infinite’s music is."

You say it’s a ‘scary thought’. What do you mean by that?

"I’d become incredibly redundant if everything I did was entirely inwards. An artist’s job is to adjust to his or her surroundings, and to incorporate these changes into the music. It might not be this way for everyone, but I always feel as though there has to be someone, or something, pushing me forwards. Creation is a competition, after all, and music is no exception. So, people saying that ‘love’ and ‘beauty’ are the only inspirations for art are liars. If there is one emotion that has driven my musical career, it’s jealousy. Back when I started writing music, I had just one goal; to write something that would outclass Reckoner. It’s an impossible goal, of course, but I tried my damndest! And, in the process, I wrote a series of halfway decent records. It never reached the lofty heights I naively hoped for, but a half-full glass is better than an empty one, right?

I genuinely believe that jealousy is the underlining heartbeat to all forms of art. Look, for example, at Brian Wilson. In the Sixties, he was driven mad, literally mad, trying to come up with something better than what the Beatles were making. And, in the process, he made ‘Pet Sounds’. He wasn’t in the greatest band of all time, but he managed to make one of the greatest albums. That, to me, is a fair compromise. You have to reach for the stars; if somebody’s already there, knock the fucker back down to Earth. Of course, it’s not nearly that violent; I love Reckoner with every fiber of my being, and Jason Smith [of Mind] is my non-sexual soulmate. Victoria, quite obviously, is the sexual… one… anyways, so, the jealousy is one of uttermost love. I look at Riot in the Boulevard, for instance; they’re genius, absolutely genius, and they’re only on album number one! I really, really wish I could be in their position. But, alas, I’m at the stage in my life where people probably look at me as this bloated, drug-addicted rock-star. So, if there’s one reason I’m going into the studio with Infinite for one last time on the fifth album, it’d be to prove to myself, and my audience, that I’m still a worthwhile entity even with new talent cropping up. Amy Meyer might be exponentially hotter than myself, but I can write songs that are just as good as hers. Hopefully.."

Edited by user 22 November 2011 05:43:18(UTC)  | Reason: Not specified

Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

UserPostedImage


"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
thanks 2 users thanked infinite135 for this useful post.
GirlSpice on 17/11/2011(UTC), Laurelles1 on 17/11/2011(UTC)
Offline C4AJoh  
#200 Posted : 17 November 2011 06:08:59(UTC)
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Amy: Holy crap, that's some pretty freaking huge praise right there and it means all that much more coming from someone of your stature. Just one thing though ... the war is on ;) Haha, I'm obviously joking. Like I can compete on a lyrical level with Eric Quillington. Seriously dude, you freaking own. Thanks for the praise though it means the world to me and I'll be eagerly anticipating the fifth album, cannot wait!
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