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Written By: Radio Vine
Produced By: Radio Vine, Joseph Hjoui, J'VAII
Label: Studio 60 Records
Length: 5:14 (Album Version) 4:45 (Single Version)
Beginning Arrangement:
The record is one of a king, Radio really outdid herself with this arrangement. It will stuck you soon as the beginning arrangement begins. It starts off this this dramatic orchestra piece as in the background is sounds of a club mingling with several people, you hear German and Spanish accents. It begins at (0:00- 0:52) At the mark of (:34) of the arrangement is where dramatic crying begins. Radio sounds as if she is already in a high state of emotional stand-base. She is crying heavily on the record, the German and Spanish accents begin to get a little more louder. "Radio you need to stop crying.." a lady in a German accent says in a high pitch voice. Radio continues to cry even more louder. " You are just disgusting WOMAN!!!!!" a deep Spanish man's voice screams. Radio cries more dramatically and then the beginning arrangement screams in a horror fulled slob. " YOU ARE JUST LIKE US, WE ARE ALL ALIKE..." as she continues to scream as the German an Spanish accent begins to quiet now. A soft woman's Spanish accent comes into the mic, you can hear her clearly. " You are stupid woman. He is something you dont need, you need to ESCAP-" she fades out as the sound of a door swinging open and hitting a hard brick wall. Sounds of a hard footsteps are heard, running with a quick pace and crying. All of the sudden, a sound of a hard fall on the ground. Hard steps seems is running towards the fall, " I told you bitch." a loud scream is heard. Liftoff
Heavy breathing is heard. " You crazy bastard." is said in a low tone. " Baby, we are like music... beautiful..." a man's heavy voice is heard as is heard. The liftout is the beautiful voilen playing as Radio does her strong vibrato adlibs with her deep tone and her controls notes. She takes it in a medium pitch but rises to her vibrato being really strong when she goes into a stronger chest note, her vibrato is mixed with a low whistle notes that she mixes with, adding soulful and strong adlibs while the voilen plays beautifully in the song. As the voilen goes higher to into pitch, Radio begins to belt out the adlibs in the same vibrato. She does a long vibrato note where she hits in a high head voice, fading away, letting her head voice relax easy on the last note as she takes a deep breath..Sound It begins very slow with her slowly singing every vowel and every work slowly, her deep soul is heard with the verse as soon as the slow and heartbreaking, rather depressing liftoff of the sound begins you hear the deep moan and sadness coming from into of Radio's throat. Her chest notes are slow and low, she feels every word as her vocal range increases as the sound then increases, she goes into a more relaxed chest note and then blows us completely away as the chorus in full falsetto as she mixed beautifully in with her full chest notes, and lower tones in her timbre. Her opera vibrato is heard along the chorus.
Vocal Breakdown
The verse begins with her slowly singing with her low notes, her timbre is heard with her strong tone that is very controllable with the last line of lyrics. Her soul is heard when she mixes her vibrato and upper chest notes. Her chest notes are slow and low and she sings every word and hits every vowel but covers it up with a vocal techniques when she hits it with a soft head voice to focus on the vowel to have bigger and better vocal range later in the song, like during the bridge when she sits it all in one in a high whistle note with a little mix of a falsetto in her rich and forward tone. Her rich tone during the verse is rich and forward, big mixed with a head voice that is heavy in her tone but still managed to switch to a stronger chest note during the second verse, rally focusing on the vowels. The background singers are just doing short riffs in the back, you can hear the raspy in their vocals but Radio overtakes her tone when she lifts her vocals and doubles them in the background, creating a slow futuristic sound in the background along with the background soulful and raspy riffs. During the bridge, the instrumental stops down even more when she sits in a high falsetto type, then more of a tenor regular type vocal type. Her long notes and runs towards the end is the most shocking, it shows you Radio's vocal range though notes and control. She goes on to last a six second long note with ending with a short whistle tone, the falsetto is slow but keeps with the dramatic bridge piece where the background singers are sound as if they are in a opera show where they put their riffs higher along with Radio's whistle tone during the amazing bridge arrangement.
Bridge Breakdown
During the bridge Radio and the background singers are singing 'Us' in all harmony, very slowly and in a high register as the bridge is slow and romantic while Radio adds adlibs and the sound of her crying. The bridge breakdown begins at (4:47) the chorus is different for the rest of the record as the instrumental and pace changes and Radio is now singing in a low register as the background singers supports the higher notes.
Lyrics (End commentary at the end)
Us like fire, everything that comes our way, we will burn.
No one is between us, us is space we are above,
everything that comes your way, we will destory.
Us is like war, Us is like the bees on the walls.
Us like the broken glass,
Us is like the violence in Iraq.
Shooting down any happiness that comes your way.
You are like us, we will never go as far
we're the ones who love so wrong. Who love so wrong, we will never go as far.
Too far down that road, it's too late to turn around. We're the ones who love so wrong,
we will never go as far...
Us is like the bottom of a peak, jumping down, hard to breath.
Us like the bible I read everyday, religious cant save us now.
We are in too deep. If we take every little thing we did,
all the words we said, us is like heaven everyday.
Us is like beautiful nightmares, kisses that slowly go away.
Us is like music, it can end anyway.
Us are romantic films, tears are the reason we fade away.
You are like us, we will never go as far
we're the ones who love so wrong. Who love so wrong, we will never go as far.
Too far down that road, it's too late to turn around. We're the ones who love so wrong,
we will never go as far...
We are in too deep, us are like a bottom of a deep pit.
We are so damn lucky, us are like hell in several heavens.
We dont even collide together, us are accidents waiting to happen.
Us is sin in this world, everyone's against us.
Us (Us)
Baby, us (Us)
we will never make it as far.
Too far down that road, it's too late
to turn around.
Us (Us) baby us,
ooooo us, yes, it's us.
Us (x6)
You are like us, we will never go as far
we're the ones who love so wrong. Who love so wrong, we will never go as far.
Too far down that road, it's too late to turn away. We're the ones who love so wrong,
we will never go as far...
We dont even collide together, us are accidents waiting to happen.
Us (x6)
We're the ones who love so wrong,
we will never go as far...
Us (x6)
We will never go as far, we are too
far down this road. We will never go as far.
I'm sorry baby.
End Commentary
Radio static is heard like 'Your Vow' record as Radio is heard breathing heavy again as the Spanish accent of a woman is heard whispering, " death is where you are... but you cant seem to find it... Here are we again......" The sound of a door swinging ien is heard as a huge fearful grasp is heard as running footsteps is heard as the Spanish woman yells, " Run dear, Run!" Police sirens are heard as they fade out and on to the next record. Edited by user 08 June 2014 17:32:11(UTC)
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