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Offline GirlSpice  
#81 Posted : 22 May 2011 09:26:45(UTC)
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Glamazon: I adore the simplistic feel to this... and the banjo! You don't hear that in any old song, gotta love that. ;) I also love how light hearted this is and the whole meaning behind it, great job once again, sugar!
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Offline genocidal king  
#82 Posted : 22 May 2011 09:29:46(UTC)
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Originally Posted by: GirlSpice Go to Quoted Post
Glamazon: I adore the simplistic feel to this... and the banjo! You don't hear that in any old song, gotta love that. ;) I also love how light hearted this is and the whole meaning behind it, great job once again, sugar!


Katie: thank you Glamazon :) like I say everytime you send me a comment, it's just...beyond my dreams to have someone as successful as you even listen to my tracks, let alone like them, so I'm so glad you do enjoy what you hear!
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User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
#83 Posted : 22 May 2011 10:17:13(UTC)
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OOC: Excellent job with these track-list descriptions!
Offline PANIC!  
#84 Posted : 22 May 2011 10:33:53(UTC)
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Ryan Ross Hernandez: "I've said this before, and I'll continue to say it because it's true; Simplicity isn't stupidity. I don't think that for you to be successful you need this huge instrumentation or bigger than life sounds. Sometimes it will sound even better if you keep it with organic instruments. I do very much like the sound of this last song, with the banjo and harmonica. I'm currently working on a few songs for my next record that are going to have harmonica in it, and you gotta be very smart where exactly you place it in the spectrum of a song. I'd say that you are at your best when it's more folkier than poppy."
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Offline genocidal king  
#85 Posted : 22 May 2011 13:58:38(UTC)
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Ooc: thanks Daniel, that means a lot man!

Katie: Thank you Ryan! I agree, I think I sound a lot more at home when I do stripped back and folky as opposed to being poppy, it feels more like me that way. I'm glad you liked my choice of instruments too, I've always wanted to include some banjo in my work, and the harmonica was a last second inclusion, but it just felt so perfect
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Offline genocidal king  
#86 Posted : 22 May 2011 13:59:12(UTC)
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Ooc: thanks Daniel, that means a lot man!

Katie: Thank you Ryan! I agree, I think I sound a lot more at home when I do stripped back and folky as opposed to being poppy, it feels more like me that way. I'm glad you liked my choice of instruments too, I've always wanted to include some banjo in my work, and the harmonica was a last second inclusion, but it just felt so perfect
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Offline genocidal king  
#87 Posted : 22 May 2011 19:07:24(UTC)
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Thanks for the feedback on song 4 everyone, it's just wonderful to know you liked it :)
Track 5, talking illicit affairs, coming later on this evening :D
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Offline genocidal king  
#88 Posted : 24 May 2011 07:04:10(UTC)
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5. Intravenous (feat Jenny Hudson) (5:58)

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Katie’s Comments

It's time now to wave buh-bye to the upbeat, happy Katie that you've known in the album so far. Well, not quite yet actually. This song is the last of them, so after that, it's kind of downbeaten, down trodden, poor Katie sort of theme. If you're not into that then I hope you enjoy this last track of happy times!

So, the theme first of the song? Yeah, this one is about when I started my affair with Miss Vanity. I was on tour at the time with Suburban Sunrise, and I got talking to Miss Vanity one night in LA. We just sort of "clicked" as the major cliche goes, and then, from there, we met up almost nightly for some really good times. Obviously everyone knows how it ended up, it was all over the papers, and the mags. But at the time, for me, it was wonderful, it was beautiful, and it was, in my opinion, love! I was still of that opinion when I wrote the song and I think that's what you hear first and foremost when you listen. It should be anyway haha.

The title, "Intravenous", really has to go through a number of degrees of separation to make sense. I'll try, Miss Vanity - Vanity - Vain - Vein - Intravenous (meaning in the vein literally). I chose it because of the way I felt when I was with Vanity, you know? I just had such a passion, and desire and love coursing through my veins, and it was all because of her. I know I went a little mad after a while when she broke my heart...but I can honestly say I would thank her to this day for the experience I had with her, and I would never change it.

As I said, the track is very positive in nature, although it is, like the last track, very acoustic, and very ambient and quiet. It's not a fast pop track, and it might even be one of those "put your lighters in thew air" ones, I dont know haha.

My guest on this track was Jenny Hudson. Another wonderful musician who captured the mood well. She sings on a later track as well, but for now, her guitar work here was awesome! Thanks Jenny!

Track description

As a more ambient track, this song begins with a few seconds of almost total silence. The only thing we can hear is the sound of an old record player, as if it has reached the end of the record and is just making that slight flickering, popping noise. Then a guitar comes in and plays four slow guitars, over and over, interspersed with a short three notes finger picked.

Verse (1)is sung over the intro guitar part, after it has played for around 20 seconds. Each line is song with a very soft voice, and very slowly, and at the end of each line there is a rest, which is filled by one bar of four chords and three single notes. After line 3 there is a longer break of three bars of the same riff, and after verse (1) is finished, there is another 5 of these bars played in succession, at the same pace.

Verse (2) is quite similar to verse (1), except that the vocals are now a bit more prominent. Katie's voice is a little louder, but still soft, and still without any attitude, the breaks between lines seems a little shorter as she holds the last word of each.

Between verse (2) and the chorus, the guitar chords pick up pace and play a more continuous riff, and is joined by an electric guitar, undistorted and very quiet, playing a single note by note solo of sorts over the top of the riff. This is a lot faster than the verse, but still manages to be quiet, and fit the ambient mood.

(.c) is sung over the above guitar duet, and is sung in a much happier tone by Katie. She sounds a lot louder, and a lot fresher, and the voice is not as soft as before. Lines 1 and 2 are sung very quickly and flow into each other without a break, whilst line three is sung a lot slower. There is also a break in the vocals at the end of line 3. Line 4 and 5 are fast and flowing again before the slow line 6...even slower than 3, and then the music stops to allow the last, solitary line to be sung without musical accompaniment, except for the single acoustic chord at the last word.

This chord leads into the original guitar riff again for the start of verse (3). Verse (3) is sung like (1) and (2) again, but with more conviction in the voice from Katie, which appears to be growing in strength and confidence with every verse that passes.

Verse (3) and (4) are separated by a short period of Katie just whistling along to the guitar track, in the same style that the vocals follow in the verses. It is haunting, and sounds distant.

Verse (4) is like verse (1) in how quiet the vocals go again. They are no longer growing and getting louder.

The electric guitar comes back in again after a short burst of the opening riff again.

(.c) as above

There is a brief silence, before all of a sudden, the electric guitar alone comes in and plays a small solo, nothing flashy. The solo is quite slow, but has a catchy bluesy sound to it, and is joined by the vocals of(b) which are very fast, and sung without a break, save for between the two blocks of lyrics, when the guitar plays alone for four bars.

(.c) as above)

Then half (.c) is sung immediately following the other chorus, without the electric guitar this time, just acoustic.

Jenny Hudson is heard for the first time vocally here, as she and Katie both sing the last line together, very quietly, and sandwiched between two single guitar chords.

The guitarist plays all six strings one at a time, then silence.

Lyrics

(1)I’ve been awake for days
Trying to find a way
To be with you for life
(break)
You make my head spin
It still feels like a win
I waited for you for years

(2)You see my life was a lie
18 years learning how not to cry
The weight of the world I’ve bourne
(break)
But now it’s all way in the past
Oh god I only hope this lasts
I got you pouring through my veins

(.c)When you’re around in I feel drawn in
What we both want some says a sin
But we don’t care too much
I’m guilty every day of this
When I go out it’s you I Miss
I need your laughs

This is love not infatuation
When I saw you in the station
I saw the love in your eyes
It’s like I just escape now
When our skin meets my heart rate
It rises up

With you, I won’t be alone tonight

(3)I used to wait alone
Now I stand here by the phone
Your name flashes and it lights my life
(break)
A Com-for-table dream
A love without a seam
We lie here and we unite

(4)This was what I need
On the love from you I feed
My nights are now filled with day
(break)
A vanity so pure
I’ve never been so sure
Of such a perfect case of sanity

(.c)When you’re around in I feel drawn in
What we both want some says a sin
But we don’t care too much
I’m guilty every day of this
When I go out it’s you I Miss
I need your laughs

This is love not infatuation
When I saw you in the station
I saw the love in your eyes
It’s like I just escape now
When our skin meets my heart rate
It rises up

With you, I won’t be alone tonight

(b)And when I look around and I see
Millions of oblivious
I must confess
I want to shout it, I want to
Tell it to the world
You say I’d make a mess

The truth could be a liberator
My sentimental ventilator
Let me breathe
You want me and I need you but
You want it all as well and I am
Just your rut
Your stuck in

(.c)When you’re around in I feel drawn in
What we both want some says a sin
But we don’t care too much
I’m guilty every day of this
When I go out it’s you I Miss
I need your laughs

This is love not infatuation
When I saw you in the station
I saw the love in your eyes
It’s like I just escape now
When our skin meets my heart rate
It rises up

With you, I won’t be alone tonight

This is love not infatuation
When I saw you in the station
I saw the love in your eyes
It’s like I just escape now
When our skin meets my heart rate
It rises up

With you, I won’t be alone tonight

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Offline erich hess  
#89 Posted : 24 May 2011 07:20:39(UTC)
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Erich:while i wouldnt punch a yeti in the crotch for this album,i would insult his mother and give him the finger.good work, katie.
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Offline genocidal king  
#90 Posted : 24 May 2011 07:29:36(UTC)
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Originally Posted by: erich hess Go to Quoted Post
Erich:while i wouldnt punch a yeti in the crotch for this album,i would insult his mother and give him the finger.good work, katie.


I'm sure she'd thank you if she was here Erich... thanks

-CB Management
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Offline genocidal king  
#91 Posted : 24 May 2011 07:36:23(UTC)
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7. Invanity (feat Eric Quillington) (6:11)

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Katie’s Comments

Getting on towards the tale end of the album now, and the real sort of dark, negative, depressive side of Katie is starting to show more and more. This song is, of course, about the break up between me, Katie, and Miss Vanity. I called it Invanity, because it epitomises the sort of downward spiral she sent me into when she unceremoniously dumped me like a bag of rubbish. I went from being a happy go lucky girl who was in what she thought was a brilliant, happy, loving relationship with a wonderful woman....to a depressed girl living on the (wrong) edge of sanity, feeling like I had been hung out to dry by a superstar who just didn't care that she had hurt me, or that it was destroying me mentally.

I really don't have to point out the track by track story anymore I don't think, but chronologically, this was the next stage in the tale, and it gets close to where I feel the story should end. I am not proud of this song at all, and at first I was not going to use it in the album. But for the story aspect, and for the album to feel real, true and honest, it really does help give it an edge emotionally.

I was in a very bad place when I wrote this. I think I saw the paper through red eyes and soaked cheeks, because I cried for weeks after it. This was a really terrible part of my life, and I hope that people can hear that when they hear the tune. I know that the music behind my words ( thank you again Eric) really helps me to regain that emotion, and so I hope that it brings a degree of empathy through to you guys as well.

You'll also notice it gets more angry throughout as the song progresses. I suppose that's because of the stages of hurt, sadness, loneliness, and finally anger, that I went through at the time. Again, this is raw, pure organic emotion from me in this track. I apologise to Miss Vanity for it, and I thank Nicole dearly for not having a problem with it being released.

Track description

The song starts with a very repetitive guitar chord, played frantically, quickly, and over and over in quick successsion. This lasts for around 20 seconds before the same chord is played once, very slowly strummed. Katie's quiet voice whispers "shhhhhh".

Then another acoustic guitar part comes in, playing a finger picking riff which is fast, and then followed by the same single, slow chord, and Katie's soft voice whispers, "shhhhhh".

A drummer plays 1,2,3,4 notes on the rim of the snare, the skin and strings rattling lightly as he does, and the proper riff kicks in alongside one quietish tssshhhh on the crash cymbal. The chords are played quite quickly, alongside a very fast picking section, which stops as the vocals come in

Verse (1) is sung with only the chords for accompaniment. The lyrics are sung very fast, with a very much different tone to Katie's voice. The tone is lower, the emotion is more angry, and sad at the same time, and she peaks in the middle of each line. This plays down the last word of each line, giving a feeling of giving up, regret and hopelessness.

Verse (2) follows straight on from (1) without even the hint of a break. The only difference is the volume in her voice, which is still depressed, but louder and more commanding. The second line is sung in a much more upbeat tone for some reason. This only serves to highlight the depressed tone of line 3 and 4 however. At the last line of (2) the guitar stops the start of the last word.

All is silent for a few seconds, before the chorus (.c) comes in. The guitar plays a chord on the first word, and each of the "aye"s and remains silent for the rest of that line. On the even numbered lines it plays a finger picking section, to accompany the much faster and more frantic lines of the chorus (lines 1 and 3 and 9 and 11 are sung slow, and she hangs on to each word.)
Line 5 onwards is sung with the accompaniment of a continually strumming guitar again, as it is faster, and sung as one continuous piece, seemingly ignorant of the line breaks. The second section (from line 9) of the chorus (.c) is the same again repeated.

Katie "shhhhhhh" again straight after the chorus, and we hear her breathing quite quickly. The guitar then comes back in, strumming only chords along to verse (3). Theseverses (3) and (4) and are sung with alternating tones. She sings the first in a very downtrodden voice, displaying her pathetic depression, before the even numbered lines seem to give some semblance of hope, only to be dashed by the lyrics.

(.c) as above

The the unexpected happens. Katie counts out loud 1,2,3, and then the drummer plays a quick drum fill. The guitar kicks in with some ballad type loud chords, and Katie's voice sounds triumphant. Each line of the bridge (.b) is sung with a more positive tone. The lines are sung like that of an 80s power ballad, and are loud, brash, and even slightly cheesy. This makes a bizarre sounding comedown, when we return to the verse (5) after it.

Verse (5) is sung as vocal only, no guitar, before drums (played with a brush) come in for the second part.

Verse (6) and the guitar returns, along with the whistling of Eric Quillington, which brilliantly mimics the tone, sound and style of each and every word of the verse sung by Katie.

(.c) As above

Verse (7) and (8) are accompanied by both strumming and picking on guitars, and are a lot faster than all verses before them. Her voice sounds angry now as she has a proper dig at Vanity and really lays into her. There is venom when she wishes Vanity dead as well. We can almost sense how she spits out the words to that hateful line.

(.c) as above

(.c) A capella, just Katie, very quiet, very slow, and very sad

The song ends to the sound of Katie's sobbing.

Lyrics

(1)How did it come to this, we
We had it all in our hands and,
I watched as you drained away and
We simply failed to exist

(2)It was like a dream so ecstatic, where
you wake up just to find
That it was all in your head, and
It’s snatched away just as quick

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

(3)My personal Indian Summer
Brief burst of temperatures high
You didn’t take long to discover
I guess I wasn’t your type

(4)But in the end all I wanted, was
For you to be who I hold
Now there’s hope you get haunted
Just like when I was exposed

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

(.b)For now I lie alone in the cold of the night
It was the end of us but not the end of my life
Yes it hurt me bad when you spat in my face
I only hope you realise you’re a fucking disgrace

(.b)For now I lie alone in the cold of the night
It was the end of us but not the end of my life
Yes it hurt me bad when you spat in my face
I only hope you realise you’re a fucking disgrace

(5)When I reached out I was lonely
You scoffed and laughed at my pain
All that I wanted was only
You, but clearly that was in vain.

(6)The world just had to know that
Little Katie’s the case of a nut
But Vanity’s blushes are spared now
Priorities born of a slut

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

(7)I see you’re off round the world with
Big shoes and a fancy dress
The people think you’re a big shot
I’ve seen, I know you’re a mess

(8)You think that Katie’s extinguished
Another notch in your bed
One day when I am distinguished
That slut and career will be dead

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

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Edited by user 01 June 2011 05:29:00(UTC)  | Reason: Not specified

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Offline genocidal king  
#92 Posted : 24 May 2011 07:43:09(UTC)
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OOC: Almost there I think, another 4 tracks might do it story-wise :)
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User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
#93 Posted : 24 May 2011 07:45:18(UTC)
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OOC: Good job with these, they are superb! I'm not really into doing these track-by track rp's, because I don't have time in the world to do them. I don't really like to use my own lyrics for roleplay. Anyways great job!

Edited by user 24 May 2011 07:50:24(UTC)  | Reason: Not specified

Offline GirlSpice  
#94 Posted : 24 May 2011 07:55:25(UTC)
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OOC: You're a fantastic writer, I've loved every song you've posted so far! Great job. :)
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Offline genocidal king  
#95 Posted : 24 May 2011 08:38:40(UTC)
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Originally Posted by: stephaniewazhere Go to Quoted Post
OOC: Good job with these, they are superb! I'm not really into doing these track-by track rp's, because I don't have time in the world to do them. I don't really like to use my own lyrics for roleplay. Anyways great job!


OOC: Thanks very much :D This is my first attempt at a track-by-track as well, never had the time to sit and write a song before, and I've never thought of myself as a lyricist tbh. Glad you like it though! :)

Originally Posted by: GirlSpice Go to Quoted Post
OOC: You're a fantastic writer, I've loved every song you've posted so far! Great job. :)


OOC: Wow seriously? That's amazing feedback! Thanks :D I'm really glad you're enjoying it so far ! :)

It means a lot that you guys like this thread :)
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Offline genocidal king  
#96 Posted : 24 May 2011 09:08:39(UTC)
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Track 7 and the start of the really dark songs (which Im totally looking forward to) will be uploaded tomorrow. It's about heartbreak, rejection and confusion.
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User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
#97 Posted : 24 May 2011 09:22:29(UTC)
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Originally Posted by: genocidal king Go to Quoted Post
Track 7 and the start of the really dark songs (which Im totally looking forward to) will be uploaded tomorrow. It's about heartbreak, rejection and confusion.



OOC: Awesome! Looking forward to them :)
Offline genocidal king  
#98 Posted : 26 May 2011 04:39:04(UTC)
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Katie: hi guys, next track tonight, about a breakup...:(
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Offline genocidal king  
#99 Posted : 28 May 2011 09:12:38(UTC)
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OOC: I'll do the whole description tomorrow, but I have to sleep cos Im up for work in 3 hours :( I just wanted to get something up here, and I literally just wrote these lyrics, so let me know what you think:) cheers

7. < Perfect (feat Eric Quillington) (6:11)

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Lyrics

(1)How did it come to this, we
We had it all in our hands and,
I watched as you drained away and
We simply failed to exist

(2)It was like a dream so ecstatic, where
you wake up just to find
That it was all in your head, and
It’s snatched away just as quick

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

(3)My personal Indian Summer
Brief burst of temperatures high
You didn’t take long to discover
I guess I wasn’t your type

(4)But in the end all I wanted, was
For you to be who I hold
Now there’s hope you get haunted
Just like when I was exposed

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

(.b)For now I lie alone in the cold of the night
It was the end of us but not the end of my life
Yes it hurt me bad when you spat in my face
I only hope you realise you’re a fucking disgrace

(.b)For now I lie alone in the cold of the night
It was the end of us but not the end of my life
Yes it hurt me bad when you spat in my face
I only hope you realise you’re a fucking disgrace

(5)When I reached out I was lonely
You scoffed and laughed at my pain
All that I wanted was only
You, but clearly that was in vain.

(6)The world just had to know that
Little Katie’s the case of a nut
But Vanity’s blushes are spared now
Priorities born of a slut

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

(7)I see you’re off round the world with
Big shoes and a fancy dress
The people think you’re a big shot
I’ve seen, I know you’re a mess

(8)You think that Katie’s extinguished
Another notch in your bed
One day when I am distinguished
That slut and career will be dead

(.c)And aye ee aye need
Someone to hold my hand, and
Aye ee aye need
A girl who’s more than a friend, and
This is not what we agreed to
I am not the enemy
But you act just like a princess
Denying all knowledge of me

And Aye ee aye would
I’d walk all night for you and
Aye ee aye would
I’d drive right round to you but
You don’t feel just what I’m feeling
And you don’t return my calls
All I wanted was some comfort
You were never here at all

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Offline GirlSpice  
#100 Posted : 28 May 2011 09:20:05(UTC)
GirlSpice
Rank: Advanced Member

Groups: Moderators, Registered
Joined: 11/02/2009(UTC)
Posts: 9,033
Woman
United Kingdom

Thanks: 5178 times
Was thanked: 7399 time(s) in 2464 post(s)
Miss Vanity: I'm so honoured and flattered to know that I'm on someone's mind as much as yours, but hey, don't give me too much of a thought, Nicole might get jealous. Finished attention seeking now?

OOC: LOL, I loved the lyrics! Love how it started quite mellow then got quite angry mid-way, great job as always!
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UserPostedImage

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Vanity x Nadia Berry
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