New Buzz & Hype Single - due out on 19th of June
Screwed (ft. PostScript)
Lyrics
Sweaty Night Sweaty Night Oh
Sweaty Nights Oh oh
Sweaty Nights
Who let the dogs out?
If it was you, then give a shout!
Man is pretty screwed when the alcohols around,
Things get pretty crazy when the music sounds.
You girls don't have to be pretty,
Just as long as you're willing;
Things get pretty mad when we're alone,
By the end of the night girls on my bone.
Iâll give you some head shots,
You call out the best shot
Stroke your camera to the left.
Do me rampant like the rest;
Give me hell, give me sweat,
Give me hickey in the neck
In the corner of a city,
Oh no wonder weâre so skinny
I love us getting naughty,
I will call you paparazzi
Sweaty Night Sweaty Night Oh
Sweaty Nights Oh oh
Sweaty Nights
Push and pull,
Toss and turn,
Got a mouthful,
Now I burn,
Holding tight,
Kiss your neck,
Feeling right,
No need for a cheque.
Iâll give you some head shots,
You call out the best shot
Stroke your camera to the left.
Do me rampant like the rest;
Give me hell, give me sweat,
Give me hickey in the neck
In the corner of a city,
Oh no wonder weâre so skinny
I love us getting naughty,
I will call you paparazzi
Screwed
Me and You
Screwed
Me not You
Sweaty Night Sweaty Night Oh
Sweaty Nights Oh oh
Sweaty Nights
Description
This song includes Stephanie Fierceâs sampled vocals from the song âSweaty Nightsâ from her album âDiary of a Pop Sinnerâ. It starts off with a banjo like sound playing and then Fierceâs voice is played over the top. The banjo sound then switches to a far more electronic sound; it eventually becomes a full on electric guitar sound. Stephanieâs voice is high and fast; the vocals have been sped up for this song.
The drums kick in as PostScript starts to rap the verse; his rapping isnât amazingly quick, but his flow keeps to the rhythm and the beat of the song. This helps to make show off his vocals, as it is almost as if he is rapping and singing at the same time.
As PostScript finishes his verse, Stephanie Fierceâs vocals are played again. The bass gets faster and the drums harder. On the last word of every line, PostScript can be heard to be emphasising what Stephanie is saying; giving the idea that it is a real duet, rather than just a sample.
The music slows for PostScriptâs next verse, it is slow, and there is a slow chiming on the symbols on the drums, then the drums speed right up again on the last line; leading back into the sampled chorus of âSweaty Nights.
After the chorus, the song drops, and goes Dubstep. The noises of the bass make the song go crazy as PostScript speaks his last few lines, which leads into a final Stephanie Fierce pre-chorus. This pre-chorus section is âsangâ over no other music; and then the song stops.
Italics is Stephanie Fierce
Edited by user 10 June 2011 21:11:42(UTC)
| Reason: Not specified