So as you know, I let my personal life situation get in the way and TA4 never happened like I planned. Not to mention a lot of people never send in RPs.

However, for those who did send in your awesome RPs, I am posting them here so that you can strut your stuff. Some of you pulled out, despite writing RPs. I will still be posting your rps regardless because they were great and this is sort of alternate universe now anyway. So here ya go. Its your guys time to shine.

TOTAL ANNIHILATION 4: THE ROLEPLAYS

Buzz & Hype

Buzz & Hype are joined today by several guests; Lucifer is here today as the session rapper - so he will be here to do the rapping in all of the songs that require him. We also have Mykaylah here to help do a couple of songs that require singing. There will also be a surprise guest performing Buzz & Hype's first single from their upcoming album - Foxxy!

1. Frantic
2. Freak
3. Buzzing



Sammy Griffin's set is an acoustic set today; he will be playing only songs from his past few EPs - there will be no new material showcased at this festival like all had hoped.
1. Bad Blood
2. Behind
3. Your Real Disguise

Electrodeath

Following the simple performance the girls gave at Festival de Musica, in this Total Annihilation the girls are performing For the second time in a row for this festival, this is also the last festival performance the girls are giving before they start their world tour.

The show starts with a spooky ambient sound of water and wind, Magie wearing a white long cloak comes walking among the fogs at the stage while on the led screen footages of frozen lakes and oceans are showed. She comes smiling at the crowd singing the first strophe of the song which is “When Your Heart’s Not Open”, Yulia and Lilly wearing the same white long cloak comes right behind Magie in time to sing the chorus, the girls keep walking around the stage interacting with the crowd that keeps singing with them the song lyrics. Lilly sings the second strophe of the song and in this part the girls perform a dance modern routine inspired on water movements, the chorus once starts again, and the song goes on to its violin break, where the violinist join the girls at the middle of the stage, the last strophe in sung by Yulia and the chorus is sung by the girls together, they also end this song taking off their white long cloaks revealing they’re with colorful bras and short jeans. In this moment the girls talk with the crowd…

Magie: How are you all felling tonight?

**Crowd Screams**

Yulia: Wow! We are so glad to be here with all of you guys!

**Crowd Screams louder**

Three male dancers comes at the stage, bringing three colorful short jackets for the girls to wear it, and also three colorful wigs, the girls wear all of them and Lilly introduces the next song…

Lilly: Anyone ready to get uncontrollably?

The melodies starts and the very fast and fun spirit song “Uncontrollably" starts top be palyed, Magie sing the first strophe of the song, there isn’t so much choreography for this song but there is a lot of interaction from the girls with the crowd, Magie gets near them several times so they can touch her, in the pre-chorus Yulias sings, and together at the chorus the girls induce the crowd to follow a routine of dance steps, very easy to be followed, the second strophe is sung by Lilly followed by Yulia at the pre-chorus and again the girls together in the chorus and now with a new dance routine, now the song enters its break time, and with the three male dancers the girls took from the crowd about fifteen people to join the stage with them and dance the last strophe of the song, now the crowd euphoria raises as they starts to scream very loud and at the stage the girls sing and dance together with the fans the last chorus of the song ending it thanking the people at the stage with them with hugs and kisses minutes after it, the girls took off their wigs.



The next song is a very old hit from the girls, “Dancing Alone” from the album “At Night” is performed inspired on its original visual and choreography aspects, the song has rock ‘n roll sad feel, lyrics are about trying to find someone you love in a club, but you cannot find because this person is not longer with you as lover not even a friend. Magie sings the first strophe of the song, while five female dancers wearing gold ballet dresses perform the choreography of the song, the chorus is sung by Lilly and instantaneity the crowd recognizes the song and sings with her too. The second strophe of the song is sung by Yulia, and in this moments the girls perform some slow ballet steps when Lilly starts to sing again the chorus of the song, the final strophe is sung by Lilly who also sings the final chorus too but with the Magie and Yulia singing too, and the crowed follow them singing the lyrics…

“I’m looking for your face tonight
I’m trying to find a sight
You’re not with me…
I’m dancing all alone!”

After the performance the girls talk with the crowd once more.

Yulia: We love you guys so much!

Magie: I didn’t know you remember this one… it’s just so amazing guys! We love you very much!

Lilly: Yes! You guys are awesome!

Magie: This next song, is one of our favorites in our new album…

Yulia: This is Thunder!

A growing electric guitar riff starts to be played followed by a fast drum house beat sequence, this song has such a fun and hopeful spirit and also a fast electronic beat that made the crowd start dance like clubbers. Lilly starts to sing the song first strophe, also for this song an elaborated choreography is performed, the ballet girls and the three male dancers that appeared before at the stage, comeback again wearing jeans and white shirts with a big yellow sun drowned on it, the dance routine consist of street dance movements with some acrobatics performed by the male dancers. In this song the girls show their professional dance skills, which makes them a bit hard to hold the high notes of the song, but everything is worth for a great danceable performance. Magie sings the chorus of the song and Yulia the second strophe, when the song reach it’s break down melody and the girls starts to sing the phrase “It’s like we’ve got the universe” and they ask to the crowd repeat it, and so the crowd does, very loud and cheering all the time, the song slow down to Magie where she sings the last strophe of the song, and everything starts fast and fun again, the performance ends with the dancers bringing water on colored buckets and throwing them on the girls and also on the crowd. The girls left the stage to change clothes for the last performance of the night, while the dancers entertain the crowd, also they are taking off their clothes revealing leotards as their underwear.

A dub step intense melody is played and the crowd already recognized the old hit “Like Paradise” from the girls last album, wearing red leotards and high heels the girls re-appears at the stage to perform the last song of the night.
This performance is very fast and intense as the song melodies and lyrics is, the girls dance their ass off, literally with the fast and strong impact dance movements of the original choreography, the first strophe is sung by Magie, the chorus is sung by Yulia, Lilly sings the second strophe of the song and she also speaks the break dance phrases of the song, also in the break dance of the song, the dancers bring to the dancers bring at the stage a big cannon and placed it in the middle of the stage, the girls perform the last chorus of the song…

“You can give me everything to get me high
You can take my heart and press it tight
You can make my life like a paradise
But I won’t give a sacrifice
I tried to avoid you
But in the dance floor I couldn't to
You can give me everything to get me high
And make my life feels like paradise”

At the end of the performance the big cannon fire In the crowd direction, throwing red glitter all over the place, and on the crowd too, the girls thank the crowd for the last time…



Magie: Thank You guys!

Yulia: We love you! Peace out!

Lilly: Thank you Total Annihilation!

They left the stage moments after the performance while the song melodies keep playing till it finally ends.[/center]

Realm

i]The show starts off with sad violins and a man speaking, he says “JOIN US IN OUR JOURNEY AMONG DARKNESS AND DEATH AND OFFER US YOUR SOUL TO ENTER THE REALMS OF DARKNESS”. After the introduction a heavy and low riff begins to sound and the guitarists, Stian and Jamie appear in the stage, then the other band members appear in the stage and a new and unknown REÄLM’s song begins. It’s a very heavy and dark song, a mid-tempo song with a lot orchestral sounds. Tom begins singing ”Glimmering moonlight above us - Paths covered with blood leads the way - Lost souls now travel through the night - In through the valley of death” and the crowd really likes the new song then the chorous begins and all the band members sing it…”We'll never return - No gate to exit this world - No soul left to burn - We'll reign forever more”. As the song is finishing, sad violins begin to sound one more time and quickly they follow the show with a song from their debut album…



The band begins to play the complex mid-tempo riff of “Journey Between Hell And Earth” and some people begin to shout. When the Chorous starts off, some people sing it…”Be welcome to my journey between hell and earth - Come and see my pain – My eternal sorrow – It ends with my brain”. They stop playing and Stian makes a guitar solo, then the band begins to play the last part of the song. When “Journey Between Hell And Earth” ends, Tom speaks to the crowd “HELLO CRAZY PEOPLE! HOW ARE YOU?” the crowd answers shouting, “FUCK YEAH! TODAY WE BEGAN THIS SHOW WITH A NEW SONG FROM OUR UPCOMING ALBUM! I HOPE YOU LIKE IT! WE’RE REALLY WORKING VERY HARD ON THE NEXT ALBUM AND WE LEFT THE STUDIO ONLY TO COME HERE!” the people shouts another time, “YEAHHH…THANK YOU FOR SUPPORTING US, THANK YOU! WE REALLY LOVE TO PLAY HERE IN THE UK BECAUSE YOU’RE FUCKING AWESOME!” after a short ovation from the crowd he keep talking, “WELL, WE HAVE NOT MUCH TIME SO WE’LL MAKE ANOTHER SONG NOW, THE NEXT SONG IS THE UNHOLY OFFERING!”

The band starts off the song with a faster riff than the studio version it sounds heavier. As Tom Sings, the people shouts “I give you this offering for one last time – Please trust me and give me my own life…I suffer for endless times – Please release me now!” the band is very excited and very happy looking how the fans like this song. The song finishes and Tom says “WELL, I WANT TO THANK THE CREATOR OF THIS AWESOME FESTIVAL, IT GAVE US THE CHANCE TO PLAY IN THE UK 2 TIMES AND WE’RE REALLY HAPPY, THANKS TO TOTAL ANNIHILATION!”



After some minutes, an Orchestral Intro begins to sound in the Total Annihilation 3. It’s time for a song that they only played 1 time, in their first show…“The Ritual” and Tom appears in the stage with a costume of a hangman…The intro fades into silence and the song starts, it takes you to a trance-state because of the Medieval drums that Tomt plays in the first verse. Tom sings this song in a darker way than the studio version and in the end he starts playing a violin alongside Toryn Siren, a guest violinist for this show. Then he says “SORRY FOR MY ATTEMPT TO PLAY THE VIOLIN…I USED TO KNOW HOW TO PLAY THIS INSTRUMENT BUT I AM REALIZING THAT I’VE LOST MY TALENT (laughs)…THANK YOU ONE MORE TIME FOR YOUR SUPPORT, ENGLAND!”

Tom cheers the people and says “IT’S TIME FOR OUR EPIC BLACK METAL HYMN…ANCESTRAL…BLACK…DOMAIN!” the people reacts good with this very heavy song…”Something moves in the darkness – Something that leads us – Some power unseen – Some forces unknown – This is the domain!” as the song ends Tomts begins to play a shot drums solo and the people cheers him. After finishing his solo, he runs to the front of the stage and says ”HELL YEAHHHHHH! THANK YOU ENGLAND, THANK YOU PEOPLE, THANK YOU TOTAL ANNIHILATION…NOW WE HAVE TO LEAVE THE STAGE BECAUSE WE HAVE NO MORE TIME, BUT AFTER RELEASING OUR SECOND ALBUM WE’LL RETURN FOR SURE! THANKS…AND BUY THE NEW ALBUM!”[/i]


Setlist:
1. Lead Us To Darkness
2. Journey Between Hell And Earth
3. The Unholy Offering
4. The Ritual
5. Ancestral Black Domain
6. Drums Solo

After Show Post:
"Another great show in the UK. It was our second Total Annihilation and we’re really excited to play in a future TA!”

- Tom Orgsen

MattY

MattY walks on to the stage; he takes in a deep breath and moves to the centre of the stage. He slowly exhales and grins at the audience. He can hear them cheering, chanting his name. He nods his head and the music begins. A fast drum beat blasts out of the speakers, and MattY starts to bounce – his hoody flapping around his body with his movement. Wembley Stadium was absolutely packed, full to capacity – and MattY loved it. The drum beat picks up the pace, and MattY brings the microphone to his mouth.
His flow is fast yet understandable – every syllable is audible. After three and a half minutes of the song, MattY stops moving around the stage and stands deadly still. The music drops off, but MattY continues to rap. Thirty seconds pass, and the music kicks back in – louder than before. The song comes to a close with MattY shouting – “THE MOMENT”
He drops his head and breathes heavily. The audience is going crazy for the song. It is the first time he has performed any of the new stuff live other than the singles, and it feels good. He lifts his head, and winks at a girl on the front row – who screams and holds onto her friend. “Hello Wembley! That was The Moment which will be featured on my new album – Growth!! I only have three more songs for you tonight, so I hope you enjoy them!! Next up is Taking Over with one of my back-up vocalists taking the role of Cherise – and to be fair, this girl does really well! So let’s give her our support guys! Go!”
The start of the song plays, and the audience start moving again. The back-up vocalist does a good job of the Cherise vocals, and even puts her own slant on it. MattY’s bars flow like water and the lyrics seem real. The song means something to MattY, and the audience can tell from the way he raps. The music slows down, and the beat changes. The audience sound confused for a second, but then many start screaming. The song has changed to Close to Tears and the backing vocalist tries her hardest to nail the Alicia Lena vocals. MattY is concentrated purely on making this show one to remember. His emotions are channelled into this song. It means so much to him, with it being his first number one – and being about written about the man that gave him a chance in life. The song comes to a close with a bang. A huge flash comes from the front of the stage, with sparks landing all around MattY.
“That was a remix of my two number one singles – and thank you to my amazing back-up vocalist who did an absolutely sound job of that. Her name is Cinzia, and she has some solo stuff out too, make sure to check her out! I think we should all give her a mega cheer everybody!” The audience cheers for her, and she goes bright red. “Right, two songs left – both are absolute beasts! Turn on the strobe lights!!!!!”
A heavy baseline blasts from the speakers, filling the room with excitement. MattY jumps around the stage, wiping his forehead on the sleeve of his hoody. The first two minutes of the track are continually rapped by MattY, who seems to not need to take a breath whilst doing it. Then, he goes to the DJ decks at the back of the stage and starts doing some scratching and mixing – adding in random sounds here and there, whilst speeding up and slowing down the pitch of the track. The track quickly seems to become a hit with the fans. MattY leaves the decks and comes back to the front to continue rapping for another minute or so, and then he stops leaving the music to gradually fade out.
“I hope you enjoyed that – that is the first time I have done any mixing or anything like that on a live show like this one – so I hope you enjoyed it! That was Out of Control, and now for the last track – Hell’s Halo.”
This is a slow track, but it has a huge baseline. It is a Dubstep track, which has the audience screaming and going insane. It is a crazy way to end the night, and by the end of it MattY is sweating and has to remove his hoody.
The track finishes and MattY lifts up his arm to thank the audience and walks off the stage downing a bottle of water.

The Verdict is Vengeance

Backstage, the band consisting of five fairly young males, are each doing their own warm ups for the fairly short, but interesting set-list that they’ve got in store of the large crowed currently watching the insanely talented The Jason Smith Band perform. Lead vocalist Sam Maine, often seen as the front man of the band who is highly confident, is slowly easing his voice into his screaming style, whilst listening to Escape by The Devil Wears Prada. Robert Williams, the lead guitarist and clean vocalist of the band, is preparing to push his voice to its limits, playing one of his own songs and singing softly along with it. Keyboardist, and now rhythm guitarist Lee Sanders is having a last play through of the bands set on the guitar, with this being his first gig as a dual instrumentalist, it’s clear to see the nerves showing through his fairly arrogant and uncaring attitude. Bassist Connor James is nowhere to be seen, tending to keep to himself until the final moments before the band goes on to the stage, no-one is sure of the reason, but if it helps him play better then they aren’t bothered. Matthew Norris is casually watching The Jason Smith Band from the side of the stage; he isn’t at all worried about the show, and rarely spends time with his other band mates before they play.

As the band’s crew sets up all of the equipment, the group all joins together and briefly discuss how they’ll perform and what they’ll do with song transactions, as well as going over the set-list and mentally preparing themselves to play for the growing crowd. Chanting of “VERDICT” is echoed from the stage, as the band slowly walking to the side of the stage, readying themselves for their entrance to the stage.

“It feels weird playing this show” states Sam, seeming somewhat distant, “I don’t know why I feel so weird about this show, but I just do.”

“Everything will be fine mate” says Robert in a calming tone, “there isn’t anything to worry about, we’ve been doing brilliantly at practices and we’re finally becoming a big name in the music scene. Trust me, we’ll just have to show everyone why we deserve to be at this state of our careers”

Show;
Smoke fills the stage, causing fans to start screaming from the anticipation of seeing the five members that make up the young metalcore band. The first onto the stage is Matt Norris, who takes his place behind his drums, swiftly followed by Connor James, Robert Williams and Lee Sanders, who all pick up their instruments and prepare for their short and energetic set. The chainsaw sample from the opening song Bathos is played loudly by Lee Sanders, and screams from the crowd make it hard to hear, the smokes starts to fade as the distorted guitar riffs provided by Robert Williams and Lee Sanders respectively, whilst the pounding drumming from Matt Norris are added. “WE ARE THE VERDICT IS MOTHERFUCKING VENGEANCE!” shouts Sam Maine as he runs onto the stage, “THIS SONG IS CALLED BATHOS, GO FUCKING MENTAL!” Sam’s vocals then quickly begin after getting the crowd pumped up. The song progresses towards its breakdown and the whole band begin to head-bang simultaneously, in time with each thud of the breakdown. The crowd is clearly going mental, with mosh pits being seen throughout the crowd, whilst the chants of “DEATH, DECAY, LOVE, LIES” are also provided by the crowd.

As the song comes to a close, Sam talks to the crowd, briefly saying “Wow, you guys are pretty fucking brutal aren’t you? Well this song, is the last single from our album Oblivion, and its called Watch The Skylines Fall, so if you have a lighter or a phone, sway them up in the air, and sing along with us!” Robert Williams begins the songs slow guitar, along with Lee Sanders who is playing the keyboard in a slow and saddening tone, Sam Maine and Robert Williams share the clean vocals of the song, which follows a similar pattern until the drums and bass begin in the song, and the guitar becomes faster, whilst the keyboard is stopped, and the vocals become more powerful. All of the instruments stop, and Sam Maine holds the microphone out to the crowd, asking for them to chant “Will the skylines fall without you?” repeatedly, until screams from Lee Sanders are mixed with the heavy distorted music, and Robert Williams clean vocals from the beginning of the song, whilst the crowd continue to chant, before the song fades to a stop.

“This next song is a cover from our Idols EP, we hope you like this band as much as we fucking do because they are so fucking good. This song is Hollow Crown by Architects; sing along if you know the words” The soft organ effect is provided by Lee, whilst the tapping symbol from Matt Norris mixes together. The distorted guitars begin slowly; as Robert’s clean vocals sing the notes at the same key as the original, whilst having a slightly different tone. Sam joins in the clean vocals, with his rougher voice giving a harmonised effect, as the song progresses the organ fades from the song, and the band members become more active, whilst the music increases its tempo. Suddenly the screamed vocals from Sam are heard, as the clean vocals from Rob are heard, long and held out notes, mixing together in an odd, yet brilliant way. The song finishes with a large amount of distortion from the guitars and the held clean vocals from Rob and Sam.

The distortion from Hollow Crown continues into the band’s next song Home Of The Heartless without an interlude. The song starts with Lee playing a fairly fast keyboard tune, whilst Sam and Rob have a brief drink to soothe their vocal chords and throat, before there is a sudden change of music with brutal guitars, and hostile drums. The band all start jumping up and down, and going mental to fit in with the speed of the song. Sam’s vocals have begun to sound raspy, although it is to suit the style of screaming in the studio version, it could cause some to believe that his voice is being damaged. As the song gets towards the breakdown, Sam stands on the barrier separating the band from the crowd, and screams the line “GIVE ME YOUR HAND!” before jumping into the crowd, and crowd surfing across the crowd for the remainder of the song. Once the piano starts again, Sam makes his way back to the stage, before going backstage with the rest of the band following.

After chants from the crowd for the band to play one more song, Sam and Robert come back on stage, with two acoustic guitars. “We’re going to play this one last song, and have a special guest to come sing it with us!” announces Rob to the crowd, who scream louder than they have the whole set. “Please welcome Lauren England of pop-punk band Big Light Show!” Lauren England runs on stage, hugging both Sam and Rob, before shouting into the microphone “I can’t believe these guys have asked me to help them with this song, it’s called Less Than Three!” Rob and Sam start to play the simple chords to the song, and singing the romantic lyrics to the song along with Lauren who replaces the parts originally sung by Nicole Woods of Suburban Sunrise. The crowd all sing along, and as the song comes to a finish, the rest of the band come back onto the stage as Sam says “We’ve been The Verdict Is Vengeance, you’ve been fucking amazing! Thanks for coming and seeing us!” and then leaving the stage followed by the other members of the band and Lauren.

Setlist:
Bathos
Watch The Skylines Fall
Hollow Crown (Architects Cover)
Home Of The Heartless

---

Less Than Three (Featuring Lauren England of Big Light Show)
[/size]



Sam Maine during the cover of Hollow Crown by Architects

Teen Titans

An electronic beat starts playing and the crowd screams. The five Teen Titans are taken on the stage by some platforms, where they're standing on in some superheroes positions. Tehn the beat turns into "Recognise Me" beat and the five start dancing to the fast beat.
So Joey sings his first verse, dancing with the others.

"If you think you won, you're wrong
You haven't fooled me, I'm still here
'Cause now I'm stronger
Stronger, stronger than before"

Tanya does a somersault getting in the middle of the group and sings her verse.



"And whe-whe-when you said you were true
I knew that you were lying
I'm not a fool
But it's too late now
It's late, it's late, it's late now
Don't you need to cry any crocodile tear"

So they all stop dancing and start moving their hands to the beat and Joey sings the bridge loudly.

"Look at me, what do you see
You can't, you won't
Recognise me"

The platforms start lifting them up, as they sing the chorus and dancing, while the crowd is screaming.

"Who, ho, ho, ho, ho, hoa
I've become a monster
Your biggest nightmare
Your darkest fear
I'm not gonna forgive ya
And you can't, you won't
Recognise me"

Then they are taken down on the stage again and Den sings his verse, slowly moving his free hand, while the others look still at the crowd.

"I will make you understand
Who makes the rules here
Who's gonna lose the game and
You better don't play it with me"

So Tanya sings the bridge loudly and the platforms lift them up, while some male and female dancers appear on the stage behind the Titans.

"Look at me, what do you see
You can't, you won't
Recognise me"

As they sing the chorus, they all start dancing and the dancers follow their movements.

"Who, ho, ho, ho, ho, hoa
I've become a monster
Your biggest nightmare
Your darkest fear
I'm not gonna forgive ya
And you can't, you won't
Recognise me"

At the end of the chorus they're taken down again and as the song goes instrumental and the dancers dance behind, the five walk on the catwalk of the stage.
As they walk, Laurence sings his verse, except the last line, that is sang by a pre-recorded robotic voice of Laurence.

"You will forget what I've used to be
And you will escape, you will run away
'Cause you can't, you won't
Recognise me"

As the robotic voice says "Recognise Me", one of the dancer does a break dance move and they sing the chorus again, dancing to the beat, looking even more excited as the crowd screams.

"Who, ho, ho, ho, ho, hoa
I've become a monster
Your biggest nightmare
Your darkest fear
I'm not gonna forgive ya
And you can't, you won't
Recognise me

Who, ho, ho, ho, ho, hoa
I've become a monster
Your biggest nightmare
Your darkest fear
I'm not gonna forgive ya
And you can't, you won't
Recognise me"

At the end of the song, they all get still and the crowd keeps screaming.

---

Then the beat plays again and they start doing a robotic dance with the dancers, while Den sings the first verse of "Behind Me".

"Yeah, yeah, yeah
We could get well along
Or that's what I thought
But I've been waiting you for too much
Now it's time to get in touch
So come on"



Tanya stops dancing and lifts her free hand up, being followed by the others and sings her lines.

"You say you're not sure of yourself
You want more time to think
But if you wanna get with me
You gotta be quick
Or I'll leave you behind, -ind, -ind, -ind"

So they sing the chorus walking slowly towards the dancers that are still doing the robotic dance.

"Stop thinking, get up, be quick
You need to be fast
I am in a rush
And if you're too late
You'll stay behind me, me, me"

At the end of the chorus, they get near to the dancers and turn around, standing still and looking at the crowd.
So Den sings the new verse.

"That's too slow
Now you better move on
Cos' I won't hold on
And I won't wait you anymore
Not anymore, -ore, -ore, -ore"

And while they all still stand that way, Tanya sings her new parts too.

"I want you to be faster
Because my time can't be wasted
Make your decision
Or stay behind, -ind, -ind, -ind"

As she finishes they sing the chorus, getting joined by the dancers on the robotic dance and Den sings some ad-libs, without singing loud or hitting any high note.

"Stop thinking, get up, be quick (Quick, quick)
You need to be fast (faster, oh)
I am in a rush
And if you're too late (If you're too late)
You'll stay behind me, me, me"

So the song goes instrumental and the Titans do a dance routine in which they seem to fight the dancers and as they keep dancing, Tanya sings loudly the new verse.

"If you wanna stay with me
You can't slow down
And you gotta move yourself
Or you'll get my behind, -ind, -ind, -ind"

Then they sing the chorus twice again, keep on "fighting" and Tanya also sings some ad-libs, hitting high notes.

"Stop thinking, get up, be quick (Be quick)
You need to be fast (To be fast)
I am in a rush
And if you're too late (Too late, too late)
You'll stay behind me, me, me (Me)

Stop thinking, get up, be quick
You need to be fast (You need to be fast)
I am in a rush (I am)
And if you're too late (If you are)
You'll stay behind me, me, me
(Oh, oh)"

As the last chorus ends, all the dancers fall on the floor and the five get still, smiling at the crowd, while this screams loud and they're taken down the stage, as the crowd screams wild.

SETLIST:
-Recognise Me
-Behind Me[/center]

RiOT in the Boulevard

The sell-out crowd at Wembley Stadium all await in anticipation of the next band, they remain in high spirits as they await the announcement, moments pass before a voice comes over the tanoy system, it’s not the regular announcers voice, it’s the voice of Riot! In The Boulevard’s teenage singer Amy Meyer. The crowd erupts she can be heard shouting, “WEMBLEY!!! ARE YOU READY FOR A DAMN RIOT!.” And with that the band come running out onstage with Amy being the last to arrive behind Justin, Nathan and Jason. She runs to the centre stage and stands on top of the amp located at the front of the stage, she looks around briefly and stretches her arms out as wide as they can reach. She turns and looks at the band before nodding her head, she then jumps down from the amp and takes the microphone as the band begin playing some filler music.

Thoughts Like This

She shouts to make herself heard over the noise of the crowd, “YOU GUYS ENJOYING YOURSELF?” she pauses briefly as the crowd erupts once more. “WE’RE RIOT! IN THE BOULEVARD FROM LAS VEGAS, NEVADA AND WE’RE HERE TO ROCK YOUR WORLD.” she jumps up and down briefly before the band begin the intro to the first song, “THIS IS CALLED … THOUGHTS LIKE THIS!!!”

Jason begins the familiar bass intro to the bands album opener as Amy begins to run around the stage as the music plays, she starts waving her arms in the air, encouraging the crowd to copy her which they oblige to as she begins singing.

“I … Feel Like I’m Dying
Feel Like I’m Trying Way Too Hard To Learn To Feel
I … Don’t Feel Like Living
The Love I’m Giving, Doesn’t Seem So Real
To Me …
---
It’s Hard To Find The Words To Make You See
It’s Hard To Make You See What We Could Be
And A Mirror In My Hands Show’s Only Me
And It’s Pain Like This That Makes Me Feel Free
---
Those Loveless Moments Make Me Feel So Small
I Could Climb So High But I … Would Only Fall
Crashing So Hard When I Hit The Ground
And It’s Those Moments, Where My Soul Is Found”

She continue’s to run around the stage, making full use of the huge stage and keeps moving closer to lead guitarist Justin Mullen but then keeps running away as she gets closer, he then starts walking towards her, continually playing his guitar, she starts pushing him in the shoulder as the two act as though they’re fighting, she steps away from him for a moment and then looks out at the crowd as she begins singing again as the chorus comes up.



“It’s Thoughts Like This That Makes Me Go Insane
Like A Drug Filled Needle Sticking In My Vein
And It’s Thoughts Like This That Makes Me Go Insane
For You I’d Take A Bullet To The Brain
---
And I … I Feel Like I’m Dying
Feel Like I’m Trying Way Too Hard To Learn To Feel
I … Don’t Feel Like Living
The Love I’m Doesn’t Seem So Real
---
And It’s Thoughts Like This That Makes Me Go Insane
Like A Drug Filled Needle Sticking In My Vein
And It’s Thoughts Like This That Me Go Insane
For You I’d Take A Bullet To The Brain”

And as the song slows down towards the end, Amy stands on the amp and directs the crowd to sing along with the chorus once more. She shouts, “WEMBLEY!!! I WANNA HEAR YOU SCREAM.” which the crowd oblige to. The music then stops as Amy ends the song in an accapella style.

“And I … I Feel Like I’m Dying
Feel Like I’m Trying Way Too Hard To Learn To Feel
I … Don’t Feel Like Living
The Love I’m Doesn’t Seem So Real
---
And It’s Thoughts Like This That Makes Me Go Insane
Like A Drug Filled Needle Sticking In My Vein
And It’s Thoughts Like This That Me Go Insane
For You I’d Take A Bullet To The Brain”

A Moment, An Hour, A Lifetime



A soft guitar introduction begins the next song as Amy take hold of the microphone, “This is A Moment, An Hour, A Lifetime.” the crowd cheer and then Amy walks to the very edge of the stage, she reaches her arms out to the crowd in the front row as they reach out to touch her hands, Justin then makes his way closer to Amy as she begins to sing.

“I’m Playing This Game Called Love
And It’s Messing With My Heart
I’ll Fight My Instincts, Fight My Feelings
But I’m Just Falling Apart
---
I’ll Close My Eyes And Let My Mind Run Free
Holding You Is Where I Long To Be
I’m Trying To Keep Calm And Fight What I Feel
But A Space In My Heart Is Harder To Heal
---
So I’ll Try To Move On And Pretend That Everything’s Fine
But I Know What I Feel And I Want You To Be Mine
So Tell Me What Your Feeling, Is It The Same
If I Get Hurt, Your Not To Blame”

She then continually looks over at Justin and then back out at the crowd, she moves back slightly and then runs across to the other side of the stage, she starts jumping up and down as the crowd copy her movements, the chorus arrives and she starts singing as the crowd sing along with her.

“So If It Takes A Moment To Like
And An Hour To Love
A Lifetime To Forget
I Guess It’s Easier To Regret
---
And I’ll Walk These Streets In The Pitch Black Dark
Hoping To See You Someday, To Re-Ignite This Spark
I’ll Wonder And Wonder, If We’ll Ever Get To Meet
Until That Day Comes, My Heart Will Learn To Beat
---
So If It Takes A Moment To Like
And An Hour To Love
A Lifetime To Forget
I Guess It’s Easier To Regret
---
People Say It’s Better To Have Loved And Lost
But If This Is The Pain I’ll Feel Then I’ll Pay The Cost
Because Living Without You Is A Pain I Can’t Take
And Although I’ll Live On, My Heart Will Still Ache”

She pauses briefly and walks back over to the centre stage, she stands next to her bassist Jason Greenberg and guitarist Justin Mullen, They all look at each other while continuing to play, Amy takes a step back and then runs forward, right up to the edge of the stage, she shout, “WEMBLEY!!! SING!!!” as she directs the microphone to the crowd for the end of the song.

“So If It Takes A Moment To Like
And An Hour To Love
A Lifetime To Forget
I Guess It’s Easier To Regret”


All The Non Believers



As Jason and Justin swap instruments with the guitar techs standing at the side of the stage, Amy sits on the large amp located at the front of the stage, she introduces the song, “This is All The Non Believers.“ she begins singing accapella, while the band start to make their way back into position.

“If You Got Nothing
Nothing Worth Fighting For
Then Pick Your Stuff Up
And I’ll Show You The Door
---
Don’t Ever Worry, I’ll Be Around
I’ll Come Pick You Up
When Your Feeling Down
And There’s One Thing I’ll Say
---
Don’t Ever Lose Hope
Don’t Ever Worry
Don’t Ever Lose Hope
It’s Our Love Story
---
Will You Still Believe In Us
If I Don’t Make A Fuss (If I Don’t Make A Fuss)
Will You Still Believe In Us
If I Don’t Make A Fuss (If I Don’t Make A Fuss)”

The band then begin playing the song as Amy stands to her feet and starts running back and forth across the stage, waving her arms in the air, Amy and Justin start directly running towards each other only moving in different directions as they pass each other, inches away from bumping into each other, they continue to do this during a bass solo from Jason Greenberg and then Amy stops to sing out the rest of the song.

“We Are … All The Non Believers
We Are Just Losers And Leavers
We Are Lovers And Breeders
We Are … All The Non Believers
---
Don’t Ever Lose Hope
Don’t Ever Worry
Don’t Ever Lose Hope
It’s Our Love Story
---
Will You Still Believe In Us
If I Don’t Make A Fuss (If I Don’t Make A Fuss)
Will You Still Believe In Us
If I Don’t Make A Fuss (If I Don’t Make A Fuss)
---
We Are … All The Non Believers
We Are Just Losers And Leavers
We Are Lovers And Breeders
We Are … All The Non Believers”

Something Old, Something New



As Justin switches to an acoustic guitar for the next two songs, Jason Greenberg begins the bass intro to the song, quickly followed by the drums provided by Nathan Mullen. Justin begins playing the acoustic guitar on the song which is given a softer sound compared to the version that featured on their debut album, Amy spins around in the centre of the stage, after two full rotations she moves over to the microphone stand, she holds it in the air before bringing it down closer to her mouth as she begins to sing.

“Wearing Boots And Deadly Leather
Don’t Feel So Good, Under The Weather
Come Over And See Me, I’m On My Own
This Burning House, Doesn’t Feel Like Home
---
A Message Left On My Answer Machine
Your Not Gonna Be Around, Your The Leaving Scene
A Bottomless Pit, Is Where I’m Falling
I’m Slowly Dying And Your Not Calling
---
I’ll Give You Everything, All Of My Heart
You’ll Take It Fully And Tear It Apart
This Pain I Feel, Is Quite Like Dying
I Can’t Love You, But I’m Still Trying
---
Will You Regret Me, Will You Forget Me
Will You Kiss Me, Will You Miss Me
Will You Regret Me, Will You Forget Me
Will You Kiss Me, Will You Miss Me”

The band continue to perform but the song has became more softer and emotional without Justin’s electric guitar, instead the acoustic guitar gives it something a little deeper and more meaningful, the band continue to play as Amy continue’s to run around the stage, her energetic persona on stage has given the crowd an entertaining set. She stops running around as she continue’s to sing.

“So You’ll Move On Soon And Live Your Life
A Bunch Of Kids And A Stunning Wife
The Day Will Dawn When I Feel So Lost
I’ll Look For Love, At All Cost
---
Will You Regret Me, Will You Forget Me
Will You Kiss Me, Will You Miss Me
Will You Regret Me, Will You Forget Me
Will You Kiss Me, Will You Miss Me
---
A Gift For You Will Arrive Soon
Open It Alone, In Your Bedroom
You’ll See Just The Depths Of My Love That’s True
I’m Sending A Gift And It’s For You”

Amy takes a quick drink of water as the band play a music filler briefly, She then steps back up to the microphone to sing along to the chorus, she encourages the crowd to wave their arms back and forth, creating a wave like effect as she sings the chorus.

“Something Old, Something New, Something Fragile
Will My Broken Heart Do
Something Old, Something New, Something Dying
It’s Sent To You
---
Will You Regret Me, Will You Forget Me
Will You Kiss Me, Will You Miss Me
Will You Regret Me, Will You Forget Me
Will You Kiss Me, Will You Miss Me
---
Something Old, Something New, Something Fragile
Will My Broken Heart Do
Something Old, Something New, Something Dying
It’s Sent To You”

Sweet Little Fantasy’s

The band return to playing fully electric for the next song, the band’s liveliest song yet. Amy steps up to the centre of the stage and shouts into the audience, “WEMBLEY, YOU’VE BEEN AMAZING!!!” she pauses, “BEFORE WE GO, WE’VE GOT ONE MORE SONG FOR YOU.” she pauses again as the crowd cheers, “ARE YOU READY … FOR SOME SWEET LITTLE FANTASY’S!!!” the crowd erupts as they play their most well known song, the band kick into full gear and Amy begins singing in typically energetic fashion.

“She Wears Her Hair Down Low
She Walks The Streets Once More
She Writes Up Fairytales In Her Head
It’s Tragic, Because They Always End Up Dead
---
Sweet Little Fantasy’s
Coming Away With Me
Sweet Little Fantasy’s
Coming Away With Me
---
They Said, Her Face Could Launch A Thousand Ships
The Guys Were, Desperate To Be Kissing … Her Red Lips
Instead She Walks The Streets At Night, Just Looking For Tips
Show Some Skin Once More, And We’ll Call It Quits”

She moves around the stage again, this time bringing both Jason and Justin to the very edge of the stage as they continue to play, the crowd from the front row are throwing their hands in the air in an attempt to touch the band members, they start to move further back to their original positions as Amy runs forward and starts singing.

“Sweet Little Fantasy’s
Are Coming Away With Me
Sweet Little Fantasy’s
Are Coming Away With Me
---
Some Girls Look For Love
Some Girls Search For Luck
Some Girls Play Hard To Get
Some Girls Are An Easy … {Wait A Minute}
---
She’s Got …
Sweet Little Fantasy’s
Coming Away With Me
Sweet Little Fantasy’s
Coming Away With Me
---
It’s All Just A Game They Play
They’ll Play It Until, Your Old And Grey
They’ll Mess With Your Head Tonight
They’ll Scream Louder, “HOLD ON TIGHT!!!”
---
Sweet Little Fantasy’s
Coming Away With Me
Sweet Little Fantasy’s
Coming Away With Me”

As the crowd reach fever pitch Amy continues to see out the rest of the song, Jason and Justin stand side by side with Amy standing in the middle of them both, Nathan performs a brief drum solo as the band then play the final piece of the song.

“But Tonight Your All Alone
Your Castle’s Turned Into A Home
Cracks In The Fabrics, And Tears In Your Beers
You’d Think You’d Have Learnt This Time
That Bitch Ain’t Worth A Dime
---
Sweet Little Fantasy’s
Coming Away With Me
Sweet Little Fantasy’s
Coming Away With Me”

The band end the song on a perfect high, Amy, Justin, Jason and Nathan all make their way out to the centre of the stage and take a bow, Justin, Jason and Nathan all quickly leave the stage as Amy climbs on top of the amp as the stage lights shine down on Amy Meyer, she takes another bow and shouts, “THANK YOU WEMBLEY, GOODNIGHT.”




Setlist
1. Thoughts Like This
2. A Moment, An Hour, A Lifetime
3. All The Non Believers
4. Something Old, Something New
5. Sweet Little Fantasy’s[/center]