Madeleine: Thanks Sara! :D I hope you like the album. As for you Suzie, you autotuned, prissy, gimmicky little bitch, you can fuck right off and take your plastic tits with you ;D

Madeleine: Eh eh eh... I bet a majority of those records were bought by your abnormally large foreheaded father. And of course you're gimmicky... the remaining people only bought it to either deter small animals from their gardens or just to laugh at. Go back to your meatballs and mash, pute suédois!

Madeleine: Rave reviews? Pah! From who? You say that I look like a horse? Look at yourself, mon ami... it's no wonder you scared Jason away, eh? And I think you'll find I have attracted quite a reasonable audience already, and for the actual right reasons... all you are is essentially a porn actress with a rich father who paid tons of producers to cover up your "cat-in-blender"-esque voice and try to not make it sound completely abhorrent.

Madeleine: Research? Fan? Pah, I know of you only because there's no escaping it, due to your attention whoreism. You have attracted an audience, I admit... however, you don't get that these people are LAUGHING at you. I'd much rather be a horse lady than a cow, hun :) There is no such thing as "pop royalty"... and if there was, it certainly isn't you. You're a disgrace.

ONE MORE FUCKING TEASER, YOU GREEDY CRETINS

Rule the Night (4:27) (Indie Rock/ Alternative Rock)

The song kicks off with the remainder of the accordion note of the last song playing, with slight synth flourishes emerging in the background. Eventually, some electric guitar notes and bass drum stomps can be heard, before it all leads into the song exploding into a catchy indie rock melody, with a very strong bassline, brought to the forefront of the song. The song has some Jason Smith production traits, including the comfortable Shoegaze noise in the back of the song, the largely mixed bass and the light synths. This sounds almost like an indie anthem, one that you can see becoming a live staple. Once it gets to the verse, the electric guitar and noise drops out, leaving the bass, drums and slight synth touches remaining as Maddie powerfully sings her lyrics over the top. At some points during the verse, violins can be heard playing in the background. After this initial verse, it evolves into a pre-chorus, when all the instruments return, playing a slightly melancholy, yet no slower or less energetic melody, with Maddie singing in a slightly lower, jazzier pitch. The pre-chorus finishes, and, without actually going into the chorus, goes into the French verse, with slightly louder instrumentation and chanting now audible in the background of the song. It isn’t the chanting of a massive crowd, rather the chanting of a small group of people. The verse finishes and, after a small wall of sound, evolves back into the pre-chorus which continues as normal. However, it then goes into the actual chorus, consisting of the same initial melody at the beginning of the song being mixed with the melody of the verses. Maddie has many layered vocals here, most of them doing breathy vocalisations in the background of the song to support the actual lyrics. The main vocal track consists of her singing in a reasonably low pitch, similar to that of the pre-chorus. The chorus finishes proceeding back into the pre-chorus, before it then goes into a bridge. Although the vocal melody is exactly the same, the drums have devolved into rhythmic poundings and the guitar is playing the sharp, short notes in the beginning as opposed to an actual flowing riff. Everything is much more subdued. After this bridge, everything speeds up slightly and bursts back into life with the normal riff, going straight back into the pre-chorus, followed by the chorus. The song ends with everything slowing down into a halt, before fading out slowly.

Now you’ve cut me open to drink my blood.
And kick my shins so I fall in mud.
So I’ll pick myself up again.
And I’ll still try to make amends.

Je crains qu'il n'y ait pas de point tournant d'ici.
Alors crier si vous voulez aller plus vite.

Sauve-moi, pour mon Dieu ne le permettra pas.
Mettez hors de la douleur pour une seule seconde.
Sauve-moi, pour mon Dieu ne le permettra pas.
Des langues de feu et des fouets d'or!

Je crains qu'il n'y ait pas de point tournant d'ici.
Alors crier si vous voulez aller plus vite.
Now you’re just wasting my time.

Oh my feral child, will you sing tonight?
Oh little feral child, can you just sing?
‘Cause I tell you kid, that if you don’t,
Mummy won’t buy you no diamond ring.

Je crains qu'il n'y ait pas de point tournant d'ici.
Alors crier si vous voulez aller plus vite.

And when the bell does toll and we go home...
I hope you know I’ll thinking of you.
Your turn to move, it is again.
I’ll still try to make amends.

Je crains qu'il n'y ait pas de point tournant d'ici.
Alors crier si vous voulez aller plus vite.
We used to rule the night!

Oh my feral child, will you sing tonight?
Oh little feral child, can you just sing?
‘Cause I tell you kid, that if you don’t,
Mummy won’t buy you no diamond ring.

OOC: Lyrically, fantastic.. yet again! Dude are you half french or something? Haha, because this is so good. Well done.