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stephaniewazhere wrote:STEPHANIE FIERCE LIVE CHAOS AWARDS // 4.1.12 Chaos Awards Show Set-list: 1. Stephanie…Sampled a Tree (Intro) 2. Tequila Shower 3. Electric Guitar Virgin 4. Dying in the Airwaves 5. Under Pressure (Queen Cover) 6. Back To Fierce The lights undimmed and Stephanie Fierce is seen sitting standing on the middle of the audience. A group of male soldiers surround her as they make their way center stage. A piano and guitar rest alone before the band hinting that it will eventually be used by Steph, placing the microphone in front of her; she speaks the following as a beat builds up; her voice starts growing louder like a poet in the 5th line to add emphasis to the lyrics……. Back-up singers repeat some of the words as well . “Mother Nature All ideas come from Mother Nature Originality is b*llshit, so stop claiming it We've all become predators of the successful No one really owns the crown....But if you do, they gonna take you down They gonna take you down (down) They gonna take you down (down) I said, they gonna take you down
Look out of the perspective People are so in love with themselves....They forget how to love others Look out of the perspective A human being is not built to take so much negativity Look out of the perspective Extracting data, too many files, brain malfunction Look out of the perspective We can't possibly store all of it, we’ve become repulsive Look out of the perspective (Damn it) And all of the sudden that makes us arrogant Look out of the perspective So now we gotta make it on our own Look out of the perspective Everyone is so used to these uniformed ideas, blatant is the new false Look out of the perspective Cheat your way out Let’s blur out the truth...before they find out Steal your way out Let's blur the truth...... Their ears grow sensitive Fierce chromosomes forming, take advantage Dear Producer...... I am free, and you will not chain me
I'm looking at this tree, and I'm looking at everything Who would of thought an idea like this, would feel so lanky So focused on my perspective So stuck in my perspective, I've lost touch of the whole truth, but my shoulder bones stick out Cause there's no orignality Stephanie sampled a tree Useless mother nature made it, Stephanie sampled a tree All ideas are connected Stephanie Sampled a tree
Stephanie to the computer the computer to the outlet outlet to the electric electric to the power plant Power plant to the ground voice from stephanie Stephanie from the womb womb to the woman woman to the adam adam to the dirt There's no such thing as originality…
Waited all for you to forgive my sins Waited 2 years for you to really love me" Sounds a bit like:
Once finishing, Stephanie can’t hold back a smile as the audience applauds in amazement. In signal and preparation of staring a new song, the drummer starts hitting his drum sticks together, as Steph makes her way to the piano. Once sitting down, without hesitations she begins to sing “Tequila Shower” with no struggle as her drummer and guitarist play. Throughout the performance Steph sings while banging her head back and forth and plays the piano more upbeat towards its original melody. She also adds harmonized vocals to some of the lyrics to give it a different spin. Stephanie Fierce: This song right here is dedicated to Mr. Johnny Johnson (Steph says in her jazzy but rock and roll voice) Chaos Awards...... "Oh no baby, we just woke up the lord, with our loud drunk voice, our meanest chord 2 years ago I was one lonely whore... (I mean 'bitch' ) Now I'm bored depressed thinking about things you've done would we make another baby or another hit song? I lost track baby, this is so unfair
So I got my bottles lined up and my hair undone would I have another death before my next hit al-bomb?.... (they better pray to god) Got my New York accent on, my meanest tone just in case this Billy guy next to you try to steal my purse (in this dumpster bar) would it hurt baby if I took a tequila shower with you tonight?" Sounds a bit like:
After finishing the shorter version of "Tequila Shower";. Steph walks over to the electric guitar guitar and places it on her body. ......this is my motherf*ckin man right now", Steph goes on to say joking to David Letterman for his previous interview question. Receiving a positive reaction from the audience, Steph begins "Electric Guitar Virgin". Immediately at the start, Steph bends her knees down to the ground to sing and play, all while on the floor. The song electronic based composition, which is made of amen-break like build up, that's also converted to a trance like appeal is produced lively by her keyboardists. Stephanie Fiere plays a forceful and brawling guitar with driven bass, keyboards is still heard. They sound a bit psychedelic, with the guitar pedal effects. Her voice is laid back through most of the song and the lyrics are purposely sung as if Stephanie was reading them out. She almost sounds as if she’s under control and the soprano side is more present. Reaching up to the guitar solo, the spotlight is then set on her and she begins. The guitar solo mimics the chorus with emphasis and acts as a bridge. Due to Steph’s low experience with guitar solos, it’s composed to mimic the chorus. Once the guitar solo is finished, the band goes into this trance fusion like break, leading up to a classical music crossover section above a trip hop influenced beat. The band used a pre-recorded audio, since Stephanie Fierce arranged the beats with pre-recorded classical pieces. as the momentum of the performance picks up it leads to a non-stop 16 second vocal belt done by Stephanie Fierce, during so she manages to reach a vocal range from D3- E6 in her 16 second vocal belt. The audience amazed by her longevity applauds almost in disbelief. Doing so Steph moves her shoulders forward and back as she catches her breath. The band then proceeds to the trip–hop beat section while slowly fading out. While slowly fading out, you can hear distinctive melancholic noise that echoes created by a guitar pedal and Steph sings to mimic the sounds it creates. Once finished, she gets a roarring response. Steph takes a deep breath, putting herself together and begins playing the on-going electric guitar bit with a bassist and second guitarist backing her up. First building up with intense discordant chords, her vocals are present to the microphone. Steph sings the first verse with deep emotion squinting her eyebrows. Her vocals are heard as warm, mellow and melancholic in the beginning and as well as choruses. Also while singing, the rest of the band focuses on creating the ambient sound founded in the fierce atmosphere with the special pedals and as well by using other specially made instruments. Steph lifts her fingers in motion and stares deeply into the camera while singing. Once the chorus reaches, Steph sings with all her might and suddenly everything stops. Steph looks up and beings the second verse, which features hard sung/screamo like vocals. The purpose was to sing with emotion despite it sounding like she's holding back vocally. You can hear her 'fear' and presence for once. Her vocals are not about confidence, or ego-like vocals, but within all-that there, confidence somehow makes its way. After finishing the verse, Steph proceeds to a guitar solo that acts like the chorus, and leading up to that is the chorus repeat. Finishing up, she does the outro and once finished she drops her guitar to the ground. Mouthing "Free". "(Spoken): They now play me.
(Verse 1 Sung): They.... eat you, they eat me too You tamed the noises, they're all clam now Who these people hunting me now?...They like to listen....
They will slay me, searching for those lost emotions But how could she not die? How could I not die? No need to run now, just wake to defeat......
(Chorus Part 1, with SELF back up vocals in parenthesis) Life Long Gone; (its been long now, its been long) They forgot to listen; (its been long now, its been long) Long Life gone; (it’s been long now, its been long) Only you will listen, In this industry
(Part 2 of Chorus Spoken) Ghost of your voice, acidic spit from your lips, They could foster me
(Part 3 Repeat of Chorus, Sung with SELF back up vocals in parenthesis) Life Long Gone; (its been long now, its been long) They will hate me; (its been long now, its been long) They will listen; (it’s been long now, its been long) They will listen, In the industry
(Verse 2) So...Fuck the radio, fuck the charts This shit right here comes from the heart Rock star pop star, same fucking star You made me the star You tore me apart..... but I'm just a lyrical beast, from the mouth to the sheet pop music contradictory, searching for radio hits and I'm also a industry priest, not living life as if diseased Some hooker whore look a like, I hear this all the damn time! But they don't know I was doomed born in a equivocacy womb raised in miracle tomb and lost my fucking damn mind Never will be a thing of the past, is that a forgivable crime?
(Bridge; Guitar Solo)
(Chorus Sung, with self back up vocals in parenthesis) Life Long Gone; (its been long now, its been long) They will hate me; (its been long now, its been long) They will listen; (it’s been long now, its been long) They will listen, In the industry
(Outro) Now I'm done. Long life.....GONE in the airwaves......the airwaves Dying in the airwaves I'm dying in the airwaves Dying in the airwaves Dying.....
They will never play me.. Sounds a bit like:
Once her band begins to play the composition in which one hit wonder "Vanilla Ice" sampled, Steph begins to sing her cover of Queen''s "Under Pressure". Once reaching the bridge, the audience begins clapping and cheering as Steph struts around, pointing the mic towards them as the sing along loudly and after that the original vocals of Queen are heard to end it out. She finishes and says "Thank you" with a smile as the audience cheer on. "Mm ba ba de Um bum ba de Um bu bu bum da de Pressure pushing down on me Pressing down on you no man ask for Under pressure - that burns a building down Splits a family in two Puts people on streets Um ba ba be Um ba ba be De day da Ee day da - that's o.k. It's the terror of knowing What this world is about Watching some good friends Screaming 'Let me out' Pray tomorrow - gets me higher Pressure on people - people on streets Day day de mm hm Da da da ba ba O.k. Chippin' around - kick my brains around the floor These are the days it never rains but it pours Ee do ba be Ee da ba ba ba Um bo bo Be lap People on streets - ee da de da de People on streets - ee da de da de da de da It's the terror of knowing What this world is about Watching some good friends Screaming 'Let me out' Pray tomorrow - gets me higher high high Pressure on people - people on streets Turned away from it all like a blind man Sat on a fence but it don't work Keep coming up with love but it's so slashed and torn Why - why - why ? Love love love love love Insanity laughs under pressure we're cracking Can't we give ourselves one more chance Why can't we give love that one more chance Why can't we give love give love give love give love give love give love give love give love give love 'Cause love's such an old fashioned word And love dares you to care for The people on the edge of the night And love dares you to change our way of Caring about ourselves This is our last dance This is ourselves Under pressure Under pressure Pressure" Stephanie Fierce: You see. You thought I didn't know that you had your share of girls while being with me. But motherf*cker, You done messed with the wrong one"......... Everyone in the audience roars in excitement. Steph then heads down to the isle where all the stars are sitting and she begins to sing the following in acapella as the spotlight remains: 'You tore her kitty up'; a guitar stroke is done and Stephanie Fierce gets on top of Vanity's Lap as if she was lap dancing on her and whips her hair around in a circular motion. After finishing, She then blows a kiss. That line is followed by louder cheering from the audience in excitement of the song being performed. Stephanie Fierce continues to sing in acapella on her highest note possible 'You hid my pic in the corner'; a stronger guitar stoke is played She pauses for feedback, and the audience cheers. Finally she heads back up to the stage and continues. The band begins stomping in correlation with the beat, Stephanie fierce struts down the stairs as she is joined by a group of male soldier as back up dancers wearing the same outfit, and finally once reaching center stage she begins to sing in the normal pace. "She, she's the deal, I heard that she can even pay your bills, Sure she got the balls, but honey is that really what you want?
(pause; the instrumentation kicks back in with full force, and the guitarist add a groove to the instrumentation that isn't heard on the CD version)
You..... live in fear, cause of the reputation I've held for so many years, Boy, It ain't my fault, you shouldn't had left her drawers on the floor.....
(Second Pause; the instrumentation kick back in, this time with a louder stomp)
Raised her skirt, she put your head in the clouds but whatever she did, she sure ain't bringing me down You tore her kitty up (Steph grabs her crotch), hid my pic that was in the corner But lord knows what is waiting next time you bringing her home
Back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), back to fierce (ooh, oh; Steph and the back up singers sing)
(As soon as the chorus finishes and the transition to the second verse begins, faces her back to the audience and marches to the beat. The back- up dancers do the same Steph steps up her vocal control and continues and more strutted kind of way)
She, is a hound, cause she damn sure knows how to get around, She WORKS overtime, but she don't deal with half the shit I deal (The band and the back up singer begin to clap to the instrumentation) She bett' keep quiet, cause I'm going back, haven't you heard.. WHAT I DO TO CHEATERS'; (Steph holds up a dildo that was handed to her, then tosses it as she does a vocal range shift to the next note) Raised her skirt, she put your head in the clouds but whatever she did, she sure ain't bringing me down You tore her kitty up, hid my pic in the corner But lord knows what is waiting next time you bringing her home
Stephanie Fierce: CLAP!
(Steph and everyone else continue to clap to the song; this time the audience is clapping along)
Back to fierce (ooh; the back up singers sing ), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), back to fierce (ooh, but; the back up singers sing)
As the bridge of the song approaches, the stage goes dark and once again a spotlight is placed upon Steph. A piano is heard as Steph and her back up singers ready themselves to sing an Opera version/piece to the bridge of the song. As she begins the audience is quite amazed at the surprising "Opera" vocals.
"oh, All of the stories I've heard, Your friends always told me, I shouldn't had trust you Your momma even said it, You're the one to keep an eye to People say crazy things....
(As she finishes her comedic Opera piece, she shifts back to her normal vocals, and this time she begins to stomp and clap while singing)
Back to fierce (ooh; the back up singers sing)), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), be in fear (ooh; the back up singers sing) I'm back to fierce (ooh; the back up singers sing), back to fierce (ooh, but; Steph sing solely with a strut)
I'm back to fierce (Ooh, flip you hair; Steph flips her hair), I'm back to fierce (Ooh, work them heels; Steph stomps her feet) I'm back to Fierce (ooh, RIP HIS DICK; Steph sing this bit in Screamo vocals),
(As soon as the last chorus before the outro finishes, Steph removes her brown coat and begins to chant the following with her back up dancers:)
I don't know what you been told (I don't know what you been told) But this sucka's goin home (But this sucka's goin home) I don't know what you been told (I don't know what you been told) But this sucka's goin home (But this sucka's goin home)Sounds a bit like:
(As soon as the performance comes to an end, Steph receives a standing ovation from the audience) |