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Offline Famouss7x7  
#21 Posted : 01 September 2012 04:07:56(UTC)
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Originally Posted by: erich hess Go to Quoted Post
erich:wow.now i know. i never have been...intimate with a swede. i always wondered if they were like saabs or volvos in the sack. passionately built,turbo charged and fun. looks like they veer towards saab!

karoliena: rowrz.so that is why they the ignition between the seats. dirty,dirty swedes.* wags finger*


Suzie: Lol, Swedish girls do it best <3
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erich hess on 01/09/2012(UTC)
Offline erich hess  
#22 Posted : 01 September 2012 04:33:37(UTC)
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erich:* very sleazily* i can imagine. hell,in the winter,it's a matter of life and death. you guys could freeze without body heat to keep you warm.

karoliena: or you could cover yourself with a sturdy blanket.but where is the fun in that?
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Offline Famouss7x7  
#23 Posted : 01 September 2012 05:32:10(UTC)
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I'M RICH B!TCH
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Produced By: DJ Cloud
Length: 3:22
Genre: Electro House, House-pop

Onto track #7, after listening to the previous track the very provocative driven "Swedish Hearts" you may wonder what Suzie has in store. This next track entitled "I'm Rich B!tch" is a collaboration between Suzie and producer, DJ Cloud. Now, there are two things that are quite predictable about the song. The songs subject and the initial sound the song may most likely have. When you read, I'm Rich B!tch, you automatically know this is a track where Suzie clearly shines best, which is at gloating and being the cocky confident aristocrat that she is having a fortune being made in her name since her father is a multimillionaire back in Sweden, and Suzie herself being able to make quite the fortune as a pop singer. And, if it's a DJ Cloud collaboration, you can expect the pulsating electropop beats that would find itself blasting comfortably over the PA system of the words largest, and dirtiest raves. If you were predicting this song to be a blend of those two things, then you are 100% right. The song starts off with light synthetic electro pop beats that soon is aided with a fasting backing beat that goes at about 125 beats per minute. Suzie starts bringing on her vocals that get straight to the point of how rich and snobby she actually is, over the quick baseline that would find its way at any Ibiza clubs, Suzie sings: I got a big house, and a big car | F*ck I need to give a sh*it about who you are| I got so much money honey
Ain’t that lovely honey?| The songs beats starting picking even more and a voice over the song that isn't Suzie's says robotically "Being, Rich, Is a PERMANENT HIGH" the beats then move even faster as Suzie starts belting out the next lines in the track. Suzie's voice is much more confident and less sultry then it was in the last song. She sounds almost as if she's angry, but at the same time there's a tone in her voice that makes it known that she's flaunting the fact that she has alot of money. She continues: Oooh, Oh, Oooh…
I got a plane (got a plane)| And the fame (Love the fame)| Cause I spend it like it ain't no thing; the beats of DJ Cloud's get even bigger as she's singing these lines, almost like the signature buildup of the Italian DJ. All these shopping bags, all these eyes on me
5 thousand dollar Versace | I’m RICH BITCH!!; As Suzie sings this, sirens began soaring throughout the quick faced paced beat. When she screams I'm RICH BITCH, the song unleashes into a frantic, rave influenced, corkscrewing break that slams heavily throughout the chorus with sirens, and horns mixed in with it making this the perfect night out dance track for the clubs. The break has elements of eurodance, house as well that might just have you fist pumping and moving your body to. The next verse Suzie continues to flaunt her hefty bank account until the bridge where the song breaks into another breakdown that has the beats moving in and out. Suzie doesn't say anything for this part of the song, but instead lets the production take over until the hook once more, where the memorable lyrics are said the final chorus rides the song out. The final chorus sounds even louder then the previous choruses as it includes weaving beats as it gives us it's final run before the song comes to an end.




Quote:
DJ Cloud produced the sickest track for me! I love how dance influenced and in your face it is! I wanted a song that really gets across the fact that I really don't give a shit about what you say about me, I'm rich and I like the party and I'm Rich B!tch really gives off that feeling. I know the Suzie Nation is gonna love this one because all my fans seem to love when I venture out and make a really club influenced track so this one was a special treat from me to the Suzie Nation! It's so catchy and the lyrics really great straight to the point and I know this will have everyone dancing in the club. I know I've said this so many times about the albums tracks, but this is another favorite of mine, can I just love all of them? Cheers to the fist pumps!



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Offline Famouss7x7  
#24 Posted : 01 September 2012 05:35:49(UTC)
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Originally Posted by: erich hess Go to Quoted Post
erich:* very sleazily* i can imagine. hell,in the winter,it's a matter of life and death. you guys could freeze without body heat to keep you warm.

karoliena: or you could cover yourself with a sturdy blanket.but where is the fun in that?


Suzie: Um excuse me? I'm not sleazy for your information. I just tell the truth.
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Offline Famouss7x7  
#25 Posted : 01 September 2012 05:49:19(UTC)
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STEAL YOUR MAN
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Produced By: No Evidence, Diplo
Length: 4:09
Genre: Electroclash, Synthpop


Onto track 8, the club influenced jam of the previous track "I'm R!tch Bitch, is preceded by the second single that was taken off the the album. "Steal Your Man". This single caused a huge uproar a few months ago when it emerged on the internet. Different married women expressed their disgust with the songs nature but quite frankly, Suzie didn't care. When did she care? Did she even think about the different women who would be offended about this track? We don't think so. Still the SuzieNation supported it and made it a hit, if you haven't heard the controversial song, now's your chance.

Automatically, once you think of the meaning of title of the song, you began to think about Suzie threatening different females about their loyalty when it came to a chance with Suzie, but we didn't think she would throw it so rapidly, in our faces. This is shown throughout the track that is produced mainly by Paul Epworth who was reportedly paid a disclosed amount of money to produce this track with the help of underground production duo "No Evidence".

This unapologetic second single starts off quickly with a very unorthodoxed, underground feel to it that would automatically get you moving your body, the "flickering" backing beat is aided with deep burping like instrumentals that pulsate across the few seconds of the song. Synths are then added to the already pounding beat that is then enhanced with crackling cymbals taps, that screams excellent production. Suzie then bursts out in a confident and cocky tone, with less autotune then the usual Suzie song, although it's still strongly present. Suzie murmurs "All these chicks be hatin on hatin on me, cause their not| But there men be droolin on droolin on me, cause I'm hot-|-And I Keep Wondering| How Would I Make You Feel |If I. Stole. Your. Man| I. Stole. Your. Man| I. Stole. Your. Man| I. Stole. Your. Man. When Suzie says "If I Stole Your Man" very clearly, behind the beat, out of no where the cymbals find's it way back to the pounding tune slapping rigorously that mixes very well with the pulsating backing beat which goes on for a few seconds before Suzie brings the repulsiveness back as she snares I Got Hits|I Got Ass|I Got Money|Fuck CLASS| And if your man, is free| I Might Pick.Him.Up.For.Me. The lyrical content, very limited as the cymbals roars one more time this time sounding louder than before with the heavy dance beat soaring bigger once more this time adding in sirens. When it slows down, Suzie brings back the beginning lines of: All these chicks be hatin on hatin on me, cause their not| But there men be droolin on droolin on me, cause I'm hot-|-And I Keep Wondering| How Would I Make You Feel |If I. Stole. Your. Man| I. Stole. Your. Man| I. Stole. Your. Man| I. Stole. Your. Man followed by the cymbals one more time, she then goes on to snare out |S|U|Z|I|E|N|A|T|I|O|N|. Each letter one by one, when it slows down once more. After a chant of her "Suzie Nation" she continues with carelessly saying |Scream It Loud| Cause We're The Best| ...|Say It Proud|F*Ck the rest| behind mixing beats and rising beats. The quite offensive track doesn't stop there however. After repeating the opening lines and second verse over, with the instruments still staying in place, Suzie yells out And If you Want Me To| You just gotta the clue...|I'll Steal Your Man|Yeah I'll Steal Your Man|Yeah I'll Steal Your Man|Yeah I'll Steal Your Man|Yeah I'll Steal Your Man| numerous times with mixing beats, and cymbals, not to mention the pulsating backing beat blaring behind her voice with the very enjoyable, yet very different production. The extremely promiscuous track about being a homewrecker rails on with the Suzie repeating the lines with the arising electroclash atmosphere that might just have a listener bobbing their head to the very catchy tune and unpredictability of the lyrics. Or holding their face scrunched up very offended. The track rides out when Suzie finishes repeating "Steal Your Man" as the mixing beats rides out the entire track with one more set cymbal poundings heard one more time as the track finally comes to the end.


Quote:
My HIT single! I fucking love this track! This was chosen as "Rise Above's" second single and honestly even though people made a big freaking deal about the song, it's a sick track. You hear those cymbals everything the chorus comes up, and those lyrics. I mean, honestly I was just speaking about Stealing a Man. Girls, you've never thought about stealing anothers girl's man if he's super hot! I know you have. It's like a guilty pleasure. It's a challenge ...well not really for me.... to steal someone's man. So I just wrote about it. It was sorta in the middle of that whole bull crap with Scott and I and you know, I just wanted to write a song about stealing men. Everyone is always so scared about what people will think, but me, I don't care! So I just wrote about it and got Paul Epworth, followed by No Evidence to handle the production and tuduaaaah! A masterpiece of a song, and hit single... was made! Enjoy it ;)


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Edited by user 01 September 2012 05:50:18(UTC)  | Reason: Not specified

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Offline erich hess  
#26 Posted : 01 September 2012 06:04:18(UTC)
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erich:a misunderstanding,my dear! i would never call you sleazy,or even imply that you are. any sleaziness was all on my part.wot,with the innuendo and all.i am sorry if i offended you.i really never intended to.

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Famouss7x7 on 01/09/2012(UTC)
Offline Andre Gandra  
#27 Posted : 01 September 2012 06:34:33(UTC)
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Magie: I feel like, most of the people in this industry neglects you for some reason, but you're a good singer, and I have to admit that this album is so great, everything the sexiness on it, the sense of power and your accent makes it such a unique album. Good Job.
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Offline Famouss7x7  
#28 Posted : 01 September 2012 08:03:23(UTC)
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Originally Posted by: Andre Gandra Go to Quoted Post
Magie: I feel like, most of the people in this industry neglects you for some reason, but you're a good singer, and I have to admit that this album is so great, everything the sexiness on it, the sense of power and your accent makes it such a unique album. Good Job.


Suzie: Aww that's so nice Magie! I'm happy YOU understand unlike everyone else <333. I'm happy you like it :). I've worked reaaaally hard.
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Offline Famouss7x7  
#29 Posted : 02 September 2012 00:37:54(UTC)
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Originally Posted by: erich hess Go to Quoted Post
erich:a misunderstanding,my dear! i would never call you sleazy,or even imply that you are. any sleaziness was all on my part.wot,with the innuendo and all.i am sorry if i offended you.i really never intended to.



Suzie: Aw it's fine<33
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erich hess on 02/09/2012(UTC)
Offline Famouss7x7  
#30 Posted : 18 September 2012 04:49:40(UTC)
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UPSIDE DOWN FT. Sexy Star
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Produced By: Dr Duke
Length: 4:20
Genre: Dance Pop, Synth Pop

If you're looking to buy the Suzie album, we are pretty sure this title of the song and it's collaborator may just catch your attention. Sexy Star. The legendary cross dresser who is more girlier then some females in the industry finds his way on a track for Suzie's new album. It's quite interesting because we haven't heard of Sexy Star in quite some time, and out of no where, here he goes gracing on one of Suzie's songs. We wonder how much was paid to Sexy Star to be on this track. Continuing on, automatically the track starts off with rumbling synths courtesy of the producer of the song, Dr Duke. The synths continue on with Suzie's voice sounding robotic murmuring "Turn Me Upside Down". The song then continues on with different mixes of different sounds with the robotic voice of Suzie's saying those same words. After the mixing beats she finally says "Oh touch my body/turn this club upside down/while you turn me upside down". Automatically you get a nasty picture and the you already know what this song is basically about. The song then breaks into a calm dance pop beat that moves swiftly across the baseline as Suzie sings about partying in a club and then meeting someone and then turning the club upside down, in a provocative way. Sexy Star's vocals break out of no where, coming right after Suzie's as he speaks about getting down and dirty in a club "I can blow, we can blow, turn this shit upside down, I'll turn you upside down, or I'll turn upside down. Cause you got me feeling this way and I'm ready to go". After Sexy Star sings those words, the song breaks into it's chorus. The song slips into a high energy, speedy tempoed dance pop jam. They sing back and forth about turning a club upside down, but at the same time, being turned upside down. Already, you can feel the proactive nature of the song just by the way they are singing. The sex kitten vocals of Suzie's and Sexy Star who has this purring sexiness of his vocals.

The second verse doesn't really change the exact nature of the song. But instead features more of Sexy Star's vocals as she proclaims a guy/or girl? To be his in the club. "Oh yeah, you know you're mine...this club ain't got nothin on his, but we got so much on eachother/Show me/Show me/ What you got/ I bet I'll have you purring after one shot. Sexy Star coos across verse two until the bridge. The song slows down and contains a heavy baseline that slams across the track and then sounds of Suzie moaning is heard behind the slamming beats. The song finally breaks into the final chorus and Suzie and Sexy Star join eachother in these provactive lyrics "Lets turn shit upside down, while I wait for you to turn me upside down/Baby/You know what I want right now/ Push up on my body/ Sink your teeth into my body/Turn me inside out/Turn me upside down/ They sing with eachother as the dance pop jam soars throughout the track with them trading in high notes. Although Suzie's voice is heavily aided she still sings along with Sexy Star and it sounds like a pretty nice concoction of voices with the ace production of the song making it a beyond passable dance floor filler. The song roars all the way until the end where Suzie holds an incredibly long note that sounds quite robotic as the song rides out until the end.

Quote:
Another track that I love! Just because Sexy Star is my babsiess! And we made such an amazing track in the studio! I was honestly not surprised when Sexy Star accepted to collaborate with me because we are both amazing and we got inside the studio and really worked it! It's a sexy song! And I know all the clubs are going to love this one! Remember, before you get it on in the club just remember to turn the club upside down while you're doing so! It's a pretty dirty song but who doesn't fantasize about getting it on in a club!? People are afraid to sing about these topics but I'm not! So you know, you gotta feel the nature of the song.. you have to be brave about it and this song is sooo brave and soo sexy and I know my fans are going to love this one when they listen to Rise Above ! Booyah!



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Offline erich hess  
#31 Posted : 18 September 2012 06:14:30(UTC)
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erich: rowrz,miss suze,rowrz. i do love songs about good dirty fun.

karoliena:its the kind of thing everyone can relate to...or should be able to. this song is indeed pretty hot,one of my favorite subjects.

erich: rowrz,miss verlinden.

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Offline Famouss7x7  
#32 Posted : 07 October 2012 12:25:25(UTC)
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Final tracks coming tomorrow!
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#33 Posted : 30 October 2012 09:48:12(UTC)
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DANCE WITH THE QUEEN (feat. Dominic Brown)
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Produced By: Dr Duke, Chase & Status
Length: 4:00
Genre: Dance Pop, R&B, Electronic

The 10th track and the third and final single before Rise Above is released is "Dance With The Queen". Although this single was in talks to be released as the second single off of the album, it took the back seat to favored single "Steal Your Man". Now, it's safe to say, it's time for the "Dance With The Queen". The song starts off right away as a swooshing noise is heard with fizzing synths and a slow, pounding backing beat that rides throughout the beginning of the track that is then picked up as computerized cymbals burst onto the track that make the beginning of the track sound "bigger". Still no sign of Suzie or Dominic for a few more seconds and then the beat slows down, the synths are still present but a much more calmer approach to the backing beat is heard as Suzie's vocals release onto the track. With her vocals aided and echoed with layers, she posses a great seductive manner in her voice and kitten like grown as she murmurs
I walk into this dark room and I see those heads turnin'| It's so good down here I feel the fire deep inside me burnin'
But you want more, than just to drink me with those eyes|I'm on the next floor, but boy you know I'd give you some highs,|You see I'm at the bar downin' shots, it's like I'm gon' drown,|Do you want me on my knees? You know I'll never go down; Suzie sexily sings about being in a club and seeing a guy who has their eyes on her ,as the beat moves behind her and sounds as if it's rising and then bursts into a incredibly catchy hook instrumental as the beat continues to rise, after a few seconds of the instrumental, the songs bursts into a dubstep like chorus that adds in all the previous vocals not to mention as the beat relentlessly makes it presence known the track with electric guitars adding and Suzie yells out: You wanna dance with the queen, d-d-dance with the queen,|I push my hips close to yours and feel you moving in between|You gonna beg me, please me, tell you that you need me,|But I don't wanna see you drop right down on your knee,|Everybody's watching as I'm grinding to to the beat,|I see your eyes on the prize as you grovel at my feet.|Dance with the queen, I'm your mother fuckin' queen|I'm gonna make you blow, yeah we'll be makin' a scene.;| As the real provocative manner comes out on the track, Suzie still possesses this sexy growl in her voice mixed with the production that may have your body moving already as she sings about being on a dancefloor and engaging in an over the top suggestive dance with this guy on the dance floor. The beat slowly fades out with only the synths bringing us to the next verse. The beats then pick up faster as Suzie starts singing the next verse of the track. I feel the beat calling me into the middle of the dancefloor/Your eyes are washin' over me, like you wantin' some more/You say you danced with your princess, you fought with the king| But I ain't gonna give it up when all you want is my bling.
I'm swaying to the sounds and I can see your brow sweating| But boy you better understand that this is all you'll be getting;|; The catchy lyrics feel as if they pass by very fast as they are enjoyable before we are taken to the hook, this time with lyrics, as that incredibly catchy beat is rising, Suzie sings:I'm like your royalty, boy you push me up me a throne,And when I look down, oooh you know I see how you've grown|But I'm not! Im! Pressed! Oooh No No No
You'll never see your queen undress, hey hey it's time to go|No you can't dance with your queen,not when I'm wearing my crown|Keep your hands free from my scene|Or I'll be takin' you down.|Dance with the Queen, D-d-d-dance with the queen,
you'll never never dance with your queen|Not when I'm wearin' my crown; The song then bursts onto the chorus that is has a huge dubstep influence relentlessly slams onto the track and as the chorus rides out, we finally hear Dominic Brown come onto the track for the bridge that cuts away from the big production and just includes synths that sizzle through the bridge as Dominic sings quick paced |There's a sensation ling'ring in the air|A sensation so strong I just can't bare|I want to get closer but boy I don't dare|I've been obsessing year after year |I want you to hold my body close to yours|Rockin' your body all night long|I just wanna tell you, baby, now|I still can't ignore all the hurt that's inside|There's no way to stop it, baby|My love is so pure, it can't be denied|So lemme dance whichu |Romance wichu |Have this dance wichu. Suzie moans in the background as Dominic sings in a rap like manner and when's he's done right away the song's instrumental hook starts rising once more before the final chorus unleashes: You wanna dance with the queen, d-d-dance with the queen,I push my hips close to yours and feel you moving in between|You gonna beg me, please me, tell you that you need me,|But I don't wanna see you drop right down on your knee,|Everybody's watching as I'm grinding to to the beat,|I see your eyes on the prize as you grovel at my feet.|Dance with the queen, I'm your mother fuckin' queen|I'm gonna make you blow, yeah we'll be makin' a scene. The chorus comes around once more before the track comes to a haunting end.




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Offline Famouss7x7  
#34 Posted : 30 October 2012 09:48:58(UTC)
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I DON'T CARE
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Produced By: Will Rocca
Length: 4:00
Genre: R&B, Pop

As this journey continues, the next track, and 11th track off of Suzie's "Rise Above" is "I Don't Care". Following a track like "Dance With The Queen" which is a big production number. "I Don't Care" takes a totally seperate approach. For the first time we get a genuily calming production number. And we know this from the start of the song. The song starts off with an incredibly catchy clapping beat that is backup with a swaying, coo like backing beat. It's almost as if the beat is swaying along slowly behind these clapping beats. The calming sounds catchy, as these beats take over the first few seconds of the track. Suzie's vocals come on slowly in a whispering manner as she coos out I|D|O|N|T| C| A|R|E singing out the letters to spell out I Don't Care. The slow manner of the track continues and breaks into the chorus that stays at this pace but adds more clapping beats as Suzie's whispery tone takes over for the chorus. She sings out I'm flying first class|I'm up the sky |I'm poppin champagne |I'm living my living my life |I'm in the fast lane|I got no shame |I'm so glamorous |I don't care what you gotta say |So glamorous |I don't care what you gotta say|So glamorous. The backing beat slowly rises behind Suzie's voice along with the clapping beats. Suzie channels the happiness and glamorous life as she's saying I don't care to the all the people who try and trash everything that she does. As the chorus slips away, the first verse comes along as Suzie sings about the things that she has as she boasts about being the queen and being seen on MTV. She sings: They say this and they say that |All they sayin, don't mean nothing |I have chaperouns and limousines|I've been shopping for all these sexy things|You've seen me on up on MTV|You've seen me falunt on magazines. Suzie continues singing throughout the verse about people speaking and calling her "nasty" she pokes fun at herself in this track as she continues murmering
You claim I'm not nasty |I know I'm not clean |But one that I know is that I'm pristine |And I don't call myself the queen for no reasoning |I'm that motherfucking Suzie Machine |And I don't care, I'm so real
Just go and see how many records I sell.

The song then breaks back into the chorus where the clapping beat speeds up, along with the backing beat as she has a whispery tone for the chorus, as the catchy chorus comes back up I'm flying first class|I'm up the sky |I'm poppin champagne |I'm living my living my life |I'm in the fast lane|I got no shame |I'm so glamorous |I don't care what you gotta say |So glamorous |I don't care what you gotta say|So glamorous. As the song fades away, and goes onto the second verse, Suzie sings about people speaking bad about her, and telling her that she will be nothing but instead she doesn't care what they have to say because she knows what she is and she doesn't care whatsoever about what they have to say. It's nice to see Suzie not so menacing on a track, but instead relaxes her vocals and really gives a chance to see exactly how Suzie feels in this quite relate-able track on the album. If you ever felt like people were ever trying to break you down, just tell them that you don't care and keep living your life. As the second verse fades away, and the chorus comes about once more, after that is done the chorus the bridge comes along. The backing beat slows down and only clapping beats are hard with elegant synths as Suzie gets out the point that she doesn't care about all the things people have been saying and is essentially saying "fuck you!" to the people have things to say. She also boasts about having money and then goes on to thank her fans genuinely for supporting her after repeating lines that her father once told as she sings |It's really been a long rode|From Sweden that's my home |But I'm the queen I'm at my throne
My daddy told me so |I'm the queen I'm at my throne|My daddy told me so as she continues singing until the chorus rides the song out until the song comes to an end.



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thanks 1 user thanked Famouss7x7 for this useful post.
erich hess on 30/10/2012(UTC)
Offline erich hess  
#35 Posted : 30 October 2012 10:24:39(UTC)
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ooc:such great work !
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Offline Famouss7x7  
#36 Posted : 31 October 2012 01:30:52(UTC)
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Originally Posted by: erich hess Go to Quoted Post
ooc:such great work !


OOC: Aww thanks :)!
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Offline Famouss7x7  
#37 Posted : 08 November 2012 11:56:09(UTC)
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Originally Posted by: Famouss7x7 Go to Quoted Post


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AND IT IS OUR PLEASURE TO INTRODUCE TO YOU - SUZIE STOCKHOLM!!!!

As Dermot O'Leary says this, most of the crowd in the arena begin clapping loudly as an eerie instrumental plays, the lights in the xfactor arena go completely black as a vignette comes up on the X factor screen with flour-scent purple lights flicker around the arena. As this video pops up, you see Suzie dancing in the background as a another instrumental fills the place of the previous eerie sound, this sounds more cinematic and action like. Flashes of Suzie's previous videos show up as well as Suzie's accomplishments come onto the vignette

7 TOP TEN SINGLES!

OVER TEN MILLION UNITS SOLD WORLD WIDE!

ONE OF THE MOST TALKED ABOUT SINGERS IN POP CULTURE!

CHAOS & FAN CHOICE AWARD NOMINEE!


ITS SUZIE...STOCKHOLM!!!!!!
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As the video finishes, the large television like system rises above the stage and "Burn Away" is heard. and a 'SuzieNATION' banner comes up in lights. Some fans go into a complete pop in cheer, and others stand their ready to judge the pop star. However, it may come across as surprising of how many supporters there are in the crowd with many females jumping up and screaming and even some males, who are obviously fans of Suzie's. Still no sign of Suzie as the spotlight still hasn't hit and a backing beat of a song starts off The lights in the arena escalate some more and Suzie is finally seen. She holds her arms out wearing a very suggestive outfit as the crowd scream in cheer from the site of Suzie. She looks deeply into the crowd holding as the opening sounds of Burn Away is heard. The aggressive pounding beat is heard, blaring throughout the arena as the stage begins feeling up with smoke. Suzie's dances start strutting out the the stage as Suzie's electro pop smash hits extended opening sound are heard. Suzie stills stands there with her arms out for this very triumphant like opening and finally once all of Suzie's dancers walk out onto the stage, Suzie sings out as the backing beat lays nicely behind her voice as her nasally vocals sing over the track as she sings into the mic


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Judgers judge
Haters hate
In this fickle world
We make our own fate

The dirty looks and negativity
Have become too common
It’s no surprise to me

Judgers will judge
Haters will hate
In this fickle world
We make our own fate


Suzie looks confident as she sings each word accordingly as the beat moves through the beginning of the song for a few seconds that then makes a helicopter like, rising sound, following that Suzie's over confident, edgy vocals supported by backing track are heard slicked with some auto-tune, "singing" behind this brilliant production number she ad libs behind the track, as she's singing Judgers judge| Haters hate| In this fickle world| We make our own fate Suzie sings out as she continues to bring on her next lines, the backup dancers do a quick paced dance routine as Suzie holds the mic to her face. She then joins in for the routine, with a burst of energy Suzie, she then throws her hands in the air. Her fans in the audience cheer loudly as Suzie holds her arms up with confident delivery. She brings the next lines out for the continuation of this performance, she then continues to bring her vocals to the next lines of the tracks that are approaching. The fans cheer and Suzie stands there passing her mic to one of her backup dancers They walk away with the holdable mic as Suzie sings into the mic that she doesn't have to hold. Despite what people say about her, Suzie has this facial expression on her face, as if she's singing to all the people who speak badly about her, showing just how strong she is despite what people have to say about her, you could see the confidence on her face.


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As the The backing track sounds as if it's rising behind Suzie's vocals, song breaks into a euphoric pop liftoff that sounds futuristic even better because the speakers in the arena are blaring loudly with lilting synths and digital processing that compliments Suzie's voice. With this futuristic backing beat sailing across the track the beat continues to move slow as the hook begins to lightly tap through the system. Suzie nasally syncing the chorus and the next verse standing center stage, moving about in different dance moves along with her backup dancers. Suzie's dancers move closer to her as Suzie moves around slowly, moving along with this euphoric slow manner of the chorus of the song.


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The haters wish I’d burn away
But I gotta to tell you that I’m here to stay
The haters wish I’d burn so fast
They thought this success wouldn’t last
I’ve proved you wrong
No matter what you’d say
There’s no chance
That I’ll ever burn away


With the futuristic backing beat sailing across the track and Suzie nasally singing the very memorable chorus The haters wish I’d burn away|But I gotta to tell you that I’m here to stay|The haters wish I’d burn so fast|They thought this success wouldn’t last|I’ve proved you wrong|No matter what you’d say|There’s no chance|That I’ll ever burn away, she says the last line strongly as she sneers the words without singing so it stands out to the listener that there is no way she will burn away. She looks deeply into the crowd as you can hear the people in the crowd screaming. The medium in speed dance moves go along perfectly with the manner of the chorus and Suzie's backup dancers dressed in odd attires, keep up with her as they do these dance moves.

I ain’t going nowhere
No matter what gets said
No matter how much hate comes my way
I ain’t hanging from a thread

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As the chorus fades away, the verse returns to that aggressive backing beat that was heard at the beginning of the track, as Suzie returns to the next verse of the track. She possesses this brash cockiness that compliments her bleak vocals as the backing track roars on with Suzie's cat like vocals behind it. Suzie does more dance moves along with her dancers, still maintaining that confident posture, elegant look.

Just say what you want
Do what you please
I ain’t going nowhere
You won’t bring me to my knees

The haters wish I’d burn away
But I gotta to tell you that I’m here to stay
The haters wish I’d burn so fast
They thought this success wouldn’t last
I’ve proved you wrong
No matter what you’d say
There’s no chance
That I’ll ever burn away


The tracks unrelenting beat, breaks down for the next chorus once again, showing that futuristic, euphoric beat that might just become your guilty pleasure and grow on you as she sings the chorus once again however. Suzie does the slow, moves that she did earlier in the performance. She shows a smile on her face as the crowd pops in cheer once again as the chorus begins to fade out again, it doesn't exactly fade, the track sounds like it rising again with this unorthodoxed beat as Suzie says the lines once again There’s no chance| That I’ll ever burn away. Slowly begins to break into a surprising dubstep break down, which may totally take you by surprise. She sings it sexily with even more digital backup. The breakout oozes across the track with Suzie still performing. The lights in the gig arena start going wild as Suzie and her dancers break into a massive high energy dance routine. This is obviously a favorite of the crowds as the entire crowd starts cheering for her as she dances the steps perfectly.

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Burn, burn, burn away
Don’t you realize, I’m here to stay
Burn, burn, burn away
Burn, burn, burn away
Don’t you realize, I’m here to stay


As the dub breakdown fades away as the synths take over, bringing us to the chorus as the tempo is cracked a bit higher. She sings her way throughout the last chorus that incorporates some euro rave synths, it sounds even more powerful blaring over the sound system. The crowd goes into a surprising cheer as some might just think Suzie could be quite the performer.


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The haters wish I’d burn away
But I gotta to tell you that I’m here to stay
The haters wish I’d burn so fast
They thought this success wouldn’t last
I’ve proved you wrong
No matter what you’d say
There’s no chance
That I’ll ever burn away
(2x)


Suzie then makes her back up to where she started the performance as the song comes to an halting end with Suzie's dancers following her. But this is not the end of Suzie tonight. The crowd cheers loudly

_____________________________________________

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The lights in the arena then go dark, and then pop back on as "Dance With The Queen" starts rumbling up. Suzie stands where she started this performance off as the performance starts off right away. The swooshing noise is heard of this new single off of Suzie's "Rise Above" with fizzing synths and a slow, pounding backing beat that rides throughout the beginning of the track that is then picked up as computerized cymbals burst onto the track that make the beginning of the track. Suzie stands there with a smile on her face for a few seconds as the the beat slows down as Suzie's finally brings her voice into the mic. The backing tracks aids Suzie as her studio voice is echoed with layers, as she holds this seductive manner in her voice and kitten like grown as she sings looking into the crowd. Her dancers, some below her on the actual stage, and a few next to this risen stage that Suzie is standing on, dance around her.


I walk into this dark room and I see those heads turnin'
It's so good down here I feel the fire deep inside me burnin'
But you want more, than just to drink me with those eyes
I'm on the next floor, but boy you know I'd give you some highs,
You see I'm at the bar downin' shots, it's like I'm gon' drown,
Do you want me on my knees? You know I'll never go down

Suzie sexily sings about, and moves to the center stage, breaking into a dance routine with her dancers. The beat moves behind her and she starts dancing harder sounds, the beat rises and then bursts into a incredibly catchy hook instrumental as the beat continues to rise, after a few seconds of the instrumental, Suzie moves her hips around according to the beats speed almost perfectly with her dancers flipping around the stage as the the songs bursts into a dubstep like chorus that adds in all the previous vocals not to mention as the beat relentlessly makes it presence known the track with electric guitars adding and Suzie yells out the chorus of the song.


You wanna dance with the queen, d-d-dance with the queen,
I push my hips close to yours and feel you moving in between
You gonna beg me, please me, tell you that you need me,
But I don't wanna see you drop right down on your knee,
Everybody's watching as I'm grinding to to the beat,
I see your eyes on the prize as you grovel at my feet.
Dance with the queen, I'm your mother fuckin' queen
I'm gonna make you blow, yeah we'll be makin' a scene.


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Suzie still possesses this sexy growl in her voice mixed with the production blaring over the system that her fans in the crowd dancing. She sings about being on a dancefloor and engaging in an over the top suggestive dance with this guy on the dance floor. Suzie keeps this overly sexy prowress on with her over the top outfit as she walks around the stage as the beat slowly fades out with only the synths bringing us to the next verse. The beats then pick up faster as Suzie starts singing the next verse of the track standing in center stage

I feel the beat calling me into the middle of the dancefloor/
Your eyes are washin' over me, like you wantin' some more/
You say you danced with your princess, you fought with the king,
But I ain't gonna give it up when all you want is my bling.
I'm swaying to the sounds and I can see your brow sweating,
But boy you better understand that this is all you'll be getting


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You wanna dance with the queen, d-d-dance with the queen,
I push my hips close to yours and feel you moving in between
You gonna beg me, please me, tell you that you need me,
But I don't wanna see you drop right down on your knee,
Everybody's watching as I'm grinding to to the beat,
I see your eyes on the prize as you grovel at my feet.
Dance with the queen, I'm your mother fuckin' queen
I'm gonna make you blow, yeah we'll be makin' a scene.


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Suzie's male dancers move to the side as she breaks into a sexy dance routine with her female dancers that have to do with her feeling her thighs up and down and doing hair flips. The chorus fades out as the girls join Suzie as they continue to dance. Suzie's begins singing the next verse of the track. The crowd is still cheering and Suzie looks more confident then ever as she continues to sing the next lines of this song behind the synths and aggressive backing beat.

I'm like your royalty, boy you push me up me a throne,
And when I look down, oooh you know I see how you've grown,
But I'm not! Im! Pressed! Oooh No No No
You'll never see your queen undress, hey hey it's time to go.
No you can't dance with your queen,
not when I'm wearing my crown
Keep your hands free from my scene,
Or I'll be takin' you down.
Dance with the Queen, D-d-d-dance with the queen,
you'll never never dance with your queen
Not when I'm wearin' my crown.

After she sings those lines with her female dancers, all her dancers join as one as the triumphant ending chorus is coming about, the beat rises and then bursts into a incredibly catchy hook instrumental as the beat continues to rise, after a few seconds of the instrumental, Jumps around the stage as her dancers begin flipping around the stage once more as the the song bursts into a dubstep like chorus that adds in all the previous vocals not to mention as the beat relentlessly makes it presence known the track with electric guitars even harder then before. Suzie stands there singing out the chorus doing dance steps heavy and hard, adding to the loud production of this track.

You wanna dance with the queen, d-d-dance with the queen,
I push my hips close to yours and feel you moving in between
You gonna beg me, please me, tell you that you need me,
But I don't wanna see you drop right down on your knee,
Everybody's watching as I'm grinding to to the beat,
I see your eyes on the prize as you grovel at my feet.
Dance with the queen, I'm your mother fuckin' queen
I'm gonna make you blow, yeah we'll be makin' a scene.


By the time she sings the words |I'm gonna make you blow, yeah we'll be makin' a scene.| Suzie makes her way back up to where she began her performance as the screen opens up, Suzie holds her hands on her hips as the performance comes to an halting end. The crowd goes into a cheer as the performance officially ends



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Setlist
Burn Away
Dance With The Queen
_____________________________

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Offline Andre Gandra  
#38 Posted : 08 November 2012 12:08:55(UTC)
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Magie: I loved the performance, no doubt you worked really hard to do that, and that's a compliment for you, I feel like people neglect you because of your ego or something like that, but in my point of view, it just makes who you really are, and that's very cool.
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Offline Famouss7x7  
#39 Posted : 08 November 2012 12:37:42(UTC)
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Originally Posted by: Andre Gandra Go to Quoted Post
Magie: I loved the performance, no doubt you worked really hard to do that, and that's a compliment for you, I feel like people neglect you because of your ego or something like that, but in my point of view, it just makes who you really are, and that's very cool.


Suzie: Thank you Magie, I work hard and I really don't care what people have to say about me, yet they still continue talking. Glad you like girly <3
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