The track begins with a sound of fighting for a few seconds, invanding the sound of fighting is a loud sound of sirens and then sounds of walking with heels on the ground. The track begins with those sound effects to create the enviorment of the story the girls are telling in the record. After the :40 seconds of the intro of the track, it goes to a high and banging club brassline that does four counts of brassline then a clap. It does it for :30 seconds before the dance mix with the brassline and sythns of a hip-hop bass and snitching of a mixing disc is heard in the background and Jermiane Dupree's voice saying, " you aint ready.. 4U Girls" the sound of the disc snatching, similar to a DJ mixing tracks in a night club, XROCKA mixed the sound of the girls heels walking on the floor until the brassline and clap. The track moves forward with the dance mix does seperate sythns with the previous effects in the beginning, to the liftout of: (the beginning of this instrumental) with the chats from people screaming from a far distance, screaming: YEAH 4U, 4U, 4U 4U, 4U! While the liftout is still able to shine with the brassline being so hard, the deep announcer that is said by Jermaine says, " Calm down now, coming to the ring is the only urban princesses, give it up for 4U GIRLS!" the liftout repeats itself, to moments where it will stop to the sound of the heels hitting the floor that is mixed so well during the intro with the brassline and low sirens. After the liftout comes to the official instrumental that features the vibe and uptempo club sythns of hard hitting drums and exciting patterns of bass and club hitting patterns of drums, claps and brassline. Jermaine added a little hip-hop flavor to the type when during the pre-chrous the hard bassfront stops, to the silence of the girls singing in the background, to the low and beautiful melody of the voices all coming together before the bassfront rushing the girls to the main and energetic chrous keeps alive with the sound of fighting, screaming and sirens mixed during the chrous. During the verses, the girls are powerful and quick verse wise, you can hear them clearly between the brassline and bassfront that over shadows the effects in the background. Something great happens with XROCKA wrote this quick part of the arrangement where the girls basically screams this but control their ranges in their vocals before going in to more verses of the record, it sounds like the fast paced chats similar to (staring at 1:08- 1:15) after the quick arrangement, the instrumental stops to Jermaine's annoucement, " we aint done yet! let's go!" the liftout repeats again before being mixed into the official instrumental, all coming together in the chrous and Jermaine's hype vocals in the back. The crowd of voices say, " back up" to the girls finishing the rest of the lines in the pre-chrous. Jermaine's screams " oooweeeeee" over the top and laughs after it. It's becomes a club banger when Jermaine's Owee's and Yeah's are over the top. During the second verse, " Oh damn" are voices of little girls in a high pitch voice before the girls complete the verse line. The chrous are a normal pace, going along with the sythns of harmony of the instrumental patterns during the chrous that are different from the verses. During the bridge, the official instrumental starts to fade slowly before the quick arrangement instrumental is heard slowly approching with the bassline and front is now silent. The quick arrangement (Ciara- Got me Good) is now faster. The words " back up" is heard by little girls when the seperate girls complete the lines mixed with their regular strong toned vocals and robotic effects to their voices and Jermaine's chuck and energetic "ooooweee's" and " let's go!" in the background during the bridge and sometimes during the chrous. The bridge is quick. The record gets silent but dont leave the track, the dance mix like the intro eariler in the track is heard, faster and more vibitic, it's quickly changes into the official instrumental to the girls all energetic belting out the chrous lines and doing mixed adlibs. The track ends with Jermaine's " oooweee, now, that was hot.."