Vara Gallo: Lover's Eyes [ALL TRACKS STREAMING] - Page 2 - Roleplay

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Vara Gallo: Lover's Eyes [ALL TRACKS STREAMING] - OOC: Thank you so much to all who read. :) I really appreciate it.

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snap_itshannah		#21 Posted : 22 September 2013 06:10:53(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: Serenity Scott: I absolutely adore and admire how diverse you are when it comes to your music. Diversity is something so unique to me and you rarely see that these days. This album is getting a 5/5 from me Vara! All of these songs are great and therefore, picking a favorite is extremely hard. OOC: Great job Hannah! I love this Vara character! :) OOC: Thank you so much! She's one of my favorites as well! Vara: Mwah! Thank you so much, Serenity! It's so good to see you making music again as well. xoxox thanks for listening, baby!

1 user thanked snap_itshannah for this useful post.		Walton on 22/09/2013(UTC)
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snap_itshannah		#22 Posted : 23 September 2013 23:00:14(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Thirteen BY: Varanese Gallo LENGTH: 3:09 GENRE: Alternative metal, experimental rock, alternative rock, progressive rock LABEL: Titanic Records Thirteen is one of the darker songs on the album, but it's also one of the most meaningful, and it gives the album it's name as it features the lyric about lover's eyes. The song is Vara/Alice singing to the Hatter as they walk towards the Queen's castle to try to send Alice back to the real world. The Hatter has finally got up enough courage to tell Vara that there is no way that he can go back with her, and Vara is taking it with a surprising amount of emotion. At first, she thinks that the Hatter is just being pessimistic, saying that he can't go with her because the Queen won't let him or because it would be too hard. She spends the first two verses angry at his pessimism, explaining that nothing will work out if he continues thinking negatively, insisting that if he just believes that he can come with her to the real world, then he will be able to. There's a small pause in the song - no music, no words, the pause is a representation of the Hatter finally explaining to Vara why he can't come with her. Now Vara is simply upset with the Hatter for lying to her all this time and getting her hopes up about them being together forever. She still wishes that he could come with her, as she does still love him, but she's far too angry at him to even try to convince him to attempt to come with her anyway. "So bury yourself, there's a shovel by your side / You bury yourself even further every time / You bury yourself, there's a shovel by your side / Seems to be a better comfort / Than a lover's eyes," she sings to him. Burying himself is both a metaphor - stating that every time he tells her that he can't come with her and every time that he admits to this lie that he told her, he's becoming more and more dead to her, and also more and more dead to himself, as being away from Vara is going to kill him on the inside - but also there's a realistic hint to it as Wonderland is underground and they keep pushing themselves farther and farther away from the real world if they won't even let part of Wonderland leave. The role changes in the next verse - even though physically it is still Vara singing - she is now singing as the Hatter towards Vara, singing that he loves Vara and knew that she would never try to leave if she knew that the Hatter couldn't come with her, and that's why he lied. He sings the same chorus as Vara/Alice did before, but when singing as the Hatter, the chorus has a different meaning. The chorus through the Hatter is him telling her that if she chooses to stay here, she'll be dead inside like the rest of the people in Wonderland, but he seems to be saying, "Go ahead. Be dead like the rest of us. That empty feeling of not really living must be a better comfort than me." It's a lose-lose situation on both ends - Vara won't be with the person she loves, but she will be in the real world if she leaves; she won't be really living in Wonderland, but she will get to stay with a boyfriend who she may come to resent for not making her go back to the real world if she stays. It's up to the listener to decide who sings, "I don't understand how / What happened to your esteem / You're so beautiful to me," depending on who's side they are taking in this small argument. If they believe that Vara has every right to be angry at the Hatter, then Vara singing this towards him would mean that she's still in love with him, but he seems different to her now that she sees that he's been lying to her this whole time. Or if you take the Hatter's side and think that he was right to lie to her because that's the only way that she would leave Wonderland, then it would be him saying that he regrets lying to her - even though it was the right thing - and greatly misses the old Vara before she knew that he was lying. The chorus is sung two more times before the song ends on a sad, but conclusive note, both of them realizing that there's nothing they can do to change the past, and they have to keep moving forward - towards the Queen's castle. You see the world through a stained window Or maybe I just don't see at all It never makes any sense When you choose not to use your head You believe that your heart will lead to reality We give in every time Weave the rope and you've tied our hands I've always watched you fall I'm too far to even crawl behind You think there's nothing above you Just a sky of lies You don't believe in blue skies So you bury yourself, there's a shovel by your side You bury yourself even further every time You bury yourself, there's a shovel by your side Seems to be a better comfort Than a lover's eyes I've put my hand up to be on your team Racing mind, sideline smile for your needs I've tried to refrain But watching you walk through that fire is a burden That I can't carry So you bury yourself, there's a shovel by your side You bury yourself even further every time You bury yourself with that shovel by your side Seems to be a better comfort Than a lover's eyes I don't understand how What happened to your esteem You're so beautiful to me So you bury yourself, there's a shovel by your side You bury yourself even further every time You bury yourself, thee's a shovel by your side Seems to be a better comfort Than a lover's eyes So now we don't talk, but your name's still on my shoulder And now you've learned to eat lies and spit out what's inside Somehow in this life, there's a shovel growing old Seems to be a better comfort Seems to be a better comfort Than your lover's eyes SOUNDS LIKE: Tomahawk - Point and Click Edited by user 23 September 2013 23:01:31(UTC) \| Reason: Not specified

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RoseJapanFan		#23 Posted : 24 September 2013 16:32:47(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 24/08/2009(UTC) Posts: 45,471 Location: ククルー=マウンテン Thanks: 21355 times Was thanked: 14999 time(s) in 6774 post(s)		Honor: It's great to see there's not just crappy music being played :) Makes me believe just a tad bit more in humanity. This all sounds wonderful!
		Do you like reading reviews on anime? Manga? Games? Do you wanna support a fellow black nerd? Then click above. Isabel-Pixie-Nova-Jennifer Armstrong-Dylan Shaw-Eden Pryce-Taara Jay-Jupiter Jones-Imani Kato-Eilidh-Nothing But Trouble-Hayden-Serenity Scott-Anaísz-Kimi Kubo "My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar
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snap_itshannah		#24 Posted : 24 September 2013 23:02:06(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: Honor: It's great to see there's not just crappy music being played :) Makes me believe just a tad bit more in humanity. This all sounds wonderful! Vara: Mwah, mwah, mwah! Thank you very much! :)


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snap_itshannah		#25 Posted : 28 September 2013 03:10:14(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Fourteen BY: Varanese Gallo LENGTH: 8:50 GENRE: Instrumental rock, post-metal, post-rock LABEL: Titanic Records The Queen of Wonderland - who is, in fact the Queen of Hearts, if a very jealous and very selfish woman. She wants not only her title to be Queen of Hearts, but also she actually wants to be the queen of everybody's heart to the point where every man in the world loves and wants only her. She spies Vara and the Hatter approaching her castle and immediately notes the way that they act around each other: Holding hands, staying close, fleeting eye glances. They're in love. This angers the Queen as she feels that only she should be loved by the men in her Wonderland - but more specifically because the Hatter is so handsome, and the one that is sought after by most women. But she puts on her queenly face, ready to do whatever can be done to make herself happy, but also make the people of her land happy as well. Vara and the Hatter approach the Queen in her throne room timidly - the Hatter knowing the Queen's feelings towards him and other women, but Vara none the wiser. Vara complains to the Queen that she needs to get back to her own world, but she and the Hatter have fallen in love with each other. She asks if the Queen can do anything to help them, and the Queen answers back calmly - although she is boiling with rage (that the Hatter is in love with this other woman) and excitement (that soon the other woman will be far away) on the inside. The Queen does tell her, however, that she has the power to send Vara back to her own world. Although this isn't what Vara and the Hatter want, of course, they knew that it would probably be the only solution they had, so they take it. The Queen points her royal scepter at a stone wall on the far end of the throne room and calls out, "Ostium revelare!", revealing a secret door with stone stairs. The staircase seems to have some sort of purple glow to it as it pulsates a magical aura. Vara is surprised and fascinated by these obviously magical stairs, but to the Queen and the Hatter, magic like this is completely normal to them. Vara and the Hatter approach the stairs, both of them obviously devastated that they had to leave each other. With every tear that the Hatter sheds over Vara, the Queen gets more and more upset by them. Finally, Vara and the Hatter share a passionate embrace, which sends the Queen over the edge of anger. She points her scepter at Alice, call out, "Et vade!", sending Vara flying through the air, away from the Hatter, landing on the third stair of the magical staircase. The Hatter tries to run after her, but can't. Nothing of the Wonderland world is allowed to leave the Wonderland world, and the staircase is a portal away from it. Vara tries to go down the stairs, but the magic won't let it descend - only ascend. Vara stays on the third stair, crying, until the Queen shouts out, "Ascendo!," forcing Vara's body to walk up the stairs, unable to look back. The Hatter turns to the Queen, angry and devastated that he never really got to say goodbye to Vara before she was forced up the stairs. This is when the lyrics of the song starts. The song is almost nine minutes long, and most of it is the instrumentation of Vara and the Hatter's plight against the Queen as Alice climbs the long staircase. The Queen, in the song, tries to rationalize her choices to the Hatter, stating that she's been trying to get his attention for so long, and he never paid any attention to her when she was acting nice, so she thought the way to get his attention was to be bad. The end of the song, as all the music fades out with just the soft, almost organ-piano type sound playing, is Vara as she reaches the top of the stairs and finds that they lead to right where they was before she jumped down the Rabbit Hole. She turns around to look at the stairs behind her and there's nothing there but grass. I want to see you, baby I want to be your girl I want you to see I'm everything That you're looking for I want to be so right I tried nice You don't seem To see me here Beside you It's time I tried Something new I think you're ready, baby I can change the lights I'll make you believe Anything you think you see When you're thinking of me I'm going to wind up with Something new I tried nice Bad girl here Now pay the price For selfish It's time I tried out Something new I tried nice You don't look twice To see me here Beside you It's time I tried out Something new Something new Something new I tried nice You don't seem To see me here Beside you It's time I tried out Something new It's something new I tried nice You don't look twice To see me here Beside you It's time I tried out Something new Something new SOUNDS LIKE: Russian Circles - 309 Edited by user 28 September 2013 03:22:18(UTC) \| Reason: Not specified

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snap_itshannah		#26 Posted : 01 October 2013 22:37:20(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Fifteen BY: Varanese Gallo LENGTH: 2:47 GENRE: Trip-hop, alternative rock, experimental rock LABEL: Titanic Records Fifteen starts off the section of the album called Back Again, which is what happened when Vara/Alice came back from Wonderland. Fifteen has a certain tropical paradise feeling to it as she thinks about wanting to go back to Wonderland. Vara is suffering from what happens when you're away from a place for a while: You think it's better than what it really is. She goes back to the same place where she had found the hole before, and sees that there is a new Rabbit Hole there. Of course, she takes the chance and jumps down it, following it like she did before, hoping that she will find herself back in Wonderland and with the Hatter for the second time. She sings to the Hatter and to Wonderland, saying, "This is the same old blood flow / My heart beats like this before / But you feel so brand new to me / I've been washed ashore," talking about how, even though she has gone down this path before, she is so excited to be there again that everything feels so brand new. She also sings, "You've got my voice in your hands / I've got your voice in my head / One word is all that's left / Unsaid." Of course, that word was "love" between her and the Hatter, as neither of them had the chance to admit that they were in love with each other before the Queen sent Vara back into the Real World. As Vara continues on throught the cavern that led her to Wonderland before, she starts to notice that things are different. She can't spot any creatures in the darkness that are waiting for her, the air feelings different - less fanciful and light, and she comments many times throughout the song that she feels "Speachless" and quiet, where the first time that she fell down the Rabbit Hole, she had no problem singing and talking the entire time. She sees a light at the end of the tunnel and immediately runs towards it, assuming that it is Wonderland. She throws herself into the exit of the cave, ready to greet the Hatter or the Cheshier Cat, or whoever is at the other end.... when she finds herself exiting the same Rabbit Hole that she had entered not a few minutes before, still in the Real World. A soft cackle is heard somewhere - obviously from the Queen, as this has all been a trick by the Queen to crush Vara - as Vara sits down by the Rabbit Hole, crying, feeling completely depressed and dejected. Here goes the same thing around again No, I'll never learn You're in the deep end I don't know how to swim But I'm jumping in Where I was lead to But I was distracted By the line you drew me to Whatever lies in you Here goes the same thing around again No, I'll never learn You're in the deep end I don't know how to swim But I'm jumping in This is the same old blood flow My heart beats like this before But you feel so brand new to me I've been washed ashore You've got my voice in your hands I've got your voice in my head One word is all that's left Unsaid Life used to be dark Can't believe when I dropped, I fell hard Knocked my tongue right out of my mouth You took the words away Before I could make out What I was going to say Picked me up, back up With the sweep of your breath You've rendered me You've rendered me... Speachless Here goes the same thing around again I'll never learn You're in the deep end I don't know how to swim I'm jumping in Lost in a silent movie Moths move No words are spoken We've both got something to say Sound's been broken You've got my voice in your hands I've got your voice in my head One word is all that's left Unsaid One word is all that's left Unsaid SOUNDS LIKE: Peeping Tom - Caipirinha Edited by user 01 October 2013 22:38:50(UTC) \| Reason: Not specified

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snap_itshannah		#27 Posted : 08 October 2013 00:55:10(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Sixteen BY: Varanese Gallo LENGTH: 4:23 GENRE: Alternative rock, electronica, indie pop, indie rock LABEL: Titanic Records The storyline of Sixteen takes places a few days after Fifteen. Sixteen is Vara/Alice's way of saying that she's done crying over the fact that she can't simply walk into Wonderland, like the did the last time. She's decided that she's going to get back through whatever way necessary. Meanwhile, Vara's family and friends are starting to get very worried about her. All she has done lately is sit outside by the Rabbit Hole, talking about some sort of world inside of it. They're afraid that she's on drugs and want to do something to help her, but they can't do anything until they know for sure what's going on. Vara, of course, hasn't even thought about what her family and friends might think of the way that she's acting, as she is so focused on Wonderland and getting to see the Hatter again that it's become an obsession for her. At the end of the song, she swears that she'll get the Hatter back and that she'll get back to Wonderland as the obsession goes deeper into her psyche. How do I open this door Keeping my straight face Right to the floor You've gotten old just Sitting in my pocket And I've been told it's Not worth the hassle That is takes to fight This losing battle Hanging my head is disgrace I'm better off walking away I swear, I'll get it back I know that I want that I know I'll get you back All you thought to be Has gone to waste One to many prints On your face Just give me one more run Not about that anymore I'm holding onto what I've done I've got to let this ride If luck is on my side And what I have to lose Is barely a lie I swear, I'll get it back I know that I need that I know I'll get you back I know what I need All it takes To get it back is Take it back What belongs to this Is that it's not going to Be about that anymore This old weight holds me down Break me down See through the score Alright I need wrong Busted Before the calm Trusted Well, fuck this What for? I'll demand it I'll get it back I know I want you back I'll get it back I know I need you back I'll get it back I know I love you, that I'll get it back I know I'll get it back SOUNDS LIKE: Modwheelmood - Problem Me Edited by user 08 October 2013 00:55:42(UTC) \| Reason: Not specified

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snap_itshannah		#28 Posted : 09 October 2013 01:14:26(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Seventeen BY: Varanese Gallo LENGTH: 4:06 GENRE: Alternative rock, alternative metal LABEL: Titanic Records In the last few songs of the album, Seventeen is the one with the big reveal. Vara/Alice's family are done wondering what is wrong with Vara and why she is spending all of her time at this Rabbit Hole, talking about Wonderland and how to get back to it. They go into her room and find several syringes. It is revealed that Vara has had a very heavy coke habit in the past and has now obviously relapsed. It is at this point that the listener/reader/audience should be realizing that Vara never went to Wonderland and never saw a Cheshier Cat or the Queen or even the Hatter. She was just having vivid hallucinations from the coke. She has been meeting her dealer at the Rabbit Hole, and then immediately getting high, which is what has caused her to associate the Rabbit Hole with going to Wonderland. Now her dealer - who looks exactly like the Hatter that she met in Wonderland - is back and Vara is more than ready to go back to Wonderland again. This song is the song that the dealer/the Hatter is singing to his customers - or, more exclusively, Vara - telling them that this is a money making business, and if they want what they want (ie. going back to her "Wonderland"), they need to fork over the money. The song's slowness mixed with it's eeriness makes the dealer seem almost like a god among men - giving these addicts exactly what they need to be happy and asking only for money in return. Although we can say that he is abusing the power that he has over these people because of their addictions, to Vara, he is her savior - like somebody trying to rescue her like the Hatter was. The song is a mixture between what Vara thinks she sees in this dealer - the soft music giving him an air of beauty and decency - and how the dealer really is - the lyrics asking them for money to get what they want, showing his creed and corruption towards addicts who need help. I'm going to get you One, two, three I'm going to be you Guarentee I'm going to make this Fit, you see Turn it into Make believe I'm going to make this fit Turn it into fantasy I'm going to do what you please Follow me One, two, three You'll want to hear about it Reading your mind off my sleeve You'll want to hear about it I'm on my feet until they bleed, saying Give it to me I mean your cash Give it to me I want all of that Give it to me I said money From the start, no apologies I'm going to get you One, two, three I'm going to get you Turn it into fantasy I'm going to ge- get you I'm going to do what you please Follow me You'll want to hear about I'm on my feet until they bleed, saying Give it to me I mean the cash Give it to me I want all of that Give it to me I said money From the start, no apologies It's your name and it's on the fence Let's give in to the pretending Give it to me I mean the cash Give it to me I want all of that Give it to me I said money From the start, no apologies Give it to me Cash, cash, cash, cash Give it to me Cash, cash, cash, cash Give it to me Cash, cash, cash, cash From the start, no apologies SOUNDS LIKE: A Perfect Circle - The Nurse Who Loved Me TITLE: Eighteen (feat. Mariko Kobayashi) BY: Varanese Gallo & Mariko Kobayashi LENGTH: 4:30 GENRE: Post-industrial, experimental, electronica LABEL: Titanic Records Eighteen is the song that Vara Gallo wrote with her best friend - and possible past occassional lover - Mariko Kobayashi. The flow from Seventeen into Eighteen is almost seamless, with us going straight from Vara with the dealer/the Hatter, buying the coke, and then immediately into her using it. While Vara Gallo is still the Vara/Alice character that we've known throughout the entire album, Mariko's character is also one that we've known the entire time as well: Her addiction. Mariko represents in this song the personification of Vara's coke addiction as Vara begins to fade in and out of consciousness as she overdoses. The lyrics in this song don't always make sense, using metaphors for a fish being life - much like in William Faulkner's As I Lay Dying - and Vara and her addiction singing together as she drifts farther away from the real world. The addiction is openly not a 'good' character in this album, as she repeatedly sings, "I'll dig my hands in," acknowledging that she has a hold on Vara that she isn't letting go of easily. Most of the song is Vara singing a confusing mess of thoughts that would simulate what a coke user would be thinking while they were under the influence, and then the chorus, which is Vara and Mariko singing together with Mariko's single solo line, "I'll dig my hands in," but this is one eeiry, almost terrifying moment of the song where Mariko sings, "Race me to defeat / Put it on repeat / I'm not done yet," claiming that while to the audience, this might seem like Vara has reached rock bottom, the addiction isn't through with her yet. Both Vara and Mariko's voice mesh so well together in the song that it's hard to tell who is singing when they are singing together, which is why the single line that Mariko sings alone in the chorus is so haunting and terrifying. Vara Mariko Both Reeling me in, not afraid To treat me like a fish I can be smooth as I want to be But it's no guarantee That I'll be better than me Someday instead I'll just keep wanting you anyways And I'll be Be digging deep Reel me in I'll give in Until I win Hold me up I'll dig my hands in Reel me in I'll give in Until I win Hold me up I'll dig my hands in Keep to the surface You'll be A place that I can't breathe Not used to feeling Less than me Less than incomplete You know that I cannot drown But it's not safe to be found You throw me away And I'll be Be digging deep Race me to defeat Put it on repeat I'm not done yet Reel me in I'll give in Until I win Hold me up I'll dig my hands in Reel me in I'll give in Until I win Hold me up I'll dig my hands in Reel me in I'll give in Reel me in I'll give in Hold me up, I'll dig my hands in Reel me in I'll give in Until I win I'll give in Hold me up, I'll dig my hands in Reel me in I'll give in Until I win Hold me up I'll dig my hands in Reel me in I'll give in Until I win Hold me up I'll dig my hands in SOUNDS LIKE: How to Destroy Angels - Is Your Love Strong Enough? Edited by user 09 October 2013 01:15:00(UTC) \| Reason: Not specified

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stephaniewazhere		#29 Posted : 09 October 2013 01:44:29(UTC)
Rank: Advanced Member Groups: Registered Joined: 21/02/2009(UTC) Posts: 18,252 Thanks: 6248 times Was thanked: 7557 time(s) in 3439 post(s)		Daniel: Don't know when exactly this will be released, but this is a must have whenever it's made available! OOC: Sorry it took me too long to reply, but I finally got a chance to check the songs out and I just gotta say incredible job on this! I mean the variety of sounds and genres you used and yet it all still flows very well, it really is your best RP to date!
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snap_itshannah		#30 Posted : 09 October 2013 01:53:29(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: Daniel: Don't know when exactly this will be released, but this is a must have whenever it's made available! OOC: Sorry it took me too long to reply, but I finally got a chance to check the songs out and I just gotta say incredible job on this! I mean the variety of sounds and genres you used and yet it all still flows very well, it really is your best RP to date! Vara: Just a few more days, baby! ;) hope you can wait that long. OOC: No, you're alright. Thank you so much! :) you're too sweet.

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GirlSpice		#31 Posted : 09 October 2013 07:35:24(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 11/02/2009(UTC) Posts: 9,033 Thanks: 5178 times Was thanked: 7399 time(s) in 2464 post(s)		Vanity: I know there's still one song left to hear, but I just wanted to say how incredibly in love I am with this record, it really is so striking and different. I don't give many artists the time of the day, but this really is fabulous, darling! From the whole theme that's running through the album, to the lyrics, to the vast range of genres blended together, you've impressed the fuck out of me. OOC: Catching up on some of this too, I'm in love with the lyrics & the consistency of the RP. I know you've been posting the songs for a while now, so great job. :)
		ACTIVE: Vanity x Nadia Berry


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snap_itshannah		#32 Posted : 09 October 2013 07:49:33(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: Vanity: I know there's still one song left to hear, but I just wanted to say how incredibly in love I am with this record, it really is so striking and different. I don't give many artists the time of the day, but this really is fabulous, darling! From the whole theme that's running through the album, to the lyrics, to the vast range of genres blended together, you've impressed the fuck out of me. OOC: Catching up on some of this too, I'm in love with the lyrics & the consistency of the RP. I know you've been posting the songs for a while now, so great job. :) OOC: Thank you so much! :) you're too sweet to me. Vara: Oh, Vanity, you beautiful piece of art, mwah mwah mwah! Thank you, darling. I need somebody to put that on my gravestone. "Vara Gallo: Impressed the fuck out of Vanity." The end. You're wonderful. Thank you!


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snap_itshannah		#33 Posted : 10 October 2013 00:54:15(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Nineteen BY: Varanese Gallo LENGTH: 3:35 GENRE: Electronic rock LABEL: Titanic Records Here we are, at the very end of the story/album. Recap: Vara/Alice found a Rabbit Hole and struggled with her inner self as to if she should jump down it or not, but eventually does and finds herself in a dark tunnel filled with magnificent, but also terrifying things for her to encounter. Eventually she finds her way into Wonderland, where she meets the Hatter, who she falls in love with. The Hatter knows that Vara can't stay in Wonderland forever, so he takes her to the Queen to try to send her back to her own world, but the Queen is in love with the Hatter and sends Vara back into the real world without giving Vara a chance to say goodbye to the Hatter. Now Vara has spent several days trying to go back to Wonderland so she can see her love. Or at least that's what we've been told. In reality, Vara is a coke addict who has vivid hallucinations caused by her drug of choice. None of what she thinks happened really happened, and she's not in the right mind to put two and two together. In the last song, she finally got her fix, but overdosed - as Mariko, who played the addiction sang in the penultimate song: "Race me to defeat / Put it on repeat / I'm not done yet." At the beginning of this song, Vara wakes up in a hospital. Her family and friends had found her and called an ambulance just in time to save her. In her mind, while passed out, she had been walking through that same tunnel, and was about to enter Wonderland when she woke up. She's angry, as she still thinks that Wonderland is real, so she begins to yell at her friends and family around her, demanding that they bring her more drugs so that she can go back. As the song goes on, Vara begins to realize more and more than Wonderland isn't real. Wonderland was a place that she made up in her own head to retreat to so she didn't have to deal with her real problems, like her drug addiction. She continues to ask for drugs, not for Wonderland any longer, but for herself as depression starts to creep in and she realizes just how crazy the drugs made her. The last two repeated lines, "Intervention / Intervention," are her finally asking for help. As the last song ends, her friends and family agree to take her to rehab, where they are greeted by the same doctor that treated Vara's addiction before - a doctor that looks exactly like the Queen of Wonderland. As Vara walks into the hospital, she looks behind her and sees her family and friends, but also sees the Cheshire Cat waving goodbye. She waves back and then walks through the hospital doors. Why do you Drive me crazy This disturbing Cemetery Where you had To go unbury You brought it up So listen carefully Prick the needle and Let the ink in Watch it sink in Under my skin Driving me crazy You think that I'd have thicker skin Since you're underneath it But I'm paper thin Prick the needle and Let the ink in Watch it wink in Under my skin Driving me crazy You don't know What makes me tick I almost forgot That you exist Prick the needle are Let the ink in Watch it sink Under my skin Driving me crazy Intervention Intervention SOUNDS LIKE: Crosses - Telepathy Edited by user 10 October 2013 00:55:16(UTC) \| Reason: Not specified

1 user thanked snap_itshannah for this useful post.		erich hess on 10/10/2013(UTC)
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genocidal king		#34 Posted : 10 October 2013 00:59:30(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 21/07/2009(UTC) Posts: 54,407 Location: Leeds, England Thanks: 3469 times Was thanked: 11549 time(s) in 5886 post(s)		Kai Rollins: Strong women in music are like strong cheese, better when Kai is eating them. I mean, hey, and I have just listened to your album. This is the sort of solo work that I think needs more exposure. You're a belting singer and a bit of a firecracker. Also you make a mean ass song, and I love that. Emotions, bro! OOC: Great work on all of this Hannah. It always amazes me how you manage to write so many songs and keep the standard of your lyrics up :) Great work.



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erich hess		#35 Posted : 10 October 2013 01:06:22(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 09/04/2010(UTC) Posts: 42,827 Location: representing the 954 Thanks: 21866 times Was thanked: 18088 time(s) in 10509 post(s)		ooc: your best work yet. mariko: if you do not win album of the year with this....someone will have an angry Mariko to deal with.
		"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.


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snap_itshannah		#36 Posted : 10 October 2013 01:11:58(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: Kai Rollins: Strong women in music are like strong cheese, better when Kai is eating them. I mean, hey, and I have just listened to your album. This is the sort of solo work that I think needs more exposure. You're a belting singer and a bit of a firecracker. Also you make a mean ass song, and I love that. Emotions, bro! OOC: Great work on all of this Hannah. It always amazes me how you manage to write so many songs and keep the standard of your lyrics up :) Great work. OOC: Thank you so much, Scott! :) Vara: Oh, Mr. Rollins. You're a few months too late on a chance of nibbling on any part of me, but thank you. ;) You're too cute.


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snap_itshannah		#37 Posted : 10 October 2013 01:13:06(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: ooc: your best work yet. mariko: if you do not win album of the year with this....someone will have an angry Mariko to deal with. OOC: Oh my gosh, thank you. I was afraid it sucked. :) Vara: Oh no! We can't have that! Although an angry Mariko is a sexy Mariko... ;) Hehehe, kidding.

1 user thanked snap_itshannah for this useful post.		erich hess on 10/10/2013(UTC)
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