Track: Las lagunas (Spanish Version of Loopholes) Ft. Coke
Artist : Amy Jayne
Length : 2.48
Genre : R&B
Label : Titanic Records
Written By : Amy Jayne, Airemese Smith
Sounds Like: Prima J - Nadie

Las lagunas is the Ninth track on the album and is the Spanish version on Loopholes, the song was co wrote by Amy-Jayne and Airemese Smith also know by her stage name Coke, the song has a totall length of two minutes and forty eight seconds the song is an R&B ballad and is one of only two ballads on the album, this song also.shows off not only Amy-Jayne's vocals but also Coke's vocal range.

the song start with Coke singing some impressive vocal rifts, as the beat comes in behind her, Coke then begins to sing the opening bridge of the song in a very sutle but angry and upset tone, Coke then sings the second bridge this time performing special vocal rift something that Coke doesn't usually display to the public, as Coke finishes singing the beat of the song changes as Amy-Jayne's vocals begin to be heard as she sings the first verse of the song in a very strong yet soulful tone but also the same a Coke did in the first verse has a hint of anger and sadness in her voice, Amy-Jayne then begins to sing the chorus were the beat once again changes as Amy-Jayne begins to really show off her massive vocal range with parts of the chorus being sung in a Mariah Carey like way with outrageous high notes and rifts, Amy-Jayne then begins to sing the second verse in the same way as the first verse, but occasionally performing higher notes, the beat in the second verse also changes back to the way it was in the first verse, Amy-Jayne then begins to sing the last chorus, with such power and aggression you can hardly believe she can hit the high notes, Amy-Jayne then sings a small bridge section in a calm and soulful way before the beat of the song ends.

Coke
Amy-Jayne

En y fuera del amor
Correr
En círculos
persiguiendo a usted

En y fuera del amor
Correr
En círculos
persiguiendo a usted

La lucha y quejarse
Dificultad para confiar en él
No sé por qué me puse al día con este
Sé que merezco algo mejor

Pero justo cuando he tenido suficiente
Ve y arregla las cosas
Pero no todo es lo que parece
Y así terminamos volver aquí

Derecha, donde empezamos,
Tal vez deberíamos de Just
amigos Se alojó el
Pero no, pero sí, pero no
Arriba y abajo como una montaña rusa

Sounds Like

Track: Down & Under
Artist : Amy Jayne
Length : 3.11
Genre : R&B, Cunk&B, Hip Hop
Label : Titanic Records
Written By : Amy Jayne
Sounds Like: Dawn Richard - Bombs

Down & Under is the tenth track on the album and is by far the most dark and depressing track in terms of lyrics, the song is an R&B song with element of Cunk&B and Hip Hop, the song was written by Amy-Jayne, when she was 17 and at the time was in a bad place, the song is produced by Will.Rocca as well as input on production from miSTER_b, the song has a total length of three minutes and eleven seconds.

the song starts with a west African beat before Amy-Jayne begins to sing the first verse in a mellow west African accent, the accent makes the song unique and stand out from the others, the beat then suddenly changes and becomes a more violent and aggressive sound as Amy-Jayne begins to sing the chorus with a more aggressive tone, the chorus however is sung without the African accent like the first verse was, the beat then returns to the way it was in the first verse as Amy-Jayne begins to sing the second verse, however this verse is sung differently from the first verse as this verse Amy-Jayne sings without the African accent, the beat then once again becomes the more violent and aggressive sound as Amy-Jayne begins to sing the second chorus, however this time she sings the chorus differently to how she did the first chorus because this time she sings the chorus with the African accent, Amy-Jayne then repeats the chorus again but sings it the second time without the accent, the beat then calms down as Amy-Jayne says the last spoken line before the beat picks up again slightly and plays until the song ends.

Now I see tearing holes into me
one thousand tears I have cried
bleeding and proceeding to bleed for you
that it i said enough
oh oh yeah

but not im under and I see you tearing holes into others
now I wounder why I stayed with you for so long
but I down and under thanks to you, down and under thanks to you

oh oh yeah
you caused me so my pain I thought
I was going insane
but you seemed to reel me in with poisonous word and I fell for your tricks
bleeding and proceeding to bleed for you
that is it I said enough
oh oh yeah

but now im under and I see you tearing holes into others
now I wounder why I stayed with you for so long
but now im down and under thanks to you
but now I'm down and under

I see you tearing holes into others
now I wounder why I stayed with you for so long
but now I'm down and under thanks to you

oh oh yeah, you made me sing this

Sounds Like

Track: Together With You
Artist : Amy Jayne
Length : 3.58
Genre : R&B, Hip Hop
Label : Titanic Records
Written By : Amy Jayne
Sounds Like: Ashanti - Happy

Together With you is the eleventh track on the album and show ls Amy-Jayne's more gentle and softer side, the song is a mix of R&B and Hip Hop with elements of reggae running through th song as well, the song itself is a romantic love song that was written by Amy-Jayne and is rumored to be about the love of her life Will.Rocca, Will also produced the track for the album, the song has a total length of three minutes and fifty eight seconds.

the song starts with Amy-Jayne singing the opening bridge in a very light and soft tone, which is completely different in sound to the earlier tracks on the album which had more aggressive tones, the beat then picks up to a more reggae beat as Amy-Jayne begins to sing the first verse, again in a light and soothing tone, Amy-Jayne also show off her vocals in this track by singing part of the verse in falsetto some parts of it in her regular voice and even some parts in a low bass tone, which shows Amy-Jayne's full range the beat then changes again this time to a more down tempo almost Hawaiian sounding as Amy-Jayne begins to sing the first chorus with a very romantic and sexual voice due to the lyrics being aimed to turn the person to whomever Amy-Jayne is singing too, the beat then changes back to the earlier reggae sound as Amy-Jayne begins to sing another bridge section singing the entire section in falsetto, the beat then again changes this time to a more Cuban sound as Amy-Jayne begins to sing the second verse, singing this verse mostly in her normal voice and her lower bass voice, the beat then slows down as Amy-Jayne sings another bridge section singing it in entirely her bass tone, then she sings the chorus once again this time singing the chorus entirely in falsetto, the beat then changes again as Amy-Jayne sings another bridge section this time singing in a very flirty way and very sexual way, the beat then changes again and changes to more of Mexican sound as sings the chorus for a final time in a flirty Spanish accent, the beat then plays out until the song ends.


always and forever me and you together
me and you baby oh oh

remember when we fell in love
remember when we found each other
remember all the times I made you smile oh
remember when we hugged each other, remember when I kissed your lips all night
remember when we slept together wish it could last forever baby

no, no, no I love you
no, no, no, baby I need you
no, no, no, this is why I gotta say that I love spending time together with you
your always on my mind
baby can we spend the night and get lost in your eyes
I don't want you out of my sight

can we grow this relationship
can we take it slow because I don't want to skip any of my list
your the one I would miss, I wanna love you so
so let's make it last forever
every time I see you smile, things seem to stand still for a while
you make me go crazy now your my baby

I want you, I breathe you, I need you
I see you, I feel you, this doesn't seem fair
my life without you just doesn't compare

no, no, no I love you
no, no, no, baby I need you
no, no, no, this is why I gotta say that I love spending time together with you
your always on my mind
baby can we spend the night and get lost in your eyes
I don't want you out of my sight

baby your the ne for me
there's no one else for me
you have me saying baby come and save me, save me
I know you want me so baby come see
how good your life will be with me
let see if we can last for eternity

no, no, no I love you
no, no, no, baby I need you
no, no, no, this is why I gotta say that I love spending time together with you
your always on my mind
baby can we spend the night and get lost in your eyes
I don't want you out of my sight

sounds like

Whatever the time

Recorded: 2012
Genre: Electronic House, Progressive House
Length: 5:49
Writer (s): mISTER_b, Electrolightz, Lilly Stuart
Producer: mISTER_b, Lilly Stuart
Voice: Amy Jayne

Background
Whatever The Time is the final track on Amy-Jayne's album and is the bonus track as it is her collaboration with mISTER_b

Heavily influenced by progressive house, this track brings a soft spot to mISTER_b’s music. It is the final track of his album and there’s a meaning to it. The song starts with a subtle house beat without drums, till it breaks into a smooth and easy going progressive drum beat. Amy Jayne worked on her R&B influenced vocals to sound a little less groovy and a bit more robotized. There are echoes effects and backing ground supporting Amy’s vocals and she sounds gracefully but there are no high notes for her to raise her voice, so basically she sings the whole track in a single tone.
At the choruses of the track Amy loses her breathy vocals and incorporates a more strong and emphasized tone to her voice. She even vocalizes in a moment of the chorus but she’s supported by backing vocals in that particular moment. The chorus takes on a switch from the song’ former base beat, it has piano and its slower till it breaks into a hardcore EDM beat till finally the second verse of the song starts again.
Towards the end of the track, it again switches its structures to incorporate a new progressive house beat. Its tempo and melody is different from when the song started out, it almost could be used to become another song’s introduction but once it is the last track of mISTER_b’s album it ends suddenly.
Lyrical content is about keeping the good vibrations and to have hope that everything will be fine. It didn’t fit as a empowering song, it feels more of a love song, lines like ‘the waves will bring to me you back’ clearly reveals that the song is about love being chased but then in the chorus the line ‘whatever the reason you may say’ maybe refers to a break up, and after all mISTER_b’s is saying through Amy’s voice that he’s going to be ok and no matter what happened and he also says ‘I feel the energy conspiring on my behalf’, as if he is a true believer.
It was produced by mISTER_b’s, electrolightz and Lilly Stuart, members of ElectroDeath Team, writing credits belong to mISTER_b’s and Lilly Stuart.

I feel the energy surround
Conspiring on my behalf
The waves will bring to me you back
And I no longer have to worry
If you don’t remain, I’ll let the waves
Bring someone new

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…

The sun lights my destiny
I’m safe as long as I follow it
Even if the road is painful
The waves will bring me back on track
And wind will blow up in my heart
I’ll fly away forever

Whatever the time, whatever the day

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…