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Offline snap_itshannah  
#1 Posted : 30 January 2014 04:45:24(UTC)
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Title: Stay Strong, Drift On
Artist: Evangeline Wolfe
Genre: Indie rock, alternative country, indie folk
Length: 39:01
Recorded: July 2013 - December 2013
Label: FREEDOM
Writers: Evangeline Wolfe, Moses Wolfe, Carmen Grant, Yasmine Kiambang, Reza Vranitzky
Producer: Reza Vranitzky


Personnel:
Evangeline Wolfe - vocals, keyboards, guitar, bass guitar
Pauline Ward - guitar, keyboard, backing vocals
Albert Richardson - bass guitar, guitar, backing vocals
Calvin Toye - drums, percussion
Marvin Holtz - drums, percussion
Carmen Grant - guest vocals on track 8
Yasmine Kiambang - guest vocals on track 10

Tracklist:
1. Five More Minutes
(written by: Evangeline Wolfe)

2. Out
(written by: Evangeline Wolfe)

3. Wonder
(written by: Evangeline Wolfe)

4. Sadness is Sweet
(written by: Evangeline Wolfe, Moses Wolfe)

5. Old Time's Sake
(written by: Evangeline Wolfe, Reza Vranitzky)

6. Drifted Apart
(written by: Evangeline Wolfe)

7. We Aren't Beaten Yet
(written by: Evangeline Wolfe, Moses Wolfe)

8. A Secret My Heart Can't Keep (feat. Carmen Grant)
(written by: Evangeline Wolfe, Carmen Grant)

9. Asked Me
(written by: Evangeline Wolfe, Reza Vranitzky, Moses Wolfe)

10. I Know (feat. Yasmine)
(written by: Evangeline Wolfe, Yasmine Kiambang, Moses Wolfe)

11. Still Heartbroken
(written by: Evangeline Wolfe, Moses Wolfe)

12. Stay Strong, Drift On
(written by: Evangeline Wolfe, Reza Vranitzky)

13. That Love I've Known Before
(written by: Evangeline Wolfe, Moses Wolfe)

Edited by user 08 February 2014 03:52:47(UTC)  | Reason: Not specified

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Offline snap_itshannah  
#2 Posted : 31 January 2014 02:26:58(UTC)
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TITLE: Five More Minutes
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe
LENGTH: 3:37
GENRE: Indie rock, alternative country, indie folk
PRODUCER: Reza Vranitzky


The first track on Evangeline Wolfe's debut album is one very fitting for the childlike and naive indie folk artist. The song isn't a love song, it isn't a sad song, it doesn't incorporate any sort of stereotypical theme that you might see in many other artists' songs - including Evangeline Wolfe's. No, this song is about summer nights when you're a child, and never wanting those to end, and the memory of those nights for the little folk singer. "My mom died when I was twelve," said Evangeline. "After that, my dad took me out of school and started homeschooling me, and the only other kids I ever saw were the ones from my synagogue and some of the neighborhood kids. I never went to prom or went on dates... ever. It was like when my mom died, a big part of what my childhood could have been died with her. So this song is just me remembering my life before she died. And how much I never wanted that part of my life to end."

With that explanation, listeners of the album are left knowing that this seemingly happy and simple song is actually rather melancholy and gloomy. The repetition of the lines, "Don't want to go to bed / And end this summer night," becomes more and more of a reminder that the summer night that Evangeline is talking about is actually a symbol for how good Evangeline's life felt when her mother was alive, and how she would give anything to have those nights back. "Five more minutes, please," is actually her begging god to not take those nights away from her, but she knows that she has to give them up, because twelve years later, she's writing a song about it.

The song, although depressing and grim at the core, happy a rather upbeat sound to it, almost as if Evangeline Wolfe knew that her song was too downhearted to be a good opening song for her debut album, so she tried to play up the happiness of it. The song isn't expansive or ground-breaking in any way, but neither is this album. The whole album is a very simply put together and very simply laid out. Evangeline Wolfe isn't trying to impress anybody with her songs, which in itself may be groundbreaking.




I'm not tired in the least
Five more minutes, please
The sun hasn't set
It's painting the west
Picture pretty

Hints of lilac light
But not a star in sight
Last call for kick-the-can
Please, just once again
Before I come inside

Don't want to go to bed
Don't want to close my eyes
Don't want to rest my head
And end this summer night

Don't want to go to bed
And end this summer night

Fireflies glow for us
The cricket's orchestra
The night is awake
Please, don't make me
Go to sleep
I'm not tired in the least
Five more minutes, please
I'm not tired in the least
Five more minutes, please

Don't want to go to bed
And end this summer night

Don't want to go to bed
And end this summer night


SOUNDS LIKE:
Jenny Lewis - Rise Up With Fists!!

Edited by user 31 January 2014 04:11:19(UTC)  | Reason: Not specified

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Offline snap_itshannah  
#3 Posted : 01 February 2014 04:25:23(UTC)
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TITLE: Out
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe
LENGTH: 3:38
GENRE: Indie rock, indie pop, alternative country
PRODUCER: Reza Vranitzky


The second song on Evangeline Wolfe's debut album is the second out of four songs that is written soully by Evangeline herself. It is easy for listeners to tell if it's an "Evangeline" song because normally the topic won't be anything overly romantic, and usually the lyrics are very simple and clean. The other writers who helped her on this album, Moses Wolfe - who is Evangeline's father - and Reza Vranitzky - who is also the producer of the album, and more well-known for producing and writing Carmen Grant's debut album "Mercury" - tend to add a more complex element to song writing, and although their songs fit in very well to the rest of the album, nothing can beat a song that's written fully by the woman singing it.

This song is written not from any personal experience of Evangeline's or any personal experience of anybody she knows. The song is written fully out of a fantasy that Evangeline has. "It's not a fantasy in the way that it's something that I want to happen," Evangeline explained when talking about the song. "Just one day I was messing around with my guitar, and I started singing "You got out / You got out / You got out..." with the chords that I was playing, and slowly that became the song." The topic of the song is a simple one, with no real background story or explanation given. It's a song with almost an old western theme as Evangeline sings about somebody breaking out of jail, and how she needs to leave town because of it. She later reveals that she's the one that turned this person in, so the person will be looking for her and set on hurting her if she doesn't get out. In the overall scheme of the album, while this song may seem out of place now, the listeners will find that there's no real theme to the album that Evangeline feels she needs to be following, therefore she has nothing holding her back from writing and putting whatever songs she wants on her album. The song could be considered an homage to the original folk and country singers that mostly sang about the west, and a romantized version of crime. No matter what her exact reasoning was for writing the song and then making it the second track on her debut album, Evangeline seems more than happy with the result.

The song, however, is one of the more pop-sounding songs on the entire album, giving the whole song a feeling of a modernization of an old folk tale, like Evangeline is taking an old idea and leaving a little bit of herself with it. The song starts off with an electronica sounding string symphony that acts as a lead into the indie pop song, Evangeline's voice sounding just as angelic and smooth as ever. If there were a real theme to this album, it would be the theme of Evangeline Wolfe doing whatever makes her happy, and if a song is confusing or feels disjointed from the rest of the album because of it's lyrics, or because it's lyrics and sound don't exactly match, that's mostly just because Evangeline liked it and this is Evangeline's album and not yours.




Word finally reached me today
Baby, I can't believe what they've been saying
That you got out
I don't know how, but you got out

I can't waste my time sitting here
I got to be somebody new and disappear
Because you got out
I don't know how, but you got out

Well, I may have turned you in
But you turned right back around
You got out

I want to try to remember to forget
I'm going to take everything but my regrets
Because you got out
I don't know how, but you got out

Well, I may have turned you in
But you turned right back around
You got out

You got out
You got out
You got out

Well, I may have turned you in
But you turned right back around
You got out

You got out
You got out
You got out


SOUNDS LIKE:
Rilo Kiley - Breakin' Up

Edited by user 01 February 2014 04:26:33(UTC)  | Reason: Not specified

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Offline snap_itshannah  
#4 Posted : 02 February 2014 03:28:36(UTC)
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TITLE: Wonder
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe
LENGTH: 3:36
GENRE: Indie rock, alternative country, indie folk
PRODUCER: Reza Vranitzky


"This is actually a rather embarrassing story," Evangeline said. "When I was seventeen, a group of girls told me that a boy that I liked liked me as well, and that he wanted to take me out to dinner, but was too shy to tell me that himself. Being seventeen and stupid, I believed them. They had this whole plan set up that I had to make a dinner reservation at one of the nicest restaurants in South Boston because he didn't have a phone to make the reservation with, and that he would meet me there at eight. So I did so, I went to the restaurant at 8, and of course, he never showed up. So there I was, all alone in this fancy restaurant, and the waiter kept giving me this really sad smile because he knew that I had this reservation for two, but nobody else was going to show up... It was humiliating, and I was so dumb. I sat there and waited until almost 10 o'clock when I finally decided that nobody was showing up and it had all been a trick. In reality, I got up and ran into the bathroom and cried until one of the cleaning ladies had to come tell me in broken English that the restaurant was closed and I needed to leave. But in the song version of this situation, I got up from my chair and confidently walked out of the restaurant with my head held high. This song is more or less my closure on that whole excruciating experience."

The song perfectly depicts what Evangeline just decribed above. She arrives at the restaurant as the song starts - you hear Evangeline quietly counting the song down "1, 2,... 1, 2, 3, 4..." as the acoustic guitar stums the song in - and begins to wait for her partner to join her. The listeners know that he's not going to show up, but the Evangeline in the song does know, and begins to wonder if this person she's been set up with is always late, still assuming that he's going to show up. It begins to rain outside - an omen of bad things to come - as she continues to wait. Now it's 8:15. Evangeline admits in the song that she's a fragile and guilible person and that's why she's waited so long for her date to show up. This is the moment in the song where Evangeline decides that her date will never show up and she's been tricked, and instead resigns to hold her head high and continue on with her night. In reality, we know that Evangeline did not do so and instead waited much much longer and eventually had an emotional breakdown in the restaurant bathroom over the experience, but the song Evangeline has her head on a bit straighter than the real Evangeline did in this situation. Song Evangeline stays at the restaurant a little bit longer, deciding that she's already here so she might as well have something to eat, and then leaves, bidding the night "bon nuit!" and declares that she will not think of this night again, wondering what might have happened if she had done anything differently. The last two lines of the song are repeated, as if Real Evangeline is agreeing with Song Evangeline, and deciding that this will be the last that she ever thinks of the experience again.




Here I sit
In my red chapeau
The table's dimly lit
As I take off my coat
Didn't you say that you'd meet me here at eight?
And I wonder, "Are you always this late?"

Time drips by
Down the window pane
My hopes evaporate and
Come down with the rain
Storms in the forecast and
Now it's a quarter past
And I wonder how long this will last

Because I am a soft touch
The face on my watch
And the hands tell me as much
I think it's about time that
The rain and I resign
And I wonder, "When will that sun shine?"

The waiter comes through
Anything for mademoiselle?
At a table for two
I order for myself
I finish up my tea and I
Bid the night "bon nuit!"
And I won't wonder what might have been
No, I won't wonder what might have been

And I won't wonder what might have been
No, I won't wonder what might have been


SOUNDS LIKE:
Jenny and Johnny - Switchblade

Edited by user 02 February 2014 03:29:21(UTC)  | Reason: Not specified

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Offline genocidal king  
#5 Posted : 04 February 2014 08:44:55(UTC)
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Katie: Eva diva you are just the cutest! I love your songs so far. Putting us all to shame, missy! :P

Ooc: I love all the lyrics you do for Eva. Five More Minutes is wonderful.
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Offline snap_itshannah  
#6 Posted : 04 February 2014 08:51:43(UTC)
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Quote:
Katie: Eva diva you are just the cutest! I love your songs so far. Putting us all to shame, missy! :P

Ooc: I love all the lyrics you do for Eva. Five More Minutes is wonderful.


Evangeline: Awww, Katie! Thank you! I'm hardly putting you to shame, missy! ;)

OOC: Thank you so much. :)
Offline snap_itshannah  
#7 Posted : 05 February 2014 02:29:35(UTC)
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TITLE: Sadness is Sweet
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Moses Wolfe
LENGTH: 3:08
GENRE: Indie rock, alternative country, indie folk
PRODUCER: Reza Vranitzky


"Evangeline Wolfe makes her debut release a heartbreak song, targeting something that everybody - except, of course, Evangeline Wolfe, who has never had a boyfriend before - has experienced. It's safe to say that although both Evangeline and her father, Moses Wolfe, wrote the song together, all the imagery of pain and sadness was mostly from the mind of her father, who has experienced heartbreak in more ways than one: First, in the death of Evangeline's mother twelve years ago, and, along with her death, the death of the band he had formed with her. We've all seen the show mothers pushing their daughters to do what they couldn't do in life, but very few times have we ever seen a show father, and I believe that that is exactly what we are seeing now.

Evangeline Wolfe, an absolute nobody until now, uses her voice throughout the song to give a child-like appearance to it. In the beginning of the song, we weren't sure if she didn't know how to control her voice well, or if she was trying to make it sound like that, but she proved to us that she really could sing within the last few verses of the song. Even though it's known that Evangeline's heart has never been broken in the way that she sings in the song, you can be sure that she'll convince you it has with her voice, the very emotion of every word floating off of her tongue and into your ears. Okay, maybe that was a weird image we just gave you, but you understand what we're trying to say, right? The song starts off with a single key of the piano, and then Evangeline begins to sing, sounding like a small angel. She does nothing to try to surprise us or take control of the song until the last few verse, when the song takes a turn from a simple piano driven ballad to a soulful -- almost jazz-like -- song, as Evangeline's voice grows with intensity, growing out of the "little girl" sound she took on at the beginning and becoming a "woman," at least with her voice.

Personally, I love Evangeline and can't wait to see more of her. She's not part of the bigger world of music stars; she's kept to herself since her website went up, and has made no effort to be in the limelight just yet. For once, we have a singer who lets her music speak for her rather than her scandals and actions... Either that, or daddy won't let her leave the house yet. Who knows. All I know is that I want more music from her... and stat." - Allmusic



Yesterday, when you drove away
I felt my heart break
As I waved, I concentrated
On my precious pain

My sadness is sweet
A love so deep
It broke clean in two
A piece for me
A piece for you

It can be your good luck charm
A talisman from fear and harm
It will keep you safe and warm
Until you're in my arms

My sadness is sweet
A love so deep
It broke clean in two
A piece for me
A piece for you

Yours is broken, too, I see
Just before you had to leave
You left half of yours for me
Now both our hearts are complete

My sadness is sweet
A love so deep
It broke clean in two

My sadness is sweet
A love so deep
It broke clean in two
A piece for me
A piece for you
A piece for me and
A piece for you



SOUNDS LIKE:
Jenny Lewis - Trying My Best to Love You





UserPostedImage
TITLE: Old Time's Sake
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Reza Vranitzky
LENGTH: 2:47
GENRE: Folk rock
PRODUCER: Reza Vranitzky


The fifth song on Evangeline Wolfe's debut album is "Old Times Sake," written by Evangeline Wolfe and Reza Vranitzky. Vranitzky, who wrote a couple songs on Carmen Grant's debut album, had originally intented for this song to by for Carmen as well, but Carmen - who is good friends with Evangeline Wolfe - said that the sound and construction of the song was better suited for Evangeline and gave it to her instead. Evangeline, of course, added some of her own spin to the song, and now any listener could hardly tell that the song was written for anybody other than her. Evangeline, who said when asked about the song that she "didn't know a lot about losing a boyfriend, but [she] knew a lot about losing somebody you love," wrote the metaphor of dancing to symbolize saying goodbye to the partner in the song for her mother. "My mom was a singer - like me - and she loved anything to do with music. Playing it, singing it, dancing to it. She would dance to anything that vaguely sounded like a beat. It might sound weird that I wrote something for my mother into a song about a boyfriend leaving, but she's the only loss I know, and they always tell you to write what you know, right?"

The song is a simple one with a very strong folk rock feel to it, which is what fans of Evangeline were expecting from this album anyway. As stated before, it's a song about a significant other who is leaving, and how the other member of the relationship is reacting to that news. Rather than screaming and crying or throwing a fit over the situation, she wants him to leave her with good memories of them, so she asks for them to go out dancing together, which is something they enjoyed doing before. It's obvious as the song goes on that significant other that's leaving isn't a very good person - or at least not very good at relationships - as Evangeline repeats, "Mess me up for old time's sake," to him. This isn't the first time that this boyfriend has hurt Evangeline, which is probably why she's dealing with him leaving and hurting her again so well - she's used to it by now, and perhaps a little relieved to see him go. The song ends with her begging him to take her out dancing one last time before he leaves. The listeners don't know how the situation ends, but it's more than apparent that after the boyfriend finally leaves, the girlfriend will be better off.




Your leaving's been a long time coming
Could have seen it from a mile away
Found a ticket dated for the morning
Only one and only one-way

Miles to go, promises to break
Mess me up for old time's sake

Take me, take me, honey
Take me dancing out all night
Take me, take me, come on
Take me dancing one last time

Your moves made me a firm believer
The night you swept me off my feet
But your loving gave me such a fever
I was blind to every lie and cheat

Pull me close then push me away
Mess me up for old time's sake

Take me, take me, honey
Take me dancing out all night
Take me, take me, honey
Take me dancing one last time

Let's go make a final mistake
Mess me up for old time's sake

Take me, take me, honey
Take me dancing out all night
Take me, take me, come on
Take me dancing one last time

Take me, take me, come on
Take me dancing one last time


SOUNDS LIKE:
Jaymay - Autumn Fallin'

thanks 8 users thanked snap_itshannah for this useful post.
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Offline genocidal king  
#8 Posted : 05 February 2014 03:43:46(UTC)
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Ooc: Part of me comes here to look at Evangeline's face, which I have fallen in love with :P I'm joking, of course, brilliant lyrics again. I really love Old Times Sake.
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Offline snap_itshannah  
#9 Posted : 05 February 2014 04:12:17(UTC)
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Quote:
Ooc: Part of me comes here to look at Evangeline's face, which I have fallen in love with :P I'm joking, of course, brilliant lyrics again. I really love Old Times Sake.


OOC: I would understand if it were just to look at her face. Jenny Lewis is completely adorable. Thank you so much, Scott! :)
Offline C4AJoh  
#10 Posted : 06 February 2014 03:43:30(UTC)
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Amy: Ahhh, darn 'FREEDOM' for discovering you first! :( Evangeline, you are super talented! I like music that is simplistic, music that doesn't force emotion upon you, music that instead just sort of brings emotion out of you without you even realizing and so far this is one of those albums where I can lose myself in the art and beauty of everything that I'm hearing, it's a true gift that you have! I think you're destined for amazing things! :)
Offline snap_itshannah  
#11 Posted : 06 February 2014 04:27:21(UTC)
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Amy: Ahhh, darn 'FREEDOM' for discovering you first! :( Evangeline, you are super talented! I like music that is simplistic, music that doesn't force emotion upon you, music that instead just sort of brings emotion out of you without you even realizing and so far this is one of those albums where I can lose myself in the art and beauty of everything that I'm hearing, it's a true gift that you have! I think you're destined for amazing things! :)


Evangeline: Oh my gosh, Miss. Amy, you are going to make my heart hurt with how sweet you are being to me. :) Thank you so much. I know that every time I listen to Riot!, I feel the emotion that you put into every word and lyric, and that has been more than inspiring to me. I hope I am destined for amazing things, or at least half as amazing as you have been. :) Thank you again!
Offline snap_itshannah  
#12 Posted : 06 February 2014 05:21:14(UTC)
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TITLE: Drifted Apart
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe
LENGTH: 3:34
GENRE: Folk
PRODUCER: Reza Vranitzky


Track number six from Evangeline Wolfe's debut album is titled "Drifted Apart," and although the song may not be the best song in the album in terms of writing or sound, it is the very quentessential Evangeline Wolfe song, and definitely the one to best be used to represent who Evangeline is as an artist. It's the last song on the album that is written soully by her (the others being Five More Minutes, Out, and Wonder) and it's the most folk-sounding that the album gets overall. It would be the the best song to first show somebody who has never heard of Evangeline Wolfe before to introduce them to her music because it doesn't reach out and beg for your attention with flashy instruments or complex lyrics, but because of that, it almost does.

The song, of course, isn't about love or romantic relationships or anything like that. Remember, this is Evangeline Wolfe. No, this song is about something deeper than that: Friendship - which sounds horribly cheesey and campy, but Evangeline does her most to keep the song from ever sounding too cliche or over-done. In fact, the song is less about friendship and more about how a friendship falls apart after one person moves away or changes drastically from the person they once were. In this song, the situation is that her friend has moved away - across the country, it seems - and now the most of their communication is over the phone, which just isn't the same. Evangeline is mourning over the fact that their friendship is dying now that her friend is gone, and all she has left are the memories of how close they were. She tells her friend that she'll never forget how they shaped her life for the better and that she'll always remember her in the best way possible, but she's accepted now that they've completely drifted apart and there's nothing she can do anymore.

The song, although soft and surreal sounding, is definitely commanding and in control of how the song feels and goes. Although Evangeline is obviously upset that she's lost this great friend to powers outside of her control, she has accepted the situation for what is it, and although she's upset about it, she's not going to dwell on it. A lot like in her song "Wonder," Evangeline is using this album is work out some of her old wounds that haven't been able to fully heal yet.




I don't know where or how to start
To cover the years we've spent apart
You're way out West, and I'm in the East
On the phone at best, small talk at least

And it breaks my heart
Oh, how we've drifted apart

You and I were thick are thieves
The best of friends there could ever be
But time flies by and it's in the breeze
Just a shoebox full of memories

And it breaks my heart
Oh, how we've drifted apart

I'll never forget your kind brown eyes
Or the fingerprints you left all over my life

Still, it breaks my heart
Oh, how we've drifted apart
Oh, how we've drifted apart
Oh, how we've drifted apart

You and I were thick are thieves
The best of friends there could ever be
But time flies by and it's in the breeze
Just a shoebox full of memories

And it breaks my heart
Oh, how we've drifted apart

And it breaks my heart
Oh, how we've drifted apart


SOUNDS LIKE:
Basia Bulat - Gold Rush (0:00 - 3:30)

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#13 Posted : 08 February 2014 03:49:36(UTC)
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TITLE: We Aren't Beaten Yet
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Moses Wolfe
LENGTH: 2:55
GENRE: Folk, rock, pop
PRODUCER: Reza Vranitzky


Evangeline's seventh song is co-written by her father, Moses Wolfe, who has been described as Evangeline's first fan and mentor. Moses Wolfe's musical experience comes from Evangeline's mother, Greta, who was a singer. After Greta and Moses met, Greta asked Moses to play guitar for her band, who was a regular fixture at most bar in the South Boston region during the 70s. They played together even after Evangeline was born until Greta died from a heroin overdose in 2002. For a few years, it was hard for Moses to even hear somebody singing, but one day he caught Evangeline singing while working on her homework, and knew that he had to work out his grief for his daughter and for her art.

This song is actually a song that Moses wrote for his wife, but he was never able to actually perform the song for her before she died. In keeping with the theme of working out old wounds in this album, Moses gave the song to his daughter for her to perform it on her debut album. She tweaked some of the lyrics to make them more relateable to the general audience, and rewrote the music to accompany it, giving it a much more uplifting sound rather than a dreary confession of love for another person. The song is about a person telling their significant other that they don't need anything else but them to make them happy. They tell their partner that no matter what, they know that they'll get by somehow because they have each other, and that no amount of fancy clothes or jewelry could make them feel any better than how they feel right now, because each other is the nicest thing they could ever call their own. Evangeline sings, "Rest your weary head / We aren't beaten yet / Baby, we aren't poor." Moses and Greta were very poor when Moses originally wrote this song, so he's telling her that they may be poor in money, but they're rich in love. Very cliche, I know. The song continues on, saying that they don't need any mansions because all they need is each other, and even if something bad happens - like their car breaking down on the side of the road - they'll still be happy because they'll be with each other. It's a very cliche and stereotypical "love will conquer all" "all you need is love," sort of song, but it won't be the last cliche you'll hear Evangeline Wolfe bravely standing for.




Baby, don't weep any more
Because if I'm going down
Fate may be at our door
We'll get by somehow
I don't need any fancy clothes
To make me feel fine
It doesn't matter what I own
So long as you're mine

Rest your weary head
We aren't beaten yet

Baby, we aren't poor
Baby, we aren't poor
Baby, we aren't poor

I don't need any mansion homes
To get lost inside
There's no room to feel all alone
With you by my side
Let's go down the same road
In a dump of a car
And when it gives up the ghost
I'll be where you are

Rest your tired eyes
With the daybreak so close, we'll be fine

Baby, we aren't poor
Baby, we aren't poor
Baby, we aren't poor

La da da da da


SOUNDS LIKE:
Dawn Landes - Straight Lines

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#14 Posted : 13 February 2014 00:52:29(UTC)
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UserPostedImage
TITLE: A Secret my Heart Can't Keep (feat. Carmen Grant)
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Carmen Grant
LENGTH: 3:18
GENRE: Indie rock, alternative country, indie folk
PRODUCER: Reza Vranitzky



Culture Uncut Review
"Everybody likes adorable things. Nobody can resist watching a video on the internet of a puppy trying to climb into it's owner's shoe, or a kitten chasing a laser pointer dot to the point of exhaustion. And why? Because it's cute, and it reminds us that not everything in the world is absolutely horrible. For the cynics - which are most people on the internet - it puts things in a different perspective, and people have ultimately come to enjoy different points-of-view over the years of evolution we've endured - or at least the people that have continued to evolve do. So with that in mind, it's no mystery why people would like Evangeline Wolfe's newest song "A Secret My Heart Can't Keep" with Carmen Grant.

First off, let's talk a little bit about our women of the hour - or women of the three minutes, eighteen seconds. Evangeline Wolfe landed herself on the indie rock radar earlier this year with her debut single Sadness is Sweet, which did remarkably well despite the fact that Evangeline Wolfe was not attached to any label at the time - and still isn't. The little redhead from Boston, Massachusetts continued to wow people by opening for Katie Coyle - along with Sara Daniels - during her comeback show - a night that has been forever remembered as the night that Hayden Merjos proposed to Katie Coyle on stage. But after that glorious night, Evangeline Wolfe has mostly kept to herself in the music world. She is hardly ever seen out in clubs or with other friends, and - according to her tweets - seems to prefer staying in with her father, Moses Wolfe, who has at least co-written most of Evangeline Wolfe's songs. The few times that she has spoken to cameras, such as when she attended the Goldies earlier this year, she seemed meek and gentle and mild. Her two singles, which could also be described as "gentle," are very much a display of Evangeline's personality, and we like that in an artist. She might not be as outgoing and in-your-face as some of the Serenity Scotts or Suzies of the world, but that doesn't make her any less of a well-developed musician in our minds.

Carmen Grant, who is also starting to become a big name in the indie rock variety, collaborated with Evangeline Wolfe on this very adorable song - which makes sense because Carmen Grant is also a very adorable woman. Another redhead in the music business, Carmen has become known for her odd personality, and the way that she takes everything she says oh, so seriously. We learned the hard way that when she says something to you that sounds absolutely ridiculous, laughing is the wrong response, because she's never joking. And not laughing at her is a bit hard because Carmen Grant constantly refers to herself in the third person, almost as if the Carmen Grant that we see and hear in a professional sense is not the same Carmen Grant behind closed doors. But no matter how weird and, occasionally, dark Carmen Grant's words can be, she still is absolutely charming - almost a rival to Evangeline Wolfe's charm and delightfulness. Which ultimately is what makes this song so wonderful.

DISCLAIMER: This is a dramatization of what we think happened when writing A Secret My Heart Can't Keep. So Evangeline Wolfe and Carmen Grant got together and Evangeline Wolfe said, "What's a topic that we can write about that will be cute, but will also be taken seriously as a song? Because we're cute people, but we also want to be taken seriously as artists." And then Carmen said something like, "Well, Carmen mostly writes songs about sleeping around... but she does this adorably." And then we assume Evangeline Wolfe blushed or shook her head or something like that, and they decided not to write a song about that. So then after hours of collaborating, Evangeline says, "Let's write a song about being in love with somebody, but you're trying to keep it a secret, but you can't because you're so in love with that person." And then they had a naked pillow fight and made out during When Harry Met Sally. Oh yeah. This was a sleepover/song writing meeting. We forgot to mention that. So after the making out, they wrote the song, added in their sort of innocent sexiness that they both have tons of, and then released A Secret My Heart Can't Keep onto the world.

The song itself is a pretty simple song. It's simply the story of a girl being in love with somebody, and although she can't admit it out loud, the way that she's acting around the person she's in love with makes her feelings towards them pretty obvious. The song was very fitting for Evangeline Wolfe and Carmen Grant to sing together because both of them seem like the type to not be able to express emotions like love or lust very well - especially Evangeline Wolfe, who has admitted that she has never kissed a man before, despite being nearly twenty-five years old. The song has much more of an alternative country feel to it than an indie folk or indie rock feel, which is different for both the women in the song, although both of their music seems to play in the country genre of music. The lyrics repeat themselves for each girl, showing that being unable to admit your feelings to somebody is a universal experience. Also, if anybody ever wanted fuel to start a rumor about Evangeline Wolfe's sexuality, this song could be easily argued as two women singing their love for each other and not being able to tell each other exactly how they feel because of society or whatever you want to say about it. I don't know anybody who really wants to start a rumor about Evangeline Wolfe's sexual identity, but there it is if you want it. (Carmen Grant is already an admitted bisexual, so the rumor wouldn't really effect her).

The song may be a rather simple song - there are no overly dramatic lyrics, no absolutely amazing instrumentals, no super hidden meanings behind the song. It's just a simple, ambrosial song about a not-so-simple concept. And sometimes that's all music needs to be. Simple."




Evangeline
Carmen
Both

Here I go again, smiling too sweet
Can't seem to hold it in every time that we meet
I get this rosy glow, and weak in the knees
I hope you don't know how fast you make my heart beat


I'm a little in love and I'm in a little too deep
Though I'll never say a word, it's a secret my heart can't keep


I'm a little in love and I'm in a little too deep
Though I'll never say a word, it's a secret my heart can't keep
My feet are on the ground whenever you are near
But my head is in the clouds while the rest of me is--

Here I go again, smiling too sweet
It seems that my heart has finally gone
And told on me!


Here I go again, smiling too sweet
Can't seem to hold it in every time that we meet
I get this rosy glow, and weak in the knees
I hope you don't know how fast you make my heart beat


I'm a little in love and I'm in a little too deep
Though I'll never say a word, it's a secret my heart can't keep


I'm a little in love and I'm in a little too deep
Though I'll never say a word, it's a secret my heart can't keep
My feet are on the ground whenever you are near
But my head is in the clouds while the rest of me is--

Here I go again, smiling too sweet
It seems that my heart has finally gone
And told on me!


I'm a little in love and I'm in a little too deep
Though I'll never say a word, it's a secret my heart can't keep


SOUNDS LIKE:
Jenny Lewis - Barking at the Moon





UserPostedImage
TITLE: Asked Me
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe, Reza Vranitzky, Moses Wolfe
LENGTH: 2:13
GENRE: Indie rock, alternative country, indie folk
PRODUCER: Reza Vranitzky


The album takes a slightly shocking turn-around with track nine, "Asked Me." The song just before track nine was Evangeline Wolfe's second single "A Secret My Heart Can't Keep" with her good friend Carmen Grant - a song about being in love with somebody, but being too afraid to admit it. The song had been called "adorable" and "cutesy" by music critics and fans alike, so to go from something to from such a loving, wonderful topic to track nine - which is about being in love with somebody who will never love you back the way you love them - is a little bit of a shock to album listeners. The song was written together by Evangeline Wolfe, her father Moses Wolfe, and songwriter Reza Vranitzky. All of their musical talent goes into the song - which is, interestingly enough, the shortest song on the album at only two minutes and thirteen seconds.

As said before, the song "Asked Me" is about being in love with somebody who only pretends to love you when he has nothing better to do. She sings about all the phone calls she's waited for from him, and all the letters that he said he would send but never did. This guy sounds really scummy already, but Evangeline admits that even though he's made her so upset, she would still accept a date from him if he asked her. She goes on to say that she loves him too much to admit to herself that he's fooling around with other women - even though it's painfully obvious that he is - she's become blinded by her love and can't think straight when she's thinking about him. She admits that if he really doesn't care about her as much as she wants to believe he does, then she's the loser in this situation, but she still wouldn't be able to tell him no if he asked her out. The songwriting of the three - Evangeline, her father, and Vranizky - is obvious in the last two major verses, and they rhyme or false rhyme almost every line, the pace of the song speeding up slightly to match this poetic interlude of lyrics. Evangeline continues to beg her significant other to stay with her, stating that she's a mess without him, and that no matter what he did to her, she would always say yes if he asked her out. The song fades out and you hear Evangeline quietly say, "If you asked me."

The song is a bit different from the other songs on the album - it's more like track two "Out" in the way it's more indie rock than the other songs that could be described more as folk or country. There's a meriad of instruments playing along with Evangeline as she sings, but the most noticeable is the keyboard - which plays the same four notes over and over again at a high electric pitch, which would give the song an almost electronic vibe if it weren't for Evangeline's very clear, unaltered voice singing over it. The beat is held together by the sound of clapping with the tempo, which is very rare for songs. There's almost no percussion, and only a little bit of guitar to hold the tune together. For the most part, the song is completely composed of Evangeline's voice, the keyboard, and the clapping.




Well, I know that I should know better
Then to sit here by the phone, waiting like a fool
And my mailbox never got those letters
That you promised would be coming my way soon

Well, it's a strange concept
With all the tears I've wept
That I would still accept
If you asked me

Well, you show up when you want romancing
And I'm the perfect one to play the part
Well, I might be in your arms, dancing
But I'm not the only one inside your heart

I know you're not all mine
Because I've seen your waundering eyes
Still I would not decline
If you asked me

Everybody sees that love has made me blind
And everybody knows that I have lost my mind
And it may be true, my heart may be askew
This love may be a ruse,
I have everything to lose
But how could I refuse
If you asked me

Oh, my love I can't repress
So, boy, I must confess
What I wish you would request
And I'm not going to make you guess
So put me out of my distress
With or without you, I'm a mess
And, boy, I would say
Yes!

If you asked me


SOUNDS LIKE:
Jenny & Johnny - Slavedriver

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#15 Posted : 19 February 2014 03:35:49(UTC)
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TITLE: I Know (feat. Yasmine)
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe, Yasmine Kiambang, & Moses Wolfe
LENGTH: 4:08
GENRE: Folk
PRODUCER: Reza Vranitzky


The tenth song on Evangeline's debut album, "I Know," seems to almost be a sequel to her eighth song, "A Secret My Heart Can't Keep." Both of the songs are duets - "A Secret My Heart Can't Keep" featured Carmen Grant while "I Know" features indie vocalist Yasmine - and both of them have to do with somebody not being able to admit that they're in love with somebody else. While in "A Secret My Heart Can't Keep," it was Evangeline (or Carmen Grant) that was too shy or nervous to admit that she was in love with this other person, in "I Know," it seems that the women have the knowledge, and they're waiting for their significant others to reveal their true feelings. Like many of Evangeline's songs so far, she seems to be trying to use her music to discover the way that her life could have gone if she had made different choices or lived in different universes - like in "Out," when she channeled her inner western movie star - so this song could easily be Evangeline asking, "What if the roles in that situation were reversed, and he was too nervous to tell me that he was in love with me rather than the other way around?"

Lyrically, the songs seem very much the same, almost as if they were talking about the same situation. Sound-wise, they also sound very similar, except for "A Secret My Heart Can't Keep" has a slightly country sound, while "I Know" is very distinctly folk. In both of the songs, they sing about how their smile gives it away, and how no matter how much they try to hide it, it's exceedingly obvious the other person and everybody around them that they're very much in love with each other. Evangeline continues to sing, talking about how, when he sends a letter, what he doesn't write "on that bottom line," she knows that even just the letter means that he loves her. Of course, what she meant by what he doesn't write on the bottom line is "Love, [his name]." Evangeline's voice comes in the third verse, singing about how she's glad that he's not fully speaking his emotions, because if he did, she could misinterpret them. Yasmine agrees with her in the next line, saying that she would rather believe what she feels in her heart rather than what actually may be going on in reality. Focusing on those four lines could really possibly put a damper on the entire song as the listener realizes that maybe - in fact - this isn't a sequel to "A Secret My Heart Can't Keep," but actually a foil to it, asking, "What if the person who is in love with somebody else starts becoming obsessive and thinking that the other person loves them and over-analyzing every little thing that person does, thinking that that all means that they love them?" Maybe that was Evangeline, Yasmine, and Evangeline's father - Moses' - intention of writing the song, or maybe not. It seems a little too dark for an Evangeline song, but it is a possibility. The song ends with the man leaving her house, giving her a hug and kiss, but still not saying that he loves her. As he leaves, the woman proclaims that she always knew that he loved her and that she loves him, too. The songs ends there, giving it a happy feeling for the people who want to believe that it's truly a love song to just a shy guy who's too afraid to admit that he's in love with her - or an eerie, uncomfortable feeling to anybody who thinks that maybe the speaker in the song is crazy and obsessive. Either way, it's still a good duet between two amazing indie singers.




Evangeline
Yasmine
Both

It's in our hello
And the way his smile glows
And it's in our goodbyes
And the tear in his eyes
And all in between
When he's looking at me

I know
I know
I know what he doesn't say


And it shimmers through
In the things that he can do
When he writes me a note
And he sends it by post
And what he might not sign
On that bottom line

I know
I know
I know what he doesn't say


Words are not needed
The more my ears could be mislead

My heart can hear instead of
What goes unsaid


He'll leave me with this
A hug and a kiss

Those three words he can't say
But he'll never be blue

Because I always knew
And I know
I know
I know and I love him, too


SOUNDS LIKE:
The Be Good Tanyas - The Littlest Birds

Edited by user 19 February 2014 03:52:01(UTC)  | Reason: Not specified

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#16 Posted : 22 February 2014 10:32:05(UTC)
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TITLE: Still Heartbroken
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Moses Wolfe
LENGTH: 3:06
GENRE: Folk
PRODUCER: Reza Vranitzky


As the album starts to come to it's end, the listener comes to "Still Heartbroken," another song written by the father-daughter duo of Evangeline and Moses Wolfe. The song is, obviously, about still not being over somebody after they've ended the relationship in any sort of way. Maybe that person and you are still together, but they've become completely emotionally distant, and the relationship - although not officially over - has ended in that way. Or they've cheated on you, and although you're still with them, the relationship that you once had with them is over and can never be the same. However it is that a relationship has ultimately been considered over, this song is about how that heartbreak feels, even long after the relationship has died. Although there are several noticable moments of Evangeline's writing ability throughout the song, it is obvious that it was Moses Wolfe who - at least - came up with the idea for the song. Most Evangeline Wolfe fans already know that Evangeline's mother, Greta, died when Evangeline was twelve, leaving Moses heartbroken and having to take care of their young daughter on his own. That was the inspiration for this song, but during the songwriting portion of the process, the song got tweaked a little for a more angry sounding situation in which the person is not only heartbroken, but bitter about the state of the relationship that they are/were in.

The song starts out with Evangeline cursing her heart for being foolish and stupid when it comes to love and who it falls for. She asks her significant other, "What's the use in fixing / What will only break again?" after using an allusion to Humpty Dumpty to further the "broken" theme of the song. The child-like use of the nursery rhyme in a rather serious song about heartbreak is just a reminder that it's Evangeline Wolfe writing this song, who has more experience with fantasy and nursery rhymes than she does love and heartbreak. The chorus of the song is, "Heartbroken / What's the use in fixing / What will kill me in the end? / Put me back together / I'm still heartbroken." Evangeline sings the words with pain and bitterness in her heart, damning that very thing for people what will ultimately kill her in the end. The song continues on with her talking about how she tried to repair her heart the best she could the last time it broke, but somebody else came back and ruined everything she had done to try to fix it. She sings, "Well, I cross this heart / And hope to die / Tell me if you love me / Tell me if you can / What's the use in fixing / What will only break again?" She uses another childhood memory - "cross my heart and hope to die" - for the song again, keeping the song with the appropriate amount of child-like innocence for an Evangeline Wolfe song while still talking about something serious. She repeats the chorus twice, adding in the middle, "Heartbroken / What a bitter end / I was on the mend / But here I am again," giving the feeling that she's given up all hope of ever having a repaired heart, and that this is how she will die as the song ends, the guitar giving one last electrified stum as the song fades out.




This stupid heart
This foolish thing
Failed me from the start
And keeps malfunctioning
Always dropping beats
And falling fast
Until the bleeds me dry at last
Tell all your king's horses
And all your king's men
What's the use in fixing
What will only break again?

Heartbroken
Heartbroken
What's the use in fixing
What will kill me in the end?
Put me back together
I'm still heartbroken

Well, I fixed it up
With safety pins
But you stole the key
And broke right in
You cut my strings
And you hung me high
Well, I cross this heart
And hope to die
Tell me if you love me
Tell me if you can
What's the use in fixing
What will only break again?

Heartbroken
Heartbroken
What's the use in fixing
What will kill me in the end?
Put me back together
I'm still heartbroken

Heartbroken
What a bitter end
I was on the mend
But here I am again

Heartbroken
Heartbroken
What's the use in fixing
What will kill me in the end?
Put me back together
I'm still heartbroken


SOUNDS LIKE:
Laura Veirs - Parisian Dream





UserPostedImage
TITLE: Stay Strong, Drift On
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Reza Vranitzky
LENGTH: 2:26
GENRE: Indie folk, alt-country,
PRODUCER: Reza Vranitzky


Evangeline Wolfe comes back to her fans once again with another song to grace the ears that have been so begging for something new and exciting to come their way - and although the light and cheerful world of the indie folk songstress wasn't quite what fans were expecting when they said they wanting something "exciting," they'll take it. Ms. Wolfe seems to be gearing up for the release of her debut album, which is something that every fan of the alternative country genre has been looking forward to since the release of her debut single in July of 2013. But Evangeline isn't the same independent artist that she was when she first started playing this musical game. She just recently signed on to Neveah Martinez's FREEDOM record and is now bumping elbows with the other big names signed with them, like Sonyae and - good friend of Evangeline's - Katie Coyle. So the question on all the fans' minds is: "Is our favorite little indie star really that indie anymore...? Will she still be making the same music...?" Stay Strong, Drift On is Evangeline's answer to this.

The song was co-written and produced by Reza Vranitzky, who just recently became known for producing Carmen Grant's - another close friend of Evangeline's - debut album "Mercury," and co-writing two of the songs on it. Vranitzky's ability to adapt and change her writing style to fit and help the artist was the reason Evangeline went to her for help writing this new single (many of Evangeline Wolfe's songs have been co-written by her father, Moses Wolfe, but it seems that Evangeline is trying to get out of daddy's shadow). Although it's her first single to be released under her new label, it's nice to see that Evangeline Wolfe doesn't seem to be trying to impress them by creating something new and wild. In fact, the features some pretty mellow lyrics, using the imagery of nature set to a upbeat acoustic guitar to remind people of the way that camping trips used to feel when we were kids. There's nothing fake or contrived about Evangeline's lyrics, but there's also nothing completely exciting or new. Evangeline has been very good about displaying who she is wholeheartedly to her fans since day one, and although her fans do love everything about her, they've had to learn not to expect anything mind-blowing in the upcoming album. There will be no huge Carmen Grant-type reveal in this folk vocalist.

The song uses the imagery of water to represent a relationship that Evangeline is in. We can assume that the idea for this song was Reza Vranitzky's, since it is very well known that Evangeline has never been in a true relationship before. The song starts off with "If the water's cool / I might just swim / If the sun shines right, I might be here all day." Although the listener doesn't know now that the song is a metaphor for a relationship, through a second listen, they'll start to realize that Evangeline is saying that if the relationship seems like it'll be a good one, she'll stick around. She continues to state that she'll "drift away," and that she'll be "busy lapping it up," telling us that she doesn't want to take this relationship too seriously. She wants to have fun with it because maybe she hasn't had a lot of fun in love lately, and she's hoping that this will be different. But in the second verse, she asks the water/relationship "With the tides and their little secrets / Whispering me to sleep / Would you take away my weakness? / So I can drift on / Drift on." Evangeline makes the mistake that many people make when they enter a relationship in thinking that all of their problems and issues will now be taken away because they've found somebody else to shoulder them all as well. The "tides" - or other people in her life - are Evangeline's problem that she's hoping that this new relationship will help her with because they're making it difficult for Evangeline to drift through the water. She repeats the first verse again, and then asks, "With the ripples and their stories / Cooking up a storm / Will you carry all my weakness? So I can drift on / Drift on." The tides are now starting to grow into a storm that Evangeline is sure she can't face by herself, so once again she asks the person she's in a relationship with to carry her weaknesses for her so she can fight against them. The repeats the first verse again, this time leaving out the part about the sun - because the storm that is brewing against her has completely blocked out the sun - and again she asks if her significant other could take away her weakness. "I'm not that strong / You see, I feel so heavy / Without you," she continues on to sing, completely giving herself up to her significant other and wanting to becoming dependent on him for strength in this crisis. And finally, we hear a response from the significant other, who says, "Stay strong / Drift on." Her significant other doesn't want her to become dependent on him because he wants her to still be able to be independently happy, so he tells her to continue drifting on like nothing is wrong, and that the only way to do that is to stay strong. At the end of the song, Evangeline sings the single line, "If the water's cool, I might just swim," giving the listener hope that maybe the storm did in fact blow over, and that everything is okay again.




If the water's cool
I might just swim
If the sun shines right, I might be here all day
I'd drift away
In a sunken state
I'm busy lapping it up
I might be here all day

With the tides and their little secrets
Whispering me to sleep
Would you take away my weakness?
So I can drift on
Drift on

If the water's cool
I might just swim
If the sun shines right, I might be here all day
I'd drift away
In a sunken state
I'm busy lapping it up
I might be here all day

With the ripples and their stories
Cooking up a storm
Will you carry all my weakness?
So I can drift on
Drift on

If the water's cool
I might just swim
I'd drift away in a sunken state
I'm busy lapping it up
I might be here all day

With the under current lurking
Watching sideways from afar
Could you take away
My weakness?
I'm not that strong
You see, I feel so heavy
Without you

And you say
Drift on
Drift on
Drift on
Drift on
Mmm...
Stay strong
Drift on

If the water's cool, I might just swim


SOUNDS LIKE:
M. Ward - Never Had Nobody Like You

Edited by user 22 February 2014 10:33:56(UTC)  | Reason: Not specified

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Offline snap_itshannah  
#17 Posted : 24 February 2014 03:11:06(UTC)
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TITLE: That Love I've Known Before
ARTIST: Evangeline Wolfe
WRITERS: Evangeline Wolfe & Moses Wolfe
LENGTH: 2:35
GENRE: Alt, country, folk rock
PRODUCER: Reza Vranitzky


The last song on the album is the most bittersweet one, making it the perfect song to close the album on. It's the type of song that makes the listener say, "I need to listen to this album again. That can't be the end," and that's exactly what Evangeline Wolfe wanted to happen. The song was written by Moses and Evangeline Wolfe, and it gives us another instance of knowing which parts were solely written by Evangeline, and which parts were pieced together by her father. The childlike moments throughout the song - as are normal with Evangeline Wolfe - give the song another sense of naivety and almost immaturity that Evangeline seems to exude even outside of her music. The song also perfectly captures the essence of the sound of the album, using not only the folk rhythms that are present throughout the song, but also the slight indie rock and alternative country sounds that have been incorporated in the other songs.

The song is a song of "If I ever fall in love the way I fell in love before, I'll never let that person go." Evangeline sounds absurdly happy as she sings the song, anxious to find a new love and start the journey all over again, but the song is very bittersweet because this means that she was in love before and then lost that person. She sings, "Ohh / Another songs about love / Gone right / Ooh / But my stories are too sweet!" This is a reference to all the songs earlier in the album about love and how sweet and adorable they were, like "A Secret My Heart Can't Keep" or "I Know." Evangeline recognizes that most of her songs about love are slightly unbelievable because of how perfect she makes these relationships seem, and this song is her answer to that - she writes these loves songs, with a bit of help, to show that there is some good love in the world if you are willing to look for it. There has to be, or else nobody would ever want to fall in love. If every love was as awful as people try to make it out to be, then there wouldn't be love songs or romantic movies or romance novels. They would be more like nightmares. That's all Evangeline is trying to say. People have become too bitter when it comes to love, and if everybody could just remember the first time they fell in love - like really were in love - then they would see that it's really not that bad and they would want to fall in love again. She continues on with in the song, "Ohh / How about a round of applause / For love / Aah, I loved the show and loved the cast." She makes love out to be like a play that's being put on stage - one that she wants to see over and over again. She says that she loved how it felt when she was watching the show - or being in love, as the metaphor goes - and she loved the cast of people in the show - like herself and her significant other - but she goes on to sing, "One thing / The end / It surely seemed blue." Everything in the relationship - or play - was great up until the end, when things began to fall apart. This song is basically Evangeline asking - or not really Evangeline, but Evangeline speaking for everybody who has ever fallen in love and then the relationship ended - for a new love that doesn't have to end the way the old one did. In fact, she's asking for a love that never has to end. She ends the song with a slightly childish display of emotions as she practically throws a musical tandrum, proclaiming that if she ever found another love like the one she had before, she would never let it go, as she has said several times throughout the song now. The last thing you hear on the album is Evangeline holding out the last "now," as the music fades out, and then the album ends.




If I find that love I've known before, I will never ever
Never ever let it go

If
I find
That love I've known before
You know I could never let it go
Away
Not again, this time
I could never let it go

Ohh
Another song about love
Gone right
Ooh
But my stories are too sweet!

If
I find
That love I've known before
You know I could never let it go
Away
Not again this time
Ah ah never ever
I could never let it go
Away
Not again, this time
I will never let it go

Ohh
How about a round of applause
For love
Aah, I loved the show and loved the cast

One thing
The end
It surely seemed blue

If
I find
That love I've known before
You know I could never let it go
Away
Not again, this time
Ah ah never ever
I could never let it go
No!
Away
No! Not again this time!
I could never let it go

Ohhh
Never ever
Ohhh
Never let it go, ohhh
What so ever now
No no no no no no no, never ever
No no no no, what's so ever now


SOUNDS LIKE:
Jessica Lea Mayfield - Nervous Lonely Night



OOC: Sorry the only one I could find is a live version. The song is on Spotify, though.

Edited by user 24 February 2014 03:13:16(UTC)  | Reason: Not specified

thanks 3 users thanked snap_itshannah for this useful post.
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Offline erich hess  
#18 Posted : 24 February 2014 06:59:20(UTC)
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erica:wolfie,your music makes me cry and i think i like that.

nina:it is perfect for us women who wish to let it all out,but are too punk rock for lifetime.
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Offline RoseJapanFan  
#19 Posted : 25 February 2014 04:40:37(UTC)
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OOC: This is a fine album you've produced here for Evangeline, nice work.
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Offline freestylechamp  
#20 Posted : 25 February 2014 04:43:51(UTC)
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OOC: great album with a lot of good songs, and it was nice to read.

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