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Offline BrownSugar  
#1 Posted : 19 September 2025 14:02:31(UTC)
BrownSugar
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Michelle Alexa Green may have burst onto the scene, assaulted the charts and captured our hearts seemingly overnight back in 2010 when the then-fifteen year old, doe-eyed diva unleashed the first of a plethora of hits but her story doesn't start there. Born on July 11th, 1995, Michelle was raised in the colourful, chaotic and creative hotbed known as the Camden area of London, UK. Before ever signing along the dotted lines of her first record deal or uttering a single syllable across global airwaves, Michelle had already started playing the long game - diving headfirst into any and every musical opportunity in order to refine her talents and stretch her innate creativity. School talent shows, drama clubs, dance classes, community events; any opportunity to perform and Michelle was there. A true theatre kid at heart.

With a bright head on her shoulders, a powerful and husky voice beyond her years and a rather refined musical palette for someone so young (not every kid enjoys belting out Motown classics and appreciates Jazz), Michelle started to carve out a rather well-respected name for herself within her local area. "That Girl Who Sings" became a moniker that followed her for numerous years much to her delight. Even when excelling in her school studies, Michelle still found the time to get behind a microphone and bring people three, four times her age to tears. A rendition of The Righteous Brothers' "Unchained Melody" was always a staple and favourite in her repertoire. She wouldn't stop there, however. Making people feel something on a deeply emotional level by singing the words of others is one thing but it's a whole other kettle of fish when it's your own penmanship at the helm. At age 14, combining her love for English and Music studies, Michelle began to pen her own songs while armed with her acoustic guitar.

In 2010, Michelle caught the attention of Junction Records after videos of her local performances started to gain traction online. Impressed by her jaw-dropping vocal prowess and intelligent lyricism, the record label offered her a deal that would change her life. At the age of 15, Michelle formally signed to Junction Records thus starting a beloved and iconic career in the music business. Her debut single; "Fifteen" was universally lauded and catapulted Green into overnight stardom. The single peaked at #2 on Chart Heat and caught the attention of critics and industry insiders alike. Her rapid ascent to the top resulted in numerous endorsement and collaborative offers, with many wanting to align themselves with showbiz's newest darling. A fruitful connection to arise from this was a featured guest slot on a single by another young upstart, British Grime rapper MattY. The collaboration proved mutually beneficial as their track "Shooting Star" became a Top 10 smash, giving MattY his first hit as well as providing a second chart success for Michelle.

With the world at her feet, Michelle had to buckle up tight as her trajectory would only continue to rapidly ascend. Her second solo single release "Dark Days" would go on to make history and anoint Michelle as a record-breaker and holder. The single charted at #1, not only giving Michelle her first chart-topper but crowning her the youngest ever artist to achieve this feat. She would then go on to do the exact same thing over on the album chart with her full-length debut set "The Voice of Me" reaching the summit in the same year. Michelle still holds the title of youngest artist to reach #1 on both the singles and albums charts to this day. The third and final single from her critically acclaimed and multi-platinum album would continue her runaway successes. "Red Symphony" peaked at #1 and became one of the best-selling singles of the 2010's. Michelle had fast-become the nation's sweetheart and the industry's indie-pop darling.

Tragic health issues and personal turmoil would plague Michelle's sophomore effort. Michelle was devastatingly diagnosed with kidney cancer at the tender age of 17. Fortunately, this was caught early and rectified by surgery. Still, the procedures and aftercare took both a physical and mental toll on the singer who was also juggling the professional woes of a dreaded "sophomore slump". Michelle initially kept her diagnosis private as she kicked off the era for her new album, titled "Exiled". The project's first two releases, "Dance with Danger" and "You Just Lost Your Lover" received acclaim but performed modestly in comparison to her earlier releases, charting at #8 and #11, respectively. This is largely in part to Michelle's scarce public and promotional appearances at this time. After revealing her diagnosis and need for a more relaxed schedule, the album was pushed back several months and an outpour of affection and well-wishes from both the public and industry peers alike followed.

The album's third single and title track saw Michelle return to the Top 5, peaking at #4 on Chart Heat. Follow-up single "Soldier" was issued in conjunction with Macmillan Cancer Support, a charity which Michelle became an ambassador for. Proceeds raised from the single were donated to the charity. Despite no promotional performances or interviews and the music video consisting of only montage clips due to Michelle's exhaustion at the time, "Soldier" went on to become one of Green's biggest-selling singles and catapulted her back to #2. A fifth and final single, "Take Me Down", was released in 2012 and charted at #5, respectively. "Exiled" itself received critical acclaim and peaked at #2 on Chart Heat. Despite the overall positive reception of the record, Michelle claims that it was an era she would "rather forget" due to the personal struggles associated with the time as well as the "patchy" rollout.

Rested, recharged and revitalised, Michelle came back swinging in 2013 with the launch of her third studio album. Having already conquered the indie world and crossing over frequently to great success, Michelle set her sights fully on the upper echelon of pop. Chopping off her flowing blonde locks for a stylish bob, ditching the floral dresses for hotpants and killer heels, and trading in the guitar for the slickest beats, Michelle set out to create an "unashamedly FUN" album after such a distressing period of her life. The album, "Live To Tell", saw Michelle dabble with EDM, R&B and pop while still allowing room for her signature balladry and stellar penmanship. Brandishing a 'sexy' new image and bold sound, Michelle's star shone brightly once again. "Live To Tell" saw her return to the top of the charts, with the album debuting at #1 on Chart Heat and becoming one of the best-selling records of both 2013 and 2014. Four singles were released from the project; "Break the Dawn", "Explode", "Leave the Light On" and title track, "Live To Tell", all of which achieved Top 10 status, respectively.

After jetting off at breakneck speed upon the release of her first single and enduring a barrage of peaks and troughs at such a young age, Michelle decided to take an extended hiatus from the musical side of things in the mid-late 2010's. During her time away from the studio, Michelle gave birth to her son, Orson. A proud and doting mother, Michelle dedicated many years to raising her son, claiming that she simply "wanted to be around" for him growing up, putting numerous plans and projects on hold.

Outside of music, Michelle has appeared on many high-profile television projects throughout the years. Featuring on the second ever series of the beloved reality show Celebrity Big Brother, Michelle became a firm fan-favourite and sailed through to the finale without ever facing the eviction vote. She ultimately finished in third place behind Erich Hess and Eilidh Greene, respectively. Michelle was also an original judge on the first two seasons of iconic musical talent show "StarFactory". She became the first ever judge to win the show, with 'Team Green' yielding the inaugural crowning champion Aubrey Mikkel, who has since gone on to establish a highly successful career for herself after being under Michelle's mentorship.

In 2022, after a prolonged period away from music, Michelle triumphantly returned with the single "Cry Right Now". Lauded by critics with many even claiming that her return proved that she was "better than ever", the single debuted at #1 on Chart Heat, giving Michelle her first #1 record in 11 years. The "taster" single came alongside the announcement that Michelle had signed a deal with Latin superstar Payton Rodriguez's La Familia Records, after spending numerous years unsigned. Michelle has since been working on new material and has stated that there are multiple "exciting projects" in the pipeline.

Watch this space!


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ALBUMS

The Voice of Me (2010) [#1]
Exiled (2011) [#2]
Live to Tell (2013) [#1]


SINGLES

Fifteen ['The Voice of Me'] [#2]
Dark Days ['The Voice of Me'] [#1]
Red Symphony ['The Voice of Me'] [#1]
Dance with Danger ['Exiled'] [#8]
You Just Lost Your Lover ['Exiled'] [#11]
Exiled ['Exiled'] [#4]
Soldier ['Exiled'] [#2]
Take Me Down ['Exiled'] [#5]
Break the Dawn ['Live to Tell'] [#2]
Explode ['Live to Tell'] [#6]
Leave the Light On ['Live to Tell'] [#3]
Live to Tell ['Live to Tell'] [#4]
Cry Right Now ['TBC'] [#1]


GUEST APPEARANCES

Shooting Star [MattY feat. Michelle Green] [#7]

Edited by user 22 September 2025 22:45:28(UTC)  | Reason: Not specified

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WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
PUBLIC WARNING: BEAU • CARTER LEE • JAKE • MYLES • ZANDER
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • BLOOM • SONNY • VICTORIA BLACK
REUBEN • ELLIE-GRACE SUMMERS • ALFIE SUMMERS • MICAH DELISLE
JAMIE JACKSON • KONSTANTIN • FAYETTE • SAYYID


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thanks 5 users thanked BrownSugar for this useful post.
2001clay on 19/09/2025(UTC), C4AJoh on 19/09/2025(UTC), AmyJayneXoX on 19/09/2025(UTC), erich hess on 20/09/2025(UTC), PANIC! on 21/09/2025(UTC)
Offline BrownSugar  
#2 Posted : 22 September 2025 22:44:15(UTC)
BrownSugar
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Inspiration
Dark Days
Fifteen
I'm Not Your Typical
Red Symphony
Butterflies
Rain
The Piano Song
Where Are We?
Wild Card
First Love
Unchained Melody




Welcome to the first of my 'Retrospective' series, a little blog where I go down memory lane and discuss each album of mine in celebration of 15 years since the release of my first single...'Fifteen'! Aptly title. What could be more fitting than posting an online blog? Let's recapture that 2010 magic where people would actually write up these sorts of posts on their websites. Oh, speaking of, mine has had a little overhaul. What do you think? Glossy, huh?!

Kittens, I can't quite believe how fast the time has flown! Where has it gone? 15 years have passed us by since the release of 'The Voice of Me'. A decade and a half? Someone must have gotten these notes wrong. I swear this came out only yesterday, my goodness! Despite this being my earliest record, I can remember the creation and release of 'TVOM' (that's not a very nice acronym, actually) more vividly than my others in part! Perhaps it was the adrenaline and anticipation, or merely the fact that I was experience a multitude of 'firsts' back to back in quick succession. It was an absolute whirlwind. I wouldn't say 'overwhelming' as that can host rather negative connotations. I basked in it and enjoyed the ride. The journey was akin to a speedboat jetting across the waves and I was just letting my hair down and embracing the natural highs and thrills.

I don't wish to downplay my own efforts and hard work when it comes to what was achieved with this record, as it's a very British thing to do, but I have to acknowledge that timing and luck played a great deal in the launch of my career. I wasn't exactly knocking down doors to make it happen or blazing a ferocious trail as an independent act. I was persistent with my local performances and uploading some self-penned songs of mine, sure, but I was still a schoolgirl with education at the forefront of my mind. Singing was the ultimate dream and I made sure to embrace that whenever I could but I was also rather grounded in reality. I still had work to do, exams to pass and a prom date with Darren Welch (hi, Darren!) on the cards. I was well aware that you don't go to bed one night and then wake up the next morning a pop star. Well, that's at least what I believed! Turns out, that story isn't far off from what happened!

I signed my first record deal at 15 years old all because the right person at Junction Records saw a low quality video of me performing 'Unchained Melody' on YouTube. This wasn't even a 'viral sensation' clip that was jumped on. It really was a stroke of that word I continuously return to, luck!

Everything going on around me both professionally and culturally resulted in me being in the eye of a perfect storm. I was a cutesy little blonde girl who had a musical taste that touched upon the polar opposite side of the spectrum that people envisioned for me on account of my appearance. In the very early 2010's, there was a clear night and day split within the music industry and charts alike. On one end you had gorgeous, glossy pop divas like Brittany Knox and Glamazon dominating one space while more alternative and whimsical voices such as Ryan Ross Hernandez, Infinite and Stacey Walton took over another space. I sort of found myself smack bang in the middle in terms of what I both loved and also wanted to do with my own music. I love deep, introspective and heart-wrenching music but I also enjoy some glitz thrown in there too! That towing the line of pop and alternative music is what the label fully leaned into with my marketing and again, I don't know if I would've been as successful had the cultural zeitgeist looked differently at the time.

Prior to signing my deal, I had written and composed a handful of songs. They were rather rough around the edges and quite juvenile in hindsight but I'm still incredibly proud of them and, hey, I WAS a literal child. I'm proud to say that some of those songs written alongside my guitar in my childhood bedroom made the cut for 'The Voice of Me', granted with a couple of tweaks and studio magic slapped upon them. Writing in the studio and with professionals in the room was a totally different beast but I took to it like a fish to water. Before my first writing session, my stomach was in knots. I can still feel the exact twists and pangs in a phantom way to this day when I think back. I was in bits but as soon as I settled in, it was like second nature and I quickly realised; "Hey, I can do this!".

I was nurtured tremendously by my original team and all those on board around me. Guided but not manipulated. Encouraged but never patronised. Everything just fell into place with such grace and ease. There was no hellish 'artist development' era as we all knew what we were going for in terms of sound and image. I discovered that I was a competent writer and extremely eager to learn, resulting in no fruitless or frustrating studio sessions. It also appeared that everything I handed in to the label was met with aplomb. I was the Golden Girl with that Midas touch, it seemed. "This pop star stuff is easy!". Oh how the smile was soon smacked from my face come album #2 but that's a story for a different day, hehe!

Three singles came from the album; 'Fifteen', 'Dark Days' and 'Red Symphony'. My debut reached #2 in the charts while the following singles both landed at #1! Whoaaaaa! That just doesn't happen, right?! Again, things just seemed to be happening naturally and easily. One minute I'm revising for chemistry class, the next I'm at the top of Chart Heat. Not only that, I'm breaking records?! I became the youngest artist ever to have a #1 single. I did the same thing again with my album when it also hit the top spot. That album, that little project of mine I worked on when I could get time out of school, was not only out there in the world being listening to across the globe but was also now a #1 best-seller. All these years later and I STILL get goosebumps thinking about it. Can never seem to get my head around how all of that went down. I'm still incredibly grateful and feel eternally indebted towards everyone who put their faith in me and supported my dream.

I wouldn't say that 'The Voice of Me' is a perfect album. The obligatory cover tacked on at the end made sense from the label's point of view. My performance of it was gaining traction online and an already established song is an easy route in for curious new listeners. If I had my way, however, I wouldn't have included it. 'The Voice of Me' was meant to be about establishing myself as a serious writer and vocalist...and there I go singing someone else's words, hehe! There are also a couple of tracks I sort of cringe at upon hearing back. Lyrically, they sound a tad juvenile and mushy at times. Again, I can't be too harsh on baby Michelle. I was doing the best with the 15 years of life experience I had at the time! Funnily enough, I probably thought those tracks were on spar with Shakespeare at the time! Being a songwriter was a label that I wore proudly. It was 2010, the critics were brutal! They may have still insulted my looks and weight but at least they couldn't accuse me of not writing my own songs. That was practically enough to warrant the death penalty then!

Despite of its imperfections, I am incredibly proud of 'The Voice of Me' for what it achieved as a product itself and also for what it became at the end of the creative process. I started from scratch with a record deal and a dream and ended up with my own little album. Going from nothing to something is an incredibly satisfying and awarding feeling of accomplishment. I distinctly remember writing 'Red Symphony' very early on in the process, not knowing or anticipating what it would go on to become. Going from a little idea in my head to one of the best-selling singles of that year was mind-boggling. Side note, I randomly remember I was eating a tube of Smarties when writing that song. The story behind the music! The more you know, hehe!

I can't write about this album without mentioning two fan-favourite tracks. Here's a shoutout to 'Where Are We?' and 'The Piano Song'. I can't say I ever understood the fanfare for the latter as it's one that I think would've benefitted from a few lyrical refinements. Still, I greatly appreciate the love it has been continuously shown and I haven't forgotten how well-received it went down in my earlier live shows. Maybe I should dust it off again, hmmmmm?? As for 'Where Are We?', that was one of the earliest songs written for the project and I love its persistence and perseverance. It was the first truly finished and polished song we had and it was initially pencilled in as my debut single. 'Fifteen' then took its place. We then lined it up for the second single but 'Dark Days' undercut it. Yep, we then planned on servicing it as the third single but as you know, 'Red Symphony' came out instead and did what it did. FINALLY, I pushed for it to be the fourth single from the album but...label politics, you know? It never did get to see the light of day as an official single but I'll always hold so much love for it and I know you Kittens still stream it like mad to this day!

'The Voice of Me' was a true indie-pop record from 2010. That sentence is both a fact of what it was and also a descriptor of its sonics. It was 2010 and this era did its thing on Tumblr. Need I say more, hehe? It sounds exactly like you think it does. Whether or not it still holds up in terms of quality isn't for me to decide. I may be biased. It is, however, a nostalgic little time capsule of 2010. It was the start of a brand new decade, one determined to find its own feet but with elements and influences of what came before it still trickling over. That's also me and this album in a nutshell. I didn't have it all figured out and still had an enormous road ahead of me but I made do with what I had and I think it turned out pretty darned well if you ask me, hehe!

Thank you to everyone who has been on this journey with me. Extra special shoutout to my day ones! Do you remember picking up 'The Voice of Me' when it came out? Did you come meet me at one of the HMV album signings? Those were fun! I would ask what age you were when the album dropped but I'm already feeling old as it is by celebrating the anniversary. I don't need to age myself any further, eeek!!

Love, Michelle
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WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
PUBLIC WARNING: BEAU • CARTER LEE • JAKE • MYLES • ZANDER
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • BLOOM • SONNY • VICTORIA BLACK
REUBEN • ELLIE-GRACE SUMMERS • ALFIE SUMMERS • MICAH DELISLE
JAMIE JACKSON • KONSTANTIN • FAYETTE • SAYYID


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thanks 3 users thanked BrownSugar for this useful post.
AmyJayneXoX on 23/09/2025(UTC), PANIC! on 23/09/2025(UTC), C4AJoh on 23/09/2025(UTC)
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