 Rank: Advanced Member
Groups: Registered
Joined: 18/03/2013(UTC) Posts: 7,279   Thanks: 16409 times
Was thanked: 10467 time(s) in 3435 post(s)
|
 Directed by Anniken Dahl-Smith
Choreographed by Airemese Smith
Music by Anniken Dahl-Smith, Nina "Rum" Tarantino, Zane Anoshkin
Lyrics by Anniken Dahl-Smith, Airemese "Coke" Smith, Niña "Rum" Tarantino, Drew Westbrook, Yasmin(e) Kiambang, Sarojini "Lotus" Lui, Mi Kyung Lee (MiKi), Zane Anoshkin, Jake Baskett
Premiere October 13th, 2014
Edited by user 23 October 2014 10:05:32(UTC)
| Reason: Not specified |
|
 1 user thanked kandii for this useful post.
|
|
|
|
Rank: Advanced Member
Groups: Registered
Joined: 18/03/2013(UTC) Posts: 7,279 Thanks: 16409 times
Was thanked: 10467 time(s) in 3435 post(s)
|
 One big light blinds the crowd and immediately a silhouette forms. It is noticeably the slender shape of Airemese Smith, better known as Coke from the hip hop duo, Rum & Coke. The audience begins to scream out of their seats when they realize this, not even waiting for her to begin. But she waits. Though it took 30 seconds, she waited all up until the very last "shhh!" until she began to moan the lyrics to her song slowly, leaning her head back and playing with her hair. Wanna be your poster girl so fucking bad
Be all.. that you know you'll never have
Wanna be your poster girl so fucking bad
Be all.. that you know you'll never have
Wanna be your poster girl so fucking bad
Be all.. that you know you'll never have
I want to be the first thing you see when you wake up
A... silly dream you'll never give up
ST-ST-STANDING NICE AND TALL
O-O-ON YOUR BEDROOM WALL
ST-ST-STANDING NICE AND TALL
O-O-ON YOUR BEDROOM WALL  The lighting on the stage begins to spill through and background dancers begin to strike poses. As soon as the bass in the song comes in all five of the performers get to work. More noticeably, Coke. She rightfully earns her center stage as the choreography takes a turn for intricacy. Her body smoothly completes each step and keeps the alluring feel to the performance and music. Though there is not much done here vocally, the audience roars for how DAHLHOUSE didn't take it's time to impress. From applause to whistles, it's not hard to tell that they like what they see. Certainly different from any other musical you'd be able to find, DAHLHOUSE announces itself to the stage in a groundbreaking way with Poster Girl. Coke continues with the song and it's smooth, hard-hitting beat.Times like these
Cherish this moment
Hang it up on your wall
Through sleepless nights
Weak to your knees
Tease you for a moment
Take it off, see it all
Moving my hips just right...Suddenly, the music flips it's tempo and Coke begins to belt out her words. It's all a drastic change from the childish vocals and flowing choreography. All of the dancers begin to move at a much quicker pace, dancing even harder, clapping, stomping and lifting their legs, all while "moving their hips just right". The house doesn't stop their cheering even as the tempo changes once again, winding down. Coke goes right back to her childish vocals in less than 20 seconds, dragging out her words, moaning into the speaker system of the building. It's crazy how much vocal control she has throughout the whole choreography of the tricky song. Everyone in the audience recognizes this... or at least the slinky feel of the performance. Just as quickly as this song fired up, it slows down and ends. Coke manages to moan in her last word and body roll right before the limited lights shut completely off.  What a sight?
If only I could be immortalized
A little reminder of how I do you right
No regrets
You'll never forget
Can't put you to bed but I can tuck you in
WELCOME...Anniken's voice coos. TO MY DAHLHOUSE. |
|
3 users thanked kandii for this useful post.
|
|
|
|
Forum Jump
You cannot post new topics in this forum.
You cannot reply to topics in this forum.
You cannot delete your posts in this forum.
You cannot edit your posts in this forum.
You cannot create polls in this forum.
You cannot vote in polls in this forum.
