Natasha Iver - Repeat [ALBUM THREAD] [ALL TRACKS STREAMING] - Roleplay

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Natasha Iver - Repeat [ALBUM THREAD] [ALL TRACKS STREAMING] - OOC: Thank you to all who read. :)

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snap_itshannah		#1 Posted : 01 February 2015 03:49:39(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		Title: Repeat Artist: Natasha Iver Genre: electropop, rock, indie pop, party rap Length: 39:22 Recorded: May 2014 - January 2015 Label: Songs to Love and Die By Writers: Natasha Iver, Reza Vranitzky, Sara Daniels, Michael R. Young, Edie Washington, Faith Browdy, Sonja Montgomery, Luis Demetrio, Pablo Beltran Ruiz Producers: Reza Vranitzky, Natasha Iver, David McAlpin Personnel: Natasha Iver - vocals, keyboard, cowbell, whistle Sara Daniels - guest vocals (track 3) Layla Sanchez - guest vocals (track 9) Tessa Laity - guest vocals (track 10) Aubrey Fabricant - guest vocals (track 10) Vanessa Lynn - guest vocals (track 10) Eva Chatburn - guest vocals (track 10) Rochelle Kress - guitar, drums, keyboard, backing vocals Kathleen Roberts - drums, keyboard Robert Graham - keyboard Mary Russell - backing vocals Kent Lindley - backing vocals Joyce Lewis - backing vocals Amanda Singletary - backing vocals Jeremy Parker - backing vocals Barbara Farrell - backing vocals Eddie Blanks - backing vocals John Williams - trumpet Timothy Black- saxophone Tracklist: 1. Girls in the Bar (Going For It) (written by: Natasha Iver, Reza Vranitzky, Michael R. Young, Faith Browdy, Edie Washington) 2. High Notes (written by: Natasha Iver, Reza Vranitzky) 3. Don't Speak (feat. Sara Daniels) (written by: Natasha Iver, Sara Daniels, Reza Vranitzky) 4. My Boyfriend Will Hate The Song (Dirty Metal Music Fan) (written by: Natasha Iver) 5. Just the Same (written by: Natasha Iver, Reza Vranitzky, Michael R. Young) 6. They Wish They Were Us (written by: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington) 7. Feel The Rain (written by: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington) 8. Tashi (written by: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington) 9. Okay (feat. Layla Sanchez) (written by: Natasha Iver, Reza Vranitzky, Michael R. Young) 10. Sway (feat. Cherry Street) (written by: Luis Demetrio, Pablo Beltran Ruiz) 11. Repeat (written by: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington) 12. Rush Me (written by: Natasha Iver, Reza Vranitzky, Michael R. Young, Sonja Montgomery) Edited by user 02 February 2015 15:37:09(UTC) \| Reason: Not specified

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snap_itshannah		#2 Posted : 02 February 2015 15:35:40(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Girls in the Bar (Going For It) ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington, Faith Browdy LENGTH: 3:51 GENRE: Synthpop PRODUCER: Reza Vranitzky, Natasha Iver, David McAlpin "Girls In the Bar (Going For It)" is the first track on Natasha Iver's debut album "Repeat." The song was written by Natasha Iver, her main producer and co-songwriter Reza Vranitzky, Michael R. Young, Edie Washington, and Faith Browdy, who is co-managing Songs to Love and Die By, the label that Natasha Iver is currently signed to. The song is also produced by Natasha Iver and Reza Vranitzky, working with David McAlpin. The song has the most writers on it of all the songs on the album, but it is perfect for the opening song for Natasha's debut album. The song focuses on the events of a night at a bar. Natasha starts off letting the people around her know that she's not in the mood to dance with any guys or get hit on tonight. The plans is that she just wants to get drunk and maybe dance by herself a little. But after a few minutes at the bar, the place starts filling up with attractive women, and Natasha gets another idea: She's gonna go for it. The rest of the song focuses on Natasha and her adventures in trying to sleep with another woman. She tells the listener that she didn't have the intention of coming to the bar today to hook up with another woman - in fact, she wasn't even attracted to women until now, but now that she's seeing all these attractive women around, she's thinking about switching teams. She describes her feelings throughout the night in describing what she does with these women, including drinking heavily, loudly singing the songs that they hear playing, and kissing whoever is the closest person to them. When men come by to dance with Natasha, she shooes them away. Natasha describes a specific woman in the second part of the first verse, saying that she has bright pink hair and a boyfriend that doesn't mind letting another girl be with her. She describes the girl as not seeming to care one way or another if she and Natasha will do anything together, but Natasha doesn't really care either. She's just hoping to have that experience in some way tonight. She dances in the club, sometimes with men, but she knows that she's not going home with any of them tonight. In the next verse, after the chorus, Natasha focuses more on how she's acting around the groups of women that she's hanging out with at the bar now. They're all looking attractive, drinking mixed drinks and dancing to music that they've requested the DJ play for them. This turns into them dropping acid and partying even harder because they're all rich and young. Natasha notices that women are beginning to stare at her chest, and being the classy woman that she is, she let's them, saying that she's not going to play modest today. In the bridge, she's announces that she's using this night to experiment with her sexuality, and requests that nobody call her selfish for this - she's merely a product of her over-sexualized environment. She tells the girls that she's flirting with that she doesn't know if she'll still be attracted to them in the morning - she may go back to men without any warning - but for now, she feels, needs, and want them - and she knows that they want her, too. The song ends with the chorus repeating again, leaving the listener unsure as to what happened at the end of Natasha's night, but sure that either way, she probably had a good time. Tonight, I'm living on Mars I'm not dancing with those boys, no, I don't care who they are Just forget about me, 'cause I've gone too far Screaming, "Who gives a fuck? Just leave me at the bar." And the bar, the bar, the bar, the bar, the bar Filled with these girls, they're sexy, they're rocking it And the bar, the bar, the bar, the bar, the bar Filled with these girls, filled with these- I think I'm going for it I didn't come for that, but girls got me like Thinking that maybe Imma need to change teams Rockin' clubs, slinging back beer Screaming songs we hear Kiss whoever's near Been waiting for this all year And boys be grabbing, we say no There's a girl with bright pink hair Whose boyfriend says that he'll share Girl's looking like she don't care But I ain't hatin', just get me there Tashi don't give a shit Gonna take another hit Maybe dance with this guy a bit But I ain't going home with it Tonight, I'm living on Mars I'm not dancing with those boys, no, I don't care who they are Just forget about me, 'cause I've gone too far Screaming, "Who gives a fuck? Just leave me at the bar." And the bar, the bar, the bar, the bar, the bar Filled with these girls, they're sexy, they're rockin' it And the bar, the bar, the bar, the bar, the bar Filled with these girls, filled with these- I think I'm going for it We'll be dancing sexy, drink rum & Pepsi T-T-Take up the dancefloor, wanna get messy Lookin' deadly, lookin' deadly We don't stop Yeah, this DJ knows what I want, make that bass drop Drop sheets on your tongue Party with the rich and young D-don't h-have time for the high-strung I'm just here to have fun We're only dealing with the best Got girls staring at my chest I won't be playing modest, baby Yeah-yeah, fuck-fuck the rest Tonight, I'm living on Mars I'm not dancing with those boys, no, I don't care who they are Just forget about me, 'cause I've gone too far Screaming, "Who gives a fuck? Just leave me at the bar." And the bar, the bar, the bar, the bar, the bar Filled with these girls, they're sexy, they're rockin' it And the bar, the bar, the bar, the bar, the bar Filled with these girls, filled with these- This is my night to experiment Don't call me a selfish girl Just a product of my environment Don't know how I'll feel in the morning Could go back to guys without any warning But tonight, I feel you I need you I want you And you want me, too Tonight, I'm living on Mars I'm not dancing with those boys, no, I don't care who they are Just forget about me, 'cause I've gone too far Screaming, "Who gives a fuck? Just leave me at the bar." And the bar, the bar, the bar, the bar, the bar Filled with these girls, they're sexy, they're rockin' it And the bar, the bar, the bar, the bar, the bar Filled with these girls, filled with these- I think I'm going for it SOUNDS LIKE: Kesha - Crazy Kids

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snap_itshannah		#3 Posted : 06 February 2015 13:40:36(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: High Notes ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky LENGTH: 3:14 GENRE: Pop, R&B, soul PRODUCER: Reza Vranitzky "High Notes" is the second track on Natasha Iver's debut album, "Repeat." The song was written by Natasha Iver and Reza Vranitzky, who co-wrote almost all of the songs on the album with Natasha. The songs was also produced by Reza Vranizky, who is the main producer of the entire album. The two wrote the song about Natasha admitted that she always loved 1940s standards, and wanted to know if they could mix that genre of music together with Natasha's own pop style. The song starts off with a crew of men chanting a Army running cadence while Natasha sings "Those high notes, those high notes..." over them, before launching into the story behind the song. Natasha puts together a scene of her being at a party where she gives a guy her number on a cocktail napkin. She doesn't know the guy very well - as she'll admit later - but she definitely thinks he's handsome and that's why she's going for it. The timeline in the song skips ahead a bit to the end of the party, and she's going home with this guy. The repeated few lines show up for the first time, when Natasha says that she loves when this guy is flirty because it makes her feel dirty, and that he's the only guy that's ever made her "hit those high notes." I'm sure most people can figure out what she means by that on their own. She goes on more, describing where he's taking her (to Beverly Park, one of the richest neighborhoods in Los Angeles) as they make their way to his top-floor penthouse. She tells the listener that she's not the sort of girl to normally go home with a man she's just met, but that this guy is so hot, he "could light my cigarette." In the third verse - the shortest one - Natasha describes this man as "the real deal" and a "lottery jackpot," with eyes so bright, she had to take a picture of them (she uses the term "snapshot" to continue the theme of the 1940s time period). She admits that she knows she'll never see this guy again, but he's been the best of the best, 10 out of 10 for her. In the bridge, she describes with limited details the events that happened inside the man's penthouse. By the end of the bridge, all we know is that Natasha has bite marks from the events, there were sparks between them, they were "dancing in the dark," and he was "making her back arc." It's easy to figure out what happened. The song ends with her singing the chorus again, and then the crew of men chanting the running cadence, finishing it off this time. (Tarzan and Jane were swingin' on a vine) Those high notes, those high notes (Sippin' from a bottle of vodka double wine) Flirty, dirty, those high notes I wrote down my number on a cocktail napkin I could tell by your stroll just what you were packin' A rockin' body and a cute face Gave me a ride in a limo to his place Love when he's flirty, makes me feel dirty He's the only guy who's made me hit those high notes The only guy who's made me hit those high notes He took me to his top-floor penthouse in Beverly Park His lips pressed up against mine made sparks I don't usually go home with men I just met (men I just met) But he was so hot, he could light my cigarette Love when he's flirty, makes me feel dirty He's the only guy who's made me hit those high notes (oh yeah) The only guy who's made me hit those high notes Love when he's flirty, makes me feel dirty He's the only guy who's made me hit those high notes (oh!) The only guy who's made me hit those high notes This boy is the real deal, lottery jackpot With eyes so bright, I had to take a snapshot Know I won't see him again, oh! But in my book, he's a ten (Tarzan and Jane were swingin' on a vine) Those high notes, those high notes (Sippin' from a bottle of vodka double wine) Those high notes, those high notes (Flirty, dirty, those high notes) I got bite marks, causing sparks, yeah, we're dancing in the dark (Flirty, dirty, those high notes) I got bite marks, lightening sparks, makin' my back arc (Flirty, dirty, those high notes) I got bite marks, has me by the heart, baby, let's start (Flirty, dirty) I know I won't see him again But in my book, he's a ten Love when he's flirty, makes me feel dirty He's the only guy who's made me hit those high notes (Say what?) The only guy who's made me hit those high notes (Say) The only guy who's made me hit those high notes, woo The only guy who's made me hit those high notes Those high notes, those high notes Those high notes, those high notes Those high notes, those high notes (Tarzan and Jane were swingin' on a vine) (Tarzan and Jane were swingin' on a vine) (Sippin' from a bottle of vodka double wine) (Sippin' from a bottle of vodka double wine) (Jane lost her grip and down she fell) (Jane lost her grip and down she fell) (Squared herself away as she let out a yell) (Squared herself away as she let out a yell) SOUNDS LIKE: Christina Aguilera - Candyman Edited by user 06 February 2015 13:42:32(UTC) \| Reason: Not specified

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snap_itshannah		#4 Posted : 07 February 2015 12:01:17(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Don't Speak (feat. Sara Daniels) ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Sara Daniels LENGTH: 3:59 GENRE: Dance-pop, pop PRODUCER: Reza Vranitzky "Don't Speak" is the third track on Natasha Iver's debut album, "Repeat," and it features fellow pop-rock singer Sara Daniels. The song was written by Natasha Iver and Sara Daniels, along with producer Reza Vranitzky. Sara Daniels and Natasha Iver were introduced by their managers, who each thought that it was be a good idea for Sara to be featured on Natasha's album, thus the song was born. The track focuses on Natasha and Sara's shared experience of meeting a guy at a party, and not wanting to go home with him, but finding that for some reason, you just can't say no. In the song, they blame it on his sexy voice, saying that if he just didn't speak, then they would be able to deny him, but they can't. The song starts off with Natasha setting the scene, describing the man in question as "skilled in seduction" as he draws her towards him with just his eyes. When he speaks, she knows that he's got her because just his voice makes her breath catch in her throat. She sings that the man knows exactly what his voice can do to women, and that he's got her right where he wants her. Sara joins in with the second part of the first verse, singing that she knows she shouldn't want the guy at all, but something about his voice makes her shake. She feels crazy when he's speaking, and she feels even crazier that she wants him so badly, but the guy has a way of making it all seem right and okay. In the chorus, Natasha and Sara beg the guy to stop speaking. They claim that his voice has such a control over them that they can't say no, and that he's taking advantage of them because of it. They tell him that they want him, and are asking him to just please not speak to them anymore, because they'll act on that want if he continues. But, of course, he continues. In the second verse, Natasha sings that the guy asks her if she needs a ride, and even though she knows that if she gets into the car with him, she'll be sleeping with him, she still doesn't say no. Sara continues, singing that she would go anywhere with this guy because no matter what, he'll always be able to talk his way into doing whatever he wants with her. They repeat the chorus again, and then Sara gets her big solo. In Sara's solo, she sings that she won't even look at any other guys because this guy has entraced her so much. "Take me home," she sings, claiming that she's not going to fight her attraction to him anymore. She's all his tonight because there's no point in denying him. She claims that she's not too shy to tell him no, but with him, there's no point in trying, because he'll always talk you back into going home with him. At the end, she and Natasha sing the "please don't speak" lines again, but this time, they open the lines with, "Won't say," as a sign that they're finally giving in. When they sing the chorus again at the end, they're really just telling the guy everything that they won't tell him tonight, because they've given in and are officially his. Natasha Iver Sara Daniels Together His eyes pull me towards him He's skilled in the seduction Even from across the room His voice catches my breath He knows it's mental destruction And I'm right where he wants me I know I shouldn't want him at all But his voice makes me shake Wanna be with him tonight I feel crazy when he talks to me It's wrong but he makes it feel right, feels right Please don't speak, I can't handle your voice Please don't speak, you have such control Please don't speak, I can't ever say no And you take advantage of me Don't speak when you know I've had one too many Please don't speak, just take me home Please don't speak, catch me when I stumble I want you, so please don't speak, speak, speak So please don't speak, speak, speak He says, "Do you need a ride?" And I just cannot say no When he's holding my hand Parade me through the dark 'Cause there is no where I won't go You can make me understand I know I shouldn't want him at all But his voice makes me shake Wanna be with him tonight I feel crazy when he talks to me It's wrong but he makes it feel right, feels right Please don't speak, I can't handle your voice Please don't speak, you have such control Please don't speak, I can't ever say no And you take advantage of me Don't speak when you know I've had one too many Please don't speak, just take me home Please don't speak, catch me when I stumble I want you, so please don't speak, speak, speak So please don't speak, speak, speak So please don't speak, speak, speak So please don't speak, speak, speak You've entraced me Can't look at any other guy Just take me home, I won't fight Your voice gives me such a high I'm all yours tonight, yours tonight There's no point in denying You're not shy, neither am I But there's no point in trying Won't say please don't speak, speak, speak Please don't speak, speak, speak Please don't speak, speak, speak Please don't speak, speak, speak Please don't speak, I can't handle your voice Please don't speak, you have such control Please don't speak, I can't ever say no And you take advantage of me Don't speak when you know I've had one too many Please don't speak, just take me home Please don't speak, catch me when I stumble I want you, so please don't speak SOUNDS LIKE: The Wanted - I Found You TITLE: My Boyfriend Will Hate This Song (Dirty Metal Music Fan) ARTIST: Natasha Iver WRITERS: Natasha Iver LENGTH: 3:53 GENRE: Dance pop PRODUCER: Natasha Iver Las Vegas-native Natasha Iver has been on the internet since she was fifteen, writing and producing her own music, and attempting to promote herself on several different independent music websites. She even, for a short time, resorted to being one of those people who asks through YouTube comments for others to go to their page and check out their music as well. Of course, many of her comments were flagged, and eventually her YouTube channel was shut down. But that didn't stop her, because if Natasha Iver is anything, it's persistent. She started her own website - NatashaIver.com - when she was seventeen, where she continued to post her newest music and updates on her life over the years. Although most people would say that Natasha's music was decent and likable, the overall views on her website barely passed 200. Slowly, the updates stopped coming, and most of Natasha's dedicated followers lost interest and moved on to other wannabe internet celebrities. Until yesterday, Natasha Iver had not uploaded a new song onto her website in over a year. Natasha's followers were shocked to see earlier this week that Natasha's website had been updated, and a new blog had been uploaded with Natasha apologizing for disappearing from the internet for the past year. The now twenty-two year old blamed her disappearance on family and relationship problems, which seemed to be the topic of many of her past blogs since she was seventeen. In her newest blog, she told her fans that she had something new to share with them, and she definitely wasn't kidding. Her newest song - My Boyfriend Will Hate This Song (Dirty Metal Music Fan) - started streaming at 7:32 PM last night, and by this morning, Natasha's website views had not only doubled, but tripled in hits. The number kept growing as more people kept listening and sharing Natasha's newest song until it was fully circulating around the internet. Nobody has ever commented that the song is well-written, but most everybody can agree that it's extremely catchy, and that's why so many like it and continue to listen to it. The song tells the story of Natasha Iver's relationship with somebody who doesn't like her music. She doesn't seem to be upset by the fact that he doesn't like it, but rather almost laughing at the idea of it, and accepting of the fact that she'll never truly enjoy her work. Even in the first line, she characterizes her boyfriend as "big and strong," so when she says that she knows he's going to hate this song, it comes off as her saying that her boyfriend is too manly, almost, to enjoy her dance pop music. It's not revealed until the chorus that the reason why her boyfriend doesn't like her music is because her boyfriend is much more of a fan of the metal genre, which Natasha Iver's music definitely doesn't fit into. Natasha seems to be almost laughing at the fact that she knows that her boyfriend is going to hate her song as she sings, "Oh Oh Oh Oh / He'll hate this!" before the chorus. Her voice stays at pretty music the same octave for most of the song, except when she sings the chorus - then it goes up much higher with Natasha trying to show off her range. Although her voice in the song is heavily edited, it is obvious that even without the editing, Natasha could still be considered a good singer. When Natasha uploaded this song, she added a blog with it, explaining what the song was about. She mentioned in the blog that the relationship the song was about has ended since she wrote the song. She jokingly added that it wasn't because of musical differences that the relationship ended. The song uses a very dance pop beat and sound to it. Everything about the song is very light, with no heavy lyrics or beats throughout it. There's an instrumental break in the middle of the song before the lyrics start over, which seems to be the focus of the song. The instrumental break seems to be another laugh at Natasha's boyfriend, seeming to say, "You don't like pop music? Here's a whole interlude that's only pop music." It's not only a catchy song about two people in a relationship together who have different musical tastes, but also about a woman not feeling like she needs to change who she is for her boyfriend, and being okay with that. The song, of course, has received mixed reviews from all the people on the internet who think it's their job to share their opinion with anybody who may listen. Many people have shrugged it off as just another internet song craze that nobody will talk about again in a few weeks, while many people have completely embraced the song, claiming it one of their favorites so far in the year. And, like always, there are the people who claim that the song is just more mainstream trash that is only being supported by the sheep of the world who will promote anything that their friends say is cool. Overall, the song seems to have the makings of a hit, if not for the fact that maybe it's actually a pretty good song, then for the reason that so many people have shared it all over the internet already. My boyfriend Big and strong I know that he Will hate this song Oh Oh Oh Oh He'll hate this! Oh Oh Oh Oh He'll hate this! My boyfriend Big and strong I know that he Won't sing along Oh Oh Oh Oh He'll hate this! Oh Oh Oh Oh My boyfriend is a Is a dirty metal music fan, yeah My boyfriend doesn't Doesn't listen to me and my band, yeah He's a dirty metal music fan, yeah Doesn't listen to me and my band (my band, my band, my band, my band, yeah) He'll hate this! [Instrumental Break] My boyfriend Big and strong I know that he Will hate this song Oh Oh Oh Oh He'll hate this! Oh Oh Oh Oh He'll hate this! My boyfriend Big and strong I know that he Won't sing along Oh Oh Oh Oh He'll hate this! Oh Oh Oh Oh My boyfriend is a Is a dirty metal music fan, yeah My boyfriend doesn't Doesn't listen to me and my band, yeah He's a dirty metal music fan, yeah Doesn't listen to me and my band (my band, my band, my band, my band, yeah) SOUNDS LIKE: Avicii - You Make Me Edited by user 07 February 2015 12:02:23(UTC) \| Reason: Not specified

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snap_itshannah		#5 Posted : 08 February 2015 08:25:20(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Just the Same ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young LENGTH: 4:02 GENRE: Pop, dance PRODUCER: Reza Vranitzky "Just the Same" is the fifth track off of Natasha Iver's debut album, "Repeat." The track was written by Natasha Iver and Reza Vranitzky, along with Michael R. Young. The song was also produced by Reza Vranitzky. The song tells the story of a woman struggling on deciding if she should be in a relationship with somebody that she really likes, knowing the possibility that that person might hurt her in the end. The song opens with Natasha singing directly to this guy that she's in love with. She tells him that she knows that he's different from the other guys, and that they could easily be together, but he would still have to prove himself to her every day because she's been hurt so much. She feels weak because of all the hurt that she's been through, but the guy promises that he'll be there to hold her up the next time she falls. Natasha tells him that she knows that couldn't ever love another person the way that she loves him, but instead of making her happy, that just scares her and makes me want to run away. In the chorus, she asks him if he can prove that he won't hurt her like other men have hurt her. There's a flame in her heart for this guy that not even tears over her past hurt can put out, but she still needs him to prove that he won't hurt her even more. Natasha sings that she knows it's not this guy's fault that she's in so much pain, and that she feels bad that he's the one that's having to suffer the consequences of other men's actions towards her, but he has to promise that winning her heart isn't just a game he's playing. At the end of the chorus, she tells him that she wants to be with him, but she couldn't handle the shame of being played another time, so he has to prove that he won't hurt her just the same way the other men did. In the second verse, Natasha sings that her heart skips when they kiss, and that she's never felt this way about anybody else, but she can't give up the fear she has in her heart that he's going to hurt her. She says that she knows she could give him her heart, but only if he promises that he won't break it. She emotionally mourns the fact that she didn't meet him before all this hurt was inflicted upon her, saying that if she had been with him in the beginning, everything would be different. In the bridge before the final chorus, Natasha tells her love that one day, they'll be lucky in love, but for now, she's just too afraid that it will end badly between them. The song ends with the chorus fading out, the only change being that instead of singing, "Want to be with you, but I hate the shame," Natasha sings now, "I'll be with you, but I hate the shame," implying that she's given in, and begun dating this guy, even though she's still afraid. Look at me, and I know you're different from the others It's not hard to see, we could be lovers You'll have to prove yourself Yeah, my scars run deep Been hurt too many times, and now I'm weak You say you'll always be here to hold me up the next time I fall I know I couldn't love someone like I do you And that makes me want to run Can you prove that you won't hurt me just the same? I'll need more than tears to put out this flame I lean into you, you whisper my name Can you prove that you won't hurt me just the same? I know that you are not the one to blame But promise this isn't just a game Want to be with you, but I hate the shame Can you prove that you won't hurt me just the same? Want to be with you, but I hate the shame Can you prove that you won't hurt me just the same? Kiss my lips, do you hear my heart and the way it skips? I have never really felt quite this way, but I can't give it up I could give you my heart, but only if you don't tear it apart I wish I could have met you at the start That would have changed so much, we'd never part I know I couldn't love someone like I do you And that makes me want to run Can you prove that you won't hurt me just the same? I'll need more than tears to put out this flame I lean into you, you whisper my name Can you prove that you won't hurt me just the same? I know that you are not the one to blame But promise this isn't just a game Want to be with you, but I hate the shame Can you prove that you won't hurt me just the same? Oh, hunny, one day our love will be lucky But now I'm just scared that it will end ugly Can you prove that you won't hurt me just the same? I'll need more than tears to put out this flame I lean into you, you whisper my name Can you prove that you won't hurt me just the same? I know that you are not the one to blame But promise this isn't just a game I'll be with you, but I hate the shame Can you prove that you won't hurt me just the same? Won't hurt me just the same I'll be with you, but I hate the shame Can you prove that you won't hurt me just the same? SOUNDS LIKE: Carly Rae Jepsen - More Than a Memory Edited by user 08 February 2015 08:26:38(UTC) \| Reason: Not specified

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snap_itshannah		#6 Posted : 09 February 2015 09:06:08(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: They Wish They Were Us ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington LENGTH: 3:25 GENRE: Synthpop PRODUCER: Reza Vranitzky, Natasha Iver, David McAlpin "They Wish They Were Us" is the sixth track on "Repeat." The song echoes back to the first song on the album, "Girls in the Bar (Going For It)," in terms of the way it was written and the general subject matter. The song was written by Natasha Iver, Reza Vranitzky, Michael R. Young, and Edie Washington. It was produced by Reza Vranitzky, Natasha Iver, and David McAlpin. While many songs are the album have been serious pop songs, talking about real issues Natasha has gone through, like the hurt of break-ups and the difficulty of trying to find love again afterwards, she also has put in a good amount of fun partying songs for her listeners. The songs starts off with Natasha setting the seen for the general feelings of the night: She's had a long week of working, and now she just wants to go out and partying. She says that if you're feeling her, then she's feeling you because when you're just trying to go out and have fun, you have no time to be picky. Plus, if you're talking with a guy that might like you, you have to be quick to snatch them up because other girls might be after them as well. Natasha and her crew have on their highest heels, and have rented a party bus to drive them around. She declares that tonight, they're going to "shake this town" and that people are going to want to be around when it happened. She and her crew are ready to live it up, so don't expect them to ever have an empty cup in their hands - they're going to be drinking all night. Natasha knows the owner of the specific club she's talking about, so she and her friends are getting free drinks all night. In the chorus, Natasha sings about how in their party bus, they listen to the band Weekend because it's a must when they're partying and leaving losers in their dust. They're wearing fishnet jeans, looking like the type of girls in men's wet dreams because they party to the extreme. Natasha proclaims that in Goldschlager and Aftershock they trust, and that everybody else in the club wishes they were Natasha and her crew. In the second verse, Natasha proclaims that tonight is there night, and that it's not about knowing what's wrong and what's right - it's just about having fun. Describing her attire for a second, she says that with her makeup, she has drawn an Egyptian eye design around her own eye, and that it's catching the attention of some men in the club. But she doesn't have time to focus on them because she's too busy getting drunk. She's drinking hard and heavily because that's just something that she's into doing. She's going to party until she forgets who she is, and if anybody asks her, she's just going to tell them that she's a rockstar. In the bridge of the song, Natasha just repeats "Tonight is our night" four times, with her voice echoing in different ways after each time. The chorus plays again, and the music stops, the song coming to a clean finish at the end. Young and beautiful If you like me, then it's mutual Weekends ain't the time to be picky When other girls be gettin' tricky We got our highest heels And rented ourselves a set of wheels Yeah, tonight we're gonna shake this town You're gonna wanna be around We're all ready to live it up Don't expect an empty cup Know the owners of the club Get free drinks (free drinks!) We got our party bus-us-us-uh uh-bus Weekend is a must-ust-ust-uh uh-must Leave losers in our dust-ust-ust-uh uh-dust In Goldschlager we trust, they wish they were us Got on our fishnet jeans-eans-eans-jea jea-jeans Like the girls of your dreams-eams-eams-dre dre-dreams Party to the extreme-eme-eme-em em-treme In Aftershock we trust, they wish they were us Tonight is our night It's not about what's wrong or right I got that drawn on Egyptian eye Catching the attention of the guys I'm just gettin' drunk Drinking hard 'cause I'm into that junk Party 'til you forget who you are If anyone asks, we're just rock (stars) We're all ready to live it up Don't expect an empty cup Know the owners of the club Get free drinks (free drinks!) We got our party bus-us-us-uh uh-bus Weekend is a must-ust-ust-uh uh-must Leave losers in our dust-ust-ust-uh uh-dust In Goldschlager we trust, they wish they were us Got on our fishnet jeans-eans-eans-jea jea-jeans Like the girls of your dreams-eams-eams-dre dre-dreams Party to the extreme-eme-eme-em em-treme In Aftershock we trust, they wish they were us Tonight is our night (night night night night night night) Tonight is our night (night night night night night night) Tonight is our night (night night night night night night) Tonight is our night (night night night night night night night) We got our party bus-us-us-uh uh-bus Weekend is a must-ust-ust-uh uh-must Leave losers in our dust-ust-ust-uh uh-dust In Goldschlager we trust, they wish they were us Got on our fishnet jeans-eans-eans-jea jea-jeans Like the girls of your dreams-eams-eams-dre dre-dreams Party to the extreme-eme-eme-em em-treme In Aftershock we trust, they wish they were us SOUNDS LIKE: Kesha - We R Who We R Edited by user 09 February 2015 09:07:13(UTC) \| Reason: Not specified

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snap_itshannah		#7 Posted : 14 February 2015 07:26:53(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Feel the Rain ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington LENGTH: 3:05 GENRE: Pop, R&B PRODUCER: Reza Vranitzky "Feel the Rain" was written by Natasha Iver herself, along with the producer, Reza Vranitzky, and two co-writers Michael R. Young and Edie Washington. The four of them have written several songs together, usually with the theme of partying/going on/getting crazy, while Reza Vranitzky and Natasha Iver alone have written most of the more low-key songs, like the love songs and relaxed numbers. Reza Vranitzky also produced this track, as she has the rest of the tracks, although this is one of the few that Natasha Iver doesn't co-produce as well. The song focuses on a girl going out, partying, "feeling the rain" - which she uses as a metaphor for tonight being the night that she's "washed clean," so she doesn't care what she does tonight, because tomorrow she'll feel brand new. The song starts off with Natasha speaking, which is an element that hasn't been introduced in her album before, but is a classic move for songs that are heavily sexually influenced. In this speaking portion, Natasha says that she can see rain clouds forming before she leaves to go out that night, but she doesn't care. In fact, she doesn't give a fuck. But "fuck" is self-censored, and instead, a echo-y scream is in it's place. In the first verse, Natasha sings that she doesn't need to get an umbrella because she doesn't have the time. Tonight, she's going out in style and in the prime of her life - the metaphor of rain washing her clean not quite being worked in yet, but being alluded to here as she says that she's "going out in her prime." In the pre-chorus, she explains that she's never been the type of girl who likes it when it's sunny and hot outside. She's always loved rainy weather. The stereotypical darkness of that statement is almost humorous to Natasha, but not enough to actually make her laugh. Finally, in the chorus, we get the full set up of the scene, where Natasha sings that she's dressed "like a vision" and that she's going to make them bad decisions, and is going to do things that'll start rumors about her, but she doesn't care because outside, it's raining. She repeats twice that tonight she's going to feel the rain, so don't try to save her. The rain is going to save her tonight. The next verse is more focused on presenting more of the scene of that night: Natasha is being flirty with both men and women that night (she seems to be leaning more towards the bisexual orientation during the course of this album, as she explored that idea in the song "Girls at the Bar (Going For It)" as well) as she's buying drinks for all of the girls, and kissing all the guys, and just generally drawing attention to herself. She knows that she's drawing attention to herself however - it's exactly what she wants to do, because tonight, she wants to go home with somebody and feel the rain with them. In the bridge, she sings that even when the rain stops and the streets have all dried up, she'll still be soaked, trying to cleanse herself of all the mistakes and bad decisions she's made over her life. She knows there's no help for it, but it's fine, because she'll just wait for the next rain shower to come. At the end of the song, it's obvious that she has continued to make ill-advised decisions, because she goes home with the guy she just met at the bar, and the end of the song is filled with what can be construed as sexual sounds. You know, I can see the rain clouds forming before I leave. Do I care? You fucking bet I don't. Hunny, I don't give a scream Don't need an umbrella Don't have the time I'm going out in style Going out in my prime I'm not the type of girl that likes when it's sunny I need the wet weather, honey We'd laugh, but it's not that funny I am looking like a vision Tonight I'm gonna make some bad decisions I'm gonna start some rumors And not care because it's raining I'm gonna feel the rain Don't try to save me tonight, tonight I'm gonna feel the rain Don't try to save me tonight, tonight I'm buying girls drinks and I'm kissing guys, and I'm living loud I'm probably going home with him 'Cause tonight I'm gonna stand out from the crowd I'm not the type of girl that likes when it's sunny I need the wet weather, honey We'd laugh, but it's not that funny I am looking like a vision Tonight I'm gonna make some bad decisions I'm gonna start some rumors And not care because it's raining I'm gonna feel the rain Don't try to save me tonight, tonight I'm gonna feel the rain Don't try to save me tonight, tonight The streets dry up But I'll stay soaked There can be no help for me, but that's fine The rain is coming down I'm gonna feel the rain Don't try to save me tonight, tonight I'm gonna feel the rain Don't try to save me tonight, tonight Yeah, get crazy I'm not stopping Feeling good That's right Come on All night I'm feeling it now, so wet SOUNDS LIKE: Christina Aguilera - Not Myself Tonight TITLE: Tashi ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington LENGTH: 3:37 GENRE: Dance-pop, electropop, pop PRODUCER: Reza Vranitzky Most people remember in late May when Las Vegas-native Natasha Iver hit the big time in internet fame when she released her song "My Boyfriend Will Hate This Song (Dirty Metal Music Fan)" through her website, and gained a huge mass following literally overnight. The song hit the Top 10, and Natasha was signed to indie label Songs to Love and Die By a couple weeks later. The twenty-two year old - who used to blog about how annoying her parents and boyfriends were on the very website she became famous through - was now a pop star, and was getting ready to record her first album. So with such a sudden change in position, many people had to be treating Natasha differently now, right? Maybe not friends and family, but what about acquaintances? Or even strangers? What about... ex-boyfriends? In Natasha Iver's new song, 'Tashi,' she discusses the way that she exes treat her now that she's had a hit song. The song starts with Natasha singing "la la la's," her voice sounding almost child-like - but definitely carefree. When the first verse starts, Natasha launches right into attacking her exes. It's not clear if she's talking to one specific ex in each verse, or if so many of them treated her the same way that she's just addressing all of them at once, but it seems more likely that she's addressing all of them at once. She reminds them that when they were together before, they treated her like nothing. To some of them, she was even the side chick, which made them treat her even worse. She continues to say that none of them ever gave her a chance when it came to her music career, saying that her music was too boring for them. In the pre-chorus, she reveals that now that she's famous, the guys that she couldn't ever get to call her are trying to reach her all the time now. She references "My Boyfriend Will Hate This Song (Dirty Metal Music Fan" in the next time, singing, "That 'Dirty Metal' song made you guys sing along," which is her poking fun at the fact that they always told her her music is bad, but now they're listening to her all the time - alone, she adds. And they she musically laughs at them for being alone. In the chorus, Natasha sets up the scene of all of her past boyfriends, new boyfriends, and the boyfriends that forgot all about are her suddenly noticing her again, and wanting to get her attention. They ask each other, "Hey, isn't that Tashi?," using her nickname to try to make them seem more approachable and friendly. But Natasha remembers how they all treated her before, and isn't going to give them the time of day this time. When the chorus is over, Natasha begins singing her carefree "la la la's" again, and now we know why they're so carefree: Because she literally couldn't give a fuck less about the guys who treated her badly before, because now she's on top and they're still at the bottom. In the second verse, she asked her exes what they thought about when they saw that Natasha had been signed on to Songs to Love and Die By (Natasha mentions the label owner Amy Meyer by name in the song, referring to her as a "babe"). Natasha goes on to ask her exes if they thought and regretted all the times that they blew her off, or if they just went and bragged to their friends that they had seen her naked before. Knowing her exes, most people would be willing to say that they probably did the latter, but it's Natasha's hope that they maybe did the former as well. She sings the chorus again, which turns into the bridge, where she tells her exes not to bother trying to call her because she doesn't care about them anymore, and if they really want to see her face again, then they can just look her up on the internet. She proclaims that she's finally won, and now the battle is over. Natasha's reward for victory? Getting to hear her exes yell her name all night, and then never having to see them again. The song ends with her repeating the chorus a couple more times, adding in some very passionate, happy victory riffs before it comes to a complete stop, with Natasha's voice being the last things that's heard. La la la la-la la la la La la la la-la la la la La la la la-la la la la La la la la-la la la la Oh, baby, baby, I was nothing in your eyes Just another girl that you were seeing on the side (Oh!) Oh, baby, baby, you never gave me a chance Said my music was too boring, then you left me on my ass (Oh!) Oh, oh Couldn't get you to call, but now you're (Oh!) Blowing up my phone all damn day That 'Dirty Metal' song made you guys sing along Listening to it alone Haha, hehe, haha, ho Past guys, new guys Forgot-all-about-you guys They all turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" Past guys, new guys Lining up to tell me lines All turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" (Past guys, new guys) La la la, la-la, la la La la la, la-la, la la Tell me, what did you think when you saw my name Signed on a major label by that Amy Meyer babe? (Oh!) Did you think of all the times that you blew me off? Or did you just tell all your friends you've seen me with my clothes off? (Oh!) Oh, oh Couldn't get you to call, but now you're (Oh!) Blowing up my phone all damn day That 'Dirty Metal' song made you guys sing along Listening to it alone Haha, hehe, haha, ho Past guys, new guys Forgot-all-about-you guys They all turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" Past guys, new guys Lining up to tell me lines All turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" (Past guys, new guys) Ohhhh, forgot-all-about-you guys Ohhhh, lining up to tell me lines (Past guys, new guys) Yeahhh, forgot-all-about-you guys (La la la la-la la la la) Don't bother trying to call (Just check the internet if you wanna see my face) 'Cause I don't have any use for you (No more games becauase I've won and now we're through) Oh, baby, baby, keep yelling "Tashi!" all night Oh, baby, baby, and then get out of my sight Oh, baby, baby, baby Oh, baby, baby, baby... La la la la-la la la la La la la la-la la la la La la la la-la la la la La la la la-la la la la Past guys, new guys Forgot-all-about-you guys They all turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" Past guys, new guys Lining up to tell me lines All turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" Past guys, new guys Forgot-all-about-you guys (Yeaaaaaah) (La la la la-la la la la) (Yeah) Past guys, new guys Lining up to tell me lines All turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" (Past guys, new guys) Ohhhh, forgot-all-about-you guys Ohhhh, lining up to tell me lines (Past guys, new guys) Yeahhh, forgot-all-about-you guys All turn their heads and smile at me They're saying, "Hey, isn't that Tashi?" SOUNDS LIKE: Britney Spears - If U Seek Amy Edited by user 14 February 2015 07:28:18(UTC) \| Reason: Not specified

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snap_itshannah		#8 Posted : 16 February 2015 12:24:54(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Okay (feat. Layla Sanchez) ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young LENGTH: 3:25 GENRE: Dance-pop, pop PRODUCER: Reza Vranitzky "Okay" is the nineth track from Natasha Iver's debut album. It was written by Natasha Iver, Reza Vranitzky, and Michael R. Young, although the song was originally written for the girl group Cherry Street, who is featured later in the album. When Cherry Street decided to pass on the song, it was Natasha who decided to give it a go. She originally recorded the song alone, but found that it was lacking with just her voice. That's when they brought in Layla Sanchez of the girl group SYNCO to sing with her, which made the song sound exactly the way Natasha Iver and producer, Reza Vranitzky, wanted it to sound. The song starts off with Natasha, naming off all the ways that her and boyfriend have tried to deal with the stress of their relationship and life in general together. She names talking, screaming, and the silent treatment as three ways they've tried. Layla jumps in in the second verse, naming off her own couple of ways, including crying and fighting. They try not to hide that they're struggling because they know that everybody struggles in their relationship sometimes, but now they're both hiding, and they wish that they knew how to deal with their problems better. Layla and Natasha promise their significant others that they'll always be with them, with Natasha singing the last "you" alone, her voice floating off until the chorus starts for the first time. In the chorus, Natasha and Layla sing together, telling their significant other that they believe them when they say that everything is going to be okay. They don't know why they trust them so much, but they just feel in their gut that everything will be fine when their boyfriends say it will be. The next verse comes in, with Natasha starting it off for the second time, naming off more ways that they've tried to deal with the stress in their lives: Lying, crying, biting, and fighting. Natasha recognizes that none of these have gotten them anywhere. Layla sings in the next verse that although they have all this stress, when they hold each others hand, she knows that they're going to make it, and that everything is going to be alright. She tells him that she believes in him and asks him to please not break her heart. Natasha and Layla sing "I'll put my trust in you," together before the chorus comes back in. A second part of the chorus is added this time, with Natasha and Layla singing that they've been against worse than what they're against now in their relationship, and they came out fine on the other side, so they know that they can make it through this. In the bridge, they repeat "okay" over and over again, first with Layla singing, "We can do this," afterwards, then with Natasha singing, "We will do this," and then together they both repeat that same phrase. The bridge builds up, so when the chorus comes back in, it's very emotional and super-charged, with Natasha and Layla confessing their love and trust in their significant other. The song ends with Natasha repeating the second part of the chorus alone, a quiet violin playing her out. Natasha Layla Together Talking, we've tried it Screaming, we've tried it Silence, we've tried it Together we've done it All before Crying won't stop it Fighting won't stop it Try not to hide it But we're both hiding now Wish we knew how You know I'll always be with Know I'll always be with you You 'Cause when you say That you think we're going to be okay I believe you Although why I do I don't think I could ever say You think we're going Going 'Cause lying, we've tried it Crying, we've tried it Biting, we've tried it Fighting doesn't get us Anywhere But when you hold my hand, I know that We are gonna make it We will be alright There is no need to fake it I believe in you, man Take my heart, don't break it I'll put my trust in you But when you say That you think we're going to be okay I believe you Although why I do I don't think I could ever say But you think we're going to be okay I know we've been against worse than this But all I've ever needed is your kiss And I will trust you when you say, say That you think we're going to be okay Okay, okay, okay, okay, okay, okay, okay We can do this Okay, okay, okay, okay, okay, okay, okay We will do this Okay, okay, okay, okay, okay, okay, okay We will do this Okay, okay, okay, okay, okay, okay, okay But when you say That you think we're going to be okay I believe you Although why I do I don't think I could ever say But you think we're going to be okay I know we've been against worse than this But all I've ever needed is your kiss And I will trust you when you say That you think we're going to be okay I know we've been against worse than this But all I've ever needed is your kiss And I will trust you when you say, say That you think we're going to be okay SOUNDS LIKE: The Wanted - All Time Low TITLE: Sway ARTIST: Natasha Iver WRITERS: Luis Demetrio, Pablo Beltran Ruiz, Norman Gimbel LENGTH: 3:12 GENRE: Salsa PRODUCER: Reza Vranitzky The tenth track on Natasha Iver's debut album is a cover of Luis Demetrio, Pablo Beltran Ruiz, and Norman Gimbel's song, Sway. The song was originally written in 1953 as an intrumental mambo song called "Quien sera?" by the composers Luis Demtrio and Pablo Beltran Ruiz. In 1954, Normal Gimbel wrote the English lyrics to it, and since then, it has been recorded and remixed by several different artists, including Michael Buble, Frank Sinatra, and most famously, Dean Martin. Natasha Iver is joined by girl group Cherry Street in her own cover of the classic song. Natasha leads the song while the girls from Cherry Street work as her accompaniment, often harmonizing and emphasizing different portions of the song with Natasha. This recording is definitely not the same song that Dean Martin or Frank Sinatra gave their cover, but it still maintains that original salsa/mambo feeling while incorporating portions of Natasha Iver's pop genre and Cherry Street's indie pop sound. All the girls in the song bring a large amount of sexiness to the song, tying in the subject of the song (salsa dancing, which is usually a very sexually charged dance) and the overall feel of dancing when it's when somebody that makes you feel the way that the girls describe themselves feeling in the song. Natasha Cherry Street (Ah!) (Do do do do do Do do-do do) When marimba rhythms start to play Dance with me, make me sway Like a lazy ocean hugs the shore Hold me close, sway me more Like a flower bending in the breeze Bend with me, sway with ease When we dance, you have a way with me Stay with me, sway with me Other dancers may be on the floor (be on the floor) Dear, but my eyes will see only you (see only you) Only you have that magic technique (oooh) When we sway, I go weak (I go so weak!) I can hear the sounds of violins Long before it begins (ooooh, begins) Make me thrill as only you know how (you know how) Sway me smooth, sway me now (Ah!) Mi amour Sway me, take me (yeah, yeah!) Thrill me, hold me (hold...) Bend me, ease me You have a way with me (me...) (Yeah yeah!) Sway with me (Ooh) Sway (sway) (sway) (Bum, bum, bum, bum nah nah Bum, bum nah nah Bum, bum nah nah Bum, na- na- nah nah) Other dancers may be on the floor Dear, but my eyes will see only you Only you have that magic technique When we sway, I go weak (weak...) I go weak I can hear the sounds of violins Long before it begins (it begins...) Make me thrill as only you know how (you know how) Sway me smooth, sway me now (sway me now) Make me thrill as only you know how (ooh, come sway me) Sway me smooth (ah!) sway me now (come sway me!) (Baby, come and sway me!) Make me thrill as only you know how (ooh, ah!) Sway me smooth (uh huh, uh huh!) sway me now Sway me Sway me Sway me now SOUNDS LIKE: The Pussycat Dolls - Sway Edited by user 16 February 2015 12:27:02(UTC) \| Reason: Not specified

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snap_itshannah		#9 Posted : 21 February 2015 11:30:10(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		TITLE: Repeat ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranitzky, Michael R. Young, Edie Washington LENGTH: 2:50 GENRE: Synthpop PRODUCER: Reza Vranitzky As the listener nears the end of the album, they finally get to hear the title song "Repeat." The songs was written by Natasha Iver, Reza Vranitzky, Michael R. Young, and Edie Washington, and was produced by Reza Vranitzky. The song ties the rest of the album together, bringing up some things that Natasha had mentioned in previous songs, and also mentioning a lot about Natasha's own life and her rise to fame. It was the perfect choice for a title song because of this. Natasha describes being out with her friends at the beginning of the song, calling her and her group of female friends the sickest chicks in town. They're the entertainment for everybody else when they go out because they're so outgoing and crazy. They know that some people don't like them because of that, but they'll just pour drinks for them, too, because they don't really care. They describe themselves as not "Instagram fakers," talking about all the people who Photoshop pictures or try to make themselves look better with different filters. No, these girls are naturally heartbreakingly beautiful on their own. Natasha sings that they're only going to get stronger because she is the god of pop's daughter, giving herself a little (huge) compliment. In the pre-chorus, Natasha sings that her and her friends are running the town, burning it to the ground with all their crazy antics. "You should stick around," Natasha sings to nobody in particular, saying that if you want to see how crazy her and her friends can really get, then you need to stick around and check it out. The chorus is when Natasha really brings the party atmosphere into the song, singing about her and her friends dropping acid and smoking so much that their lungs start to burn. They run around, kissing everybody in the club, partying together until it's daytime again. Every night they go out, having fun and keeping their boyfriends out of drunken fights with other drunk guys, and when they drink too much, they go into the bathroom to throw up. If they start to feel like they're passing out on the bathroom floor, then they just lock the door. They have a system for everything because they go out and party so often, hence the title of the song "Repeat," because every night is just as crazy as the last. In the next verse, Natasha focuses more on herself and her life rather than how her and her friends act when they're out, singing that she's not trying to start shit any other artists out there with her songs, because she doesn't need drama to write a hit. She speaks more specifically to the people trying to be famous and other people like her who have just found fame, singing that she knows that this world is tough, because just being internet famous isn't enough for most people anymore. Natasha sings that she was one her own for three years - talking about how she was writing and producing her own music and then uploading it to her website and YouTube on her own before she became famous - and she admits that it was hard and she shed a lot of tears because of it, but she made it, and she wants to thank everybody who is buying her music now because they made her dream come true. The chorus repeats twice again, before fading out with the "oh oh oh"'s, ending the song with a electronica vibe. We've been gettin' do-ow-ow-own, we're the sickest chicks in this town We're the dancers, entertainers Pouring drinks for all of our haters We're not those Instagram fakers We run with the real heartbreakers We're the monsters, gettin' stronger I am the god of pop's daughter Oh oh oh We're runnin' this town Oh oh oh Burnin' it to the ground Oh oh oh You should stick around Oh oh oh Droppin' acid on our tongues, cigarette smoke burnin' our lungs And we'll go kissin' all the guys, kissin' girls, party 'til light Night after night, keepin' our boyfriends out of fights We're passin' out on bathroom floors, just lock the door, repeat the next night I'm not gonna start some shit, I don't need drama to write a hit I know this music world is rough, internet famous isn't enough I was on my own for three years, real talk, I shed a lot of tears But I made it, gotta admit, big love to those who buy this Oh oh oh We're runnin' this town Oh oh oh Burnin' it to the ground Oh oh oh You should stick around Oh oh oh Droppin' acid on our tongues, cigarette smoke burnin' our lungs And we'll go kissin' all the guys, kissin' girls, party 'til light Night after night, keepin' our boyfriends out of fights We're passin' out on bathroom floors, just lock the door, repeat the next night Droppin' acid on our Droppin' acid on our tongues, cigarette smoke burnin' our lungs And we'll go kissin' all the guys, kissin' girls, party 'til light Night after night, keepin' our boyfriends out of fights We're passin' out on bathroom floors, just lock the door, repeat the next night Oh oh oh Oh oh oh Oh oh oh Oh oh oh SOUNDS LIKE: Kesha - Crazy Beautiful Life TITLE: Rush Me ARTIST: Natasha Iver WRITERS: Natasha Iver, Reza Vranzitky, Michael R. Young, SOnja Montgomery LENGTH: 3:38 GENRE: Pop, dance PRODUCER: Natasha Iver, Reza Vranitzky Natasha Iver's newest single, "Rush Me" gives her quickly growing mass of fans a taste of her music that they haven't had yet - a real love song. The song that Natasha started her career with - "My Boyfriend Will Hate This Song (Dirty Metal Music Fan)" - although was about the person she was currently dating, actually had nothing to do with their relationship besides the fact that they had differing music tastes. Her most recent song - "Tashi" - focused on the complete opposite of love: exes. In the song, she sang directly to all her exes, asking them if they regretted how badly they treated her now that she has a following and is becoming successful. Natasha has obviously been ramping up to start releasing a debut album soon, so for a final single before the release, she decided to give everybody that final song that seems necessary when trying to become the next biggest pop star: The love song. The song tells the story of two people who are tired of love, and who think that real love doesn't actually exist. The two people find each other without really looking for each other, and find that they're kindred spirits in that aspect. Natasha tells the story only for her point of view, admitting that while she thought that she was done with love, after finding this man who feels the same way, now she feels herself falling in love with him. The two have conversations about the love that they used to have, and how it got away, and Natasha tells us again that while she thought that love was done with her, she found another love. Singing directly to the man in the song, she tells him that it's him. Natasha passionately tells her new love that she knows that he's been through a lot of heartbreak and misery from love, but she has as well, and if anything, now they can be broken together. In the chorus, Natasha continues to sing directly to the man in the song, asking him to call her his "queen." She admits that she's afraid to fall in love again, but it's so easy to fall in love with him, and that she thinks she'll be fine as long as he promises not to rush her. The second part of the chorus tells the second half of that musical conversation she's having with this new love, where she explains that she's not going to leave him like other past lovers has. Natasha understands that he's afraid to fall in love, just like she is, but she's sure that everything will be fine as long as he promises not to rush her. While the sentiment is sweet, many critics could point out that while Natasha is asking for her new love not to rush her, she is - in turn - seeming to rush him, asking him to call her certain pet names and putting him on the spot with her proclamation of love. In the second verse, Natasha describes how hanging out with her new love is now that she knows that she's in love with him. In short, it's a little awkward. Natasha struggles with how she should show or let this new love know that she's into him. She describes a specific moment where they were sitting next to each other, their bodies so close that she could touch him. She went to hold his hand, but in nervousness and fear, she couldn't move her hand to follow through, and so she just sat there next to him. The chorus repeats, going in the bridge, where Natasha continues to ask her new love to call her by pet names, like "queen" and "his girl." Really putting more pressure on the situation there, Natasha. She repeats the chorus again, and then begins the final verse, which brings the entire song together. In the final verse, she tells him again that she knows that he's had his heart broken a number of times, but she has as well, so now they can be broken and damaged together. She then goes on to tell him that she's ready to start a new love with somebody, and the one that she's thinking of starting it with is him, because now she feels like she's ready. In the final line, she asks her new love to rush her, ending the song. We weren't looking for each other Both had enough of the one-week-lovers But then I found you And I had to wonder We spoke about love getting away Couldn't find a reason it should stay Love was through But I found another And that is you I know you've had your share of broken hearts But I'm damaged with you Tell me I'm your queen, babe I'm scared to fall in love With you, it's easy Just promise not to rush me Told you I would stay, babe Let me be your passion You're scared to fall in love Just promise not to rush me, rush me, yeah I know you've had your share of broken hearts But I'm damaged with you Tell me I'm your queen, babe I'm scared to fall in love With you, it's easy Just promise not to rush me, rush me, yeah I didn't know how to let it show Everything I wanted you to know Talking to you Makes it feel like it's summer Sitting next to you, our bodies so close Wanted to hold your hand But my fingers froze Love was through But I found another And that is you I know you've had your share of broken hearts But I'm damaged with you Tell me I'm your queen, babe I'm scared to fall in love With you, it's easy Just promise not to rush me Told you I would stay, babe Let me be your passion You're scared to fall in love Just promise not to rush me, rush me, yeah I know you've had your share of broken hearts But I'm damaged with you Tell me I'm your queen, babe I'm scared to fall in love With you, it's easy Just promise not to rush me Tell me I'm your queen, babe Tell me I'm your girl Tell me I'm your queen, babe Tell me I'm your girl Tell me I'm your queen, babe I'm scared to fall in love With you, it's easy Just promise not to rush me Told you I would stay, babe Let me be your passion You're scared to fall in love Just promise not to rush me, rush me, yeah I know you've had your share of broken hearts But I'm damaged with you Tell me I'm your queen, babe I'm scared to fall in love With you, it's easy Just promise not to rush me Told you I would stay, babe Let me be your passion You're scared to fall in love Just promise not to rush me, rush me, yeah I know you've had your share of broken hearts But I'm damaged with you We could start a new love, you're who I'm thinking of Because I think I'm ready Rush me, rush me, yeah SOUNDS LIKE: Carly Rae Jepsen - Sweetie Edited by user 21 February 2015 11:31:44(UTC) \| Reason: Not specified

4 users thanked snap_itshannah for this useful post.		erich hess on 21/02/2015(UTC), AmyJayneXoX on 21/02/2015(UTC), C4AJoh on 21/02/2015(UTC), Realms Of Darkness on 22/02/2015(UTC)
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erich hess		#10 Posted : 21 February 2015 12:39:43(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 09/04/2010(UTC) Posts: 42,816 Location: representing the 954 Thanks: 21856 times Was thanked: 18083 time(s) in 10504 post(s)		erica: shes a peppy little number.i like it a lot. nina:down,erica. erica: innocently whatever do you mean? nina:like we both dont know,love. erica;jeez,cant a girl make a simple comment without being thought of as lecherous? you know i like this sort of thing. nina; you also liked the artwork where her boobs are all popping out. erica:um,you did too.."love". nina: oh,that was different.
		"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.


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snap_itshannah		#11 Posted : 21 February 2015 13:44:22(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: erica: shes a peppy little number.i like it a lot. nina:down,erica. erica: innocently whatever do you mean? nina:like we both dont know,love. erica;jeez,cant a girl make a simple comment without being thought of as lecherous? you know i like this sort of thing. nina; you also liked the artwork where her boobs are all popping out. erica:um,you did too.."love". nina: oh,that was different. Natasha: Hahah, awww! Well, thank you both of you for taking a listen, even if you only did it because I showed a little too much cleavage in one of my single covers. ;)


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C4AJoh		#12 Posted : 21 February 2015 19:35:47(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 18/05/2009(UTC) Posts: 13,534 Thanks: 4334 times Was thanked: 8850 time(s) in 2782 post(s)		Alex: Not gunna lie Natasha, I did not think this album was going to be as good as it actually is, but hey, you proved me wrong! It feels like the quintessential fun pop album but has a lot of badass attitude running through these songs. I think it's a really great debut album and I think you're gunna blow up after the release of this, great work! :)
		artists Alicia Lena \| Kara Romero \| Orion \| Jadyn Ghalen \| Tahlia \| Jack Dunn \| VANDALS other Cara Zayn \| Culture Uncut \| Studio60 Records \| Royale Vices & Virtues Records \| Half-Moon Music Riot! In The Boulevard \| Brandon Caulfield Universal Music Awards


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snap_itshannah		#13 Posted : 22 February 2015 03:37:31(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,714 Thanks: 7752 times Was thanked: 6357 time(s) in 2889 post(s)		Quote: Alex: Not gunna lie Natasha, I did not think this album was going to be as good as it actually is, but hey, you proved me wrong! It feels like the quintessential fun pop album but has a lot of badass attitude running through these songs. I think it's a really great debut album and I think you're gunna blow up after the release of this, great work! :) Natasha: Oh, man, Alex, I didn't think this album was going to be as good as it turned out to be, so no judgement from me on you thinking the same thing. Thank you so much, man! That really means a lot! :)


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mebeme101		#14 Posted : 26 February 2015 17:22:04(UTC)
Rank: Advanced Member Groups: Registered Joined: 11/04/2011(UTC) Posts: 14,770 Thanks: 6305 times Was thanked: 5703 time(s) in 2512 post(s)		Layla: Omg I'm literally so obsessed with this album and so happy I got to be part of the process of creating is amazingness seriously every track is so amazing and I love it so much and working with you was such a great experience and I hope we get to again some day but yeah great job again love the album and love you as a person and artist keep it up babe #StayRad ooc: Great job on all of this like Layla said lol can't wait to see what she does next sorry for the late comment on this lol
		My Acts Layla Sanchez\|AJ\|Brandon Grey\|PRÓXIMO\|Carmen V\|SZ\|DREAM


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