Title: “Permanent Vacation”
Artist: Jadyn Ghalen
From: “No Pressure, No Diamonds” (2025)
Release Date: August 24, 2025
Length: 4:50
Format: CD Single • Digital Download • 7” Single • Weekly Airplay
Recorded: Bay Eight Recording Studios, Miami, Florida, USA
Genre(s): Hip-Hop • Trap
Label: Tric-Jam Records • Dahlhouse Entertainment
Written: May 2025
Writer(s): Jadyn Ghalen
Producer(s): Jadyn Ghalen • BLOOM
“Permanent Vacation” is a hip-hop/trap single by American hip-hop artist Jadyn Ghalen, released on August 25, 2025 as the sixth single from his upcoming debut solo album “No Pressure, No Diamonds” and the ninth overall single from his solo career. The track is the latest preview and reportedly final single from Ghalen’s forthcoming album, which has been slated for release before the end of August 2025. The track was written by Jadyn Ghalen and once again produced in collaboration with BLOOM, the acclaimed Latin producer whose previous work with artists like Layla and various others has given him a strong reputation within the music industry that continues to grow. It was recorded during the Miami recording sessions at Bay Eight Recording Studios which produced a handful of tracks from the album including previous hit single “High Risk”.
Musically, “Permanent Vacation” uses trap music elements as Ghalen continues to push that genre strongly on this debut album, having previously been seen as a hip-hop and rap artist, but the shift into higher tempo, electronic-tinged trap music has seen Ghalen’s own solo material immediately become club anthem favourites throughout 2025. The track combines atmospheric trap elements with hypnotic melodies and although refrains from having a beat drop the energy and tempo of the track keeps up with the tone of previous singles. The instrumental features mellow synths, pitched-down vocal samples, and minimalist percussion with crisp hi-hats creating a dreamlike backdrop that feels both laid-back but with an undertone of energy thumping just underneath the track.
Lyrically, the track delves into the allure of escapism and emotional detachment, very much centred on lust and passion, with Ghalen painting vivid scenes that lead very little to the imagination. It’s a track that centres around themes of luxury and excess combined with the conflicting difficulties of keeping things private and low-key in an industry where privacy is a rare commodity.
The track was written and recorded by Jadyn Ghalen and produced by Ghalen alongside producer BLOOM at Bay Eight Recording Studios in Miami, Florida for his debut album “No Pressure, No Diamonds”. Marking the final single release from his ambitious promotional run ahead of the albums release with the track set to be released on August 24, 2025 as a CD Single, Digital Download, 7” Single and made available to Weekly Airplay via Tric-Jam Records and Dahlhouse Entertainment.
Background, Writing and Recording“Permanent Vacation” was written by Jadyn Ghalen around May 2025 and produced by Ghalen alongside Latin producer BLOOM during the Miami recording sessions for his debut album “No Pressure, No Diamonds”. The track continues a theme of Ghalen experimenting more into the Trap genre and use of its trademark moody, atmospheric beats and explicit lyricism. The combination with producer BLOOM once more combining traditional Latin percussion and rhythm with modern southern hip-hop sensibilities and aesthetics.
Lyrically Ghalen confirmed recently in an interview that everything that comes out of him comes from a place of reality and highlighted that even further ahead of the album’s impending release date, stating,
“There’s people in my life that can listen to a track and pinpoint an exact scene where the track comes from. It ain’t just shit-talkin’ or bluffing just for the kudos but I ain’t even think I try to hide that. It’s usually pretty clear what I mean. I don’t think I’m really smart enough to dress all this shit up in subtleties and easter-eggs, I think I’m way more obvious than that.”The track was recorded at Bay Eight Recording Studios in Miami, Florida during a brief three day stay which Ghalen describes as
“Probably the most creative and productive period of this whole recording process.” in which he is rumoured to have recorded around six or seven tracks, not all of which will appear on the final cut of the debut album but considered a productive period regardless.
Rumours have swirled immediately following the track being released on the subject of the song, with the most common theory pointing towards Ghalen’s on-off fling with RnB singer Amy-Jayne being the inspiration of the track with the theme’s of keeping things low-key and out of the public view being linked to the notoriously private RnB star. The pair are believed to be expecting a child together despite an official relationship between the pair never being confirmed and very little known publicly around the situation. However, the references to keeping things private and passion exploding behind closed doors is believed to be a true representation of their connection with one another. Additionally, fans have unearthed a social media post from Amy-Jayne where she appears to be photographed at Ghalen’s own Miami villa with the caption
“Miami villa vibes.” which has led to increased speculation that this track appears to be a not-so-subtle reference to their own undefined union.
Songwriter’s CommentaryQuote:“Permanent Vacation ain’t really a song… it’s a whole mindset. It's when you dip out, unplug, vanish from everything and everyone — even if it’s just for the night. Sometimes you disappear just to remember who you are. Or forget who you are.
This one came together fast, I think we finished like three or four tracks that day and we pushing late into the night in Miami. Those sessions were always fuelled on adrenaline, no sleep, windows open, ocean views from the studio rooftop, low lights, full moon, permanent weed smoke clouds hanging in the air. BLOOM had been cooking up the beats like crazy that day, but this one sounded too inviting to just call things a day and shut off the lights. Sometimes you don’t need a beat to work with, you just got stuff to get off your chest but sometimes you need a specific type of beat to pull something out of you that was just under the surface and that’s what this beat did for me. Shit was just smooth and inviting, it was fuck music in the best way, the beat alone had that silk sheets and bad decisions typa vibe. Real sultry. That slow grind tempo that brings you in, with those 808’s creating a pulse underneath it all. That’s intentional, I have no doubt about that. To me, that’s motion music and I feel like it’s something BLOOM does best.
A track like this, people always wanna know about the muse. They always like to read into things a little deeper. Sometimes there is something a little deeper to be found and sometimes there ain’t. You paint that sort of image, it’s no doubt that people want to put a face to it. I don’t say names in my songs unless I want that shit to echo forever. But let’s just say, some nights don’t stay where you leave em’.
People got eyes, they see shit and read shit, some of it based in reality, some of it pretty far from it. I guess it’s up to them to interpret the songs how they choose to, put a face to it if they need to. If I put a name to it, suddenly it becomes one dimensional, no longer open to interpretation or imagination. To me, that’s just for the music to keep hold of.”
- Jadyn Ghalen
Song DescriptionThe track kicks off with a woozy, atmospheric trap beat, blending dreamy ambient textures with hard-hitting 808s and crisp hi-hats, creating a soundscape that feels both luxurious and laid-back, giving off the feeling of cruising through neon-lit streets at midnight with the roof down and no destination. There’s an immediate sense of indulgence in the production, setting the stage for what becomes a slow-burning, hyper-confident anthem. Jadyn enters with his signature blend of melodic rapping and smooth vocal delivery, setting the tone from the very first bar,
“Babe, I’ve got some free time for us to spend/I’mma fly down on the weekend/We can keep it low-key in your City/Cause I know you don’t want this shit out there publicly/And you’ve been burnt before with your ex/And I know all about my rep/So if you wanna keep it on the down low/You can keep calling my name behind those closed doors.” which immediately showcases the tracks general theme and tone, with themes of secrecy, lust and detachment wrapped in the allure of champagne fuelled nights, private jets and secretive hookups as Jadyn continues the opening verse,
“I can keep you my dirty little secret/With you suckin’ like a Queen/And fuckin’ like it’s needed/Baby you a demon/You like those mirrors on the ceiling/Champagne on ice/Pussy so tight/Your ass got that bounce/And this dick got you screaming.” which delivers the sort of intro that doesn’t just build a vibe, it transports you directly into Jadyn’s world, drenched in pleasure and intimacy with zero strings attached.
The pre-chorus adds to the lyrical theme of the song, adding additional details and layers, blending perfectly out of the intro and seamlessly into the songs chorus as the BMP increases slightly upward, the drums a little more prominent and Jadyn’s voice carried it’s usual confidence bordering on arrogance tone,
“She say she wants to keep it low-key/Every time we meet she drops to both knees/Say’s she don’t want love/Yeah, she just wants to fuck/She loves to give it up, likes to be fucked rough/Screaming out my name/Every time she comes.” it’s explicit, unapologetic and built for late-night club rotation. The hook delivering a catchy, no-filter earworm which is just added to perfectly as it’s followed on by the songs chorus.
As the chorus arrives, it truly ramps up the energy and transports the track into the realm of club-ready banger territory and an after-party anthem. Self-indulgent and running with sensuality and confidence throughout,
“We always on a permanent vacation/Fuckin’ on the private jet, we fuckin’ in the limo/Arms around my neck/Looks like I got myself a nympho/Yeah, we always on that permanent vacation shit/Ain’t no serious talk/When we can just fuck/Ain’t no need for a relationship.”The songs hook returns once more before the second verse is upon us, the lyrical focus highlight specific references for fans of the artist to indulge themselves. The production maintains its energy as synths come in and out throughout the final verse, hi-hats keep the songs rhythm ticking over and the sound of a deep bass underneath the more prominent production pieces keep the listener switched on as Jadyn delivers his final offering,
“Private villa in Miami, we can keep it on the down-low/Keep it from the family, don’t want no press talk/I know you got a clean rep, but we all know nobody’s perfect/Behind those closed doors/Passion explodes/Feel it erupt/Beauty Queen on all fours/We don’t make love, we relentlessly fuck.” is as vivid and explicit as you’d come to expect from Jadyn but adds a layer of personal specifics within it to form a very particular image,
“Putting that ass to work/Watching her back those cheeks up/Pussy so tight, driving me wild, feeling her grind till I’m deep inside/She love a little of that hair pull, ass stretch/Legs spread, Pussy wet/Good head, orgasmic faces, shower sex/No regret, catch your breath/Insatiable appetite/I like to see her come again.” the track closes with one final hook and chorus combination, looping back into that insatiably rhythm as the track eventually fades out.
“Permanent Vacation”“Babe, I’ve got some free time for us to spend
I’mma fly down on the weekend
We can keep it low-key in your City
Cause I know you don’t want this shit out there publicly
And you’ve been burnt before with your ex
And I know all about my rep
So if you wanna keep it on the down low
You can keep calling my name behind those closed doors
I can keep you my dirty little secret
With you suckin’ like a Queen
And fuckin’ like it’s needed
Baby you a demon
You like those mirrors on the ceiling
Champagne on ice
Pussy so tight
Your ass got that bounce
And this dick got you screaming
She say she wants to keep it low-key
Every time we meet she drops to both knees
Say’s she don’t want love
Yeah, she just wants to fuck
She loves to give it up, likes to be fucked rough
Screaming out my name
Every time she comesWe always on a permanent vacation
Fuckin’ on the private jet, we fuckin’ in the limo
Arms around my neck
Looks like I got myself a nympho
Yeah, we always on that permanent vacation shit
Ain’t no serious talk
When we can just fuck
Ain’t no need for a relationshipShe say she wants to keep it low-key
Every time we meet she drops to both knees
Say’s she don’t want love
Yeah, she just wants to fuck
She loves to give it up, likes to be fucked rough
Screaming out my name
Every time she comesPrivate villa in Miami, we can keep it on the down-low
Keep it from the family, don’t want no press talk
I know you got a clean rep, but we all know nobody’s perfect
Behind those closed doors
Passion explodes
Feel it erupt
Beauty Queen on all fours
We don’t make love, we relentlessly fuck
Putting that ass to work
Watching her back those cheeks up
Pussy so tight, driving me wild, feeling her grind till I’m deep inside
She love a little of that hair pull, ass stretch
Legs spread, Pussy wet
Good head, orgasmic faces, shower sex
No regret, catch your breath
Insatiable appetite
I like to see her come again
She say she wants to keep it low-key
Every time we meet she drops to both knees
Say’s she don’t want love
Yeah, she just wants to fuck
She loves to give it up, likes to be fucked rough
Screaming out my name
Every time she comesWe always on a permanent vacation
Fuckin’ on the private jet, we fuckin’ in the limo
Arms around my neck
Looks like I got myself a nympho
Yeah, we always on that permanent vacation shit
Ain’t no serious talk
When we can just fuck
Ain’t no need for a relationship”
Credits & Personnel;CREDITSProduced by Jadyn Ghalen, BLOOM
Engineered by Aniyah Jordan
Mixed by Aniyah Jordan, Leon Ferreira
Mastered by Leon Ferreira
Production Management by Imani Jasmine Woods
Recorded at Bay Eight Recording Studios, Miami, Florida, USA
Production Manager: Imani Jasmine Woods
Production Assistant: Zariah-Devi Khabib
Art Director: Vincent Cooper Jr.
PERSONNELJadyn Ghalen – vocals, lyrics, composition, production
Keshia Love – vocals, lyrics
BLOOM – production, composition
Leon Ferreira – mixing, mastering
Aniyah Jordan – engineering, mixing, piano, composition
Ignacio Santos – synthesizer, composition
Augustine Francis – drums, percussion, programming
Imani Jasmine Woods – production management
Zariah-Devi Khabib – production assistant
Vincent Cooper Jr. – art director
