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The main character is a charming man whose skill is his way with words, but his unpopular vocation leads him to a life with few, if any, attachments. The generally witty script features plenty of voiceovers as the main character learns a little bit about the ups and downs of letting people get close to him.

Musician Ryan Ross Hernandez, with his debut screenplay, heads into corporate America territory, and that smarmy and affected voice-over tone, this time fetishizing the lonely frequent business flyers culture via "Fight Club"s "single-serving friend" dialogue only more contrived. Still, the sharply-written script has undeniable humor. It's too pleased-with-itself cleverness threatens to annoy, but once the world is established and the story finds it rhythm, it eases into a soulful and very human place.

Ryan Ross Hernandez is the lead, playing Ross Lancaster, a man who's unadventurous, constant traveling career leads him to have few human connections. While he is the head of the legal department at a record label, part of the job requires traveling all across the country, and as such, Lancaster has become the consummate business traveler. He technically lives in New York City, but his preferred habitat is the road and the skies. He is the ne plus ultra of packing, proficiency and economy.

The ultimate lone wolf, Lancaster takes self-centeredness to a new level, barely acknowledging the outside world exists and living in his platinum-level frequent-flyer status. He can't remember the last time he's seen his family, and refuses to do even the littlest thing to help out for his sister's wedding. If he does have a goal in life, it is to avoid any-and-all commitment at whichever cost.

The only person he does have a connection with on regular basis is his business partner, assistant general counsel Natalie Reitman (played by Jaimie Lee Alexander). Although they spend nearly everyday together, they aren't what you would call friends. Their relationship is love-hate except the 'love' part, is more in a sarcastic form. Despite their dislike for one another they have a fantastic work chemistry, traveling all around the country together you'd think they were made for each other. But unlike Lancaster, Reitman actually has a connection with her family and friends back home, and is always ecstatic to get back from business trips to see them. Reitman has also been a long-term relationship with her college boyfriend, as for Lancaster he has never had a real relationship, living happily with the commitment-free casual sex he gets from women on the road that includes flight attendants, hotel maids, etc.

But his solo lifestyle takes a 180 turn when, an upstart (attractive) new co-worker, Autumn Michelle Seaver (played by Minka Dumont), is brought in to oversee Central Music Group's legal department after the previous president of the legal department was fired due to gambling with company credit cards online. Seaver wants to be as close as she can to all aspects of her department, she even wants to travel with Reitman and Lancaster, much to the latter's annoyance. Their boss allows it despite Lancaster's disfavoring. Seaver is a friendly, easy going person who could honestly get along with anyone and as such she wants to get to know her co-workers.

Lancaster despises Seaver, her hands-on approach of overseeing her team, and pretty much everything she stands for at first. But over the course of their bumpy and contentious road trip they eventually begin to bond, although it will feel like an eternity before they do. As they start to bond Seaver notices that Lancaster, has his lifestyle locked down to a science and makes it a work of art. He understands, no knows, the exact human responses and how to counter them. His fast-talker technique is like psychological ballet and jiu jitsu. For some reason his charming, over-confident, stereotypical / sarcastic remarks, attract Seaver which usual do the opposite.

Meanwhile, Lancaster (who slowly starts to develop a soul) is in the early throes of a romance with Stacey Davis (played by Anna London) a old high school friend and now fellow business traveler who seems to be the perfect female counterpart. She's terse, economic, and doesn't fuck around. She's straight-up, animalistic and is Lancaster's equal when it comes to traveling efficiently.

As their quippy and entertaining fuck-buddy relationship evolves into something more serious, it forces Lancaster to do some soul-searching and re-evaluation of his priorities. Perhaps it, along with getting closer to Seaver, becoming friends with Reitman and reconnecting with his sisters (played by Anabelle Williams and Monica Penn), even humanizes him.

(OOC: I will start posting the film, in a reply to this post, Monday afternoon, which means I will probably post two scenes tomorrow. Think of this plot summary above as a prologue for the film since I will not be posting an actual prologue for it, I'm just going to start it right off with the first scene. If you have no idea what this is, then click on the big 'something's missing' headline at the top of this thread that will redirect you to all the background crap of this.)

The choreography of Ross' packing is worthy of Tchaikovsky.

A coat slides off a hanger... A travel toothbrush folds closed like a switchblade... A briefcase clicks onto a roll-away bag... A hand flips a light switch without looking.



Ross is at the check out desk.

CHECKOUT GIRL:

"Do you have your Prospector's Gold Card with you?"

Ross smiles... "Do I?"

He hands it to her, close enough to camera, that we get a nice big close up of it. She runs the card and the screen pops up with information that makes her blush.

We see a Digital Number in the four millions that we will come to recognize. It increases by a few thousand points.

CHECKOUT GIRL:

"Oh my God... Do you like, live, at Homestead Suites?"

Ross nods in faux modesty.



Ross pulls up to one of the spaces marked with the Devotion Club emblem. He hops out and a uniformed man with a handheld device begins to punch in the license plate number.

Ross pulls out his Maestro Devotion Club Card and places it nice and close to lens so we can see it.

The card slides through the handheld device and we see the Digital Number increase by a few thousand points.



The automated Glass Doors slide open. Ross enters the concourse and takes a deep breath of the temperately controlled air. He has arrived.

ROSS: (Voice Over)

"This is where I live."



Ross skips the long lines and steps directly into the Great West Frontiersman Platinum Line.

Glorious close-up of Ross' Platinum Card sliding through the Automated Machine. Were it any sexier, we'd hear a moan. Maybe we even do.

The digital number jumps again. Immediately, the Airport Clerk registers and perks up.

AIRPORT CLERK:

"Pleasure to see you again, Mr. Lancaster."

ROSS: (V.O.)

"When I run my card, the system automatically prompts the desk clerk to greet me with this exact statement."

We see it again...

AIRPORT CLERK:

"Pleasure to see you again, Mr. Lancaster."

Ross nods back to the clerk.

ROSS: (V.O.)

"Had my status simply been gold or God-forbid, bronze. I might have gotten a hello or a smile... Maybe."

Ross continues to hit buttons, swiftly checking in.

ROSS: (V.O.)

"Loyalty is earned and rewarded with these small touches. It's these kinds of systemized friendly touches that keep my world in orbit."

A ticket begins printing. Ross snaps it up.



Ross steps up and observes his line choices. He finds a few Asian businessmen and hops in behind them.



Ross moving through the security screening.

It's a beautiful choreographed ballet of a bag handle collapsing, shoes coming off, a laptop going in a separate tray, wallet and watch sliding into a shoe, a boarding card sliding into a back pocket... both hands always moving, performing separate actions.. It really is gorgeous.



Ross enters and presents his Compass Card Club. It has a hologram. The Compass Club Hostess immediately smiles.

COMPASS CLUB HOSTESS:

"Welcome back, Mr. Lancaster."

Ross walks past a stack of newspapers on the way to the buffet, the whole time framed by an enormous window overlooking the tarmac.

ROSS: (V.O.)

"All the things you probably hate about traveling - The recycled air. The artificial lighting. The digital juice dispensers and mini pizzas stacked to their heat lamps are the warm reminders that I am home."

With that comment, Ross slides into a leather club seat.

He opens his briefcase and pulls out his Itinerary. He scans it. We see a string of flights, car rentals, and stays at Homestead Suites. Then, something makes him frown. He pulls out his cell phone and dials...





Ross' assistant, Laura McClane, is not happy to be there.

---

ROSS:

"You have me in a Dodge Stratus in Los Angeles."

LAURA:

"They are completely out of full sized luxury vehicles..."

ROSS:
(interrupts)

"Did you?..."

LAURA:
(not the first time)

"Yes, I informed them of your Devotion Club status and years in the program. They are moving mountains to see you in an Intrepid."

ROSS:

"Fair enough. Any other messages?"

LAURA:

"Your sister Mona called. Needs to speak urgently about your sister's wedding. I told her you were midair and not even I knew your final destination."

ROSS:

"Well done."

LAURA:

"And Natalie called. She can't make it to LA, Crystal, gave her this trip off to celebrate her engagement."

Take a beat.

ROSS:

"Engagement? (sigh) I've told her marriage is suicide when you have a job like this."

LAURA:

"You told me, marriage was suicide in general..."

ROSS:

"Yes, for me it is. That is social suicide. I couldn't be with one woman for the rest of my life. Shit, I couldn't even handle a girlfriend."

LAURA:

"So, you just never see yourself in a commitment?..."

ROSS:

"No. I steal a girl's heart, sleep with them, then I never see them again."

LAURA:

"Wow. You're such a fucking douche."

ROSS:

"I'm not a fucking douchebag. A douche shows remorse for their actions sooner or later. I don't. I'm more of a fucking asshole, thank you very much."

LAURA:

"Hold on, I have Crystal Porter for you..."

ROSS:

"I... ah, fuck..."





CRYSTAL:

"How's the road warrior?"

ROSS:

"Twenty minutes from boarding into a world of bliss."

CRYSTAL:

"Great numbers out of Los Angeles."

ROSS:

"Wait 'til the suicide report comes in over the weekend."

CRYSTAL:

"They should be so lucky."

Ross gives a look - What a bitch. Perfect match to his prick.

CRYSTAL: (continued)

"I need you back in New York by the end of the week. We got something big..."

ROSS:
(interrupts)

"I know CMG records already has something huge... Me."

CRYSTAL:
(chuckles)

"I'm not saying that kind of big. I'm talking about a game changer. Hope you can handle being on home soil."

ROSS:

"I don't know why you ever bring me in. Wherever I go, the money follows. Let me plant seeds, they'll grow to Oaks... Or some high-quality marijuana plantation."

CRYSTAL:

"I'll make it up to you. Remember that thing with the towel racket?"

ROSS:

"That was impressive. Never knew you had that much upper-body strength. We really gotta do that again."

CRYSTAL:

"Is that a compliment?"

ROSS:

"It is if you consider yourself a MILF. Which I consider you one."

CRYSTAL:

"You're such a fucking prick, Ross."

ROSS:

"Wow. I've been called a prick, an asshole and a douche in less than 24 hours. By, the three women I have regular communication with."

Takes a beat.

"So, what are we talking about here?"

CRYSTAL:

"You'll see."

(changes directions)

"Today, I have to go to court... Adam is still battling me for child custody."

That's the kind of situation Ross isn't very good in. Silence is heard from Ross' line.

ROSS:

"Well... Don't worry Crystal... I'm sure everything is going to work out..."

CRYSTAL:

"Thank you. Those are probably the kindest words I've heard from you. Ever."

ROSS:

"Being an asshole doesn't make me thoughtless."

Split screen camera switches to single camera showing Crystal with a sly smirk on her face. She is looking at a picture of her young daughter.

CRYSTAL:

"I gotta... I'll... I'll see you when you get here."

The camera shows Ross still driving, he stays on the line until it goes dead from the other end. He even looks a little consider over Crystal's problem. Ross shakes his head knocking out whatever he was thinking of, while he tosses his phone to the passenger seat.

- SCENE TWO ;; end

(OOC: I wasn't really happy with these two first scenes but in the following one it really starts to take shape since in the third scene all the main cast will introduce the rest of the cast.)