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Offline genocidal king  
#21 Posted : 28 May 2010 10:29:00(UTC)
genocidal king
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forkboy wrote:
The Nimrods wrote:

Benedict:They aren't real black metal! They're faster and eviler thrash, except Celtic Frost but even they are totally black. Come to Bergen and see if you aren't destroyed by truly evil musicians.

The fact which you unsurprisingly let whoosh right over your head is that anyone who knows anything about black metal knows that it has its roots in the very early 80s. There is a reason that all of the big name Norwegian black metallers worship at the feet of Hellhammer. There would be no Mayhem without Hellhammer and Sarcófago. And so there would be no you. Now that would be a blessing, but I think it is worth enduring your craven attention seeking in exchange for 25 years of fantastically diverse music.

As much as I'm indebted to the Nordic forefathers, they are indebted to thrash metal from America. Who are indebted to Iron Maiden, Diamond Head, Judas Priest, Dead Kennedys and Sex Pistols. Who are indebted to AND SO ON all the way back to some ex-slaves in the Mississippi delta playing the blues. Does that mean that only poor black people from Louisiana can play black metal? Of course it doesn't, don't be so pig-ignorant. From day one black metal has been a global phenomenon with bands of note from America, Brazil, France, Poland, Sweden, Finland, Japan, Britain, Australia and others. By claiming otherwise you only make yourself look like more of a simpleton Benedict. Which I must admit is a pretty impressive feat.

Perhaps it is best if, rather than give you the oxygen of publicity, you are simply ignored until you can get over your self-publicising and come up with something of substance to say.

genocidal king wrote:

Alex P: hoi you, you fucking cum stinking wank faggot, this feardud or whatever the fuck he's called may be clearly some sort of arse loving poof (emotion? Fuck that!), but you do not, I repeat do not, take the Scottish nations name in vain.

Music without emotion is Nile. Which is to say it is nice and fancy, full of impressive musicianship but lacking in any sort connection to the listener aside from "oh, that's impressive, well done Mr Sanders." Emotion is treated as a dirty word within metal, tainted with weakness, but that's a bullshit argument to make, if your music cannot make some sort of emotional connection with the person who is listening to it then how can they gain anything from it? Music should make you FEEL. Disgust, horror, awe, love, happiness, misery, anger, anything is better than getting feedback such as "oh, that was OK." In essence, it is better to try and fail horribly than to try and end up mediocre. Emotion doesn't have to be nauseatingly insincere love songs, nor does it have to be "feel pity for me, I'm 17 and just dumped by my girlfriend", it just is a by-word for something that feels real.

Of course some music benefits from an intentional lack of emotion, various electronic groups such as Skinny Puppy, but that just serves to unsettle. Unintentional lack of emotion serves only to bore, unless you happen to be the sort of individual who finds guitar wankery to be enjoyable.



Alex P: Emotion this, cumteeth! *grabs crotch*

OOC: Great character
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Offline Captain Insano  
#22 Posted : 29 May 2010 00:09:24(UTC)
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Your song 'The God Delusion' sounds eerily similar to our demo title 'God Delusional'...seriously, I am impressed by your train of thought, the immersion of emotion into a genre that can be incredibly tedious and stale in it's pursuit of extremity. Nice that you are trying to educate a bona fide retarded child molester like Bendydick (yeah, I am humorous too...) on the origins of our great genre but I am afraid it's wasted. Anyone who entertains the idea of the ingestion of fecal matter and other bodily fluids has the IQ of...well...a cow turd.

Lucifer Sexdiktator
Death Squad Alpha
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_____________
The Black Gates- Progressive technical metal
The Infidels!- Retro doom funk grindcore
The Graveyard Sluts- dirty, slutty rawwwwk
Psycopathologist- old school death grind

Everyone is entitled to an opinion, it's just that your's is stupid.
Offline forkboy  
#23 Posted : 20 June 2010 20:15:58(UTC)
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Greetings

I bring the latest news update from the Mors Omnibus camp. It's not been as quiet as it has perhaps may have appeared from the outside, I've been quite busy you see. We've begun work on a few new songs that I've written, with the one that stands out bringing the whole slow, horrid, oppressive dirge that will hopefully crush the optimism of anyone who listens to it feel to the forefront or so I hope.

And if you were paying attention you would have noticed that I said "we" instead of "I" there, because Mors Omnibus are no longer a solo project, at least no exclusively. I still am the ego that drives the bands direction, I write the music and the lyrics and all those boring things, but I've decided to bring in a couple of new faces so that we can play live at some point in the future. I think that we have completed negotiations for our debut show, and it'll probably surprise people but then I hope we can surprise people on a constant basis. It is good to bring the unexpected sometimes, just to keep things varied.

Anyway, we can't really go into details yet for the first show, though we are likely to do a warm-up the night prior in Glasgow which I guess would be our first show proper. The new guys with the band are drummer Irruminator, bassist Lumpy Baboon and guitar player Eric MacGregor. They are all local Glaswegian musicians who I have known for sometime, though I am left frowning at Lumpy Baboon's insistence on using such a ridiculous alias. And Eric for not even bothering to make an attempt. Still, these details are ultimately unimportant when compared with what they bring to the band, and so their sins have been forgiven.

Edited by user 01 August 2010 11:03:21(UTC)  | Reason: Not specified

Offline forkboy  
#24 Posted : 16 March 2012 07:39:24(UTC)
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Glasgow metallers Mors Omnibus (Latin for Death To All) built up somewhat of a cult following in the first half of 2010 through their often unpredictable live shows, a thought-provoking & starkly honest attitude to the media & fans, & off the back of their debut recording, Demo One. And then they vanished. Zero Tolerance scribe Richard Drone caught up with the band's frontman & creative powerhouse Fudaidh as he made a trip to London.

It's been about 21 months since Mors Omnibus last rolled their eyes in public. So where exactly did they vanish to? As Fudaidh explains, it's not particularly glamorous.

"Real life often gets in the way of music unfortunately. I've articulated in the past that I feel quite strongly on the topic of treating music as a business, that it is art. Setting out to make a career from art involves too many compromises & I don't like compromise. But there are compromises that need to be made when you have a day job to fund your creativity. It means that playing anywhere outwith the central belt of Scotland is a real hassle."

"I got laid off, managed to find a new job but they weren't quite so generous in granting days off to play gigs. Lumpy and Eric...", and here Fudaidh rolls his eyes while smirking at the sheer bloody mindedness of ex-bass player Lumpy Baboon's chosen moniker. They wanted to play more often and so they've moved on to other things, Eric's playing guitar with Arc of the Covenant now, Lumpy has abandoned his pseudonym & is involved in another Edinburgh based group, not playing metal. Irruminator stayed true to the cause though, the drummer is back for the second stab at ruining music. So what exactly persuaded them to try again?

"Ego. I try to be a pretty private guy, hence the robes and the propensity for stupid masks. I want to seperate Fudaidh the rather eccentric, confrontational smart-arse from me to a certain degree. The music is all mine, from me and completely sincere but it's very extreme, very intense, and I can't be that guy all the time. This is why I have the pseudonym, and why the rest of the band have them too. I'm not ashamed of what I do, but I need a certain amount of seperation from it sometimes. My real identity can come out when I'm dead."

And could that happen sooner than you might expect? "Well, that's one of the things that's kept everything on hold for so long aside from the daily grind. Life is complex, it has its ups and downs for everyone but we don't all deal with them in the same way. I may have had a couple of mini-breakdowns which could be one factor that contributed to the band's long hiatus. That seems to be over for the time being and I have no real intentions of dying anytime soon. Not the sort of thing I'm totally comfortable talking about face-to-face to be honest with you, so I'll just say that my experiences have influenced my song-writing and we'll leave it at that."

The last major question is what comes next for Mors Omnibus? They may have lost half the live band but Fudaidh already has replacements in place. "We've got two new members for the live shows, going by the names of Abharsair and Greim-Bàis on bass and guitar respectively. Both have plenty experience playing live in various styles of music, both are committed to the aesthetic and I for one am excited to get to reign down on the free world with them and Irruminator. He wanted to join in on the Gaelic naming conventions, but it could have seemed like he'd left the band so he stays as he is to avoid confusion. We're hitting the studio in March, then fucking off onto the road as soon as we have some new tracks done. There's some new stuff that's been written, I quite like the idea of reworking...updating at least one track off Demo One, and I'd also rather foolishly and self-indulgently like to see if we can rework 'London Is A City Full Of Cunts That I Would Like To See Die' from our thoroughly shambolic performance at Animal Fest. We'll see if we can put it together in a form that works on record, but it's difficult to tell right now."

"After we're done in the studio, which honestly shouldn't take us more than 3 days, we're not really aiming for perfection, we've got a handful of shows lined up in Glasgow. So come along and see us supporting Jesu Cunt on the 18th March at Nice 'n' Sleazys, Arson At Eight on the 22nd at ABC2 and Cosmonaut on the 24th at the 13th Note. Or don't. It's not for everyone, in fact maybe it's not anyone."

Edited by user 08 December 2012 08:54:47(UTC)  | Reason: Not specified

thanks 1 user thanked forkboy for this useful post.
erich hess on 17/03/2012(UTC)
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