Acts of Hate - ODIUM AETERNUM [EP THREAD] - Roleplay

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Acts of Hate - ODIUM AETERNUM [EP THREAD] - Acts of Hate return in a new form with a crushing new EP!

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niggajones		#1 Posted : 27 April 2013 12:29:38(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TITLE: Odium Aeternum RECORDED: January - April 2013 at The Duke of Winchester and Casa De Fischer GENRE: Technical Death Metal/Deathcore, Melodic Death Metal LABEL: Chaos Records PRODUCER: Rob Heath TRACK LISTING: 1. Behemoth Rising 2. Westboro Baptist Church Massacre 3. Facial Reconstruction 4. Insomnia (Featuring Rob Heath) 5. This Abbatoir Earth 6. Amourtem (Featuring Nichole Fischer) BACKGROUND/RECORDING: Acts of Hate will not die. They've faced firings, quittings, church protests, broken down tour buses, marriage, and even pregnancy, but they've lived through it all. They've lost and gained two members since their last release, the Cold Blooded Christmas EP (a bizarre experiment that was half funny and half disgusting) adding bassist Jay Adler and guitarist Scott Ramsay to their ranks. For the last month or so, the newest incarnation of Acts of Hate have been spending their time finishing the ODIUM AETERNUM EP, a project that has been in the works since early 2013. Quote: Sam: "The EP was started sometime in January on the Duke of Winchester. This was probably during Acts of Hate's darkest days. We locked ourselves in a studio and ended up with nothing but a few rough mixes and a handful of lyrics. I knew I had to scale back so that I could spend more time with my wife and so that there'd be less pressure, so we took a break. A really long break. During the break, Jeff got fired and Rob quit, and we gained Jay and Scott, who've both been really awesome and creative when it comes to the new EP. This is the mission statement for a new era of Acts of Hate." Despite his departure from the band, former guitarist Rob Heath handled all the production on the new EP and provided a guest guitar solo on 'Insomnia,' the fourth track on the record. New members Scott and Jay figure prominently on the EP, having writing credits on every track except Insomnia and Amourtem. As stated by Fischer, this truly is the beginning of a new era of Acts of Hate. PERSONNEL: Sam Fischer - Vocals, Lyrics, Composition (tracks 4 and 6) Tony Sammartino - Guitar, Composition (all tracks) Neil Willamette - Drums, Percussion, Composition (all tracks) Scott Ramsay - Guitar, Composition (tracks 1, 2, 3 and 5) Jay Adler - Bass, Acoustic Guitar, Composition (tracks 1, 2, 3 and 5) Rob Heath - Production, Guitar (track 4) Composition (tracks 1 and 6) Jeff Koenig - Composition (track 3) Nichole Fischer - Vocals (Track 6)


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Osprey037[Reported Failure]		#2 Posted : 27 April 2013 12:49:54(UTC)
Rank: Advanced Member Groups: Registered Joined: 03/04/2010(UTC) Posts: 2,348 Thanks: 1149 times Was thanked: 1780 time(s) in 805 post(s)		Vin: this should be a fun listen. Can't wait to hear what you've been working on.
		I might give Satan a swirly

1 user thanked Osprey037[Reported Failure] for this useful post.		niggajones on 28/04/2013(UTC)
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snap_itshannah		#3 Posted : 27 April 2013 12:55:12(UTC)
Rank: Advanced Member Groups: Registered Joined: 01/10/2012(UTC) Posts: 18,715 Thanks: 7755 times Was thanked: 6357 time(s) in 2889 post(s)		Nichole: I can already tell which track is going to be my favorite. ;) love you guys. And especially you, Sam. :)

1 user thanked snap_itshannah for this useful post.		niggajones on 28/04/2013(UTC)
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RoseJapanFan		#4 Posted : 28 April 2013 04:09:17(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 24/08/2009(UTC) Posts: 45,471 Location: ククルー=マウンテン Thanks: 21355 times Was thanked: 14999 time(s) in 6774 post(s)		Honor: Yay, falling in love with this band bit by bit! :) Can't wait to hear it in full.
		Do you like reading reviews on anime? Manga? Games? Do you wanna support a fellow black nerd? Then click above. Isabel-Pixie-Nova-Jennifer Armstrong-Dylan Shaw-Eden Pryce-Taara Jay-Jupiter Jones-Imani Kato-Eilidh-Nothing But Trouble-Hayden-Serenity Scott-Anaísz-Kimi Kubo "My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar
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1 user thanked RoseJapanFan for this useful post.		niggajones on 28/04/2013(UTC)
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niggajones		#5 Posted : 28 April 2013 15:24:23(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TRACK 1: Behemoth Rising Quote: Sam: "Sometimes I get sick of death metal lyrics. Totally sick and tired of them. It got to a point where I was like 'oh, what haven't I written about? Necrophilia? Check. Rape? Check. Cannibalism? Check. I almost wrote a song about bestiality just because it would be 'br00tal.' I don't want to just write about sick stuff. I want to write stuff that makes people think, sometimes, you know? Lots of our new material is like this. There's still a lot of brutality, but there's more substance, you know? Instead of saying 'oh wow it really hurts when some guy chops your fucking cock off' I wanted to say stuff like 'hey, you know who I think should get their cock chopped off?' or 'this world is more fucked up than just the cock-chopping, there's all this other shit that's going on that's fucked up and we don't even realize it.' Now I don't want to get political here - I know absolutely jack shit about politics - but I do know that the entire concept of money is bullshit. Our values are all fucked up. This is where 'Behemoth Rising' came from. Basically anti-materialism, without all the whiny shit you hear from The Devil Wears Prada (the band not the book/movie.)" The EP begins with a very faint electronic humming, followed by clean guitars and (an unusual first for the band) synthesizers playing ominous notes. There's a very complex sweep arpeggio laden guitar solo that lasts for almost a full minute as the background music slowly builds up to a higher volume behind it, the drums pounding ominously. At about the 2 minute mark, a drum fill signals the entrance of the rest of the band. Tony solos over a chunky, winding riff that's backed by slow, pounding double bass and creepy sounding theremin-like synths. A big difference between the new Acts of Hate and the old is the bass. Jeff, their previous bassist, usually played along with the guitar or in a very reserved manner. This is not the case with Jay, the new bassist. His bass is loud and prominent in the mix, showing off his talent as he plays resounding, percussive chords, claypool-esque slapping, and rumbling solo's. The twin guitar-attack of Tony and Scott is almost overwhelming, as they take turns with one playing odd poly-rhythmic riffs and the other sweeping or shredding over it. Sam's vocals are powerful, and it appears that his growling style has changed a bit, as it is now deeper and less throaty. The song maintains a steady assault of riffery, soloing and brutal slams until the coda, where twinkling, surreal synths back the syncopated guitar soloing as the rest of the band fades out into nothingness, leaving only ominous electronic noises and static. forever moving restlessly demolishing whole city blocks crushed in it's wake it gnashes it's teeth of gold it vomits bits of silver it's creator scoffs and ashes it's cigar on the face of humanity it's hull is golden encrusted with diamonds as it prepares to steamroll the earth forever moving, forever destroying cigarette butts and jellied fire fly from it's mouth like scalding spittle so many crushed underneath it's weight the pressure of monetary gain overwhelms this country if genocide is good for the economy then the majority will be pro-genocide if genocide is bad for the economy then the majority will be anti-genocide we're digging ourselves into a gilded grave in god we trust, incorporated to be saved it's going to cost you an arm and a leg so break these chains monetary chains monetary gain is no excuse to cause pain SOUNDS LIKE


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erich hess		#6 Posted : 29 April 2013 08:41:29(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 09/04/2010(UTC) Posts: 42,827 Location: representing the 954 Thanks: 21866 times Was thanked: 18088 time(s) in 10509 post(s)		erich:i think i finally got it. nichole is with triplets because sam's bad assery is too much for a single man to handle. he had to dilute this into three other people,or else he would have exploded. karoliena:rob is pretty good at exploding too. erich:really,karoliena? is that really called for? karoliena:nods happily if i'm doing it right,it is.
		"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.

1 user thanked erich hess for this useful post.		niggajones on 29/04/2013(UTC)
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niggajones		#7 Posted : 29 April 2013 09:35:32(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TRACK 2: Westboro Baptist Church Massacre Quote: Sam: "I'd like to think that I'm a pacifist. I'm usually calm and I don't advocate violence in any situation, but the Westboro Baptist Church just kind of irks me. They suck so bad that I automatically like gay people when I meet them, if only beause they piss the Westboro Baptist Church off. So yeah, that's how this song came to be lyric-wise. And everybody who listens to it, don't actually go out and to it. If anything happens, don't blame me!" Quote: Tony: "Musically, this entire EP moves away from the more simplistic deathcore songwriting that was prevalent on our first two EP's and to a lesser extent on 'Unholy Creation'. This song is a prime example. I wanted to write stuff that hearkened back to the golden age of death metal - Cannibal Corpse, Cryptopsy, Suffocation, Deicide, stuff like that. It's like a sleeker version of classic brutal death metal. One of my favorite tracks from the new record." The track kicks off immediately with tremolo picking, blast beats, and double bass, and from there on only progresses in that direction. The riffs are angular and technical, and only get more so as the song goes on, only breaking for the occasional tremolo picking passage. The drumming is equally fast and violent, Neil utilizing blast beats and gravity rolls to get some sickeningly fast drum fills in. Halfway through the song slows down for a lumbering, discordant slam section featuring dissonant chord chugging and rumbling bass sure to incite even the most reserved crowd into a circle pit.It's followed by a masterful twin guitar solo, Scott and Tony trading leads back and forth before returning to the main riff of the song for the ending coda parts. fuck you! i'll bring you to your knees with a clip of the shears bleeding profusely from your severed tendons praying to your god to kill the innocent i'll kill the guilty, and that means you shirley chokes on her warm blood as i bring the hammer down where the fuck is your god? he can't save you now it's time for a massacre westboro baptist church massacre killing the worthless, freeing their children the saw is the law, and you're fucking guilty killing the worthless, freeing their children the saw is the law, don't try to escape gagged, shagged, thrown in a body bag try and crawl, you look fucking pathetic teeth are removed, skin is excised try and beg for your worthless fucking life mangled cock and balls, nose smashed in it's time to show freddy the wages of sin the phelps family lies in ruin rotting in a heap of entrails and viscera it's all over, the bibles are burnt it's all over, the perfect massacre i've enacted the perfect massacre god hates the westboro baptist church [YOUTUBE]https://www.youtube.com/watch?v=NgIQDGzRTwU[/YOUTUBE]


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Princess_Valentine		#8 Posted : 29 April 2013 12:46:58(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 16/04/2011(UTC) Posts: 6,598 Location: Storybrooke Thanks: 4684 times Was thanked: 2517 time(s) in 1482 post(s)		Kourtney: I just happened to be listening to the radio and came across one of your songs and instantly fell in love. Now I can't get enough of you guys so I'm quite excited that you'll be releasing a new EP. Gives me something to look forward to. :) Ooc: Nice job!
		DominicBrown\|LeslieNielsen\|LexiMarieTaylor\|JordanSnow\|AllyHansen\|AriaKingsley


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niggajones		#9 Posted : 29 April 2013 12:55:50(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		Sam: It's always great to know you have more fans! Tony: Wow, I can't believe that Kourtney's an Acts of Hate fan. Jay: I can't believe that a radio station actually played one of our songs. Neil: I can't believe it's not butter! Tony: ...okay, Neil. Good job.


1 user thanked niggajones for this useful post.		Princess_Valentine on 29/04/2013(UTC)
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niggajones		#10 Posted : 01 May 2013 14:36:51(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TRACK 3: Facial Reconstruction The third track of Odium Aeternum is a pretty standard sounding track for Acts of Hate. Fast, brutal, and heavy. One thing that stands out on this track is Neil's drumming, which is fast and precise, making use of gravity rolls and blast beats. Guitar wise, the track relies mostly on rapidly shifting and alternating dissonant riffs over top a solid foundation of rumbling bass. Tony and Scott used seven string guitars for the recording of this song, and the heaviness of the downtuned guitars resonates in the listeners ears, giving a feeling of mild discomfort as the song lumbers along, ending very abruptly with a final drawn out growl from Sam. Quote: Sam: "It's not necessarily about plastic surgery per se, but more about the standards of beauty are portrayed in today's society. People learn to be unhappy with themselves. I think it's total bullshit, so the lyrics take that to the extreme. I don't look down on people who have had plastic surgery, I just think that it's unnecessary. People need to appreciate who they are instead of looking to TV or movies to find what's considered 'beautiful.' We all consider different things beautiful, and in that case, it means that there should be no 'standard of beauty.'" smashing, sculpting, fleshy play-doh rearranging what once was your identity just watch the blood flow, inject the plastic bits and pieces of your face skin so soft soaked in blood hacking, slashing, violating why are you so unhappy with yourself? indoctrinated with a concept of beauty you were beautiful - before you let me cut your fucking face mangled remains, bits of gristle facially fist-fucked, look at yourself now you're not completely human 2% plastic facial reconstruction surgery performed with a chainsaw what the fuck have you done to yourself? SOUNDS LIKE: [YOUTUBE]https://www.youtube.com/watch?v=1kcQ5aDDX-0[/YOUTUBE]


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erich hess		#11 Posted : 01 May 2013 22:34:07(UTC)
Rank: Advanced Member Groups: Moderators, Registered Joined: 09/04/2010(UTC) Posts: 42,827 Location: representing the 954 Thanks: 21866 times Was thanked: 18088 time(s) in 10509 post(s)		Erica:I totally agree. Nina:um..love? You've had surgery and your wife IS the standard of beauty Erica: I know. I had my surgeries for me. What I saw in the mirror and how I saw myself were two different things. Now they match! she giggles Nina: makes sense,love. If you weren't doing it for you,you'd have got the boobs to match. Erica:I love my boobs. I'd look silly with anything bigger.
		"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.


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niggajones		#12 Posted : 04 May 2013 10:12:46(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TRACK 4: Insomnia (Featuring Rob Heath) Quote: Tony: "This song definitely represents a turning point for Acts of Hate. For the longest time I felt as if we were stuck in a groove, unable to deviate from the simple riff-solo-riff-breakdown formula. 'Insomnia' is probably my favorite track off the new EP because it's so different from what we've done before. Acoustic guitar, melody, we even got Rob to do a guest solo on it, and I have to say it's one of his best." Quote: Rob: "My role as producer on the new EP was a big change from actually being in the band. I let them make most decisions themselves, I just tried my best to make it sound good. It was an honor to have them ask me to play on it, even if it's just on one song." 'Insomnia' is a departure from the previous 4 blisteringly fast songs on the EP, starting out with something completely unheard of in an Acts of Hate song until now: acoustic guitar. The intro is soft, two acoustic guitars intertwining and playing harmoniously for a full minute, until a drum solo from Neil shifts the song into overdrive, Scott and Tony playing heavy, complex riffs. The song is fast paced, almost thrashy, reminiscent of Slayer or Metallica. Sam's usual low growls are eschewed in favor of piercing, painful-sounding screams. The song alternates quickly between thrashy passages and slower, mellow parts with acoustic guitars backing the distorted electric guitar leads. Halfway through, a mellower acoustic section segues into a masterful guest solo from Rob Heath, former Acts of Hate guitarist, that really shows off his virtuosic guitar skill. The solo ends and fades into a mournful sounding coda-section, where the acoustic guitars accent the wailing melodeath-like lead guitars as the song fades out. pupils dilate in the soothing darkness but no matter how hard i try, i always awaken unbearable pain, unrelenting suffering only sedation can quench my thirst for an end too much of a coward to take my own life too afraid and weak to live it like a man she's so strong and i'm so pitiful how could she love me? how could she care this love that i can barely believe in is the only thing that keeps me alive why do i feel this way? why do i feel such inadequacy? i've reached the threshold of emotional pain i wait for sleep to take me, make my thoughts go away there's something else, there must be something better than this although i know there's not, i still try to convince myself try to convince myself that maybe there is a god i know in my heart that it's nothing but a lie, so i tear my eyes out every time they open all they see is pain tear my eyes out every time they open all they see is pain tear my eyes out every time they open... SOUNDS LIKE: Edited by user 04 May 2013 10:13:19(UTC) \| Reason: Not specified


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niggajones		#13 Posted : 07 May 2013 12:48:27(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TRACK 5: This Abbatoir Earth After the previous track fades out to silence, "This Abbatoir Earth" fades in with creepy ambient noise, footsteps, chains clanking, and some truly vicious pig squeals from Sam. The rest of the track is a pretty standard, albeit groovier, Acts of Hate track. The song is a perfect example of Acts of Hate, with fast tremolo picking, complex riffs, solid drums, and rumbling bass all playing parts. Tony and Scott trade off lead licks over the solid foundation of relentless drum and bass, and Sam is at the top of his vocal performance, his vocals fluctuating between black metal-esque screams, low grunts, and surly pig squeals. The track's outro has to be one of Sam's best vocal performances on any Acts of Hate song, as he screeches inhumanely at the top of his lungs over the relentless riffage of Tony and Scott. i can't stand the fucking stench the smell of humanity take a chainsaw to the world unstoppable enmity my hatred is like a river of blood that flows six feet deep until the world lies in ashes i'll never fucking sleep you all sicken me with your good intentions they only exist in your fucking imagination a race of human swine ripe for dismemberment a race of human swine you're gonna fucking get it i can't stand the fucking stench you fuck mother earth i can't stand the fucking faith pious frauds i can't stand the way you teach people callousness i can't stand the way you're so fucking superstitious you all sicken me with your good intentions they only exist in your fucking imagination a race of human swine ripe for dismemberment a race of human swine you're gonna fucking get it humanity lies dead at the bottom of a ditch but humanity did this to itself what a stupid fucking bitch SOUNDS LIKE:


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Osprey037[Reported Failure]		#14 Posted : 07 May 2013 14:00:42(UTC)
Rank: Advanced Member Groups: Registered Joined: 03/04/2010(UTC) Posts: 2,348 Thanks: 1149 times Was thanked: 1780 time(s) in 805 post(s)		Vin: Honestly you're one of the only young bands worth listening to. These songs actually mean something.
		I might give Satan a swirly

1 user thanked Osprey037[Reported Failure] for this useful post.		niggajones on 07/05/2013(UTC)
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niggajones		#15 Posted : 07 May 2013 14:10:41(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		Sam: that means a lot coming from you, Vin! We're working on getting out a new full length sometime relatively soon, and you should totally guest on it, lay down some riffs or something. I'm glad you like it!



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niggajones		#16 Posted : 14 May 2013 09:42:40(UTC)
Rank: Advanced Member Groups: Registered Joined: 08/06/2012(UTC) Posts: 3,401 Thanks: 362 times Was thanked: 739 time(s) in 493 post(s)		TRACK 6: Amourtem (Featuring Nichole Fischer) The last song of the EP begins with two melodic guitars playing mournful notes, fading in as if from a distance. The guitars gradually get louder until a cymbal hit introduces the rest of the band, the bass rumbling beneath the guitar lines as fast tom rolls are played on the drums. This continues for about a minute or so before the song breaks into death metal territory. The guitars play fast, melodeath styled tremolo picking, and the drums play blisteringly fast blast beats. The bass holds down the heavy end, and then the vocals come in, Sam using a higher pitched scream, mixed with growls. Overall, the song is a mid-paced venture into melodic death metal/deathcore territory for the band, with as many melodic guitar lines as there are brutal chugging passages. Nichole's vocals are soft, sedated and morose, clashing perfectly against Sam's pained cries. The version of the song on the EP is different from the single release, the ending is extended with a dark, emotional coda of clean arpeggios and atmospheric sound which echoes and fades out into nothingness, ending the EP. VOCALS: Dark Red = Sam Bright Red = Nichole in the dark walls of the charnel my obsession with her corpse will overflow as i consume, i savour the decay caress her corpse, her purity i did take away this is my salvation no gods, no mediation this is my redemption drowning in my contempt, and i arouse myself as i taste her skin take the handle of the blade, push it deeper in stretch the wound, penetrate to soothe my sin my lust for her will never stop i return to myself as i taste her skin feeling the grip of her innards, pushing deeper in stretch the wound, penetrated so deep within my lust for her will never stop is this your warmth that i feel pressing against my face my dear? is your presence within me? you left me cold and so empty in the dark walls of the mortuary my obsession with her will overflow as i exhumed, i tasted her decay i touch her form, a celibate death i take away this is my coldness that you feel pressing against your face my dear my presence is not within you but your corpse is delicate to me within the dark walls of the charnel my obsession with her will overflow and i exhume, effluvium decayed caress her skin, so paper like it flakes away *my dark walls* what is this light? that i see dancing before my face, my dear? is his presence within me? your love left me so empty... your love will be the death of me... SOUNDS LIKE:


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