Release Date: November 25th, 2011
Recorded: December 2010 - October 2011
Avatar Studios
(New York City, New York)
Capitol Studios
(Hollywood, California)
Blackbird Studio
(Nashville, Tennessee)
Genre: Rock, blues, alternative, indie rock, pop
Length: 81:42
Label: Studio60 Records
Producer: Ryan Ross Hernandez (also executive)
Singles from Running Changes
1. "My Life Is Not My Own"
Released: September 5th, 2011
2. "RISE from the Burning Ashes"
Released: October 2nd, 2011
3. "These Questions of Who We Are"
Released: November 13th, 2011
4. "The Greatest Love Stories Have No Clocks"
Released: November 28th, 2011
Background
Running Changes is the forth studio album by American singer-songwriter Ryan Ross Hernandez, set to be released worldwide on November 25, 2011 by Studio60 Records. Although it shares the rock and old-school blues influences of his previous albums, Running Changes was further shaped by post-Britpop bands such as Coldplay, Oasis, and The Verve. Hernandez has confirmed that the album is the least of his that give into the "Top 40 pop radio agenda", saying that, "all my albums before Running Changes has had that big radio number. I've always had that one song that I can go into a meeting with label executives and tell them 'this is gonna be the hit on the album,' on this record I have no idea if such sing even exist."
The album's central theme that goes with the album title, is about growing older, and typifies the near dormant tradition of the confessional singer-songwriter, exploring themes of anger, revenge, unfaithfulness, heartbreak, self-examination, and forgiveness.
Hernandez began composing material for a forth album as early as December 2010, less than a month from the date his previous album, Let a Man Be Lost was released. The singer-songwriter admitted that he suffered from writer's block for the first time in his career, throughout the Running Changes studio sessions. He said "I got somewhat cynical at times during making this album, which hasn't happened since my first album. I actually wanted to go out and do certain things just because I thought I was going to have a great song from it later. It's almost as though I need a constant struggle and anxiety riding on my back, to be a successful songwriter."
Ryan Ross Hernandez admits he prefers Let a Man Be Lost to his new album Running Changes, "I know that I'm supposed to say that my newest is the best one. Bullshit," he says, "Running Changes is my most important album in terms of me growing as a songwriter, but overall, Let a Man Be Lost is the best thing I've ever done."
Influence and Sound
At the earliest recording sessions, Running Changes sound direction was going to be one inspired by old-school folk artists such as Bob Dylan, Joni Mitchell, Neil Young, Crosby, Stills & Nash, and American country music. Ryan developed an appreciation for the genre, praising what he described as the immediacy of the themes and the straightforward narrative structure of many of the songs he listened to. While the sound changed to a more adult contemporary sound, many folk inspired songs were written and demoed, Hernandez now hinting that those songs could be used for the follow-up to Running Changes.
The change of musical styling occurred when Hernandez found a love for the piano. Before Running Changes, Hernandez only had a basic working knowledge when it comes to piano. The musician had a professional pianist come into the studio and further expand his skills. While most of the songs aren't entirely composed on the piano, the majority of the songs have appearances of the instrument.
Hernandez said of the sound of the album, "Everything on [the album] is precisely calibrated to transcend genres, to withstand trends ... It's slightly angled toward alternative, even more toward indie. It's arch without being unpleasant." The album incorporated the saxophone, lap steel guitar, organ, harp and violins in its exploration of post-Britpop, piano rock and soul music, as well as alternative pop and gospel infused rock music. The singer stated that the album's eclectic musical range is "all tied together by [his] voice", and that his lack of a definitive sound gave the album a kind of "mix-tape vibe."
Song structure
Running Changes comprises mainly slow and mid-tempo ballads and torch songs, characterized by bold melodies and chest-clutching singing. Hernandez states that a shortcoming of his previous albums was his tendency as a singer-songwriter to cloud his songs with extensive references and metaphors. However, on Running Changes he aimed for a less-is-more approach, reflected in the sparse, minimalist instrumentation found in the majority of the songs on the album. In interviews where he spoke about the album, he used the phrase "simplicity is not stupidity," to describe the instrumentation.
Lyrical themes
Ryan Ross Hernandez's lyrics on Running Changes detail ambivalence, missed connections, unfaithfulness, relationship with friends and family, fear of growing older, concerns about leading a hollow life, the passage of young adulthood, and despondency. "Running Changes in some ways, picks off where Let a Man Be Lost left off. I feel this album is less about love conflicts, and loneliness, and coming to terms with oneself, and more so about figuring out what you want for yourself for the next five, ten years of your life."
The topic of women continues to be prevalent on his albums, with songs concerning past and potential lover ("The Story of a Misunderstood Man (Part II)", "It's Not An Ending (Rather a New Beginning)"), about love affairs ("Somewhere Between Love and Passing the Time"), and temptation ("Those Who Don't Learn From History"), and enamour with them ("These Questions of Who We Are", "The Greatest Love Stories Have No Clocks").
Track listing
All songs written and produced by Ryan Ross Hernandez.
1. This Is a Story of Dreams Mixed With Reality (Intro) - 4:15
2. If You Could Only Keep This Heart Beating - 4:20
3. When My Bones Grow Old and Weak (Listen to This Song) - 5:52
4. The Art of Getting By - 2:59
5. The King & Queen of Dysfunctional Fairy Tales (with Glamazon) - 4:06
6. Smoke in My Eyes - 4:02
7. RISE from the Burning Ashes - 4:54
8. Life's Scorecard - 3:19
9. These Questions of Who We Are - 5:09
10. The Story of a Misunderstood Man (Part II) - 5:21
11. Ever Growing Pains - 4:37
12. Somewhere Between Love and Passing the Time (with Ellie-Grace Summers) - 6:07
13. Those Who Don't Learn From History... - 5:47
14. Hold On, Sunshine, Tell Me How to Get Over You - 5:13
15. It's Not An Ending (Rather a New Beginning) - 4:45
16. All I Want Is Everything or Nothing at All - 5:39
17. The Greatest Love Stories Have No Clocks - 5:17
18. Life Is Just a Dream (Outro) - 2:58
iTunes bonus tracks
19. My Life Is Not My Own
20. Don't Think Twice, It's Alright (Bob Dylan cover)
Deluxe edition
US & Canadian bonus disc
1. My Life Is Not My Own
2. Warning Sign (Coldplay cover)
3. RISE from the Burning Ashes (live acoustic)
4. Life's Scorecard (live acoustic)
5. Somewhere Between Love and Passing the Time (solo version)
6. The King & Queen of Dysfunctional Fairy Tales (radio mix)
7. Inner City Blues (Make Me Wanna Holler) [Marvin Gaye cover]
8. The Greatest Love Stories Have No Clocks (piano version)
International deluxe edition
1. My Life Is Not My Own
2. RISE from the Burning Ashes (live acoustic)
3. Somewhere Between Love and Passing the Time (solo version)
4. Rocket Man (I Think It's Going to Be a Long Long Time) [Elton John cover]
Sample credits
"The King & Queen of Dysfunctional Fairy Tales" contains samples from "Inner City Blues (Make Me Wanna Holler)" as performed by Marvin Gaye.
"All I Want Is Everything or Nothing at All" contains samples from "Blood Bank" as performed by Bon Iver.
"The Greatest Love Stories Have No Clocks" contains elements of "Glad to Be Unhappy" as performed by Frank Sinatra.
"Life Is Just a Dream (Outro)" contains samples from "Beach Chair" as performed by Jay-Z and Chris Martin.
"My Life Is Not My Own" contains samples from "Feeling Good" as performed by Nina Simone.
Personnel
Production credits
Ryan Ross Hernandez - producer, mixing, programming, engineer (strings)
Chad Franscoviak - engineer, mastering
Charlie Parker – engineering assistance (Capitol Studios)
Justin Garrett – engineering assistance (Avatar Studios)
Josh Wright – engineering assistance (TBlackbird Studio)
Music credits
Primary musicians
Ryan Ross Hernandez - vocals, electric and acoustic guitar, piano, composer
Robbie McIntosh - acoustic guitar, slide guitar, pedal steel guitar
David Ryan Harris - electric guitar, backing vocals
Chuck Wilson - piano, Hammond organ
Sean Hartford - bass, backing vocals
Aaron Sterling - drums, percussion
Additional musicians
Ian Matthews - pump organ, celeste, Wurlitzer electric piano
Bob Reynolds - saxophone
Bryan Martin - trumpet
Jaime Ward - keyboards
Mitchell Brady - french horn
Joseph Chapman - mandolin
Stephanie Bennett – harp
Gustavo Delgado - horn arrangements, string arrangements, viola, violin
Natalie Stewart - strings
Ben Lawson – strings
Emily Leaper – strings
Rita Clark – strings
Eleanor Fitzgerald – violin
Stephen Moore – strings
Julia Tillman White – choir, chorus
Laurence Hall – choir, chorus
Carmen Tween – choir, chorus
Laura Nichols – choir, chorus
Kristen Roethlisberger - choir, chorus
Guest musicians
Glamazon - vocals on track 5
Ellie-Grace Summers - vocals on track 12
Ashley Perry - backing vocals on tracks 11, 13
Gabriel Hunter - Roland TR-808 on track 13, vocal harmony on track 17
Additional personnel
Ryan Ross Hernandez - art direction, graphic design, photography
Lindsey Davis - art direction, graphic design
Terry Richardson - photography
Rene Martinez - guitar technician
Katherine Crowe - tracking
Edited by user 05 December 2011 04:02:37(UTC)
| Reason: Not specified