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Offline Osprey037[Reported Failure]  
#1 Posted : 05 January 2012 12:58:22(UTC)
Osprey037[Reported Failure]
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Info
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Artist: Reported Failure (Billie Beckett, Vin Peters, Matt Collins, KC James, and Robert Edwards)
Album: Darkness
Label: Studio60
Release Date: July 6 2012
Producer: Vin Peters, and Jason Smith
Lyrics: Billie Beckett, Matt Collins, and Vin Peters
Length: 58:38
Format: Mp3 download, CD, Colored Vinyl
Personnel:

Vocalists:

Billie Beckett......... The Darkness

Amy Meyer......... Sarah

Yulia......... Justice

James Urie......... Peace

The Darkness Chorus
Aaron Marks
Matt Collins
Nicole Woods
Ryan Williams
Vin Peters
Clara Thompson
Mitchell Hughes
Alice Mason


KC James......... Additional Backing Vocals

Strings:

Matt Collins - Bass
Vin Peters - Guitar
KC James - Guitar
Billie Beckett - Guitar

Mitchell Hughes - Piano
Alec Watson - Harp
The London Symphony Orchestra


Percussion:

Robert Edwards - Drums
Rafael Gomez - Bongos
Rachel Jones - Xylophone
The Darkness Chorus - Clapping
The London Symphony Orchestra


Everything Else:

The London Symphony Orchestra


Tracklisting:

1. 6771 (5:42)
2. Being Man (4:32)
3. A Dramatic Turn of Events (4:02)
4. Darkness I (6:18)
5. A Pattern of Distress (3:24)
6. Nevaeh (5:01)
7. Crumbling (4:46)
8. Darkness II (3:22)
9. 2001 (6:12)
10. Writing My Own Eulogy (3:30)
11. Lithium (3:35)
12. Darkness III (5:53)
13. New America (4:21)


Recording
The recording of Reported Failure's fifth album was certainly unlike the recording of anything they had ever done before. Basically all of it was recorded while the band was out on The No Venues Tour. The band recorded the album in everywhere from Holland, to Italy, to China, to India, with the most major recordings being done in London, England and on the bus. "Although we worked in literally every town we stopped in for the tour, London was the most serious recording." says Vin Peters, "We also recorded little bits like voacals or guitar from the tour bus with the help of fantastic technology". The album was recorded literally everywhere, with Robert Edwards even recording the drums for a couple of songs while the band was doing a soundcheck for their show in Venice. Most of the recording was done in Londin with the band either flying back for a couple of days between shows, and a whole lot being done while they were in England at the start of the tour. "Obviously the foundations of the song had to come first. Some people do things different ways but we've always found it best to record drums and bass first and then add guitars and then mix all of that perfectly before adding the vocals." says drummer Robert Edwards. The recording was extremely hectic to say the least. The last song to be finished actually wasn't done until just a week ago. One thing that made it so crazy and the reason why the band kept going back to London was because the album features a whole lot of orchestral elements to it. The London Symphony Orchestra has something to do with just about every song. It's not just that, but there are nine guest vocalists on this album, plus the production work of Jason Smith on some tracks! Billie Beckett commented, "Recording was insanity. We worked on something every single day from October to a week ago. tHe day after we finished it was the first day I have really slept since before we started."

Songwriting/Concept
The songwriting for what promises to be Reported Failure's best album yet is aprocess that has been going on since 2009. "Not everyone really understands what it is like to be an insonia plagued frontman for a band" explains Billie Beckett, "You just fill notebooks with every thought that comes to your head whether it pours out in song from, as a poem, or just journal entires. I have been writing about my experiences forever, and the songs on this album are about specific things that have been going on in my life for several years". The experiences he is talking about have been rather fun gossip for the punk scene, but for Billie they are several years of tragedy and heartbreak. Billie has told the first part of the story many times, including on the song "Goodby, My Son" from Reported Failure's latest EP. "Basically I gave everything to and fathered a son with a girl who left me. There are a lot of lyrics about that and some throwbacks to the fact that I like my son grew up mostly without a father. Then things kind of fast forward through the time where I was having to get over all of that and to just other things acting as a catalyst to remind me of that. A lot of the labum is also devoted to my suicide attempt and the death of my sister back in September". The album isn't all about Billie though. And he says that "Although pieces of songs are old, no song on this album wasn't modified". The reason that the songs had to be modified is because of the epic allusion that the album makes. As Reported Failure always do, they make a statement about the greater world with this album. The album follows the story of the characters William and Freedom who were introduced in the bands EP which acts as a prequel to this album. The characters however both are just turned into one single character, The Darkness. "The concept is really an allusion from one's personal struggles to the struggles of America, or freedom. The idea is to make someone's life really feel significant to the bigger world because it is" says Beckett. The album also features other characters each "plsyed" by another vocalist. Amy Meyer is Sarah, the girl who left Billie, Yulia is Justice which represents Beckett's sister, and James Urie is Peace which represents Beckett's son. The allusion is also made clear in the artwrk for the album, which is Billie with the american flag sort of printed on his face.

Sound
Darkness has been said to sound like many things, but the quote that has been most talked about is when Vin Peters said "THis album more closely resemlbes The Phantom of the Opera than it resembles Post-Grunge Catastrophe". The first single from the album, Crumbling, does have many orchestral elements, and the whole album will have orchestral elements, but it isn't as if Reported Failure are going to put the guitars as an undertone to the orchestra. "We went heavier, more heartpounding, and dirty with our entire song" says Matt Collins. The days of Reported Failure being a pop punk band are clearly far behind them. The album is more like heavy punk or post-hardcore with the band's classic emo tint, but with a whole lot of violins, brass instruments, pianos, organs, and of course lots and LOTS of vocal harmonizing. The production skills of Jason Smith were also employed, and certain songs contain more bizzare industrial noise that Smith likes to use. The album vaguely resembles many things Reported Failure have done in the past, but fits none perfectly, and is very far from the pop-punk songs of their first album, parts of their second and third, or most of their fourth.

OOC Info
Yes that is the release date, and yes I do plan to start the track by track now. The first song should be up this weekend. The reason I'm doing this is because every other time I've ever done a track by track it has been during a break from school, and even then I never seem to get each song posted before the release date. Now I am in school and this album has more songs and all of the songs are much more intense than anything I've ever done. So I'll probably post about one or two songs per week which means the last one will be posted right around the release date.

I'm not going to do sounds like for any songs simply because although there is probably something that sounds like what I imagine, I do't listen to it and therefor don't know about it. But in the spoiler are a few videos. Most of the songs have aspects from some of them and if you imagine all of those songs had thirteen different babies then those would be the songs on this album. Basically the music on this is a result of me spending all summer listening to two things: Chiodos and music from Wicked.


I really hope you enjoy it and as always feedback is apriciated.

Edited by user 08 July 2012 02:56:10(UTC)  | Reason: Not specified

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I might give Satan a swirly
thanks 8 users thanked Osprey037[Reported Failure] for this useful post.
RoseJapanFan on 05/01/2012(UTC), TishaJackson!!!! on 05/01/2012(UTC), thehawkstrikes on 05/01/2012(UTC), C4AJoh on 06/01/2012(UTC), GirlSpice on 06/01/2012(UTC), infinite135 on 06/01/2012(UTC), stephaniewazhere on 09/01/2012(UTC), Laurelles1 on 15/01/2012(UTC)
Offline TishaJackson!!!!  
#2 Posted : 05 January 2012 13:09:00(UTC)
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Tisha: Picking up my copy on Febuary 21st!

OOC: Amazing RP! Seems really thought out and planned. Well detailed.

Edited by user 05 January 2012 13:09:54(UTC)  | Reason: Not specified

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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline RoseJapanFan  
#3 Posted : 05 January 2012 13:14:46(UTC)
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Lily: I am intrigued :)

OOC: Always so organized :P Loove it, truly an amazing RP.
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Do you like reading reviews on anime? Manga? Games? Do you wanna support a fellow black nerd? Then click above.
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Isabel-Pixie-Nova-Jennifer Armstrong-Dylan Shaw-Eden Pryce-Taara Jay-Jupiter Jones-Imani
Kato-Eilidh-Nothing But Trouble-Hayden-Serenity Scott-Anaísz-Kimi Kubo


"My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar



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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline erich hess  
#4 Posted : 05 January 2012 13:21:11(UTC)
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erica:febuary 21st is chloe's birthday...meh,she'll understand if we skip it and run to buy this album.

chloe: this is the 4th year in a row you guys "forget" my birthday.

nina:it's only because we hate you,love.
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"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline DistortedAudio  
#5 Posted : 05 January 2012 13:22:00(UTC)
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Winston: I'll preorder it from your online store as soon as I can.

(OOC: I like the blend of post-hardcore - a genre I almost never listen to - with the more classical ensemble of a play, Wicked may be one of the newer ones but its' composition is still great.)
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I feel numb, born with a weak heart
I guess I must be having fun


EARN BY WORKING LIKE A DOG
SPEND LIKE ROYALTY
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline Osprey037[Reported Failure]  
#6 Posted : 05 January 2012 14:23:39(UTC)
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OOC: This is just the beginning. The best is yet to come. Thanks for the kind words though. And yes it's going to be very interesting. I've been in love with most of the songs from Wicked ever since I saw it on Broadway back in June. also Erich you made my day with "it's only because we hate you,love."

Billie: @Tisha: That is fantastic! Thanks for the support and I hope it lives up to your pre ordering it.

@Lily: It is going to be very different from what you are familiar with hearing from us, but I think you will like it.

@Erica & Company: What you could do is buy Chloe a copy plus a couple for yourselves. Everyone wins.

@Winston: You'll be able to pre-order it from Nomad Records in a couple of days. Thanks for the support!
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I might give Satan a swirly
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erich hess on 06/01/2012(UTC)
Offline thehawkstrikes  
#7 Posted : 05 January 2012 16:22:29(UTC)
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C.J.: This album is going to be so sick. Reported Failure is definitely one of my favorite bands out there and I might just buy this album twice, the CD and the vinyl.

Harris: Now why would you do that the songs don't change from the CD and the vinyl. I don't get it.

Mike: Just shut the hell up Harris. By now everyone knows your a retard with shit for brains.

Harris: Ouch, that hurts Mike. That hurts me here. *taps a finger on his chest*

C.J.: Both of you shut up this isn't about you it's about how insane this record will be!
Actually The Enemy (Hardcore, Synthcore, Post-Hardcore. Similar to We Came As Romans, Asking Alexandria, and Attack Attack!)
C.J. Sandmann (Entersandmann)- Clean Vocals & Rhythm Guitar
Troy Prendergast (falloftroy)- Screamed Vocals
Brooks Morrison (bemoreson- Lead Guitar
Keith Halbert (keithislost)- Bass
Mike O'Brien (irishdubmike)- Synth & Effects
Mike Harris (TheRealMikeHarris)- Drums
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline erich hess  
#8 Posted : 06 January 2012 01:41:14(UTC)
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Nina: we'll buy a couple and give them to everyone but chloe.

Chloe: why do you guys hate me so much?

Erica: we like to make you cry.its simple as that.

Nina: your mascara runs in the most perfect way. It almost makes me jealous,love.

Chloe: oh.good. i thought you were still pissed about when i stole your boyfriend.

Nina:*folds arms and gives a dirty look* i TOLD you never to mention that!

Erica: a drummer stole your boyfriend?! *points and laughs*
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"I'm not saying its even a good thing to own a chimpanzee. But that's freedom, folks." Alex Jones.
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline Mckenzie-  
#9 Posted : 06 January 2012 02:17:13(UTC)
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Ryan: Sick! Can't wait for this to drop, its sounding big thus far. Stoked fore you guys with this.
retired x
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline genocidal king  
#10 Posted : 06 January 2012 02:21:28(UTC)
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OOC: This is an epic start. Bravo mate. Great stuff.
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline Matticus  
#11 Posted : 06 January 2012 02:52:00(UTC)
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OOC: I must say, this is an amazing start - you've just set some huge expectations now for the rest of the album now :P
Sammy Griffin

Matt Young

Fathers of Fury

Buzz & Hype

Other Acts Include: Parish (Michael Parish), Lucifer (James Francis), Cheating the System (Ethan Plyth, Tom Jolly, Ryan Wyler)
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline GirlSpice  
#12 Posted : 06 January 2012 04:14:27(UTC)
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OOC: Everyone has pretty much said what I wanted to say, but this really is incredible. Expecting a lot of great stuff to come, no pressure. :p
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ACTIVE:
Vanity x Nadia Berry
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline infinite135  
#13 Posted : 06 January 2012 04:39:11(UTC)
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Wow. The entire world of music is looking on this album with high hopes. So, seriously, no pressure. I haven't seen anything like this since Shattered Fairytale, which is nice... because it means that wasn't a one-time miracle. I know 2012 is young, but this already seems like an 'Album of the Year' contender; you deserve every bit of hype thrown your way. The way you're using different singers to represent different characters and ideas is simply brilliant, and I'm looking forward to seeing how Reported Failure will pull it off.

- Eric Quillington
Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

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"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
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Osprey037[Reported Failure] on 06/01/2012(UTC)
Offline Osprey037[Reported Failure]  
#14 Posted : 06 January 2012 09:21:43(UTC)
Osprey037[Reported Failure]
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OOC: Thank you. You are all too kind. Hopefully the whole album can live up to this intro.

Billie: @CJ and Company: Vinyls are amazing! I'm glad to hear you still buy them.

@Chloe: I might hook you up with a copy. Although your friends would probably think you stole one from them, so I would just make them hate you more.

@Ryan: This should be our biggest sounding album yet!

@Eric: Dont say that! Haha. You will jinx it. I hope we can live up to such high expectations.
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Offline Osprey037[Reported Failure]  
#15 Posted : 09 January 2012 05:23:14(UTC)
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OOC: Here it is. I sort of approached the music section of this like writing an essay. The overview would be the thesis, so if you just want to get the basics you can read that and then you can go more in depth into the song by reading basically the play by play of the whole song, which I'd suggest you do. Then there are the lyrics and some words from the band. Enjoy.

1. 6771

Songwriter: Billie Beckett
Producer: Vin Peters
Length: 5:42

Music

Overview
The verse starts the song with violins, a tuba, and cymbal taps as Billie sings in a whispery tone. Things get loud for one line of the first verse but then quiet down again. The second verse is sung entirely by the Darkness chorus and the violins tuba and cymbal tapping remain. Then the transition period is loud classic Reported Failure with crazy guitar and drums, Billie singing a bit ironically, but there are also some brass instruments mixed in. The chorus is also more traditional Reported Failure with heavy drums, power chords, and fills from Vin while some flutes play subtly and trumpets supply some fills. The chorus also features vocals from Amy Meyer. The outro is much like the chorus musically except Vin plays a sweet sounding guitar solo and Billie sings the same line that KC screams.
Vocals
  • Billie sings the very first line of the song in the low whispery tone that he uses often, but for the line "The god damn kings" is sung at Billie's loudest and most full vocal tone.
  • The Darkness chorus sings the second verse in beautiful harmony and in not a whispery tone, but not full volume or intensity just in the middle.
  • The transition section is sung very fast by Billie in an ironic tone that will bring fans back to the old days of Reported Failure
  • Towards the end up the transition section Billie slows down and yells the last two lines to really emphasize their importance.
  • The vocals in the first half of the chorus include Billie alternating with Amy Meyer aggressively and passionately singing the lines "The End is coming" and "I love you so" and then the darkness chorus comes in all ironically singing their hallelujahs in a very loud full tone.
  • The second part of the chorus is Billie singing very smoothly and aggressively while showing off his vocal range
  • Verse three is like verse one with just Billie singing in his whispery tone except for the line "From hell and beyond" which is in his loudest voice possible
  • The second chorus is identical to the first
  • In the outro Billie and KC both sing the same line except KC screams it creating a more intense epic feel.
    Strings
  • The song begins with just two notes played on the violin as Billie sings the first line of the verse
  • As Billie sings "The god damn kings" Vin plays a very dynamic headbangable guitar riff that is the main riff of the song.
  • Matt also imitates Vin's riff on his bass
  • From then until the end of verse 2 the violins playing the two note progression but throwing in steps from note to note at the end of every measure. They steadily go up octaves until they climax on a single note at the end of the second verse
  • Vin plays random harmonics ever measure and Matt and KC both dont have to do anything
  • As the violins climax KC starts playing crunchy sounding power chords with a bit of chorus effect
  • Matt plays all the root notes and Vin plays really random but epic sounding fills
  • In the chorus Matt plays a powerful bassline while KC plays chords, but it his chords are quiet and subtle.
  • For the first part of the chorus Vin does nothing except powerfully play a chord eight times on his heavily distorted guitar to correspond with the syllables in "Hallelujah, Hallelujah".
  • For the second part of the chorus Vin plays a variation of the main riff with a fer bends and steps from note to note.
  • Things die down again for the next verse with just the violins and Vin palm muting the main riff of the song
  • This time around Matt and Vin play all out on the line "From hell and beyond"
  • The second chorus is identical to the first
  • In the outro KC and Matt play the chorus again, but Vin goes into a very intense guitar solo while KC and Billie sing the outro
    Brass/Wind
  • As the violins play in the verse a single Tuba plays the root notes and fills the roll that a bass would normally. This is a shared aspect of all three verses
  • In the transition section the tuba continues to play root notes like a bass would.
  • Trumpets join in playing a joyful melody during the transition section
  • During the chorus the trumpets continue but only to step from not to note as the chords change. They don't distract from the guitar or vocals
  • Also in the chorus some flutes subtly play Vin's main guitar riff
  • The only brass instrument in the last verse is the tuba and the flutes are not present until the chorus which is just like the first one
  • In the outro the flutes continue to play Vin's main riff and the tuba plays the root notes once again while the trumpets play fills every measure.
    Percussion
  • Throughout the first two verses Robert has the simple job of subtle cymbal taps except for on the line "The god damn kings" where he plays a heavy dynamic beat hitting the bass drum to correspond with Vin's guitar playing.
  • As the second verse ends Robert plays a loud dominant drumroll before breaking into a relatively simple punk rock beat.
  • Throughout the transition section of the song Robert plays the same punk beat but at ever opportunity he throws in some very fast and intense fills
  • In the chorus the drums get a bit more heavy with a heavier beat overall and then doing some double pedal work to correspond with the syllables in the words "Hallelujah, Hallelujah"
  • The third verse is the same with Robert braking into the heavy beat on the line "From hell and beyond".
  • The second chorus remains the same as the first, and in the outro Robert plays the same beat from the chorus but with lots of fills and variations like he had in the transition section.


    Lyrics

    Key
    Black - Billie Beckett
    Red - Amy Meyer
    Blue - The Darkness Chorus
    Orange - Billie Beckett (Clean) and KC James (Screamed)


    [Verse 1]
    Let's emulate
    The god damn kings
    Fly so high were out of oxygen
    There's freedom in misunderstood flight!

    [Verse 2]
    Where's his old home?
    On the ledge there
    No he'll never be there again
    No he'll never see peace again


    [Transition]
    Born into a cult of glorified Scientologists
    I've held the keys to your hopes and dreams
    Manipulated by fear, I could fall at any moment
    I am fought for and died for
    I am beaten and wounded
    In this new land I exist for a mere two centuries
    In a lust of flawed philosophies it's the beginning of the end
    In the darkness I run for my life
    The end is coming

    [Chorus 1]
    The end is coming (Hallelujah, Hallelujah)
    The end is coming (Hallelujah, Hallelujah)
    I love you so (Hallelujah, Hallelujah)
    I love you so (Hallelujah, Hallelujah)
    I spill my secrets to you
    In the darkness I call
    For this to be heaven
    To make sense of it all

    [Verse 3]
    Let's climb the mountaintop
    So we can see all we've done
    Crowning achievements
    From hell and beyond
    I know its out there
    Facade like hope

    [Chorus 2]
    The end is coming (Hallelujah, Hallelujah)
    The end is coming (Hallelujah, Hallelujah)
    I love you so (Hallelujah, Hallelujah)
    I love you so (Hallelujah, Hallelujah)
    I spill my secrets to you
    In the darkness I call
    For this to be heaven
    To make sense of it all

    [Outro]
    It's not all as it seems!

    Commentary

    Vin: This song is a perfect way to start the album. It is the kind of song that can pump you up but isn't so happy sounding that it is annoying. The brass in it is awesome. A fantastic start if you ask me, but I guess I am kind of biased.

    Billie: Lyrically this song kind of sets up the album. It is full of irony and lots of big statements in the transition section. It contains the first reference of just the falling towards darkness. Overall a great song. The title is just a play on 1776. It is reversed which relates to the line in the outro "It's not all as it seems". Whether it is in the broader world or just in a humans individual life things can seem a certain way when really they are something completely different or can eveolve into something that it's creators did not intend.

    Edited by user 09 January 2012 07:09:05(UTC)  | Reason: Not specified

  • UserPostedImage
    I might give Satan a swirly
    thanks 3 users thanked Osprey037[Reported Failure] for this useful post.
    stephaniewazhere on 09/01/2012(UTC), Princess_Valentine on 09/01/2012(UTC), Laurelles1 on 15/01/2012(UTC)
    Offline Princess_Valentine  
    #16 Posted : 09 January 2012 06:12:16(UTC)
    Princess_Valentine
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    Jennifer: The meaning behind this song is incredible. I can always count on you guys to sing about the real interesting issues. Great work as usual.

    Harmony: This song's meaning flew right over my head hehe but the singing sounds epic!
    DominicBrown|LeslieNielsen|LexiMarieTaylor|JordanSnow|AllyHansen|AriaKingsley


    thanks 1 user thanked Princess_Valentine for this useful post.
    Osprey037[Reported Failure] on 09/01/2012(UTC)
    User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
    #17 Posted : 09 January 2012 06:23:44(UTC)
    stephaniewazhere
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    Stephanie Fierce: I'm looking forward to purchasing this album! :)

    OO: Incredible RP man!
    thanks 1 user thanked stephaniewazhere for this useful post.
    Osprey037[Reported Failure] on 09/01/2012(UTC)
    Offline Osprey037[Reported Failure]  
    #18 Posted : 09 January 2012 07:24:56(UTC)
    Osprey037[Reported Failure]
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    OOC: My best work ever is definitely this album.

    Matt: Well if we dont make a statement then what is the point?

    Billie: THanks Harmony even though you couldn't get the lyrics haha. And Stephanie, I hope you like it.
    UserPostedImage
    I might give Satan a swirly
    thanks 1 user thanked Osprey037[Reported Failure] for this useful post.
    Princess_Valentine on 09/01/2012(UTC)
    Offline Osprey037[Reported Failure]  
    #19 Posted : 14 January 2012 05:54:21(UTC)
    Osprey037[Reported Failure]
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    2. Being Man

    Songwriter: Billie Beckett
    Producer: Vin Peters, Jason Smith
    Length: 4:32

    Sound

    Overview
    The song starts with delayed guitar from Vin as Billie sings sensitively (and later James Urie) and Robert plays the cymbals. The prechorus comes with an epic melody from the full strings section from the london symphony orchestra as KC screams and Billie belts out a few lines. The very catchy chorus is a climax of passion and melody as all intruments harmonize beautifully, and Robert pounds away at the drums. The melodic transition part of the song has Billie singing with a distant echoed effect, Vin playing chords again, and a xylophone and organ in the background. The bridge has the most incredible melodies between all instruments that Reported Failure has ever achieved as Vin plays an immense guitar solo before the final chorus.
    Strings
  • The song starts with Vin on guitar playing chords with a very smooth delayed tone
  • The song continues in this way as the first verse begins. Vin plays the chords with little fills here and there
  • As the second verse builds KC comes in with an undertone of power chords
  • Matt also joins on bass playing root notes for just a short time before the prechorus begins
  • After the second verse peaks an extremely epic melody is played by the full string section of the London Symphony Orchestra
  • Vin with his delayed guitar tremolo picks in the background as the orchestra plays
  • Towards the end of the prechorus a piano begins playing chords syncronized with KC's power chords and the root notes of Vin's tremolo picking and Matt's bass playing.
  • During the vhorus KC furiously plays loud chords throwing in licks to transition from chord to chord
  • Meanwhile Matt plays a powerful bassline that is mirrored by a very similar melody on piano
  • Vin plays an incredible sweep picking riff that compliments the piano very well
  • The transition section of the song is mett with everything dying down but the guitar and piano
  • The piano plays very softly very high
  • Vin goes back to the chords and melodic fills that he played towards the beginning of the song
  • The second prechorus and second chorus are just like the first
  • The very epic orchestra melody from the prechorus is played throughout the bridge
  • Matt plays a variation of the bassline he played during the chorus while the piano does the same but goes slowly up from one octave to another
  • KC plays power chords as Vin fires away at a incredible sweep picking solo that both mirrors the orchestra melody and then goes off into a completely different world of melody in what is the single greatest guitar solo that Vin Peters will probably ever write in his entire life
  • Finally everything climaxes at the end of Vin's solo and the last chorus is played
    Vocals
  • Billie's vocal tone in the first very melodic verse is very smooth and sensitive
  • James Urie comes in to sing the second verse in his typical tone
  • The prechorus is screamed by KC James and aggressively sung by Billie
  • The chorus is a vocal climax of passion and melody by both Billie and some help from James Urie
  • The transition finds a vocal effect on Billie courtesy of Jason Smith's production skills. The effect makes the vocals sound slightly distant and with lots of echo to make the melody very haunting and memorable
  • Billie, KC, and James Urie all bring their most passionate vocals for the rest of the song
    Percussion
  • Robert starts the song with evolving cymbal drumrolls
  • In the background there is a xylophone copying the vocal melody
  • As the second verse ends Robert pounds more consistantly on the drums and heavily hits them before the prechorus starts
  • In the prechorus Robert hits the drums every measure which compliments the very epic feel of the orchestra and vocals
  • The chorus has very fast punk rock drum beats from Robert with lots of cymbal work and quick fills
  • Robert gets a break during the transition and only the xylophone continues
  • Robert's intense fast drum playing continues through the second half of the song.
    Other
  • Throughout the transition there is odd phasing alien like organ sounds playing in the background courtesy of Jason Smith
    Lyrics

    Key
    Black - Billie Beckett
    Dark Red - James Urie
    Orange - KC James


    [Verse 1]
    Will you say that I'll be here
    That I'll never disappear
    Will you breathe into my lungs
    Tongue tied to touching tongues

    [Verse 2]
    I can say that I need hope
    To untie this deadly rope
    And make sense out of something
    Before were all smashed to nothing


    [Prechorus 1]
    Can I still climb the mountaintop
    When the nightmares just wont stop

    Can I seem to figure out
    How all I am is full of doubt
    All that makes things be me
    are shadows of stars I can see

    All the fights that I can stop
    They can't take me to the mountaintop

    [Chorus 1]
    What does if mean if I'm not human?
    Where can I stop?
    When the pain leaves me broken
    And the mountain has no top
    I could never be
    More than I see
    More than I see as me
    But still I can't define, the species of my mind

    [Transition]
    Growing old is like peeling an onion
    To find the stench of inn er soul
    Eyes tear
    Tongues quiver
    Nostrils flare
    As each layer goes by
    The aroma settles in
    So heavy, so unsettling
    Tears blur vision
    Misconceptions form
    The blur becomes so typical
    It's existence is forgotten
    Reality bends
    Dementia becomes the new normal
    Every layer falls to the ground
    In the form of crushed ideas
    Lost loves
    And missed opportunities
    Senses become misguided instruments
    The tongue for manipulation
    The touch for quick lust
    hearing for self-indulgence
    Taste for numbness
    Sight for alienation
    As the last layer falls
    It reveals the darkness
    It reveals the darkness

    [Prechorus 2]
    Could this be a new beginning
    When the sky is just falling

    Now that history is left unread
    No one knows I've always been dead
    Could my time be made use
    Instead of broken life abuse

    All the fights that I can stop
    They can't take me to the mountaintop

    [Chorus 2]
    What does if mean if I'm not human?
    Where can I stop?
    When the pain leaves me broken
    And the mountain has no top
    I could never be
    More than I see
    More than I see as me
    But still I can't define, the species of my mind

    [Bridge - Instrumental]

    [Chorus 3]
    What does if mean if I'm not human?
    Where can I stop?
    When the pain leaves me broken
    And the mountain has no top
    I could never be
    More than I see
    More than I see as me
    But still I can't define, the species of my mind


    Commentary

    Matt: Best song from us that you will have heard to date.

    Vin: Easily one of the highlights of not just this album but our entire career. This song will no doubt be a single down the road. The melodies, the lyrics everything as at a whole higher level than everything we've ever done before.

    Billie: My favorite song to date. The song is really about doubt, about wondering if there is something wrong with you just because of thoughts that seem maybe self destructive or too hateful. Love this song. There is also a lot about just finding that life is shit sometimes and trying to figure out why and if you can handle it.

    Robert: I couldn't say anything more. This song is the best we've ever made.

    KC: Look at what everyone else said haha. Loved making this song and working with Jason Smith again. It's brilliant.

    Edited by user 14 January 2012 05:56:32(UTC)  | Reason: Not specified

  • UserPostedImage
    I might give Satan a swirly
    thanks 4 users thanked Osprey037[Reported Failure] for this useful post.
    stephaniewazhere on 14/01/2012(UTC), erich hess on 14/01/2012(UTC), Laurelles1 on 15/01/2012(UTC), Famouss7x7 on 15/01/2012(UTC)
    User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
    #20 Posted : 14 January 2012 06:06:49(UTC)
    stephaniewazhere
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    Stephanie Fierce: Billie Beckett is one hell of a songwriter! I'm jealous XD



    OOC: I gotta say man, that was amazing once again. Very easy to read and very unique style of RP!
    thanks 1 user thanked stephaniewazhere for this useful post.
    Osprey037[Reported Failure] on 14/01/2012(UTC)
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