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Offline PANIC!  
#1 Posted : 26 June 2012 05:30:38(UTC)
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RYAN ROSS HERNANDEZ, A CHANGED MAN

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A rock star whose inability to shut his stupid mouth, nearly ruined his iconic career. After staying away from doing any mainstream media for two years, he returns to the Rolling Stone cover, swearing that he is a changed man.


Over two years ago, February 2010, our cover story for the month was Ryan Ross Hernandez. The singer-songwriter was on top of the world then, as he had just come off the release of his highly acclaimed album, Let a Man Be Lost, and had won an IMA for his song, "A Never Ending Trip to Heartbreak". We called the then 32-year-olds cover, Hollywood’s Last Bad Boy. At that time, and the years prior to it, the musician had gone from the wide eyed boy who just wanted to play his guitar, to a full-blown Hollywood celebrity. You can do enough research for yourself to see how bad Hernandez delved into the celebrity world and its suiting lifestyle. What a difference two years can make.

As a damaged rock star whose newest record begins with the line, “I’m on the road to redemption,” and that road apparently led him to the west, not the star-filled city of Los Angeles, California, but rather to the Big Sky Country of Montana. As of this past spring, it’s the second home of Ryan Ross Hernandez, who traded paparazzi and A-list celebrity parties for a 20-acre spread of land on the outskirts of the city, with the Yellowstone river flowing in the backyard. His black Land Rover sits in the driveway and a guest house on the side is being transformed into a recording studio.

I met with Hernandez on a recent Friday, where a car was waiting for my arrival at the airport. It was personally set up by Hernandez himself, when we spoke on the phone the day before he insisted that I did not take a cab as he wanted to keep the location of his new home secretive. When I asked him around what part in Montana his home was located, he simply stated, “Somewhere around Bozeman, I think.” The house is very secluded from any town or city, for about twenty minutes in the drive before arriving, all you see is grasslands. It can be seen from a distance as it is massive. All 20-acres of land are fenced around, the entrance looks like a military base. Once inside, I was greeted by Hernandez, dressed in a plaid flannel shirt, artfully weathered baggy black jeans, and specially Japanese-designer boots.

While walking towards the kitchen area, he explained that he bought this house from a local wildlife painter and photographer in May, and he’s still in the process of moving in. The house is mostly unfurnished as construction work is being done in it and around it. On this very day, he had an architect over who he spoke to about adding a walk-in closet to the master bedroom, he didn’t give him any specifics in length or area, but insisted that the closet almost look like a bedroom in itself. A guest room currently holds racks and racks filled with the musician’s impressive, yet massive guitar collection. He mentioned that this was a “temporary holding [space],” for them, as he plans to move them all into the recording studio when it is completed. In the living room, framed photos of Neil Young, Joni Mitchell, and Bob Dylan all lean against the fireplace area, the singer admits he hasn’t gotten around to hanging them yet. Hernandez, meanwhile, is unshaven this morning, with his hair long and down to his neck.

In early 2010, when Rolling Stone published a disastrous interview with him, the backlash was immense. The singer was candor with his talk of sex and past girlfriend, joked about how his music made women want to “ride [him] like a saddle,” and commented that President Obama won the elections because of the blacks and “faggots.” He was branded a narcissist, a misogynist, a homophobe and, not for the first time, a douchebag and kiss-and-tell ex-boyfriend. He quickly took to his concert that evening, teary-eyed and choking up, in a near five-minute apology onstage. “I was on a quest to be clever, and I forgot how to love people,” he said. “I quit trying to impress people, I quit the media. I’m done.”

Much like his music, Hernandez is a very complex and layered human being. At times, he treats our interview as if it were a therapy session, pausing frequently to analyze how his answers will sound to anyone who hears them outside of the room at the same time intensely self-aware and not at all. When certain topics are brought up, it feels as though he shuts himself off, turning away entirely, staring at the river as it rushes past. “That’s one of the reasons I bought this house,” he says pointing out to the river, “it calms me to just see it flow by.”



PART ONE

If it’s not stating the obvious, you aren’t in L.A. anymore. How did you decide to go from Los Angeles to Montana?

Ryan: When I turned in the new record to my label, I took a road trip with friends across the west. We started off in LA, and went through Nevada, Arizona, Utah, Idaho, and we ended up here in Montana. We were here for a day and I just fell in love with it. I called a real estate agent and I told her I wanted something from the seventies. If I was a rock star from the seventies, what house would you try to sell me? She showed me this place, and I was taken aback by the beauty of it. I asked for a minute, I was out back, and I called my girlfriend who was touring somewhere in Asia I think. I was looking at the river and mountain range and I told her, “I think I found the place I want us to escape to.”

Are you out here full-time now?

Ryan: Well I will be selling my Hollywood Hills villa; I’m going to probably look for a home in the more suburban area of L.A. I still have my apartment in New York too, but I’m staying here for the rest of the year. I don’t think I’m completely disconnecting myself from L.A. or New York because I don’t think I can. I’ve called those places home for too long to just leave it. So I’m out here for the rest of the year and after that I’ll see where I stand. Six months I didn’t think I would own a home in the middle of nowhere in Montana, but here I am, so I’m taking it easy for a bit.

You said you were just here for a day, what made you fall in love with this?

Ryan: That I’m not in L.A, that I’m not in New York. I don’t feel like I’m part of the world when I’m here, especially the celebrity or fame world. I don’t feel like I have to be on my toes so much here. I can just not worry and have a very natural mind, it can’t get corrupted here. Like, paparazzi don’t exist in Montana. There is no TMZ here. When I’m here I just want to live.

You haven’t had a mainstream interview in more than two years. Was the decision to take a break from the media, a self-conscious one?

Ryan: Absolutely. I was exhausted. I was done with wanting to be the poster boy to anything. To be honest, I don’t think I’m ready to be rebooted. But at the same time, I need to. If I shut myself out of doing interviews or speaking, people would think, “Oh, that Hernandez guy just can’t handle himself,” so I need to prove to myself that I can. I’ve had over two years now to feel sorry for myself.

It’s obviously been two years since you’re last Rolling Stone cover – let’s go back to the winter of 2009-2010. Describe where your head space was at after that interview was published.

Ryan: Even before that interview was out, I knew I was heading in the wrong direction. I had stopped appreciating the space I took up as an artist, who means a lot to people. I thought somewhere in my head that they were never going to leave. That I could keep doing all these things that were really dumb, but at the time I didn’t see that, like when I said those things in my last Rolling Stone cover, I thought I was being clever, I was speaking the truth that others were too afraid to say themselves. My fans were never going to leave me because I gave them an album they really liked every two or three years. That winter I remember a lot of people coming up to me and asking if I was okay, even before the interview.

At that point, did you regret letting your celebrity stardom grow as far as it did?

Ryan: Here’s the thing about the world of being a celebrity; it’s compelling and difficult to say no to. Once I got it, for me at least, I just took from it more and more, all I could take. The moment before somebody breaks, they act the toughest. The adrenaline I had going was nuts, so I felt really big and went, “Bring it on fuckers,” when in reality I was 30 seconds away from crying my eyes out.

So you were obviously self-aware of that.

Ryan: Yeah, I knew it was coming, but I didn’t have the strength to stop it before it was to its breaking point. There were a lot of people in my life who said, “You know, I love that guy, but I’ll be damned if I’m near him when that goes off.”

Aside from what you were saying in public, what other things lead you to the place you found yourself a few years ago?

Ryan: I didn’t get addicted to drugs or alcohol during my time in Hollywood, but I did get a gambling addiction. It wasn’t a gambling addiction with money, but rather with people’s opinions of me. At the point where this addiction was at its peak, I couldn’t stand people seeing that they didn’t like me. I would have to sit down with that person and make sure their not misunderstanding where I’m coming from. And it worked, I could save it sometimes. So it made sense if I could change one person’s mind, I could change a million’s people mind about me. Like the Rolling Stone interview two and a half years ago, I see that as huge bet I made. Obviously, I lost that bet. I had to learn that one of the best things you can do when someone says they don’t like you, is just walk away from them. I’ve learned that it’s fine if I meet someone who doesn’t respect me.

I think someone people who understood your brand of humor and had seen YouTube clips of you doing stand up at the Comedy Cellar in New York City a few years back, those people probably saw your interview with Rolling Stone as a stand up act.

Ryan: I wouldn’t be surprised if some people thought that. I remember during that interview, I was performing for myself. Not just in that interview, in most interviews I did around the span of a year or two, I wanted to be so many different things at once. I wanted to act sensible, but not too sensitive. I wanted to be funny, but not so funny that people think I’m a clown. I wanted to be witted, but I wanted everyone to understand what I was saying. I put myself in a mindset where I couldn’t win. I was so paranoid about losing the ‘media game’ that I thought, “I know what you’re trying to do to me, and I won’t let you do it – I’m going to do it to me.” If you’re thinking like that, you need a break from it all.

You mean from doing interviews?

Ryan: I needed a break from anything that could get my name in headlines, interviews included. If I’d said, “I’m so incredibly lonely; I’m getting ripped apart in the tabloids nationwide; I’ve got people hiding in my bushes when I get home; and I don’t know where my head or heart are at,” that would have been more compelling to people than and bravado comedy act I was trying to put on for people. It’s like if I was a bad comic; I got nervous and I bombed.

You took your comedy act into your daily life?

Ryan: In a way, yeah I did. I got really arrogant because of the crowd of people I was running in. It was so easy for me to go from table to table and fit in. I was running around with a lot of comedians, with actors, with people behind the scenes from the TV and film industry. I felt like I was the only musician who could roam the room so nicely and be liked in each of those groups. I remember back in 2007, I knew the owner of the comedy cellar, so right before the ‘big dogs’ in the comedy world took the stage; I asked him if I could do like a ten or fifteen minute set and he agreed. So I remember before I went on, I was thinking, “I’m gonna say the word ‘fuck’ a lot. I’m gonna start almost every joke with, ‘true story’, even if it really isn’t.” As the songwriter in me, I thought as a comedian I had to connect with everyone, I had to be honest. Which is the stupidest thing I could do, because whenever I said “true story”, people weren’t laughing, they were writing down what I said that wasn’t true, but it got them a good Us Weekly cover story, and they could be like, “Look! He said it while doing stand up and said it was a true story.” I set myself up to be an idiot.

How was the day that the Rolling Stone interview came out for you?

Ryan: It was in February 2010, a Monday or Tuesday; I know it was at the start of the work week. I was on tour in support of Let a Man Be Lost, and the day it came out, I had a show in New York City, of all places I was touring, I was playing the Ed Sullivan Theatre for the Letterman Show, and I was also appearing in the late night show to sing the single at the time. I remember I woke up in my apartment and I had a lot of missed calls, mostly from my manager and publicist. Before I had the chance to call any of them back, I had my personal assistant knocking at my door, she looked worried, and think before she got in the door, she told me, “This is a really big deal, Ryan.” And she explained to me how every major network was picking up on it and reporting it on their morning shows. I remember doing some research that morning and I don’t think I ever saw so many articles about me when I Google News my name. I remember rushing into the bathroom because I felt physically sick to my stomach, and I looked myself in the mirror and remember telling myself aloud, “How could this man be a platinum selling artist?”

At that point did you believe it wasn’t that bad?

Ryan: Oh yeah, absolutely. I tried to do anything in my power to stop myself from imploding. I thought I could charm my way out of the situation. The first thing I told my publicist was, “I could still fix this, right? I could go on Larry King or do a 60 Minutes piece with Anderson Cooper to redeem myself, right?” And I couldn’t do any of that. I could not charm my way out of people being – I don’t know if it was offended, but…

Oh, it seemed like people were definitely offended with your remarks.

Ryan: I’m not going to try and say I know what other people who read the interview felt, because I don’t. All I know is how I felt, as the guy who gave the very stirring interview. But for about ten minutes, I thought that I could come out of the situation with a scratch. So thankfully, I’ve surrounded myself with a lot of smart people, people who I have no problem saying their smarter or wiser than me and each of them sat down with me and pretty much all of them said, “Ryan, stop. This is different. You can’t charm your way out of this one because if you try and fail, we can’t promise you you’ll have a loyal fanbase by the next album cycle.” That opened my eyes because I don’t know where I would be if I didn’t have the safe, comfortable confides of music to always go back to.

How were you thinking of charming your way out of the controversy?

Ryan: By not backing down from what I said. I thought if I stood by what I said, even if they were dumb, or ignorant, or failed attempts at being funny, it’d be okay because most people would respect me for it. It was a crazy idea. I almost felt I had to scream to myself and say, “Are you a fucking idiot?!”

The interview came out and the backlash was heavy throughout the media, nationwide, and even worldwide on some scales. What happened in the coming days and months after it?

Ryan: I had never felt so much hate coming my way at one time, as I did at that point. I’m never going to forget the call I got from my mother who just told me, “Ryan, how could you say those things? You disappointed me.” That felt horrible. Nothing feels worse than disappointing people you love. Yet, I still don’t feel I went through a market crash, I went through a “market correction” – kind of ripped me away of the culture that I wouldn’t have had the strength to exit myself, on my own two feet. People laugh when I call it Stockholm syndrome, but that’s really how it felt. I never would have known it if it hadn’t happened.

What was going through your head around that time?

Ryan: I just felt like everyone was mad at me. As if the people that once respected me, lost all respect they had towards me, and people who didn’t respect me were thinking they were right about me. Like I remember going to a Hollywood party around that time and very few people wanted to be seen talking with me.

Did you ever think, “This is it.”? That your career was coming to an end?

Ryan: Yeah, but I was letting it happen to myself. I was purposely making myself become irrelevant to the world. I told myself, “It doesn’t matter after this is over, what you’re left with. You’re not going to be a bitch and complain about it. Your life isn’t over; your life will go on – but the party you lived in for the last four years, is over.

Was it during this time that you got a therapist?

Ryan: No, I already had one. I’ve had a therapist since around 2007 or 2008. But obviously yes, her role became more needed. She’s in L.A., so a lot of sessions are by phone. It’s nice to have somebody just be a witness, not take any side.

Who else did you talk to?

Ryan: Only a handful of people. As much as it hurt me – and it hurt a lot – I don’t think anybody wanted to help me. I think most people felt they should just see me see this one out on my own. I can’t really be angry because it was one of the best things that happened to me as a human being. When you get to the end of your twenties, you’re kinda supposes to be becoming an adult. But it’s like, if I was already lost at sea and the sail on the boat broke during the storm, why would I stop and fix it if I was already lost at sea to begin with?

I guess that makes sense. But at the time this controversy surrounded you, you were already 32. Isn’t that already an adult?

Ryan: No, not for me at least. At 32, I was still 28 years old, because for four years I was full of “I’ll get to being an adult in a minute.”

And this is what took you into adulthood?

Ryan: Yeah, but I think I only needed about half of what happened to have gone down for me to have my violent crash into adulthood [laughs]. I don’t think people understand – when you screw up badly in my position, and you feel that intense wave of energy from a million people saying, “Shame on you” – that is enough to make any man reconsider where he’s at in life. I don’t think any human being is equipped to take so much negativity from so many people, all at once.

Were you still in the process of getting over this incident and becoming an adult, when you met your girlfriend, Nadia Berry?

Ryan: Absolutely. We began dating in June 2010, and at that time, I felt it was a horrible mistake. I almost wanted to tell her, “Please, don’t get near me right now. I’m no good for you.” The headlines were horrible. I didn’t feel like enough time had passed for our relationship to have any success because that incident from earlier in the year was still on everyone’s mind. I never asked Nadia if she had read the interview, but at the very least, I was certain she knew about it. For that fact, I think I felt a lot of hate from the people around her. Like when I met her friends and stuff, like I felt uncomfortable being in the room because of the fact I was dating their friend. Which is fine, they were protective of her and obviously I had a reputation. We were dating, but it almost felt like we weren’t because as much as I liked her, I needed to get some work done on myself. I couldn’t have her dating a man who was in repair.

Is that where the break-up you two had in late 2010, seam out of?

Ryan: Yeah, like in November or December of that year, we mutually agreed to stop dating. I needed to do it. As much as I liked her, I couldn’t make a relationship function correctly at that moment. And besides that, I was writing a new record, and she was touring around Europe I think with GirlSpice, so it seemed like the right time to call for a break. But I told her not to wait, that if she met someone she liked and wanted to date, to go for it. I wasn’t gonna stop her from finding something real because of my issues, because they were my issues.

During the same Rolling Stone interview in February 2010, you said you felt like Kanye West a lot of the time. You guys kind of went through similar situations. Do you still feel like you have things in common with Kanye West?

Ryan: Yeah. I have must respect for anybody who have such incident occur in their lives, and they just come back and shut everybody up. Kanye returned with, My Beautiful Dark Twisted Fantasy, which will go down in history as one of the best rap records in history. I’m coming back with Break in the Clouds, and I can only hope that it does the same as Kanye’s record did for him, in the sense that people returned to just talking about him as a rapper, and producer, and lyricist. I just want people to return to talking about me as a singer-songwriter. I don’t need so much space anymore. I feel a kinship with anybody who came up creating something real. Like, maybe Katie [Coyle] is Joni Mitchell, and I’m Neil Young, of a new generation of course. I feel Kanye and I were both masterminds with a vision.

You think Kanye and yourself are masterminds?

Ryan: Kanye is a one-man show; rapper, producer, designer. Before getting a record deal, I didn’t only spend obsessive amount of time studying music, but I also studied comedy, and film, and acting, and watches. It’s like, as soon as you make it big in one of those areas, you can do anything you want. But when people start calling you a douche-bag, you don’t have a plan for that. You didn’t study how to find an antidote for people to stop hating you. Kanye disappeared for a good year after the VMA thing, that’s what I needed. I needed to disappear and not talk for a while.

How was it when you and Nadia picked up your relationship five or six months after you ended things? Had you dated anyone during that span of time?

Ryan: No, if I had dated anyone during that time, it would have defeated the purpose of wanting to be alone and reassess everything. I remember I had to go to London, I think for like an award show, and we agreed to meet up afterward and everything just clicked. I told her the first or second day we got back together that, “I’m grown up enough to have a relationship with you. I don’t know what the future holds but at this moment, I’m an adult enough to have a co-dependent relationship with you.”

You’ve often criticized Twitter, yet you’re still on the site and have over 16 million followers. Why won’t you just shut it down if it’s useless?

Ryan: Just because I have an account doesn’t mean it’s not useless, because it is. I remember people still get pissed with some of my tweets and I find it hilarious that they do because it’s just 140 characters of nothing. I think if there has ever been a time where I seriously consider deleting it, it’s when I’m here in Montana. I don’t think I would tweet here because I don’t have the iPhone attached to me all the time when I’m here. I would leave it on my bedside table when I go to sleep then I could spend the whole day around the house, and not check my phone until I go to sleep again.

A former bandmate of yours from the band PANIC!, Ashley Perry, said something about you some time ago that kind of predicted all this. She said, “Sometimes I feel like he gets too caught up in being clever… Sooner or later, he will do himself in, if everyone lets him.”

Ryan: Not really much else I can add to that comment. I love Ashley; I love all the guys from that band. The truth hurts.

You’re close friends with Katie Coyle who’s a lesbian. Did she ever bring up the subject to you? Ask you why you said those things you said about homosexuals?

Ryan: No, no, she never asked me about it. I didn’t know her when all this happened, I don’t even think she was in the industry yet. But here’s the thing, I’ll live with what happened for the rest of my life. I know I’ve hurt people. I wouldn’t have blamed Nadia if two years when we started dating she went, “Listen, I think you’re a great guy but dating you right now would be career suicide for both of us.” I would have been okay with taking that punch. I fully took the shots people took at me during that time.

Were any personal apologies made to the people close to you?

Ryan: Sure. I’m not getting into that right now, but I did apologies to the people I felt I needed to. I kind of just want to move on from this part of the conversation, if we can, please. I don’t have anything else to say about any of that.

Edited by user 04 July 2012 07:38:07(UTC)  | Reason: Not specified

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genocidal king on 26/06/2012(UTC), Laurelles1 on 26/06/2012(UTC), GirlSpice on 26/06/2012(UTC), erich hess on 26/06/2012(UTC), stephaniewazhere on 26/06/2012(UTC), DistortedAudio on 27/06/2012(UTC), infinite135 on 27/06/2012(UTC), C4AJoh on 04/07/2012(UTC), Osprey037[Reported Failure] on 05/07/2012(UTC)
Offline genocidal king  
#2 Posted : 26 June 2012 05:50:02(UTC)
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OOC: Interviews really are your forté. I always enjoy reading when you do these. Great work.
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PANIC! on 26/06/2012(UTC)
Offline GirlSpice  
#3 Posted : 26 June 2012 06:09:29(UTC)
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Nadia: I did read that last interview, so you now know at least! After the backlash from the last Rolling Stone interview, it must have taken a hell of a lot to sit down and do another one with them. Comparing the two together, you really are a completely different man from what I've seen in this first part... I feel like a proud mother right now!

OOC: What Scott said. Your interviews always make me jealous!
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ACTIVE:
Vanity x Nadia Berry
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PANIC! on 26/06/2012(UTC)
User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
#4 Posted : 26 June 2012 06:42:01(UTC)
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OOC: Amazing interview! :)
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PANIC! on 26/06/2012(UTC)
Offline DistortedAudio  
#5 Posted : 27 June 2012 13:01:54(UTC)
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Winston: Eh, you don't seem that different at base. You're still kinda arrogant in speech, but you're kinda right. I like you best when you're making music and have to clutch my head in headache-ridden anger when you're doing anything other than music.
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I feel numb, born with a weak heart
I guess I must be having fun


EARN BY WORKING LIKE A DOG
SPEND LIKE ROYALTY
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PANIC! on 28/06/2012(UTC)
Offline PANIC!  
#6 Posted : 03 July 2012 08:36:48(UTC)
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RYAN ROSS HERNANDEZ, A CHANGED MAN

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About 40 minutes into our conversation, Hernandez excuses himself to go to the bathroom. When he returns, with no hat in sight and his hair pulled up in a bun, he says he’s feeling ill – all the memories that were brought back this afternoon made him feel like he’s going to throw up. He asks if we can continue the interview at a different time and location, agreeing to meet the next day.

The next afternoon, he sends the same driver as the day before to pick me up at my hotel and drive me to the café where I will be meeting with Hernandez today. He sits in a booth, minding his own business, and writing e-mails on his iPhone. There are looks of vague recognition by other costumers, but there were no whispering of a multi-platinum selling artist sitting at the table by the front exit.

“I think overtime I’m really going to become a part of this town,” Hernandez says. “When you’re in a big city, you can’t make a difference, but in a town like this you can slowly assimilate yourself in. I’m not getting a ton of recognitions, but anyone who’s asked for a picture or autograph so far, I always give it to them. I have a greater appreciation for people now than I did a few years ago.” He went on to explain that there was a time when he would ‘quiz’ the people who asked for his autograph to make sure they were actual fans and not, what he calls, “E-Bay freeloaders.”

Hernandez orders a club sandwich and a soda, which the three waitresses in their late teens all take turns to make sure his glass, is never empty. When I pointed it out to him, he chuckled and said, “They probably recognize me as that guy who’s dating Nadia Berry.”

Bringing up the day before, Hernandez says that he spent the rest of it in bed, feeling pretty bad. “Maybe I spent so long not wanting to bring the whole story out to light, to people that weren’t there because I was uncomfortable reliving it in my head. I called my therapist and told her, ‘It is uncomfortable, but I can’t worry so much about the reception people will have to it.’ I moved to Montana, did an interview, and now I can move even farther away from the whole situation. I think there was still something there I needed to turn and face. Now I’ve done it.”

I ask if he feels like he has done his penance. “I really don’t know,” he says. “Sometimes I feel overly contrite to overly indifferent, and I don’t feel uncomfortable being either or. Maybe there are some knots in life that you just have to live with. I’ll live the rest of my life with those knots that won’t ever detangle, but hopefully some dust grows on them.” Today, he says, he will only talk about the present and future.


PART TWO

Your new record is called, Break in the Clouds, tell me about the record.

Ryan: Since the beginning of 2010, I’d been waiting to reboot everything in my life. I knew I needed to make this record, when I realized that Running Changes wasn’t an enduring record. That broke my heart because there are a lot of lyrical highpoints in that record, but it couldn’t engage with the listener. I can’t experience the bittersweet feeling I felt when that record was out for everyone to listen to.

What did you feel wasn’t enduring about it?

Ryan: Honestly, I listen back to some of those songs, and I feel like I didn’t finish the record. The dots didn’t align from top to bottom. I do my best work when I’m fueled by innocence, a certain kind of innocence, and when I wrote that record, it was all gone.

Was it as a musician, or because of your celebrity status?

Ryan: It was because the two mixed up somewhere in the middle. As a musician, I had stopped getting my hands dirty. I would have an engineer who would change amp tubes. I would be in the studio until 6 o’clock in the evening and no matter if I was in the booth creating a masterpiece I would be like, “It’s been a very productive day, let’s find a party in West Hollywood.” When I got in the studio to record Break in the Clouds, I told everyone who I worked with, “Listen, I’m gonna write some bad songs and it’s going to piss me off for the rest of the day, but I’m not gonna edit myself as a songwriter.” Even if they weren’t good songs, they were honest and real because everything I’ve written in the last year in a half has been about my life or how I view things. Like, “that was then, and this is now.”

Do you feel like you wrote some bad songs?

Ryan: Absolutely. But you won’t ever hear them because you only hear the good ones on the record. And here’s my theory, I don’t think there is such thing as a bad song. In the recording process for this new record, I probably wrote a good eight to ten songs that weren’t bad, but they were all missing something. Some songs had a great chorus and bridge, but the verses lacked. Some songs had great verses but the chorus was shit. And some songs that didn’t make it on this record, it’s just for the simple fact they didn’t into the fourteen songs that made it. There is a song called, “I Felt Something Die That Night,” and I loved the lyrics from top to bottom, but it felt like a stream of consciousness that I was singing into the microphone. Which isn’t a bad thing, but it didn’t fit into the record.

How were you writing?

Ryan: I was writing on a typewriter. If any other artist tells you they write on a typewriter, its complete bullshit. I would get to my apartment in New York City and write, spend entire nights writing. By the end of the week, I would have fifteen or twenty pages of just lyrics. I enjoy the feeling of anonymity that I get when I type. You can’t see what you’re typing, so you can’t edit yourself. I remember doing a lot of editing with my lyrics when I wrote on a computer.

I’ve heard rumors that during the time you wrote this record, it was a heavy time for you: partying quite a bit, writing hungover…

Ryan: I wasn’t partying while writing this new record. But I was drinking a lot. I pretty much admit to that on the very first song I wrote for this record, “Another Shot of Whiskey”, there was a period of my life where I did just that. I would drink until my body could not physically take it anymore. It was therapeutic to wake up with a part of my head that wasn’t overanalyzing everything around me.

Were you going out or drinking alone?

Ryan: Both. Sometimes I went to bars with friends, other times I would just drink by myself in the studio. When I got home, I would fall asleep on my bed. Then I woke up and drag myself to the couch with a guitar, and lay on the couch to write.

Were you depressed?

Ryan: No, I don’t think I’ve ever had bouts of depression. It was more about being able to write without criticizing myself, which I do a lot of. I’ll say that you aren’t a singer-songwriter, at least a good one, if you don’t criticize yourself while writing. Every songwriter thinks their songs aren’t good enough most of the time.

Would you ever do it again?

Ryan: Get drunk to write? No, I wouldn’t do it again. I’m turning 35 in a few months; my body can’t take it anymore. Back in my twenties, I used to be fine by noon the day after; now I need two days of recovery time. But I feel like I lived it, like I lived the authentic New York musical vibe from the 60s and 70s. I’d go down to a local bar, have a glass of scotch and a shot of Jameson, and walk down the Village, just admiring New York City in the wee small hours.

Is it true your close friends were calling you the Freewheelin’ Ryan Ross Hernandez?

Ryan: [chuckles] I think I kind of coined myself with that name, but I have no problem saying that. I wanted to touch a little of how some of my heroes lived in old school New York City. I did it.

We started recording in May 2011, and it was just a great run we went on. But then I would come home and feel really lonely because I felt I had just done something beautiful in the studio, but I didn’t have anybody at home that I could tell them about. That’s the moment when I decided to give Nadia a call and try to reconnect because I started to think that I wasn’t all bad like I was made out to be.

One thing that I found interesting from my point of view, was the disconnect you made between “public you” and “record you.” In conversation, you’re smart and funny and complicated. But on your records, everything is very straightforward and earnest.

Ryan: Well, I don’t feel like I’m very funny anymore now. Or at least trying to be when I’m speaking to someone like you. So maybe everything is getting back on course. But I think I’ve earned the right to write really simple lyrics if I want to. If I wanted to use a better rhyme, I would’ve done it. I don’t have to prove to people anymore that I can turn a phrase. Listen to my first four records if that’s what you want.

I’m thinking about songs like the single, “California’s Sweet Unknown,” with a line that goes, “If you want to be free, you’ve got to go it alone / if you want to go home, you’ve got to build your own…”

Ryan: That lyric is very close and dear to my heart. I think it’s a very real and honest lyric. You can’t be free if you’re in a relationship or in some place in your life where you’re around a lot of people, you can’t be free like that. “If you want to be free you’ve got to go it alone,” that refers in a way to those freewheelin’ days of mine. I think it makes a huge difference that I sing that line first, before going into the next, because it’s a statement in the song, but for me it’s already in my past. I don’t have that desire anymore. Now these days, I more connect with the latter line, “If you want to go home, you’ve got to build your own.” That’s what I’m trying to do right now. The house I bought here is because of that line. My girlfriend and I are both trying to build a home, and it starts here in Montana.

What about that line in “Show Me Something I Can Be,” where you sing, “Rolling Stone is giving out their cover stories to reality stars’”?

Ryan: Is that not true? Last year, Rolling Stone had Snooki on the cover, riding a rocket. It’s not even a diss at reality stars or even Rolling Stone. It’s a sentiment for people my age and older. There was a time in music when getting on the cover of Rolling Stone was an honor, but it’s sort of devalued in that sense. I feel lost when I pick up an issue of Rolling Stone because I can’t find anyone who makes me go, “I’d like to be more like that guy.” That line to me is more in the point of view of a fan than a man who’s been on the cover of Rolling Stone a few times.

There’s another song that I found interesting called “Keep Calm and Learn Yourself.” What can you tell me about that one?

Ryan: “Keep Calm and Learn Yourself,” is a letter to myself. I think that song is me taking the role of songwriter and serving as a soother. I’m taking a moment to connect with the culture of unhappiness and cynicism. With people who aren’t enjoying their twenties. I had my twenties.

Well I would think someone like you enjoyed the shit out of their twenties.

Ryan: I had a conversation about that with a friend of mine, who is just a little older than men, but he’s got a wife and kids. He told me, “You did all that you can do in a decade period, from 22 to 32 years old.” I did all that a person in their twenties could do.

It seems as you’ve grown as an artist, you’ve started to embrace the terms you didn’t want to be associated with early in your career.

Ryan: It’s not embracing, more so that I want to be those things. At the beginning of my career I was really cocky with my art, and I loved so many different artists and genres that I didn’t like when they said I sounded like an act I didn’t enjoy personally. Now I want to be an earnest, sensitive, singer-songwriter guy. I would love to be that guy people run to when they need an hour in the day to relax. But I’m the guy who writes beautiful music at 85 beats per minute.

Is there a place on pop radio for the direction your music is taking now?

Ryan: I’m not sure. I’m not focus grouping my music. I might never get a Top 10 song again. That’s hard, letting go of hits is really hard for anyone to do once they get one. But I want to be an artist who ages gracefully musically. It’s gonna sound funny because I was telling Nadia this the other day and she laughed, I told her that I saw my music catalog like the development of a human being – it was a cute innocent little kid, and then it had dandruff and pimples for a while, and then it became a cool adult.

I had a big moment a few months ago: I was sitting at a restaurant in LA, and they playing either Ryan Ross Hernandez Pandora or Coldplay Pandora. And my song came on, and I thought, “That’s a beautiful song.” And then Jason Mraz would come on, and Norah Jones, and Jack Johnson, and Coldplay. And I said to myself, “That’s not bad company to be compared to.” I fucking love Coldplay.

You once said that you had a fear of meeting your soul mate, the only woman for you, and she wouldn’t want anything to do with you. Do you still agree with that?

Ryan: No, not at all. I was able to put that fear behind me when I wrote, “Architect of Dreams.” I refer to not being looked at as a liability, which a lot of people think it’s a bad thing, but it’s not. I don’t want to be looked as a liability. And I know there are many exceptional women out there. I remember I met this girl at a party and she was insanely rough on me, like she held nothing back. And she walked away from me, and then ten minutes later, she came back and said, “I’m sorry. Let’s start that over.” I respected that a lot, you know? I don’t know how much I bother someone. But I’m with someone right now who understands. I can’t be with a woman who thinks that when I say, “I need some space,” that means I’m breaking up with them.

What’s next for you and Nadia as a couple living in Montana?

Ryan: I don’t know. There’s the fun in finding that out in the coming months. I am fully hurtable right now and I’m okay with it. I’m not trying to be a weaponized version of myself. In my twenties, I used charm as a weapon to hide behind when I didn’t want face something. Now I’m extremely sensitive and in love. How can people still call me a womanizer if for two years I’ve only dated one woman? I’m not an expert at what makes a womanizer but I’m pretty sure a womanizer doesn’t look like me, isn’t into Neil Young, and have only dated one woman in the last three years.

When was the last time you went on a date with anyone other than Nadia Berry?

Ryan: 2009? Early 2009 would be my guess. And I hope I won’t ever have to experience a first date again.

What do you think has made it work between you and Nadia? You obviously both had to be aware that a lot of people didn’t expect you guys to last as long as you two have.

Ryan: Well to an extent, we have to compromise. As two full-time musicians, the point where one of isn’t touring or somewhere that isn’t home in a year is often. That’s why we’re always visiting each other wherever we are and we talk on the phone daily or Skype or whatever. We have to find ways to make it work when we’re apart, but also make sure we aren’t apart for too long. At the end of last year until this last April, we were together for four months straight. And in the next few months we will do that again because we need to if we want us to work.

You’ve wanted to make it clear that you do not write songs about her. Why is it important to you that people don’t think that? I’m sure if you were to say that a song was about her, more people would buy the record.

Ryan: That’s the thing, writing songs about people and teasing at who their about is cheap, cheap songwriting. It’s not cute. I don’t want anyone in this world to live with the satisfaction that I wrote a song about them. People in my life inspire me but I never sit down and go, “Okay, let’s write a song about someone today.” If that’s how you write songs, it’s pathetic. But I think you can do that when you’re young. If you go into your thirties or forties and still doing that same act, you’re going under.

Well what if Nadia were to write a song about you?

Ryan: I’m not going to stop her if she does, but I wouldn’t want to know about it. We both have a massive respect towards each other’s art. Up until now we don’t allow each other to hear the other’s album until it’s out for the world. That may change now that we have a studio in our house, so I know I’ll be doing a lot of recording here. My next album will be written and recorded here.
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#7 Posted : 04 July 2012 08:02:11(UTC)
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RYAN ROSS HERNANDEZ, A CHANGED MAN

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At the end of our meal, the three young waitresses nervously come to our table and ask Hernandez to take a picture with him. He takes a picture with each of them individually, then with them together. All the while they tell him how much they love his music, which the musician humbly shakes off each time. He takes the check and in a nonchalantly matter, takes two hundred dollar bills out, leaving them with quite a hefty tip. On the way out, I ask him if it ever gets older to hear such compliments about his music, which he replies with, “If an artist ever tells you it does, they should probably start considering retirement from this,” Hernandez says, suppressing a grin.

Back at the house, we sit on the back porch, Hernandez hands me a bottle of IPA, while he has his own glass of single-malt scotch in his hand. He mentions how the original plan was for him to be on tour this summer, to support his new record, but he had to cancel because of a problem in his vocal cords. In March, he was diagnosed with a granuloma, a blister near his vocal cords that’s exacerbated by singing and talking. He will have a surgery in the next few months, in hopes that he’ll be able to record vocals for his next album early next year, and be back on the road by summer 2013.

“It’s so disappointing not to tour,” Hernandez says. “Everything we had planned would have made this tour the best I’ve ever been on. The band was going to be the one that played on my record, and they were all amazing. We were on a whole another level – really deep. And it’s just a shame that I don’t know if I’ll be able to get those group of musicians back together to tour in a year.”


PART THREE

How has life been the last few months with a granuloma in your throat?

Ryan: A granuloma is an annoying bitch, you know? Like that ex-girlfriend who won’t stop calling, six months after you broke up with her. [laughs] I don’t even know how I got it. I found out in March about it, and I did a lot of therapy for like three months, it didn’t work. When I have the surgery I will be on intense vocal rest, because it’s impossible for me to talk for a month after. And I have to follow a strict diet too; No alcohol. No spicy food. No pasta. No talking. I’ve already bought a Bluetooth keyboard, and I’ll need everyone around me to have an iPad so they can read what I type. I’ll have to point to menus at restaurants. It’s not going to be easy.

Have you learned about the surgery? How do they remove this thing?

Ryan: Well they can’t remove it, it’s impossible. So what they do is inject Botox into your vocal cords. The Botox basically freezes your vocal cords, and I’ve already been told because of the size of the granuloma, I’ll need to get a lot of it. If I were a wishful thinker, in a month or two after having it, it should be gone, but I have to follow the doctor’s orders for six months after having it, and also my vocal coach.

I guess for the next few months you’ll be on the outside looking in when it comes to the music world.

Ryan: I’ve already been doing that in a while. I mean, I haven’t really talked to the media in two years, so I see what’s happening in the industry but I’ve just kept my opinions reserved. I don’t think I need my voice to be bigger than life itself anymore.

Who in the music industry right now do you think are the ones that are going to be here a while?

Ryan: As someone who knows the business both as an artist himself, as well as the happenings behind the scenes, I don’t think there is a lot of substance in the roster of artists you see signed to the labels like Studio60. When I signed to Studio60 Records two years ago, I was sure that Greg Walls and his team were going to build something that had success but also didn’t just hand out deals. I was weary when management brought in someone like Gia Rose. Then that turned to discontentment once I saw where she was taking the label, the direction wasn’t the right one. I don’t praise her for the success she brought to the label because I think it would have gotten there without the help of her without turning Studio60 into a mainstream, bubblegum product. The roster on that label has great talent, but their underused for the most part.

Well you and Gia Rose-Hilton have never had the best of professional relationships. She’s publicly stated her discontent with you being a Studio60 artist yet owning your own label.

Ryan: I never understood that. I never discussed the matter with her in person either. I delivered each of my albums to Greg Walls because he’s the one who signed me. I didn’t need any sort of relationship with her. She never came and talked to me about it in person because she never needed to. I’ve probably sold more records than any other band or artist on the roster. It’s not cocky to say that, it’s the truth. So I found it disrespectful when a head of the label was criticizing an artist signed to their own fucking label.

It’s been often rumored that you were leaving Studio60 Records, yet nothing has come true of that.

Ryan: I can give you the exclusive now and tell you that I’m done with Studio60. I have a very exciting new venture I will be heading in, both as an artist and as a businessman. It will take the helm of all my future releases for the foreseeable future and give them the attention they deserve. It felt like with Studio60, as soon as I’d put out an album that was it, they never built it to be anything more. It’s like they went, “Okay, we’re waiting for the next one,” two weeks after a new album is out. The label does not feel genuine anymore.

Will the three records you released with Studio60, be left to their property?

Ryan: No, I have a legal team currently working on purchasing the rights to all the music I released under their brand, and moving it to my next destination.

Greg Walls recently said that you had the rights to leave the label as you please if that’s what you wanted. Is that what you invoked?

Ryan: Yeah, after I delivered the new album to him, I think we all knew that was going to be it with my tenure at Studio60. I will always respect Greg Walls for singing me as the first act he signed to his label, but there are just people that I can’t work with.

As a musician, it feels like you’ve worked with every artist out there right now.

Ryan: I actually hold the Guinness World Record of working with everybody, yes. [chuckles] No, but I mean, I’m lucky to say I’ve worked with everybody currently out there who I’ve wanted to work with. I got Vanity a few years ago to sing on a track with me. Glamazon, I worked with her just a record ago. I produced a few records for Alicia Lena. I produced Riot!’s debut record. Ellie-Grace Summers was on a track of mine, we did a cool little duet, and I also produced her debut. I’ve collaborated with Stephanie Fierce a few times. It’s been cool being able to work with artists of all different spectrums. I don’t think every artist can say that. I’ve had a really good time working with people.

Is there anyone else out there who’d you want to collaborate with?

Ryan: No. That sounds very point blank, but there really isn’t. Right now I don’t think I want to hear my voice on other people’s records, I think more so I just wanna play my guitar. To begin with, I can’t sing for a year. But someone would really have to come out and impress, where I go like, “I want to work with that person.” I think Misery Loves Company is the coolest band out right now, but my music is at a place right now where I don’t think it’d feel right to work with them. But I think when the time is right; it’d be cool to just jam with those dudes. But I think about it and, I understand that times change, but change isn’t always a good thing.

Which act today, do you feel like they don't belong here?

Ryan: Hayden. I mean I’ve probably only listened to like one or two of this tracks, and it’s cool that he liked my new record, but he has the personality that if you’re just starting out in this business you can’t have. He’s a smart ass. I wouldn’t care if he’s been in this industry for five or ten years, if you’ve been around that long and you’ve been successful, be as much of a smart ass as you want to be. But when someone just comes out of the flood gates like that, they won’t be around for long. It’s just the way the tides work in this place.

Yesterday you talked about how your life has changed but didn’t go into detail about it. What has changed in your life?

Ryan: I just think I’ve come to terms with the fact that I’m not the artist who needs to be in people’s faces all the time. I don’t care what I think about Star Factory or Auto-Tune. I don’t Google news-search myself. When you Google yourself, it gives you the sense that the entire world is thinking about you, when really it’s just a tabloid website reporting the same rumor that 42 other ones have. I’ve learned that people don’t care. Right now, paparazzi aren’t hiding in the bushes outside my L.A. home because I’m “superstar singer-songwriter Ryan Ross Hernandez.” It’s about the situation.

You mean because of Nadia Berry…

Ryan: Yeah. She’s the biggest star in the world right now. I can’t go to three or four years ago and try to make it about myself again. Suddenly I thought back then that they were my paparazzi, but it wasn’t, it was just because of the situation that I was dating someone who was probably more known than I am. People were like, “Dude – no. I like a few of your songs. But get out of the frame.” They got upset because I considered myself in, like, the top 10 male celebrities or something. It is like, “No, you’re the guy who I listen to when I’m trying to cure a hangover on a Sunday morning.”

But that’s not entirely right. You are a celebrity, at this point.

Ryan: Yeah. But I don’t have to think of myself as being such. If I was somebody who didn’t like me, I’d like to read me saying that nobody cared.

Do you feel like you’re 34 years old?

Ryan: I finally do. It’s been an interesting, yet violent coming-of-age, but I enjoy where I am. Getting out is the hardest part – but staying out, which where I am now, is easy. That’s why I got this place. Here I can live a life-size life.

How do you plan on filling your days here? Hiking? Fly-fishing?

Ryan: Wake up in the morning. Get a cup of coffee, make breakfast. Go to the gym with my girlfriend. Then just drive up the hill to the studio next to the house. Eventually I want to make records for other people here, too. I’m installing all the boards and computers to my liking, so everything will be how I want it if I want to produce for somebody else.

And if we see you on TMZ in a month, coming out of some club…

Ryan: Well I’m not being completely reclusive again. Yeah, maybe I’ll go out a couple of nights in L.A. Put my feet in the water, have fun with my friends at a bar, or go to a club or restaurant with my girlfriend. But then I’ll get on the plane and come back here.

You don’t sound very much worried at all about being sucked back into that world.

Ryan: I had that discussion with my therapist. Let’s say I’m at the Chaos Awards, and there’s an afterparty. There’s a group of people giving me attention, and it’s intoxicating. But there’s a plane to Montana waiting for me at LAX. What do I do? What I’m learning as just a guy with a cool career is, I’m going to be all right either way, because I’m a different person. Now I’m thinking about who I’m going to put in this house.

You’re building your home.

Ryan: Man, I’m ready. I spent two years not being thought about, and now I have a hard time warming to the idea of being thought about again. I wouldn’t mind being forgotten about for another year. If I’m being honest with you… I think it’s kind of cool. It’s kind of cool to be around, but not really be around at all.
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Offline genocidal king  
#8 Posted : 04 July 2012 08:31:32(UTC)
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Scott: Man gets his own label with his girlfriend and suddenly starts dicking on the people who have helped elevate him to where he is now? Sad. You are a legend bro but that studio 60 stuff just comes across as bitter. I know you're probably trying to build controversy for your own little label...and that's cute, but what you said about my wife was out of order. You were cool up until recently. Judging by your recent appearances and comment though, you seem to have become lost inside your own anal cavity. It's probably time to take a reality check. By all means, leave your label; but have you heard of humility and dignity? You're 34 years old for Christ sake.
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#9 Posted : 04 July 2012 08:36:51(UTC)
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Gia: Good job Douchenandez, I was completely caught off guard with this last part of the interview. You've only proved nothing more that you haven't changed at all. You're still the same cocky, asshole as before. You will never change and it's sad. You think the world should bow at your feet because you put out a few good albums? Let me lay something out for you; there are 22 other artists, very GOOD artists on that label who could give two shits about you leaving or not. You've done nothing but sit here and whine about me, 'Oh they aren't giving my album enough attention, Oh Gia's mad at me for being a complete hypocrite' BLAH BLAH BLAH! I'm sick of you, on a professional and personal level. You think that we're supposed to drop everything for you? NEWS FLASH: YOU'RE NOT THAT AMAZING! You act as if you're God himself and thank God you're not or the whole world would be doomed. I've done nothing but work my ass off ever since I got hired there. Matter of fact, me AND Greg have done nothing but work our assess off for the likes of you. You're the only one complaining and it's getting old. I thought that you leaving would really hurt the company but I was wrong because there are 22 other amazing, talented people on that label that will continue to work for this company. You can sit there and lie about how I've turned the label into this and that but you cannot deny that I've turned the label into something bigger and better than it was before. At the end of the day it's all about Studio60 and for you to turn your back on the label that made you famous is just disgusting. While you've been whining we've been working so get your panties out a bunch and kiss my ass.

Edited by user 04 July 2012 08:44:28(UTC)  | Reason: Not specified

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User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
#10 Posted : 04 July 2012 09:03:50(UTC)
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Stephanie Fierce: To be honest, it's kind of sad to see all of you arguing, I respect most of you, by that I mean two out of the three. Cause this Gia chick needs to deal wit her hormones and shut her fat ass mouth. Any who, Keep your head up Ryan, what people will never realize is that we have the music to back it up at the end of the day. You have all right to be cocky, because you have changed a lot as a person and you've matured and turned yourself into a smart businessman. Wish you the best!

Edited by user 04 July 2012 09:06:21(UTC)  | Reason: Not specified

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#11 Posted : 04 July 2012 18:09:33(UTC)
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Ryan: A few years ago I could have gone on a tantrum to defend myself and the words I used. I am nowhere near the place in my life where I want to throw punches at everyone. I can’t please everyone; I never will be able to please everyone. Unlike my last Rolling Stone interview, I didn’t offend any group of people, or hurt anybody that I love. I spoke my truth, because it’s my opinion. If this means I won’t be getting Christmas cards from two in a half people in the industry, that’s fine with me. I’m happy where I am in my life right now. I’ve never been this happy. I plan to continue being this happy. Anyone who wants to give their thoughts about what I say in any interview should do it in front of TMZ cameras or something. At least they’ll hear you out and care.

Oh, and I’m sure anyone who uses the internet, can figure out that I wasn’t made famous by any label. If anything, I thank Spice Records for supporting me and releasing my first two albums as a solo artist. I thank Greg Walls for signing me to his label, as it was, years ago.
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