Me and Mrs. Jones (Billy Paul cover) He takes a drink of water before placing the water bottle back down near his feet. The lights rise up once Ryan starts to speak again.
“This next song is a cover. It may just be the most difficult song I've ever covered, especially acoustically. This is a soul song, one of the best of all-time. So hopefully I'm able to do it some justice. Cheers.” The lights lower themselves once more as Ryan leans back on the stool playing a very bluesy sounding guitar riff, which could be seen as a difficult task but he makes it look easy. It's only appropriate that the cameras are set on the guitar as you see him plucking every single chord with his fingers. The extended guitar intro isn't recognizable by any means, yet as soon as Ryan opens his mouth to utter the first line of the song in a soulful, sultry voice; the fans are quick to cheer.
“Me and Mrs. Jones, we got a thing going on,” he says with a small smirk as he looks up at the audience, who are right on pace as they join in to sing along.
We meet everyday at the same cafe
At six-thirty and no one knows she'll be there
Holding hands, making all kinds of plans
While the jukebox plays our favorite song
Come chorus time, he suddenly stops playing the bluesy licks which had just picked up and sings the famous
“Me and Mrs, Mrs. Jones, Mrs. Jones, Mrs. Jones,” line acapella along with the audience, causing the voices to echo through the entire arena. Obviously Ryan doesn't have the vocal skills as Billy Paul or Michael Bublé do, so he relies heavily on falling back on a loud falsetto. He quickly begins to play the laidback blues riff again, until the rising point of the song where he changes his playing to a fast paced riff where he swiftly passes his fingers along every string.
Well, it's time for us to be leaving
And it hurts so much, it hurts so much inside
And now she'll go her way, I'll go mine
But tomorrow we'll meet at the same place, at the same time
Me and Mrs. Jones, Mrs. Jones, Mrs. Jones
He echoes that final line
“Mrs. Jones,” line until he fades away his own voice and guitar playing. The audience continue to give Ryan huge praise after every single song.
“Was that good?” he asks shrugging his shoulders then smile after getting a positive response from his fans.
Don't Know Why
As that last performance sinks in with the twenty thousand at hand, a crew member is quick to rush on stage with another stool which is placed to the right hand of Ryan, just a few feet away. Soon after, longtime backing guitarist for Ryan Ross Hernandez as a touring member and for in studio recording, Robbie McIntosh walks out onto the stage, receiving a warm welcome from the diehards who quickly recognize the veteran guitarist.
“Ladies and gentlemen, the slide guitar extraordinaire, Mister Rob McIntosh.” As Ryan stated, Robbie does have a slide guitar which he adjusts once sitting down. Robbie soon starts to play a beautiful riff as an intro to the next song. Ryan takes off one of his earpieces as he leans back and appreciates the feel Robbie is giving off with his guitar playing. Robbie continues playing solo for about thirty seconds, before Ryan places the earpiece back in his ear, and steps in with his acoustic playing, once McIntosh starts playing the slide intro to
Don't Know Why, one of Hernandez's most recognizable songs. The second the acoustic and the slide meet, the fans know perfectly well what song they are about to dive into.
Once Ryan starts singing, the acoustic guitar becomes more prominent, although the slide guitar work by Robbie does come out and shine at certain parts of the performance. Ryan's vocals are mostly constant through this entire song, except for the bridge where he brings to light his falsetto tone that he holds for a few seconds, obviously causing the women present to swoon. After which Robbie performs a pitch-perfect sounding solo on the slide. Ryan just keeps the melody going with his acoustic guitar as his focus is drawn into enjoying the slide guitar solo Robbie is executing perfectly.
Don't Know Why, is really an acoustic rock anthem for women. As such you are able to hear the majority of the women present singing along with Ryan. They both finish playing their respective guitars in near perfect sync, with holding on tightly that final chord of the song.
“Thank you,” he adds with a nod.
That Girl's a Beautiful Mess
Ryan takes off the guitar he had strapped, handing it over to his guitar tech, who hands him another acoustic guitar. This one being a Martin 000-ECHF Belezza Nera with a beautiful mantel black finish. Ryan stands up from his stool, thanking Robbie and giving him a quick pat on the back as he heads off backstage. The previous crew member who had initially brought the stool on to the stage is the one who takes both stools off the stage. The lights raise more than they have all night so far, still only giving the audience a clear view as to where the area Ryan is standing on now. He takes off one of his earpieces again as he leans into the microphone while running a hand through his hair.
“I've seen and heard most of you singing tonight. Is it safe to say that an LA crowd likes to sing along?” The twenty thousand people standing in front of him cheer to answer his question.
“Let's do something then... Let's send a sound, all across this city.” Ryan raises the acoustic guitar and starts to play a simple, rhythmic melody.
“Ladadadadalala.” It doesn't take long before the audience joins in and echos the sound right behind him.
“Keep it going, keep it going.” He quickly rolls off his mouth, as he backs off from the microphone stand, still playing the melody. After twenty or so seconds of the crowd compiled to Ryan's request, he changes the melody and dives right into the soft and gentle opening chords of
That Girl's a Beautiful Mess, a song off of his latest album Let a Man Be Lost, that he has yet to play live. Of course, until now. Just by playing that opening chord, the fans cheer and scream with excitement.
“You all know who this song is about,” he says with a sly grin. That might be his way of confirming the rumor that this song is about Nadia Berry, the first time they dated in 2010. To match with the chords, Ryan starts to sing in a gentle voice that matches; His voice almost entirely taken over by how loud the fans are singing now.
You got the world hanging by a string
You remind of that girl who has broken a few hearts
Yet can heal one if she pleased
You are strong but in need of pleasing
Humble though you love attention
If I had to guess from her body language
Those curves that have him thinking worse
Your fashion sense is quite appealing
Something tells me you're kind of crazy
I'll make a guess and say
"This is just the kind of girl a guy needs"
During this song, although Ryan's voice is a near whisper never forcing a note out, he still sounds as the classiest of pleasures. When it's time for the chorus, Ryan opens his mouth wide almost shouting those last three words of it along with the crowd.
That girl's a beautiful mess, she is
It's kind of like a combination between perfection and offensive
To create a beautiful disaster piece
We hurt each other with the words we spill half sober
Then turn our beds into love reconciliation masterpieces
The life of true love may be grand
Though we can tell them stories about how wine and bodies and create a night of near perfection
Cause here, here we are, here we are
Here we are [x8]
After the second verse, he lets the audience sing the final chorus back to him, giving the sense that not a single person in that arena wasn't singing.
And seasons pass and hearts disfigure
I have no compliment if you still come around
And I'll tore your dress off
And you'll stain my shirt
Oh let's not learn the others phone number
'Cause there's no need to learn the shape of home
For the final verse of the song, he sings with so much passion behind every word he lets out of his mouth, without a care if they sound technically perfect or not. He sings the final line in a whisper, just how he started the song. After the conclusion of that song, he might have just received the best reception from the audience that he has gotten yet. While the crowd is still applauding him, he says,
“that was then, this is now.” Without wasting another second he starts to play a very liquidly melody by picking on the chords he is playing. This settles the crowd down but they have no recognition of what song he may be playing next.
“If you can play this next song or two well to a lady friend, you are guaranteed to get laid.” Most of the crowd laughs and a few
'Oooh's' are shouted out by the audience. Ryan looks over at the side of the stage as he begins to sing with a smile on his face.
Could you be the most beautiful girl in the world?
It's plain to see you're the reason that God made a girl
Oh, yes you are
He sings that short Prince cover in falsetto before transitioning with the same guitar picking melody to another cover. He turns his back to the audience when he does adding quickly in between the two,
“Even I'm wet.”Honey, you send me
Darlin', you send me
Honestly, you send me
Honest you do
Honest you do
Honest you do
Ooh ooh yeah
Nearly as soon as he stops singing the snippet Sam Cooke cover, the guitar playing finishes with it.
“Thank you very much. We'll see you in a few minutes.” And just like that, with the fans still a buzz over him, he nods his head and flashes them a quick smile before quickly disappearing off the stage. He has just finished the first set of the show, which was greatly received by the fans. Now he thinks; two more to go.
Ryan Ross Hernandez acoustic set
The Halfhearted Lover
Don't Think Twice, It's Alright (Bob Dylan cover)
(I Know) The World Is Black & White
Me and Mrs. Jones (Billy Paul cover)
Don't Know Why
That Girl's a Beautiful Mess > The Most Beautiful Girl in the World (Prince Cover) > You Send Me (Sam Cooke cover)