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Offline PANIC!  
#1 Posted : 15 July 2011 08:52:24(UTC)
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Los Angeles, California. The Creative Capital of the World.

Ryan Ross Hernandez wrote:
"If you go to anywhere else in the world, people will tell you that LA blows. LA doesn't blow, if you know how to do it right. LA can be one of the greatest cites in the world if you know how to do it correctly. I don't have to be based out of Los Angeles because I'm a musician not an actor. My life would probably be a lot easier if I didn't live in Los Angeles, but this city has been important in the way I create my art--music. It's inspired me both with how a song sounds and writing lyrics. Some of my biggest songs I've written here. The majority of, if not all of my second record 'Dark Secret Love,' was written in Los Angeles. 'A Never-Ending Trip to Heartbreak,' a song that won Best Single at the IMAs, I wrote here. My recent hit single, 'The Halfhearted Lover,' was heavily inspired by California rock. By Tom Petty and Stevie Nicks, Fleetwood Mac, The Eagles. All those artists and bands had their start here in LA. My start was in New York City but I feel like I connect more with LA in the sense of memories and what comes to mind when I think of this city. I don't know how this show is gonna go. I don't know if people are gonna like it or what type of crowd is gonna be at the Staples Center, but all I know is that I'm excited. The fans attending it as well seem to be very hyped up for it as well. Hopefully I can make it worth their time and money."


OOC: Yep. I've been meaning to try my hand at writing out a full concert, ever since I read Infinite's incredible Wembley concert thread. This is either going to be very good or very bad. I have not written an entire concert from top to bottom in at least two years. I will post one or two parts each day until it's done. It's about a 20-something setlist, and it's also gonna include some backstage stuff. Tonight I won't be posting any songs, instead I'll post little bits of RRH before the concert including soundcheck and whatnot, to give it more of a feel of it being a live DVD. Let's see how this goes, haha.
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Offline Mckenzie-  
#2 Posted : 15 July 2011 09:26:32(UTC)
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Shay: I can totally relate to how you feel man! I was born in Boston, and the music scene didn't catch me, i found myself.. uninspired. So i packed up and moved with the family to LA and everything just clicked. Really looking forward to your concert!
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Offline PANIC!  
#3 Posted : 15 July 2011 18:22:47(UTC)
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12:00 PM - July 16th, 2011


Eight hours until curtains. We get a "get-to-know-you" introduction to Ryan Ross Hernandez as we ride with him in his Mercedes. The scenes are intertwined between showing Hernandez driving and talking about his career, his fans, and music, and old footage that spans through out Ryan's career as a solo artist. From concerts at Madison Square Garden, to playing at the International Music Awards, and headlining festivals worldwide. If the footage is any further indication, it just displays that Ryan Ross Hernandez has basically done it all in his career. He was in a alternative rock band, he's made pop records, rock records, blues records, soul. He's worked with both some of the biggest acts in recent music memory, to helping out new acts that are just starting off and mentoring them on music. He's talking in between such footage does not display his reputation as a rack most of the time. Instead it invokes a sense at a man who is growing up, or at the very least a man who can detract his public persona from influencing times when he's being serious. If this is any indication, that time is only when it comes to music. Arguably, no other artist in modern day has been able to become the flagship celebrity that he is, yet still be able to be as dedicated as Ryan Ross Hernandez is to his music. His credibility is still intact, despite his erratic behavior sometimes.

On being a celebrity:

“That's the thing about people knowing anything about you before you meet them, is that you have to work just to get people back to knowing nothing about you. It would take me an hour at this point, to ease someone's mind into knowing nothing about me, from thinking they know something about me.”

On growing up:

“Part of me doesn't like it when everything works. I don't think anybody likes it when everything works. When I was twenty-five, I didn't want everything to work. I knew that those were the years that I was suppose to be fighting it out. And to expect your whole life to be at a place where you're gonna fight it out and then realize that no, you don't have to anymore.”

On success:

“It's only fun when you're trying to get it in your grasp. It's like you know, once you catch it, throw it back in the water and then catch it again. That's really what I want to do my whole career.”

On his concerts:

“I feel like all of my concerts are music appreciation nights. A lot of people, especially pop artists, say that they're also entertainers so they need big budget stage designs and crazy theatrics, costumes and that shit. I don't need any of that because I don't see myself as being an entertainer, I see myself as a musician. That's why music sucks these days. Because record labels are using all these other things to sell music, instead of the basics. I think I've done this long enough that fans know they aren't getting none of that crap at one of my shows. They're just getting a lot of great music, a lot of banters, and a ton of beautiful women in the crowd. I don't mean to brag but my fans are the most sexiest ones in the world. You won't find anywhere else as many hot women as they are at a Ryan Ross Hernandez concert.”

He finishes off looking directly at the camera for the first time, and flashing a confident smile. Giving the first glimpse so far, of his famously known personality.

3:15 PM - July 16th, 2011


Four hours and forty five minutes until curtains. A fairly large dressing room where Hernandez is seen in front of a mirror shirtless, putting on a buttoned long-sleeve shirt his blonde haired personal assistant, Lindsay, likely in her late-twenties, handed to him. He buttons up the shirt about halfway through before quickly buttoning it off and slipping it off, handling it back to his PA while saying, “I like it, it looks good. But I'm going to be wearing a suit during the blues set, so I'm gonna need something a little more casual when I go out to play with the full band.” Ryan flashes her a smile, as Lindsay nods along with a smirk and goes back to the extended closet on wheels that Hernandez has brought today.

Mick, his tour manager, comes and pats him on the back, handing him a printed copy of the setlist for the night. “Yeah alright, this looks good. I'm probably gonna make some slight changes as always, so give me about a half hour and get this back to you. Although, you know what. Hand a copy of this setlist to Rene so he could get the guitars set-up for soundcheck. I'll talk to him later, just give it to him now so has time to have them all ready.” His tour manager agrees with him and bids him that he'll see him later, before leaving asking Ryan to call him when he has the setlist ready so he could have copies ready for the rest of the band.

Ryan sits down on a leather couch, that's placed right in front of a glass coffee table. He leans forward and places the sheet of paper on the table and grabs a pen already scratching out parts of the side and adding subtitles alongside them. Lindsay speaks up, causing Ryan to raise his head and look over at her who's holding a plain grey t-shirt and a pair of blue jeans. “That's for the first set? The acoustic set? Oh yeah, that's perfect. That set is going to have this like old school, almost country flavor to it so it's works perfectly. A pair of Timberland boots and an old school leather band rolex with that, perfect. Thanks Lindsay.” He says with a sly smirk, before turning to his attention back to shaping up the setlist.

6:30 PM - July 16th, 2011


Fast forward. Now just an hour in a half before the show starts, and a mere thirty minutes before doors open at the Staples Center. Hernandez is seen again in his dressing room, that's now crowed with mainly members of his management crew team, including manager, tour manager, PA, publicist. And of course, personal friends of Ryan. He's now wearing the outfit that agreed with Lindsay to wear on the opening set earlier. “No, no, no. Here's my problem with groupies. I don't sleep with fans because how fucking awkward would be if a woman is finishing me up with a blowjob and when she's done she asks me, 'could you sing me The Other Side of Desire?' What am I suppose to say then? Yes, but can you please brush your teeth first? What the fuck am I suppose to say?” Most of the room cracks up at the apparent joke Ryan was making. “I wish I was getting as much women as US Weekly says I am. I don't know who the fuck they're writing about, but he sounds pretty fucking cool if you ask me. The only person getting more pussy than me, is me apparently. Celebrities are just like us. No, they are not. I'm a fucking freak according to the tabloids. By now, everyone knows 99% percent of the shit they write is complete bullshit. Every once in a while I'm like, 'Yeah, they got me.' What I'm gonna do from now on, is just do all the shit they write about me the week later. Stumble out of whatever the fucking hottest club in Hollywood is right now, with all the members of GirlSpice trying to pull down my pants. A week later, give me fifteen minutes I'll turn fucking Katie Coyle straight. Fuck it, I'm just gonna impregnate all the popstars in music right now. Izzy, I have no idea how her music sounds but hopefully she's of a age. Eric Quillington's girlfriend, Glamazon. Just give me twenty four hours, and I'll impregnate all of them.” While Ryan gives one of his extended banters, most of the room is laughing as someone from personnel comes into the room to tell Hernandez, that his girlfriend has arrived. “Good. Right on time. Just after I've made the sex jokes, that's perfect. Bring her here and I don't know if she brought anyone else with her, but if she did just give them all the passes.” Ryan stands up from the couch and straightens the few small wrinkles on his shirt.

(OOC: I will probably post one more backstage thing just before I post the first real part of the concert sometime on Friday. Just note that no one is actually seeing none of these behind the scenes parts since it's something you would see in a future DVD release, same thing with that narrative start. Same thing with the actual concert unless one of your characters attends it or something.)

Edited by user 24 July 2011 08:40:10(UTC)  | Reason: Not specified

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Offline Matticus  
#4 Posted : 15 July 2011 19:25:15(UTC)
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OOC: That was - yet again - incredible.
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Offline PANIC!  
#5 Posted : 16 July 2011 11:23:08(UTC)
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7:07 PM - July 16th, 2011


In comparison to earlier, the dressing room is much less crowded and not nearly as noisy as it was before. Hernandez is seen at a corner, sitting down as he is toning an acoustic guitar, trying to get the appropriate sound. He plays a swift, high-paced chord progression, tapping his foot along to the melody. He changes the pace to a calmer chord strum, making it obvious that he is now practicing Free Fallin' by Tom Petty. It can be heard that he is singing along to the melody under his breath. He plays down to the bridge of the song, as he begins to sing in a clearer voice.

I wanna glide down over Mulholland
I wanna write her sweet name in the sky
I wanna free fall out into nothin'
Ooh I'm gonna leave this, this world for a while


After the bridge, he progresses to sing in a louder tone, channeling his famous falling falsetto for the final chorus of the song. Hernandez raises his head and nods his head. “That was pretty damn good,” he says with a smirk. He grabs the water bottle that's on the counter next to him and takes a sip out of it. The camera pans out showing the rest of the dressing room. Ryan is now seen standing up from the chair and taking off the acoustic guitar that he had strapped on.

7:56 PM - July 16th, 2011


We now see Ryan Ross Hernandez along with his band members and techs walking down a stairway, making their way onto the stage area. Hernandez is talking with his tour manager about the opening acoustic set. “. . . Everything else is good. You gotta get The Halfhearted Lover, you gotta get The World Is Black and White, you gotta get the Dylan cover, you gotta get Don't Know Why, you gotta get Beautiful Mess. I might play another song somewhere in there but that's the core of it.” The scene now jumps again into one similar to the intro scene where Hernandez is driving. This time it's much shorter where he gives gives a quick respond as to how he connects with playing acoustic guitar.

“I come from playing guitar alone in a room. That's my history. I must have played for, at least five years alone in a room. That's a reason why a lot of my early songs were based around the acoustic guitar because that's what I got really good at when I was growing up. I don't think I held an electric guitar until I was 19, maybe 20-years-old. And to this date, most of the demos I do for future songs are done with just an acoustic guitar and vocals. I think that's the best way to start off a song idea. Fuck drum machines, fuck loops, fuck synthesizers, fuck GarageBand. All that crap is overrated. Nothing is as organic as just having a guitar and a voice.”

8:02 PM - July 16th, 2011


The show is delayed by just two minutes. We get a shot of Hernandez by the side of the stage, just a few steps away from being on stage. He waits for the cue from his tour manager to head onto the stage. A crew member is setting up the receiver of his In-ear monitor in one of his back pockets. He lets the earpieces hang around his ears. He is putting on a neck harmonica holder, playing a few notes on the harmonica. The lights go out and twenty thousand fans can be heard anxiously awaiting for sight of their favorite artist. Hernandez is now handed his signature, customized, Martin OMRH acoustic guitar. He straps it around his back as he impatiently awaits for his cue.

OOC: Finally, the first part of the real concert will be posted soon.

Edited by user 17 July 2011 12:23:22(UTC)  | Reason: Not specified

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Offline genocidal king  
#6 Posted : 16 July 2011 13:41:16(UTC)
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Ooc: this is a brilliant idea, very original. Excellently executed as well. It's a shame that it's being ignored.
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thanks 1 user thanked genocidal king for this useful post.
Matticus on 16/07/2011(UTC)
Offline PANIC!  
#7 Posted : 16 July 2011 18:09:41(UTC)
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Originally Posted by: Matticus Go to Quoted Post
OOC: That was - yet again - incredible.


OOC: Thanks man, I really appreciate it.

Originally Posted by: genocidal king Go to Quoted Post
Ooc: this is a brilliant idea, very original. Excellently executed as well. It's a shame that it's being ignored.


OOC: Thank you, that's what I'm aiming for. I want to give this an almost documentary like feel to it. I don't really mind, I use to get angry when stuff like that happened but now I just accept it. After making that huge Let a Man Be Lost track-by-track last year, which is still the best rp I've ever written and it getting little response, I've just learned to not stress over it. As long as even a few people read what I write, I appreciate it greatly and I will continue to write.
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Offline PANIC!  
#8 Posted : 16 July 2011 18:10:51(UTC)
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Intro


The twenty thousand Ryan Ross Hernandez fans in attendance are all on their feet, waiting for his rangy six-three frame to emerge from the darkness of the stage. Which is in their mind the only thing that could be occurring at this point. It's fair to say that the fans at the Staples Center are rather antsy, especially the ones that have been waiting since the doors opened an hour prior to the start of the show. Ryan discussed with management that he didn't want any supporting acts for the show, not even an opener. He promoted this event as Ryan Ross Hernandez opening for Ryan Ross Hernandez. The extended time this gave him to performance, gave him the opportunity to channel all there incarnations of the musical persona he is known for. A solo acoustic set, a trio blues set, and a full-band pop set. It can be considered a ballsy move to open a concert with an acoustic set, but Hernandez being the usual confident being, he thinks that he could hold the crowd just by playing acoustically for the first thirty minutes or so.

At this moment, the lights are still out in the sold-out arena. A few seconds of keeping the crowd a buzz until a single spotlight shines at center stage. This gives the fans a glimpse at the stage, although the only thing they could see is a microphone stand placed in front of a stool, in a position that it matches the person whom will be sitting down perfectly. In addition, an acoustic guitar is seen on a stand, beside an empty guitar stand. Another spotlight is now seen at the far right of the stage. Hernandez quickly climbs up the steps and seen by that second spotlight which follows his figure. All twenty thousand fans are now applauding, cheering, and screaming for Ryan Ross Hernandez. As is always at a concert of his, you hear the odd ball woman, be it the sixteen year old teen or the forty year old housewife, yelling about how hot he is and that they love him. The spotlight follows him until he reaches the previous spotlight at centerstage. At that point the lights raise up on stage, giving the fans a full view of it. Nothing out of the ordinary, as is tradition at a Ryan Ross Hernandez, no fancy stage designs or decor is seen. Just a huge screen behind, that gives the entire audience a chance to see the stage, as well with the large screens standing high on either side. The stage doesn't even have the other instruments set-up for the other sets, right now all that is own the actual stage floor is what you saw in the first spotlight, only now with Hernandez's frame sitting on the stool, and a large customized rug under it all with a RRH logo on it.

Ryan looks up at the audience with a smile, the crowd still hasn't let up with the immense amount of love and praise they are showing him. He nods his head along as he mouths a couple of 'Thank You's' to them. The second the noise seems to be letting up, he leans forward to the microphone and says in a deep, raspy voice, “Good evening.” He backs from the mic stand again, as the audience raises their volume again. He looks out at the crowd in front of him, a few catching his eye directly. Or mostly the ones at the front who's faces he could actually see. He quickly notices the usual demographic of attendees at his concerts. The group of women who come out to his show as a ladies night or girls night out. The girlfriend or wife that drags their boyfriend or husband to the show, and the men have a face that they clearly aren't the biggest fans of his music. The young kid who this is their first concert, or the diehards who attend as many shows as they can and are proudly wearing his gear. He has come to learn his fanbase over the years, and who feels as though now he is at a point where he could just look at a fan and tell you exactly what type of fan they are. This adds more to Ryan's high levels of self-awareness yet he likes knowing how the moves the pawn is making before they actually make them.

“My name's Ryan. I'm opening up for myself this evening.” He gets a mix reaction from the crowd of laughter and cheering. “Yeah, I met up with myself backstage. I was very confident. I was very nice to myself. I gave myself a few minutes of conversation, I didn't give myself small talk, it was very nice. Ryan Ross Hernandez, he's a very nice guy. I thought he was gonna be a complete douchebag. He wasn't. He was actually really nice. Aside from the fact that he stole my girlfriend.” The diehard fans understand that this is probably just the beginning of a night that will be filled with Ryan's banters in between songs. His banters are a must at all of his concerts. Be it if he is telling a story, or giving the crowd advice, or just making funny and/or sarcastic comments about any topic or using himself as a form of self-deprecating humor. Over the years, that has never changed at a Ryan Ross Hernandez show. As is with Ryan Ross Hernandez much as a whole, you either love it or hate it. The audience quiets down as he adjusts his guitar, and repositions himself on the stool. A female is heard yelling, 'I love you Ryan!,' which always the cool and calm Ryan responds to with a grin and says, “I love you too.”
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Offline Matticus  
#9 Posted : 16 July 2011 18:25:39(UTC)
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Ooc: You have already blown anything that I have ever written out of the water and he hasn't even started performing yet -_-
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Offline PANIC!  
#10 Posted : 17 July 2011 12:21:22(UTC)
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The Halfhearted Lover


“I'm starting you guys off with this song, a hit song actually. It's a fan favorite. When I wrote this song two years ago, I knew two things. It was gonna be a single, it had all the components of one. And also knew that it was very Stevie Nicks and Tom Petty like.” The majority of the audience cheers, already having an idea of which song he is referring to. Ryan raises the sleeves of his shirt as he gets ready to start playing. “What I did not know is that two years later, I would hate this song. But I know you guys like it so I'll play it for you all.” He plays a few random harmonica notes, before starting to play the opening chords to The Halfhearted Lover. A few seconds of just playing guitar, he starts blowing into the harmonica, creating a very folky feel to the popular pop/rock, country pop song. He lowers the harmonica as he starts to sing in a deeper voice than he usually does for this song. In this version, he removes almost entirely the pop-ish sound and plays a version of The Halfhearted Lover that is more similar to Joni Mitchell and Bob Dylan, than Tom Petty and Stevie Nicks. After the second chorus, he plays another harmonica line that leads into the bridge of the song, while still playing the constant guitar plucking behind his singing. “I forgot how to play the last verse of this damn song. So I'm just gonna improvise, yeah, yeah, yeah.” He sings with a chuckle, as the crowd laughs. Ryan wasn't actually kidding, he had really forgotten the chords. He continues playing the chords to the chorus of the song.

Ooh
Woo, woo, woo
Ooh, Ooh
Woo, woo, wooo
Ooh, Ooh


“Maybe Taylor Swift's in the room. She might hate when I do that too.” He's quick comment gets the audience to give a quick laugh before adding 'Ooh's' along to them. Hernandez starts swiftly moving his guitar pick along the chords.

Ooh, Ooh
Ooh, Ooh
Let's make it awkward
Let's make it awkward
I don't really care
'Cause I just wanna have a good time
I say, let's make it weird
I don't really care
I have to remember 16,000 songs and this is not one of them


He improvises along, getting a good response from the audience. Granted, most at hand think Ryan can ever do any wrong. He sings the chorus one last time with much of the crowd joining in. As the fans applaud him once he finishes playing, Ryan lowers his head leaning against the microphone. “Well that did not work out very well.” He says with a chuckle while some of the fans laughed along with him. “I can already tell that won't make the DVD.”

Don't Think Twice, It's Alright (Bob Dylan cover)


The lights lower again, now there is just a a row of circular spotlights around Ryan, and a more prominent one shining on him. “Moving on.” Just as soon as he says that he starts playing a rhythmically, paced guitar picking riff. It's soon caught on that he is continuing the opener with another folk song. Although the song isn't comparable to anything he has written or the fans know him for. When he starts singing, his tone is a smokey one, similar to his own speaking voice.

It ain't no use to sit and wonder why, babe
If you don't know by now
It ain't no use to sit and wonder why, babe
It don't matter anyhow
When your rooster crows at the break of dawn
Look out your window and I'll be gone
You're the reason I am traveling on
Don't think twice, it's all right


Don't Think Twice, It's Alright, is one of Ryan's favorite songs by the greatest songwriter of all-time Bob Dylan. In between the verses he bends a few harmonica notes, while continuing to play the steady guitar riff. He taps his foot along to the melody. He adds a string of 'oooh's' before singing the final verse.

I'm walking down that long, lonesome road, baby
Where I'm bound, I can't tell
But goodbye's too good a word, baby
So I'll just say farewell
I ain't saying you treated me unkind
You could have done better but I don't mind
You just kinda wasted all my precious time
But don't think twice, it’s all right


He ends off the cover with a few more soft harmonica notes. While the song may not be widely known to his audience, they still cheer on the performance, it going much better executed than the opener. “Thank you.”

(I Know) The World Is Black & White


The stage lights dim slightly, giving a more intimate feel for the next song. Ryan is seen taking off the harmonica neck holder as a crew member quickly runs onto the stage and taking it from his hands. He adjusts the earpiece in his ears as he quickly preps for the next song. As soon as he plays the opening riff, the fans go a buzz knowing exactly what song it is. Off his second studio album, (I Know) The World Is Black & White is a favorite among fans and Hernandez himself, who has previously mentioned the song as being one of the best he has written. The song was written during a period of time he calls "solitary refinement;" He had just left PANIC! at the time he had written it, was going through a break-up, and living in a hotel while finding a new residence in New York City. As expected, he channeled off the folk feel of the two previous songs from his voice and is now in full-on sultry mode. The same voice that launched him a career and made him famous in the female community. With a pan of the camera on the fans, you could see many of them singing along with Ryan.

When he reaches the bridge, he progressively starts to sing in a higher pitch tone. He holds the final note for a few seconds as the fans applaud him. Ryan returns to his zone singing wise during the final chorus. He continues playing the melody as he leans in more into the microphone.

“I wanna tell you a story,” he says still playing the melody of the song. “I always think about my grandmother when I play this song. God bless her, she's still running around this crazy world. She's 93-years-old. And she still cooks like she did when I was little. She's still able to fend for herself. I'm playing this song and memory came into my head just now. A memory that sums up truest love. I was 19-years-old and I was taking this bus, from my hometown of Miami up to Tallahassee where I was going to college. That's the point where I left home and never went back, I progressively just went further from home, miles wise. My mom along with my grandma, drove me to the bus station. I get on the bus and the windows on it are tinted. I can only see them, but they can't see me and they know they can't see me. But both of them still wave anyways and just keep waving until the bus leaves. I think that's what love is. What unadulterated love is. Waving even when they can't see you. You might not think that means much but I notice the little things in life. So . . . yeah.”


Ryan sings the chorus one last time, echoing on the last line until his voice becomes softer and softer and he finishes playing. This gets a huge positive response from the crowd. “Thank you.” He tells the crowd with a small smile as he reaches down to the floor and grabs a bottle of water.

______________________________________________________________________________________________________________________________________________________

(OOC: The second part of the acoustic set will be posted tomorrow with three more songs, then the first part of the blues set should be posted on Monday.)

Edited by user 17 July 2011 12:22:58(UTC)  | Reason: Not specified

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Offline RoseJapanFan  
#11 Posted : 17 July 2011 12:48:23(UTC)
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OOC: I'll be looking forward to when it ends so then i can give my comments ;]
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"My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar



Offline PANIC!  
#12 Posted : 18 July 2011 17:53:02(UTC)
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Me and Mrs. Jones (Billy Paul cover)


He takes a drink of water before placing the water bottle back down near his feet. The lights rise up once Ryan starts to speak again. “This next song is a cover. It may just be the most difficult song I've ever covered, especially acoustically. This is a soul song, one of the best of all-time. So hopefully I'm able to do it some justice. Cheers.” The lights lower themselves once more as Ryan leans back on the stool playing a very bluesy sounding guitar riff, which could be seen as a difficult task but he makes it look easy. It's only appropriate that the cameras are set on the guitar as you see him plucking every single chord with his fingers. The extended guitar intro isn't recognizable by any means, yet as soon as Ryan opens his mouth to utter the first line of the song in a soulful, sultry voice; the fans are quick to cheer. “Me and Mrs. Jones, we got a thing going on,” he says with a small smirk as he looks up at the audience, who are right on pace as they join in to sing along.

We meet everyday at the same cafe
At six-thirty and no one knows she'll be there
Holding hands, making all kinds of plans
While the jukebox plays our favorite song


Come chorus time, he suddenly stops playing the bluesy licks which had just picked up and sings the famous “Me and Mrs, Mrs. Jones, Mrs. Jones, Mrs. Jones,” line acapella along with the audience, causing the voices to echo through the entire arena. Obviously Ryan doesn't have the vocal skills as Billy Paul or Michael Bublé do, so he relies heavily on falling back on a loud falsetto. He quickly begins to play the laidback blues riff again, until the rising point of the song where he changes his playing to a fast paced riff where he swiftly passes his fingers along every string.

Well, it's time for us to be leaving
And it hurts so much, it hurts so much inside
And now she'll go her way, I'll go mine
But tomorrow we'll meet at the same place, at the same time
Me and Mrs. Jones, Mrs. Jones, Mrs. Jones


He echoes that final line “Mrs. Jones,” line until he fades away his own voice and guitar playing. The audience continue to give Ryan huge praise after every single song. “Was that good?” he asks shrugging his shoulders then smile after getting a positive response from his fans.

Don't Know Why


As that last performance sinks in with the twenty thousand at hand, a crew member is quick to rush on stage with another stool which is placed to the right hand of Ryan, just a few feet away. Soon after, longtime backing guitarist for Ryan Ross Hernandez as a touring member and for in studio recording, Robbie McIntosh walks out onto the stage, receiving a warm welcome from the diehards who quickly recognize the veteran guitarist. “Ladies and gentlemen, the slide guitar extraordinaire, Mister Rob McIntosh.” As Ryan stated, Robbie does have a slide guitar which he adjusts once sitting down. Robbie soon starts to play a beautiful riff as an intro to the next song. Ryan takes off one of his earpieces as he leans back and appreciates the feel Robbie is giving off with his guitar playing. Robbie continues playing solo for about thirty seconds, before Ryan places the earpiece back in his ear, and steps in with his acoustic playing, once McIntosh starts playing the slide intro to Don't Know Why, one of Hernandez's most recognizable songs. The second the acoustic and the slide meet, the fans know perfectly well what song they are about to dive into.

Once Ryan starts singing, the acoustic guitar becomes more prominent, although the slide guitar work by Robbie does come out and shine at certain parts of the performance. Ryan's vocals are mostly constant through this entire song, except for the bridge where he brings to light his falsetto tone that he holds for a few seconds, obviously causing the women present to swoon. After which Robbie performs a pitch-perfect sounding solo on the slide. Ryan just keeps the melody going with his acoustic guitar as his focus is drawn into enjoying the slide guitar solo Robbie is executing perfectly. Don't Know Why, is really an acoustic rock anthem for women. As such you are able to hear the majority of the women present singing along with Ryan. They both finish playing their respective guitars in near perfect sync, with holding on tightly that final chord of the song. “Thank you,” he adds with a nod.

That Girl's a Beautiful Mess


Ryan takes off the guitar he had strapped, handing it over to his guitar tech, who hands him another acoustic guitar. This one being a Martin 000-ECHF Belezza Nera with a beautiful mantel black finish. Ryan stands up from his stool, thanking Robbie and giving him a quick pat on the back as he heads off backstage. The previous crew member who had initially brought the stool on to the stage is the one who takes both stools off the stage. The lights raise more than they have all night so far, still only giving the audience a clear view as to where the area Ryan is standing on now. He takes off one of his earpieces again as he leans into the microphone while running a hand through his hair. “I've seen and heard most of you singing tonight. Is it safe to say that an LA crowd likes to sing along?” The twenty thousand people standing in front of him cheer to answer his question. “Let's do something then... Let's send a sound, all across this city.” Ryan raises the acoustic guitar and starts to play a simple, rhythmic melody. “Ladadadadalala.” It doesn't take long before the audience joins in and echos the sound right behind him. “Keep it going, keep it going.” He quickly rolls off his mouth, as he backs off from the microphone stand, still playing the melody. After twenty or so seconds of the crowd compiled to Ryan's request, he changes the melody and dives right into the soft and gentle opening chords of That Girl's a Beautiful Mess, a song off of his latest album Let a Man Be Lost, that he has yet to play live. Of course, until now. Just by playing that opening chord, the fans cheer and scream with excitement. “You all know who this song is about,” he says with a sly grin. That might be his way of confirming the rumor that this song is about Nadia Berry, the first time they dated in 2010. To match with the chords, Ryan starts to sing in a gentle voice that matches; His voice almost entirely taken over by how loud the fans are singing now.

You got the world hanging by a string
You remind of that girl who has broken a few hearts
Yet can heal one if she pleased
You are strong but in need of pleasing
Humble though you love attention
If I had to guess from her body language
Those curves that have him thinking worse
Your fashion sense is quite appealing
Something tells me you're kind of crazy
I'll make a guess and say
"This is just the kind of girl a guy needs"


During this song, although Ryan's voice is a near whisper never forcing a note out, he still sounds as the classiest of pleasures. When it's time for the chorus, Ryan opens his mouth wide almost shouting those last three words of it along with the crowd.

That girl's a beautiful mess, she is
It's kind of like a combination between perfection and offensive
To create a beautiful disaster piece

We hurt each other with the words we spill half sober
Then turn our beds into love reconciliation masterpieces
The life of true love may be grand
Though we can tell them stories about how wine and bodies and create a night of near perfection
Cause here, here we are, here we are
Here we are [x8]


After the second verse, he lets the audience sing the final chorus back to him, giving the sense that not a single person in that arena wasn't singing.

And seasons pass and hearts disfigure
I have no compliment if you still come around

And I'll tore your dress off
And you'll stain my shirt
Oh let's not learn the others phone number
'Cause there's no need to learn the shape of home


For the final verse of the song, he sings with so much passion behind every word he lets out of his mouth, without a care if they sound technically perfect or not. He sings the final line in a whisper, just how he started the song. After the conclusion of that song, he might have just received the best reception from the audience that he has gotten yet. While the crowd is still applauding him, he says, “that was then, this is now.” Without wasting another second he starts to play a very liquidly melody by picking on the chords he is playing. This settles the crowd down but they have no recognition of what song he may be playing next. “If you can play this next song or two well to a lady friend, you are guaranteed to get laid.” Most of the crowd laughs and a few 'Oooh's' are shouted out by the audience. Ryan looks over at the side of the stage as he begins to sing with a smile on his face.

Could you be the most beautiful girl in the world?
It's plain to see you're the reason that God made a girl
Oh, yes you are


He sings that short Prince cover in falsetto before transitioning with the same guitar picking melody to another cover. He turns his back to the audience when he does adding quickly in between the two, “Even I'm wet.”

Honey, you send me
Darlin', you send me
Honestly, you send me
Honest you do
Honest you do
Honest you do
Ooh ooh yeah


Nearly as soon as he stops singing the snippet Sam Cooke cover, the guitar playing finishes with it. “Thank you very much. We'll see you in a few minutes.” And just like that, with the fans still a buzz over him, he nods his head and flashes them a quick smile before quickly disappearing off the stage. He has just finished the first set of the show, which was greatly received by the fans. Now he thinks; two more to go.

Ryan Ross Hernandez acoustic set

The Halfhearted Lover
Don't Think Twice, It's Alright (Bob Dylan cover)
(I Know) The World Is Black & White
Me and Mrs. Jones (Billy Paul cover)
Don't Know Why
That Girl's a Beautiful Mess > The Most Beautiful Girl in the World (Prince Cover) > You Send Me (Sam Cooke cover)
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#13 Posted : 24 July 2011 10:18:26(UTC)
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8:45 PM - July 16th, 2011


As soon as Ryan Ross Hernandez is offstage, his entourage is already waiting for him, Lindsay handing him a bottle of water and a towel. He receives several remarks from them, ranging from “Great job,” to “You owned the stage.” Ryan, being the highly self-aware person that he is, he shoots back with, “It could have been better.” Without anytime to spare, a crew member is already taking off the monitor from his back pocket, while Ryan is walking to his dressing room. During the walk, he is talking with tour manager, not much of the conversation is audible due to the obvious loud noises around them. “Well that one was, one of the hardest parts of the show,” his tour manager agrees with him as they head inside the dressing room, with his PA following soon after them. He dries his face with the towel he got earlier, tossing it on the leather couch. In a near blink of an eye, Ryan had already buttoned down his shirt and taken it off. “Don't let my girlfriend come in here. She can never control herself when she sees my amazing physique.” Ryan tells everyone in the room with a laugh, taking a seat down on the couch for a quick breather. “Where is she, by the way?” He asks curiously, both Lindsay and Mick tell him that they don't know. “Mick, ask one of the assistants to find her. Before the next set I want to make sure she didn't get mauled by the recently divorced cougars in the audience.” He stands up and starts unbuckling his pants, while continuing on, “I'm not even kidding. Everyone I could see from my view up on the stage, they're all cougars or girls in their twenties. I don't know about the rest of the audience, but the front-row is just women between the ages of like eighteen and forty. And it's not even mother-daughter thing, it's like separate groups.”

12:15 PM - July 16th, 2011


The scene transitions back to the opening sequence where Ryan Ross Hernandez is driving around Los Angeles. This time answering a different set of questions, the shots jumping from showing Ryan driving in his Mercedes to shots of him getting ready for the next set.

On playing with a band:

“I've plugged into loop pedals. I've recorded myself into a tape recorder and played back over that. I've done everything I could possibly do to simulate more than me, and there's nothing like playing with other people. I just completely hunger for that community.”

On the acoustic set:

“The acoustic stuff is really freeing for me because I don't have to head bop with anybody. I don't have to say like, 'here is where we're going.' If I heard a song that afternoon, I can just throw it in. And it also reminds me of starting out, which had a lot of kind of innocence and excitement to it.”

On the blues trio and band set:

“The band is kind of like my pop sensibilities. What I love doing with melodies, and lyrics, and hooks. And when I got successful with that I felt a little bit cornered by it, knowing that there was some other stuff that I wanted to get out. Almost the antidote to the pop stuff is the blues trio.”

8:55 PM - July 16th, 2011


Back in the dressing room, Hernandez is seen with his full black suit on standing in front of a mirror as he adjusts his tie. His other two bandmates of the blues trio are shown in another room getting ready, also sporting matching black suits like the one Ryan has on. A crew member comes inside their dresser asking them if by Ryan's request they could kill the pocket squares and just go black suits, Beatles style. Drummer Steve Jordan chuckles and tells him, “We're not the freakin' Beatles. First of all, we got collars on. Are we gonna take the collars off? Ask him if the collars are coming off.”

12:45 PM - July 16th, 2011


On making blues music:

“I don't think the blues thing would have happened if I hadn't been as successful as I was playing pop tunes. Then I realized that it didn't tell the whole story. There is something really frustrating about people saying, 'No, no. We got it, we got it.' When you go, 'No, no, no. There's another part of the story.' You know, I'm only really happy if people are still feeling like they still haven't seen the whole reverie.”

The shot now shows Ryan driving looking through his windshield. “Who's the Prius behind us? Do you know that guy? That guy's been following us from John Varvatos.” His manager tells him that it's probably just a paparazzi who wants to get his picture, which Ryan replies by saying, “He wants to know where I'm going.” He pulls his uncombed hair back. “So that guy is not with us behind us, is that correct?” Ryan pulls his car onto the side of the road waiting for the car behind them to pass. “How much do you wanna bet that guy is gonna make a u-turn and is gonna come back to take pictures.” When he is done with his sentence, we see the driver of the car that was following them roll their window down, showing a man with red hair and a big red beard. Ryan starts to say singsongy, “I'm a loser, nobody likes me. I'm a guy with a red beard, environmentally safe. I'm a guy with a big red beard, I followed Ryan Ross Hernandez, all the way here.” He improvises looking directly at the camera beside him.

9:00 PM - July 16th, 2011


Ryan along with his trio mates, bassist Pino and drummer Steve, are seen all dressed up in matching black suits. They all huddle up and pile their hands together on top of each other. Pino and Steve look to Ryan to tell them what it is. “Loose and colorful.” They all share a chuckle, but agree to it. Ryan quickly counts them up to three before they say it together, “Loose and colorful!”

The scene jumps to show the trio walking the backstage hallways of the Staples Center, making their way to the stage with Ryan walking in the middle discussing the setlist with them. “It's gonna sound awesome 'cause we have Steve starting it off, then you Pino, are gonna come in smooth as a motherfucker. Then I finally go out, and I promise you a lot of people are gonna know that opening cover.”

Edited by user 26 July 2011 16:07:20(UTC)  | Reason: Not specified

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