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Offline snap_itshannah  
#1 Posted : 14 December 2012 10:02:56(UTC)
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PRESENTING: ADA

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"Gott help the person who bought this CD. You are either the most hipster person on earth, or you looked at the front cover, saw a half naked redhead, and decided that it could not hurt to buy it. Well, either way, thank you for contributing money so I can continue to fuel my drug addiction. I am kidding. Maybe. Anyway, I am Ada von Wannemaker, and this is my first CD. I released it on December 13th independently, and it is my baby. Most of the songs were inspired by my friends, my family, or my husband. Oh, ja... My husband is Erich Hess. Yes, that Erich Hess. So we can all imagine what many of these songs are about... One time, Herr Hess and I had sex in an abandoned gas station. True story. Anyway, there are a lot of stories behind many of my songs. Many stories that many people do not know about. And many of the songs are in German. Sorry for those fans who cannot read German, but that is your loss. It is a beautiful, threatening language. I recommend all learn it-- Oh, one time Erich and I stole a truck from a couple of blind and deaf farmers when they were trying to sell us their corn. Ja. We are awful. I love him so much."


TRACK LIST:
1. My Love (feat. Erich Hess)
2. Rise
3. All of Them
4. The Divorce
5. On the Duke of Winchester
6. The Day the Devil Came to Berlin
7. Dvorak
8. Berlin Bay
9. Mother
10. The Death of a First Love
11. To Erich Hess
12. Without Me
13. Onions
14. My Last Family Vacation

Edited by user 03 January 2013 02:20:59(UTC)  | Reason: Not specified

thanks 5 users thanked snap_itshannah for this useful post.
erich hess on 14/12/2012(UTC), niggajones on 14/12/2012(UTC), stephaniewazhere on 14/12/2012(UTC), Walton on 14/12/2012(UTC), RoseJapanFan on 27/12/2012(UTC)
Offline snap_itshannah  
#2 Posted : 14 December 2012 10:08:10(UTC)
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TITLE: My Love (feat. Erich Hess)
BY: Ada von Wannemaker and Erich Hess
LENGTH: 3:13


The song starts off with the sounds of people speaking in the background. The sound of Ada's guitar starts in a slow, slow, quiet melody as she sings in a drunken, dazed sort of voice:

My love is like a powder keg
My love is like a powder keg in the corner of an empty warehouse
Somewhere just outside of town
About to burn down


Erich Hess comes in, his voice practically echoing Ada's and he sings:

My love is like a Cuban plane
My love is like a Cuban plane flying from Havana
Up the Florida coast to the 'Glades
Soviet made


Both Erich and Ada sing together, their voices harmonizing together perfectly as they sing:

Our love is like the border between Greece and Albania
Our love is like the border between Greece and Albania
Trucks loaded down with weapons
Crossing over every night
Moon yellow and bright
There is a shortage in the blood supply
But there is no shortage of blood


Ada sings the last two lines alone as the guitar starts to fade out.

The way I feel about you, liebling, I cannot explain it
You have got the best of my love


In the silence, you hear somebody clapping. Ada's distant voice says, "Danke," and the song ends.

SOUNDS LIKE:

Edited by user 14 December 2012 10:51:03(UTC)  | Reason: Not specified

thanks 5 users thanked snap_itshannah for this useful post.
erich hess on 14/12/2012(UTC), niggajones on 14/12/2012(UTC), stephaniewazhere on 14/12/2012(UTC), Walton on 14/12/2012(UTC), RoseJapanFan on 27/12/2012(UTC)
User is suspended until 16/05/4760 03:38:29(UTC) stephaniewazhere  
#3 Posted : 14 December 2012 10:32:51(UTC)
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Stephanie Fierce: If you're not the next groundbreaking act, then I'm just gonna groundbreak someone's face, cause you are above and beyond. Love you, like I hardly say this shit about anyone, but I'm a fan. May I have your autograph?
thanks 1 user thanked stephaniewazhere for this useful post.
snap_itshannah on 14/12/2012(UTC)
Offline snap_itshannah  
#4 Posted : 14 December 2012 10:37:43(UTC)
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Quote:
Stephanie Fierce: If you're not the next groundbreaking act, then I'm just gonna groundbreak someone's face, cause you are above and beyond. Love you, like I hardly say this shit about anyone, but I'm a fan. May I have your autograph?


Ada: Oh! Danke, danke, danke! I love you, too, Frau Fierce! :)
Offline erich hess  
#5 Posted : 14 December 2012 11:06:48(UTC)
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karoliena: damn,girl. you got it for erich bad! though your dodgy taste in men has inspired some fantastic music.i love you and your music.


erich:my wife is vastly more talented than i,and i'm fine with this.i cant believe she just told the world we had sex in a gas station...but whatever inspires my baby is fine with me.


karoliena:you two are so cute together,i want to jab my eyes out with a corn cob.
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snap_itshannah on 14/12/2012(UTC)
User is suspended until 28/07/4752 18:55:55(UTC) Walton  
#6 Posted : 14 December 2012 11:26:34(UTC)
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OOC: Grreeeaaatt job on this! :) Love the lyrics! :)
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snap_itshannah on 14/12/2012(UTC)
Offline snap_itshannah  
#7 Posted : 14 December 2012 11:35:08(UTC)
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Quote:
OOC: Grreeeaaatt job on this! :) Love the lyrics! :)


OOC: Thank you so much! :)
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Walton on 14/12/2012(UTC)
Offline Andre Gandra  
#8 Posted : 14 December 2012 11:35:18(UTC)
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Magie: That's a very unusual sound... it differs from everything out there right now, I'm interest don it... let's wait the rest of the album ;)
Characters

Magie Lena
Abie Lena
Julia Volkova
mISTER_b
Groove In Downtown

I was gone for a while, but I'm back (not that you care about LOL)
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snap_itshannah on 14/12/2012(UTC)
Offline snap_itshannah  
#9 Posted : 14 December 2012 11:36:51(UTC)
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Quote:
Magie: That's a very unusual sound... it differs from everything out there right now, I'm interest don it... let's wait the rest of the album ;)


Ada: Unusual in a good way, ja? I hope you enjoy the rest! :)
Offline Andre Gandra  
#10 Posted : 14 December 2012 11:46:36(UTC)
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Originally Posted by: snap_itshannah Go to Quoted Post
Quote:
Magie: That's a very unusual sound... it differs from everything out there right now, I'm interest don it... let's wait the rest of the album ;)


Ada: Unusual in a good way, ja? I hope you enjoy the rest! :)


Magie: Definitely in a good way, it's inspiring and very soft listen.
Characters

Magie Lena
Abie Lena
Julia Volkova
mISTER_b
Groove In Downtown

I was gone for a while, but I'm back (not that you care about LOL)
Offline snap_itshannah  
#11 Posted : 15 December 2012 15:16:43(UTC)
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TITLE: Rise
BY: Ada von Wannemaker
LENGTH: 3:51


The song starts with silence, and then Ada whispering, "Eins, zwei... Eins, zwei, drei, vier," And then she begins singing in a very high pitched voice, strumming her guitar in a happy, up-beat tempo:

Ich höre sie quietschen
Ich sehe sie putzen
Fans verteilen
Ordentlich und sauber


The song slows down slightly as Ada sings, her voice back to her normal tone:

Grab hold of the morning
Head out to the porch
Feel the wind stopping


Her voice gets faster...

Feel the sun scorch
I fear for my safety
You can see it in my eyes
In an hour so two


Ada draws out "rise..."

We will rise

Ada's voice returns to the fast pased tempo that it was at before.

Dann eine scharfe Brise kickt up
Ich umarme mich hart


For this single line, Ada's voice goes back to the high pitched tone that it was at before, and the song speeds up again to the faster tempo.

Wie kommt es Pfauen im Vorgarten?

The song remains at the same fast tempo, but Ada sings in her normal voice:

Sun is all prickly
On my neck
When the helicopter passes
We both hit the deck
Hands grasping and groping


The song goes back to the slower tempo, with Ada holding on to the end of "rise." The song fades out with Ada's guitar, and then the sound of Ada putting the guitar down on the ground.

Seizing opportunity
Right where it lies
The sky will fall
We will rise


SOUNDS LIKE:
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Offline erich hess  
#12 Posted : 15 December 2012 15:26:25(UTC)
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erica: wow. ada makes me want to burn my song book and delete my back catalog. lets hope some of her talent rubs off on erich.

karoliena: trust me. there is lots of rubbing between those two!
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snap_itshannah on 15/12/2012(UTC)
Offline snap_itshannah  
#13 Posted : 16 December 2012 07:14:47(UTC)
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TITLE: All of Them
BY: Ada von Wannemaker
LENGTH: 3:06


The song features piano, guitar, and drums all play a slower ballad sound, with a jazz undertone. Ada's voice is deep and sultry, almost with a seedy nightclub feel to it. There's a slight echo to her voice, as if she were singing in an abandoned building.

This place with its old plantations
These roads leading out to the sea
This day full of promise and potential
More clay pigeons for you and me
All of them, all of them
All of them, all of them
All of them, all of them, all of them, all of them
All lined up

Riesige Krähen Herumlungern am Bordstein
Unsere gemeinsame Wege entwirren hinter uns wie Bänder
Und ich träumte von Geiern
In den Bäumen rund um unser Haus
Und Zikaden und Heuschrecken
Und das Geschrei unzähliger Gibbons
Alle von ihnen allen von ihnen
Alle von ihnen allen von ihnen
Alle von ihnen allen von ihnen allen von ihnen allen von ihnen
Alle aufgereiht

How long will we ride this wave out?
How long until someone caves under the pressure?
My dreams are haunted by armies
Armies of ghosts
Faces too blurry to make out
Numbers far too high to measure
Your face, like a vision straight out of Donnie Brasco
Late light drizzling through your hair
Your eyes, twin calcanoes
Bad ideas dancing around in there
All of them, all of them
All of them, all of them
All of them, all of them, all of them, all of them
All lined up

SOUNDS LIKE:
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Offline snap_itshannah  
#14 Posted : 18 December 2012 02:43:44(UTC)
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TITLE: The Divorce
BY: Ada von Wannemaker
LENGTH: 2:52


The song has a very mellow feel to it, almost like The Carpenters. The song starts with just Ada and her guitar. It's a slow, melancholy beginning, with Ada's smooth voice sailing through it.

Schauen Sie über den zerbrochenen Flaschen
Vorbei an den verrottenden Holztreppen
Auszumerzen den Wein-dark Honig-Center
Nicht jeder kann wie Millionäre leben


Ada continues to sing in the same slow fashion, but the guitar begins to pick up, playing a more faster paced and joyful melody while a drum joins in, matching the guitar in rhythm.

Schauen Sie durch den Luft-dünne Wände
Zerreißt die Dielen Streifen die Farbe
Fahren Sie über jeden Zentimeter des Raumes
Mit der Geduld eines Heiligen
Schnappen Sie sich Ihre Hut zu bekommen Ihren Mantel
Die Kellertür ist eine offene Kehle


The drums fade out, and the guitar goes back to the same slow melody it had before. As Ada sings, there is an echoing effect to her voice, and the two lines seem to blend together.

Look past the kitchen cabinets
Go through the chest of drawers


The music suddenly stops, as well as the echoing voice. There's a split moment where it seems like the song is over, and then Ada begins to play again, the same slow rhythm that is the song.

Scrutinize the casements
Rip the varnish off the doors
Dig up the laughing photographs
They are here somewhere or other
Take what you can carry
But let me tell you, father


The guitar stays the same, but Ada whispers the last three lines, a very menacing sound to her voice.

Still waters go stagnant
Bodies bloat
And the cellar door is an open throat


The guitar fades out, and Ada giggles before the song cuts.

SOUNDS LIKE:
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Offline erich hess  
#15 Posted : 18 December 2012 02:52:41(UTC)
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Ooc: I think that one is my favorite. The carpenters are so depressing. I love it
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Offline snap_itshannah  
#16 Posted : 18 December 2012 02:54:24(UTC)
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Quote:
Ooc: I think that one is my favorite. The carpenters are so depressing. I love it


OOC: DON'T YOU REMEMBER YOU TOLD ME YOU LOVED ME, BABY?! :) thank you! I think this might be my favorite as well...
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Offline snap_itshannah  
#17 Posted : 19 December 2012 09:49:32(UTC)
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TITLE: On the Duke of Winchester
BY: Ada von Wannemaker
LENGTH: 2:44


When the song starts, it is obvious that absolutely no editing went into the song at all. It's scratchy, hard to hear at times, and it is ocassionally obvious that Ada played the wrong chord on her guitar. The song has a very fast paced, happy, folk-country feel to it.

I have got you
You have got whatever is left of me to get
Our conversations are like minefields
No one has found a safe way through one yet
You spend a lot of money
You buy me white gold
We raise up a little roof
Against the cold


The guitar suddenly stops, and Ada sings the next four lines a cappela.

On the Duke of Winchester
Where at night, the stars blow like milk across the sky
Where the high wires drop
Where the fat crows fly


The guitar starts up again, but it's not as quick paced as it was before. Both her voice and the sound of the guitar sound hesitant, as if they were too scared to play any louder or faster.

All night long, we giggle and scream
Your brown eyes deeper than a dream
I am not going to lose you
Though we may never get married
In this house like a Louisiana graveyard
Where nothing stays buried
On the Duke of Winchester
Where the dead will walk again
Put on their Sunday best
And go with unsuspecting Christian men
La la la la la


The guitar continues to play after Ada finishes singing, the melody continuing to remain hesitant, and then speeding up again into the original melody, and then finally returning to the hesitant melody, where it fades out completely.

SOUNDS LIKE:
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Offline snap_itshannah  
#18 Posted : 20 December 2012 04:45:47(UTC)
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TITLE: The Day the Devil Came to Berlin
BY: Ada von Wannemaker
LENGTH: 3:26


The song has a mostly folk-rock feel to it, using drums, guitar, and Ada's voice only. It's a fast-paced song, up-beat song. Ada's voice, however, seems far away, giving the song a touch darker feeling.

Pech kommt aus Berlin
Pech kommt aus Berlin
Auf der Rückseite eines Lastkraftwagens
Doing 90 bis der Autobahn
Wir haben schlechte Träume in der Nacht rollt er in
Wir haben schlechte Träume in der Nacht rollt er in
Und wir versuchen, unsere sprits hohen
Aber sie markieren und sie schwinden


Both the drums and the guitar seems to calm down, with Ada's voice being heard strongly over them, singing with a bit more passion than before.

Als der Lastwagen zieht vor der Tür
Im Lichte Frühlings-regen
Und sie wie Welken Blüten durchhängen
Lassen Sie die guten Zeiten rollen
Durch diesen ersten paar verzweifelte Stunden


The music seems to slow down even more, as if the song were about to end, and then, in a sudden burst of energy, it speeds up again, giving the whole song a sort of militaristic feeling, with the same beat being played over and over again.

Ja, the drive drops his cargo at the curb
The driver drops his cargo at the curb
And the sun peeks in
Like a killer through the curtain
And when cloven hoof prints turn up in the garden
Ja, when cloven hoof prints turn up in the garden
We keep up the good fight
We keep our spirits light


The song slows down from the harsh beat it was playing, to the same original melody, her voice taking on a more sympathetic feeling to it.

But they draw like flies
And there's a stomach-churning shift
In the way the land lies
And they lean like towers


There's a small, instrumental break, where the guitar and the drums continue to play their happy melody, but the melody seems to become more and more calm until it's barely playing. Slowly, carefully, the music begins to speed up, becoming louder and louder, with Ada singing over it:

On a hillside struggling to stand
Through these first few desperate hours
Ja


The music comes to a haulting stop. The song ends.

SOUNDS LIKE:
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Offline snap_itshannah  
#19 Posted : 22 December 2012 09:47:05(UTC)
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TITLE: Dvorak
BY: Ada von Wannemaker
LENGTH: 4:07


The song starts off with Ada’s guitar plays a slow, sweet melody. She plays this few a few moments before she starts to sing, her voice coming in softly and melodically, as if she were just a distant memory.

Clear sky over Berlin
A warm wind
Dvorak on the short wave
Clear signal coming in


Ada stops playing the guitar and begins singing the chords of Dvorak’s Symphony No. 8 softly.

La la la
La la la la la la
La la la
La la la la la la la


Ada goes back to singing with the guitar, but her voice is much louder now, almost as if the sound of Dvorak has brought her back to life.

Long vowels spill like liquid from your mouth
I hang on every word you say
An army of transistor radios on the bookshelf left on all day
Let them play, ja, let them all play on and on and on
Let them all play longer and louder and long after you are gone


She begins to sing Dvorak’s Symphony No. 8 again, her voice much stronger and more confident than it was the time before, again in a cappela.

La la
La la la la la la
La la
La la la la la


Ada’s voice is at full force now, with the guitar, as she sings the last few lines as if she were in some sort of mental anguish. The first “la la la la’s” of the Dvorak are played along with the guitar.

Clear sky sheltering our fragile little house
Listening to the radio all the time
Your hand on meine forehead as though to check for a fever
Ja, big plans in mind
La la la la


The guitar is cut out, but Ada continues to sing the Symphony No. 8 without it.

La la la la la
La la la la
La la la la la la
La la


Ada’s voice begins to get quieter and quieter until at the last “la,” her voice is the same as it was when the song started.

La la la la la la
La la


SOUNDS LIKE:
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Offline snap_itshannah  
#20 Posted : 27 December 2012 10:42:52(UTC)
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TITLE: Berlin Bay
BY: Ada von Wannemaker
LENGTH:3:23


Ada speaks the first, second and third verses, no music at all, just speaking the words, her voice echoing, as if she were in an empty room, her accent come through very clear and loud. Her voice is very drunken, almost in a Patti Smith sort of style as she speaks.

I could almost hear the rhythm section kick in as the sun began to blaze. I saw you walk across the plaza. Figured I would just play it like it lays… Ja, ja, ja... I think I am going to be really sick again. I think it is going to happen really soon. And I know I cannot afford another night here in this place, with its sixteen floor view of the ocean and the dunes. And it is going to be just you and me today, waiting for the other shoe to drop on the Berlin Bay. I can hear the roar of the crowd in the stadium a couple blocks away. It is the kind of thing that used to get me all worked up...

A guitar is heard, first a slow rhythm, but starting to speed up into a very folk-like melody, her voice become less of a speaking voice and more melodical as she goes.

But I do not want to talk about it now, okay? Okay. Okay.

I just want to get this whole thing over with.
I do not want to deal with it anymore
I hear the cogs all slipping at the same time
And then I see you walk in through the door
And it is going to be just you and me today


The guitar comes to a sudden stop, and Ada speaks the last line.

Waiting for the other shoe to drop on the Berlin Bay.

SOUNDS LIKE:
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