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Offline genocidal king  
#121 Posted : 13 September 2011 06:30:03(UTC)
genocidal king
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Originally Posted by: RoseJapanFan Go to Quoted Post
Originally Posted by: genocidal king Go to Quoted Post
Originally Posted by: RoseJapanFan Go to Quoted Post
Gia: I'm confused right about now.


Scott: Whyyyy?


Gia: Why is Eric signed to Studio60 if Infinite is signed here?


Scott: I do believe he is a solo artist with your fine fine self, and a band here.
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Offline genocidal king  
#122 Posted : 13 September 2011 06:30:22(UTC)
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Originally Posted by: Marksy Go to Quoted Post
OOC: why aren't TVIV on the artist list? haha


OOC: Hmmmmm, I dunno, I'll add them now lol
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Offline RoseJapanFan  
#123 Posted : 13 September 2011 06:31:28(UTC)
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Gia: He's not even solo yet! :/ Why am I keeping someone who hasn't done anything solo yet? I might as well kept Billie!
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"My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar



Offline genocidal king  
#124 Posted : 13 September 2011 06:33:56(UTC)
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Scott: STINSON! Here Gia.....deal with this guy *runs away*
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Offline RoseJapanFan  
#125 Posted : 13 September 2011 06:36:41(UTC)
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Gia: Ugh! Seriously, you can have him really, ALL of him, solo, band, everything. I don't like keeping someone who doesn't do anything.
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"My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar



Offline genocidal king  
#126 Posted : 14 September 2011 01:49:30(UTC)
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Have yourself a listen.....Billie's done a new tune


SPACE


"This is probably the most pop type song that I have ever written but it still has a rocky edge to it, cos that's they way I roll, ha! Basically 'Space' is about having open opportunities and having a feeling of freedom or 'space' for you to do what you want. You've cleared out the old guy and everything he stood for and you're ready to move on to the next chapter of your life. I wrote this song solely on my own. The inspiration comes for the song comes from my cousin who finally now has the 'space' she needs after getting out of a draining relationship.!



Stop wasting my time
If you wanna leave, then go
I'm not gonna force you to stay.

Pack all of your bags
Go and catch your bus
I hope that she's worth the fare.

Do you think I'm hurt?
Wrong!
That I'm sitting in tears?
No!
It's better that your gone
Now, I got some space to breathe

Goodbye,
Don't come calling round any time
Since you'd rather be with your bit on the side.
I'm moving on with my life,
There's plenty space here for a new guy.
SPA-A-CE
SPA-A-CE
There's plenty space here for a new guy.

You're way in the past
There's not a trace that you were here
It's great to feel so free.

I guess your still with her
But knowing you, you've prob... moved on
To some other unsuspecting girl

Do you think I'm hurt?
Wrong!
That I'm sitting in tears?
No!
It's better that your gone
Now, I got some space to breathe

Goodbye,
Don't come calling round any time
Since you'd rather be with your bit on the side.
I'm moving on with my life,
There's plenty space here for a new guy.
SPA-A-CE
SPA-A-CE
There's plenty space here for a new guy.

You can say that you did your best for me
You can say that you planned to marry me
You could even call our love a tragedy.
YEAH QUIT YOUR DREAMING, SON
JUST GO AWAY HAVE YOUR "FUN".

Goodbye,
Don't come calling round any time
Since you'd rather be with your bit on the side.
I'm moving on with my life,
There's plenty space here for a new guy.
SPA-A-CE
SPA-A-CE
There's plenty space here for a new guy.

Goodbye,
Don't come calling round any time
Since you'd rather be with your bit on the side.
I'm moving on with my life,
There's plenty space here for a new guy.
SPA-A-CE
SPA-A-CE
There's plenty space here for a new guy.

SPA-A-CE
SPA-A-CE
There's plenty space here for a new guy.

SPA-A-CE
SPA-A-CE
There's plenty space here for a new guy.





SOUNDS LIKE

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BrownSugar on 14/09/2011(UTC)
Offline genocidal king  
#127 Posted : 14 September 2011 02:09:48(UTC)
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Looooook.....What Eric did at the weekend


In an emotional performance at the Concert for Angel, Eric Quillington paid tribute to MattY and Cherise's daughter, the victims of 9/11, and Kestrel Wolfe. It wasn't all doom and gloom, however; melodic, joyful bands such as U2 and Coldplay, longtime influences to Quillington, were both covered. In fact, the list of covers outweighed the list of originals. In Eric's words; "I like playing other people's music more than my own. When I perform 'Problems with Pluto' or 'End and Begin', I can sense the flaws in the song. The lyrics might be more personal to me, as I wrote them, but there are always a few parts I'm embarrassed about. When playing something written by Chris Martin, I'm playing something perfect."

________________________________________________________________________________________________________

[Concert for Angel; Eric Quillington]


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City of Blinding Lights (U2 Cover)

A lone figure takes the stage as deafening roars fills Hyde Park. Eric Quillington is, at this point in his career, an unquestionable superstar, so it comes as no surprise that this kind of reaction would be in response to one man. Without Greg Oldson and Matt Roberts at his side, however, he can’t help but look a tad bit lonely; he isn’t the only talented member in Infinite, and so many people have quiet doubts about whether or not he’ll be able to pull off a memorable (or even decent) concert by himself. Instead of introducing himself to the audience in a theatrical manner, as is his usual way of breaking the ice at a concert, Eric merely sits down at a piano and begins playing a tune familiar to those acquainted with U2. Written by Bono as a tribute to post-9/11 New York, it fits in well with a concert taking place exactly ten years after the tragic event.

"The more you see, the less you know
The less you find out as you go
I knew much more then than I do now
Neon heart day-glow eyes, a city lit by fireflies
They’re advertising in the skies for people like us

And I miss you when you’re not around, I’m getting ready to leave the ground
Oh, you look so beautiful tonight in the city of blinding lights"


Falling from the Sky

“Good evening, Hyde Park!” exclaims Eric, now comfortable enough to engage in a one-sided conversation with the massive crowd, “This is the part of the show where I’d typically introduce myself to the audience, and extend on a lengthy rant about what type of music I make, and what it means to me. But, this concert isn’t really centered around me, so I’ll spare you the ego-trip. But I will say this; although this is called the ‘Concert of Angel’, I feel as though it’s become much more universal than that. It’s still, of course, about the daughter a special couple will never have, but it’s also about what happened ten years ago today. And it’s about Kestrel Wolfe. This is a song called ‘Falling from the Sky’, and, from this moment onwards, I’ll be thinking about her whenever I sing it.”

With the cheers and applause from the audience in reaction to his words, the initial notes on the piano are drowned out. Once the music becomes audible, the crowd emulates a different type of noise, as a mass chorus replaces the outbursts of cheers. A melody about the aspects of Heaven is, naturally, fitting for a concert about a lost child, even if one lone line exposes Eric’s inner pessimism. As the song is from Midnight Skies, arguably the most joyful record Infinite has ever made, it seems as if it were made for such an event. As the lyric is, some would say, universal, each member of the mass sing-along recollects one specific event during the performance. Some think of the fallen during 9/11, some think of a daughter or son they’ll never be able to see. The man who penned the lyrics is, however, thinking of only one person.

“See the water flowing free, stretched across all that can be
Beauty lies in harmony, something in abundance here
We’ll stay here forever, where the stars are falling from the sky

All the endless days and nights, lying on a gold
Seagulls cry and the wind blows, all without a cloud in as sight
Nothing will be lost, yet nothing will be gained

We’ll live forever in this perfect light"


End and Begin/Strawberry Swing (Coldplay Cover)/Stand by Me (Ben E. King Cover)

“So, who to thank, who to thank…” Eric begins his final words to the audience, “Well, I don’t want to seem like a suck-up, but the list could go on for hours. So, I’ll keep it short; the people who threw this little shindig together, naturally. And, of course, the wonderful performers this evening. When I was a grungy teenager, I never even dreamed that I’d be on the same bill as GirlSpice. And, of course, the thousands of beautiful faces before me this evening. I’m also sorry for boring you all with the little piano ballads. It’s not as flashy as an Infinite concert, but I hope it’s a bit more meaningful.”

Once again, the reaction from the audience drowns out the noise emitted from the single piano. Smiling to himself in response, Eric merely keeps trickling out the notes until the secondary noises fade away. Live performances of this song with the full band of Infinite are typically a very chaotic experience, as they are meant to represent the feelings of anger and desperation over losing a loved one. This particular, stripped-down concert, however, is meant to represent a different side to grief; one of melancholy.

“Sifting through the bright lights and the haze
After all, it’s just a big maze
I can’t see the figures through the pulsing red
Been missing all the arguments and the fights
After all, it’s now so silent
I wish that we could talk about it

But there is really nothing I can do
The only way is to push through
And the worst is always hoping for more
Nursery rhymes won’t save a life that was lost"


The final line to ‘End and Begin’, although possessing emotional resonance, would be a depressing ending to an event intended by Eric to be much more positive. As such, he turns to another musical idol for closure. The words, admittedly, are also a bit of a downer, but fit in with the concert’s themes nonetheless. It’s the melody, in the end, that ends up carrying the positive energy. Coming from a man who prefers words over its accompanying music, it’s a surprising climax.

"The sky could be blue, could be gray
Without you, I just slide away
The sky could be blue, I don’t mind
Without you, it’s a waste of time"


Although he initially planned to say his last speech before the performance of ‘End and Begin’, he goes against the plan to say one final word, not to the audience, but to a specific individual, “MattY and Cherise, I cannot even begin to imagine or comprehend what you’re going through right now, but what I do know is this; you two have the strength of character to persevere.” After debating about whether or not it would be cheesy to start a crowd sing-along of ‘Stand by Me’, Eric, in the end, throws caution to the wind and prompts the audience to start by singing the first line. As he walks off the stage, the singing of 100,000 unified voices fills the air;

“No I won’t be afraid, no I won’t be afraid, just as long as you stand by me
And darling, darling…”
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infinite135 on 16/09/2011(UTC)
Offline genocidal king  
#128 Posted : 16 September 2011 02:43:01(UTC)
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Looooook.....New Infinite tunage!


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Breaking Circles
(4:43)

Alter egos are nothing new to the culture of rock and roll. Paul Hewson has used three throughout his career (Bono, the Fool, and the Fly), David Jones has used numerous (the most famous being David Bowie and Ziggy Stardust), and Eric Leopold Johnson has, up until recently, stuck with one (Quixotic Quillington). Throughout the album Dancing about Architecture, however, the latter takes on a new persona; a passive-aggressive introvert, one who believes that opening up about emotions and feelings removes the mystique of being a rock star. This new character, obviously, bears certain similarities to a man who has made a career singing songs of the outside world, rather than himself. As such, it makes sense that the second song on an album expressing newfound emotional honesty (a trait that is, admittedly, still hidden behind the pretense of being someone else) is based on the hectic relationship between the writer, and Infinite’s drummer.

Eric Quillington and Greg Oldson have shared a tumultuous history. The early days of Infinite, mostly the days between Blue Nebula and Midnight Skies, were often defined by the conflict between the two. The most notorious example was Oldson’s car accident; after hearing about the near-fatal incident, Quillington merely continued on as a support act on Reckoner’s ‘All Around the World’ tour, this time as a solo artist. These days, the relationship between them seems to have cooled, with the unfortunate side-effect of the two scarcely being seen together outside of recording studios and live concerts. It seems as though they stick together out of the necessity to preserve Infinite, rather than choice. The feeling of losing control of one’s self is the central theme behind this song, but focuses on more than just the relationship between band mates. In the beginning of his career, Infinite seemed much closer to bands like the Sex Pistols than who they are today. While critics acclaimed their debut album and live performances, the reality behind the group’s lifestyle was much more sinister than their sleek public image would have suggested.

Although he still indulges himself with drugs from time to time, most famously during his time on the Big Brother show, Quillington nowadays seems embarrassed about the angst-ridden young rocker he once was. Perhaps hypocritically, he has recently regarded such people, who became famous due to a lifestyle of partying and drug-consumption, as ‘fucking idiots’. Whether or not it’s an admission of guilt for past grievances that he sings from the perspective of a different man on this track is left for the audience to decide.

Melodic Description

The bang and clutter from the previous track continue, albeit in a much more focused manner. Aggressive guitars, drum, and bass give the song the feeling of a straightforward, yet overblown rock anthem, something Infinite has always avoided in the past. There are no guitar solos, no flash, just the simple crushing noise of something strikingly similar to 90’s grunge. Quillington’s voice, frail and cracked on ‘Properties of Glass’, now has an uncharacteristic swagger to it, sounding more like Liam Gallagher than himself. Any trace of the singer from Insomnia has been swept away entirely, making it seem as though he has lost himself entirely in, as it’s put, his ‘ego and insecurities’. But, as he admits in the next line, he has long since fallen into the habit of drowning out these human emotions with the life of a rock-star.

Lyrics

"Falling asleep at the dawn, I’ll see the world holding their breath
I get up at the dusk, and I see that the world was waiting
Never fall, never stumble, never love, never die
There’s always time for one more hit

I’m taking a swim through the pool that’s both my ego and insecurities
When I get high enough, I’m no longer able to feel the ripples
Never fall, never stumble, never love, never die
There’s always time to pretend that you’re somebody else

Breaking circles at dawn, I see the world can look past my faults
Reconstructing them at dusk, I’ll see the world was waiting for more
Never fall, never stumble, never love, never die
After all, there’s always time to forget the consequences"




Synesthesia
(5:09)

For the entirety of Infinite’s career, the band has been defined, and sometimes limited, by Eric Quillington. Despite his valiant attempts to make it otherwise, this is partially his own doing; a step towards group unity by giving Matt Roberts the lead vocals on ‘Salt’ is undermined by Quillington writing the lyrics to every track on Insomnia. The websites dedicated to the release of Infinite’s two previous albums listed the part each member played in the making of the album, unintentionally making it seem as if Infinite were made up of three solo artists working together as a team, rather than an actual band of equally important members. As such, the list of who played what on a select track no longer appears. Instead of focusing on the problem that actually matters (although they might have, it’s simply difficult to determine; Infinite are being private about the relationships between the band), they simply made it seem as though everything is strong and united.

This feeling of outward pretenses being far more important than what lies within is representative of the album as a whole. The third track on Dancing about Architecture deals with the idea that, in order to have creative works of art, you have to have creative feelings and moods. Anger and sadness have long since been relegated to such laughed-at genres as screamo and emo, but are still feelings that people endure on a daily basis. The acclaimed works of music are typically ones where emotion is filtered through cold, cerebral logic, perfected by the likes of Pink Floyd and Radiohead. Although Quillington would never admit to it, he cares very much about what people think of him. As a result, Infinite’s previous three LPs never cast a spotlight on his more basic feelings. While those albums are still genuine, as they represent a true part of his mentality, the darker parts of his personality have never been explored. Due to a desire to stay away from clichéd heart-on-sleeve bands, the desire to be unique has outweighed the need to be emotionally honest.

Melodic Description

A repetitive guitar-riff underlines the song, maintaining the heavy tones from the previous two songs, as this is the final track to the opening trilogy of songs and concepts. During the verses, Quillington’s voice, although still retaining familiar qualities, now sounds cracked and hoarse, similar to Bono’s on the U2 track ‘Mofo’. Fittingly for a band who have made a strong effort to break away from traditional song-structures, the only chorus on Dancing about Architecture almost seems as if it doesn’t belong at all. The two lines and their musical accompaniment seem nothing like the simple, almost dirge-like music that surrounds it. In contrast to the lyrics, the melody temporarily becomes a beautiful homage to Infinite of the past. As the guitar, free of distortion, echoes peacefully, Quillington’s falsetto seems to have slipped away from its broken nature for one brief moment.

Lyrics

"Dear sir, please spare a penny for the blind
Take me through the spectrum, as the sounds turn to color
As you can see, my dreams of being a performance freak have failed
Does that still make me special?

And for a minute, the moth thought he was the flame
The muse mistook herself as the masterpiece

Good afternoon, it’s nice to talk to someone for an hour
All my plans for the future were abandoned when I rewrote the past
As you can see, there’s nothing that’s been troubling me
Does that still make me a tortured artist?

And for a minute, I lost myself in the beauty
In the end, I ran out of words to rhyme"


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infinite135 on 16/09/2011(UTC)
Offline genocidal king  
#129 Posted : 21 September 2011 06:43:01(UTC)
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Inspired by another label...we are going to brutally slice our roster. Some artists have shown no progress or activity in the months since they were signed....some of them will go. And we have one SHOCK departure as well....a real shock. Is it you?
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RoseJapanFan on 21/09/2011(UTC)
Offline Laurelles1  
#130 Posted : 21 September 2011 06:44:52(UTC)
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Jason: Oh God, oh God, oh shit, oh God... WE'LL MAKE ANOTHER ALBUM, I SWEAR D:
Awards (stroking myself and thinking I'm superior):
@Chaos awards:
Best Band - Mind
Best Album - Shattered Fairytale by Mind
Technical Ecstasy - Jason Smith (x3)
Best Solo Male - Jason Smith
Birdies:
Best Producer - Jason Smith

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Offline genocidal king  
#131 Posted : 21 September 2011 06:45:45(UTC)
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Scott: Jason...you need not panic buddy. You're safe.
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Offline RoseJapanFan  
#132 Posted : 21 September 2011 06:47:06(UTC)
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Lily: Well......all I know is, it had better not be me. :)
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"My God! We truly are a talented bunch. The fact that we write entire albums all on our own while the biggest stars in the world have 45 co-writers on ONE track?? Where the hell are OUR record deals and GRAMMYS?" -BrownSugar



Offline Laurelles1  
#133 Posted : 21 September 2011 06:47:43(UTC)
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Jason: Oh thank God... I mean, uhhhh... of course we are, heh heh <:D Thanks man.
Awards (stroking myself and thinking I'm superior):
@Chaos awards:
Best Band - Mind
Best Album - Shattered Fairytale by Mind
Technical Ecstasy - Jason Smith (x3)
Best Solo Male - Jason Smith
Birdies:
Best Producer - Jason Smith

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Offline infinite135  
#134 Posted : 21 September 2011 06:48:37(UTC)
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Please don't cut off Infinite. We're sort of releasing an album at the moment, so I hope that counts as progress. Plus, I keep getting told that we're one of the biggest bands on earth. So that's a reason to keep us, right?

-Eric Quillington
Kid Anything- Indie/Britpop/Shoegaze; influenced by Sigur Ros, XXYYXX, Kanye West, Blur, Oasis

(Bringing together an eclectic group of influences, Ulysses' songs are sung with carefree abandon by Nick Junk)

Kurt Ulysses - Songwriter, Guitarist, Backup Vocalist
Nick Junk - Vocals, Mojo



Infinite- Alternative/Experimental Rock; influenced by Muse, Radiohead, and The Beatles

(Known best for their experimental music and their frontman's eccentric behavior, the band disbanded after Eric Quillington's death to pursue solo careers or, in Matt Robert's case, peace of mind. Infinite released four albums over the course of their career; Blue Nebula, Midnight Skies, Insomnia, and Dancing about Architecture.)

Eric Quillington (Deceased) - Lead Vocals, Lead Guitar, Piano, Primary Lyricist
Matt Roberts - Bass
Greg Oldson - Drums, Backup Vocals, Secondary Lyricist
Amelia Florentine - Keyboards, Piano, Lyricist, Backup Vocals

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"When asked 'how do you write?' I invariably answer, 'one word at a time', and this answer is invariably dismissed. But that's all it is. It sounds too simple to be true, but consider the Great Wall of China, if you will: one stone at a time, man. That's all. One stone at a time. But I've read you can see that motherfucker from space without a telescope."

- Stephen King
Offline Marksy  
#135 Posted : 21 September 2011 06:48:40(UTC)
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Sam: It better not be us, we've got big plans and have new music on the way! *panics*
Offline genocidal king  
#136 Posted : 21 September 2011 06:52:14(UTC)
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Scott H: Haha Eric...you think Infinite have to worry about getting cut? Never dude.
And Mr Maine, don't tell me you missed the praise I gave TVIV when I signed you...that should at least reassure you haha.
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Offline Marksy  
#137 Posted : 21 September 2011 06:53:22(UTC)
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Originally Posted by: genocidal king Go to Quoted Post
Scott H: Haha Eric...you think Infinite have to worry about getting cut? Never dude.
And Mr Maine, don't tell me you missed the praise I gave TVIV when I signed you...that should at least reassure you haha.


Sam: You can never be too sure of things nowadays Scott! But thank god for that, I'm extremely interested in who else it is..
Offline GirlSpice  
#138 Posted : 21 September 2011 06:56:15(UTC)
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Chantal: Drop GirlSpice and I'll make every sorry excuse for a human being at this label pay. BIG TIME.

Sophia: Don't be silly babes! Don't listen to her! Hehe! But that would be soooooooo sad!
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Offline genocidal king  
#139 Posted : 21 September 2011 06:59:28(UTC)
genocidal king
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Scott H: haha if I was stupid enough to drop GirlSpice then I'd need to make myself pay Chantal. I love the attitude though ;)
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Offline GirlSpice  
#140 Posted : 21 September 2011 07:02:43(UTC)
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Chantal: It depends what you pay me in... yeah, I get the attitude thing a lot.
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